Staging the opera

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Date
1957
Summary
Describes the fundamental relationships existing between music, staging, and words in the successful and meaningful production of an opera. Stresses the importance, on the part of the stage director and the actors, of understanding the language of the music in arriving at staging procedures. Shows correct and incorrect examples of fitting stage movement to the music using selections from Don Giovanni, Faust, and Carmen. (WQED) Kinescope.
Contributors
Boris Goldovsky; John W. Ziegler; Larry Flavin; WQED, Pittsburgh
Publishers
National Educational Television; Indiana University Audio-Visual Center
Genres
Educational; Opera
Subject
Music ; Opera
Collection
National Educational Television
Unit
IUL Moving Image Archive
Language
English
Rights Statement
No Copyright - United States
Physical Description
1 Film (0:29:30); 16mm
Other Identifiers
IULMIA Film Database: 40000003381763; Other: GR00428965; MDPI Barcode: 40000003381763

Access Restrictions

This item is accessible by: the public.