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Black and white footage of homes and buildings that have been damaged and destroyed, possibly as the result of a tornado. Ends with a man scaling a catfish. Location unknown.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Features Castillo de San Gabriel and street scenes showcasing local inhabitants and buildings.
Travelogue documenting Bailey's trip to Denmark circa 1971. Primarily shows a harbor with glaciers, local flora, and village life. Shots of men working on boats and doing construction.
Home movie of Bailey's trip to Iceland circa 1971. Shows large cruise ships in a harbor. Brief shots of a geothermal area with steam rising from the ground.
Home movie taken while sailing in Lake Michigan and down the Calumet River circa 1967. Mostly shaky footage of the skyline and industrial activity along the river, possibly taken from a tourist boat.
Home movie of Bailey's trip to Iceland circa 1971. Street scenes of Reykjavik, Iceland in the public square Austurvöllur. Also shows the British and American embassies.
Home movie of Bailey's trip to Greenland circa 1971. Shows Bailey and Carson Ritchie in a small coastal village. Captures many images of locals, particularly women, performing household and agricultural labor.
Home movie of Bailey's trip to Iceland circa 1971. This film shows a geothermal area in Iceland that features bright blue pools, bubbling hot springs, and steam rising from the ground.
A continuation of the home movie footage from [Lake Michigan and Calumet River ca. 1967]. This film focuses more on the river's industrial activity, showing trains, warehouses, and large piles of limestone.
A continuation of the home movie footage from [Lake Michigan and Calumet River ca. 1967 #2]. This film focuses more on the river's industrial activity and large shipping boats.
A continuation of the home movie footage from [Lake Michigan and Calumet River ca. 1967 #3]. This film focuses on the river's industrial activity, showing factories, trains, large ships.
Home movie of Bailey's trip to Iceland circa 1971. Street scenes of Reykjavik, Iceland (appear to be taken from hotel balcony). Features exterior shots of Neskirkja and Hotel Saga.
Home movie taken at Angkor Wat in Cambodia. Much of the footage is dark and difficult to see. Buddhist monks in bright robes can be seen around the temple.
Footage of the coastal village of Kirkjubøur in the Faroe Islands. Primarily shows the local landscape and wandering sheep. Features exterior shots of Saint Olav's Church.
Begins with the same woman in a corn field from the end of [Lake Paradise, Illinois ca. 1966] and agricultural workers operating machinery. Also features some footage of Bailey's hometown of Mattoon, Illinois, including the square and The Little Theatre.
Home movie of the main street and businesses of Noble, Illinois, including the Noble Milling Company. Shows Bernadine Bailey peeks into a silo, oils wells, and men at work. A man opens a valve and oil pours out as the well pumps.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows the seaside landscape and cliffs of Lanzarote. Bailey boards a plane leaving Lanzarote and films and view from the window, including shots of Mount Teide.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows Bailey and Carson Ritchie riding a camel with a two-seater saddle. Lots of footage of other tourists on camels and along the beach.
Home movie of Bailey's trip to Iceland circa 1971. Carson Ritchie (Bailey's third husband and travel companion in the early 1970's) walks along the shore of a small river. Shows people in a rowboat.
Footage of the coastal village of Kirkjubøur in the Faroe Islands. Primarily shows the rural landscape and inside of St. Magnus Cathedral. Brief exterior shots of Saint Olav's Church.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows the metropolitan area and seaport of Las Palmas in Gran Canaria, including the Don Juan hotel. We see Bailey is traveling with her husband, Carson Ritchie.
Home movie of Bailey's trip to Iceland circa 1971. This film shows a visit to Skálholt featuring its rural landscape and historic cathedral. Brief shot of girls in traditional Icelandic dress. Next, Bailey and Carson Ritchie visit Gullfoss and pose together in front of the falls.
Film begins with British Merchant Navy ship. Primarily shows blurry footage of Fiji, including a village with thatched roof buildings and new construction. Local children interact with and smile for the camera. A storefront advertises Procera bread. The film then shows a busy intersection in a town - the crowd is diverse with people in traditional and western-style clothes.
Home movie of Bailey's trip to Iceland circa 1971. This film shows a visit to Seljalandsfoss and the surrounding landscape. Brief shot of a small bubbling geyser. In Reykjavik, the camera captures the public square Austurvöllur taken from the balcony of the Hotel Borg.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows rock formations in Teide National Park, a local harbor, street scenes in an unknown town. More footage taken from inside a plane, now flying over the water and landing. Ends with views of the ocean taken from a hotel balcony.
Black and white scenes of a market in Norway. People selling fish by a harbor, an old woman buys flowers from a cart. Scenes on a city street and views of the sea. Exterior shots of Borgund Stave Church. Ends with footage of cars being hoisted onto a ship.
Home movie of Bailey's trip to Iceland circa 1971. Shows close-up shots of flowers and trees blooming. Carson Ritchie (Bailey's third husband and travel companion in the early 1970's) and another man crossing a small river (the water is very bright, possibly another geothermal area). Footage taken from a boat sailing down the river.
Footage documenting Bailey's travels to the Canary Islands circa 1971. The film begins with Bailey as the subject - she waves and blows kisses to the camera. We see she is traveling with her husband, Carson Ritchie. He poses outside the Tahiche Club. The camera captures scenes of the coastline with many beach-goers enjoying the sun. Bailey and Ritchie take turns filming each other walking around their hotel.
Home movie of Bernadine Bailey and her second husband, George W. McCord. They were married from 1946-1947 and resided in Florida. The film shows a sunrise Easter service being held at Castillo de San Marcos in St. Augustine. Next are scenes of flowers in a garden and Bailey and McCord sunbathing. She is reading the June 1946 issues of Holiday magazine. The original title indicates that this was shot at 223 E. Superior St in Chicago, a residence Bailey held during the 1940's.
This films has a persistent flickering image that may make some viewers feel disoriented.
Home movie footage of the Pacific Ocean taken from a boat in the port of Singapore.
Home movie of Bailey and an unknown male companion golfing at the Medinah Country Club in Medinah, Illinois. Also shows a few brief shots of a house and garden. Late 1950's era.
Home movie of Bailey's trip to Iceland circa 1971. Footage taken from a window of a plane taking off. Glaciers are visible as the plane flies over the Arctic Ocean. Shows Bailey and Ritchie disembarking in Iceland.
Begins with exterior and garden of Valencia Apartments, Bailey's residence in St. Augustine with her second husband, George W. McCord. Bailey and McCord kiss for the camera, then she and her friends walk around the garden.
Home movie taken circa 1965 in an unknown location, likely in Illinois. Shows men on tractors working in a field and using farm machinery to plant crops.
