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A man in a suit steps out of a Plymouth car while he's parked next to a ranch-style house. He starts talking about the great features of the car and its solid build when a copy of him walks on screen and argues with the original version talking. His double says that the car is the perfect performance car and they both go back and forth over the unique features and build of the car. The original opens the door for the double who takes a seat in the car. They both say in unison to camera it is Chrysler engineered.
Discusses Poems by Emily Dickinson. Considers her skill as a poet, and the effectiveness of her poetry. Traces the publishing and editing history of her poems. Emphasizes the significance of the 1956 Harvard edition from the standpoint of both publication and scholarship. (Syracuse University) Kinescope.
Episode 47 of Thinkabout, a series of sixty programs to help students in 5th and 6th grade become independent learners and problem solvers by strengthening their reasoning skills and reviewing and reinforcing their language arts, mathematics and study skills. The series is broken up into thirteen themes: Finding Alternative, Estimating & Approximating, Giving & Getting Meaning, Collecting Information, Finding Patterns, Generalizing, Sequence and Scheduling, Using Criteria, Reshaping Information, Judging Information, Communicating Effectively and Solving Problems.
Shows Ansel Adams photographing an old house and its inhabitants from many perspectives and with many purposes in mind. He explains that sensitive photographers can become photo-poets.
Discusses the economic, political, and moral aspects of the use of insecticides on a wide scale by public agencies. Discusses effects of insecticides on insects, birds, and fish. Interviews public health authorities and Audubon Society leaders on the economic consequences of using insecticides. Makes a strong plea for more careful government control of wide-scale spraying.
E.J. Dionne, columnist for The Washington Post, helps us ring in the 50th episode with a discussion on the polarization of politics and the importance of empathy.
An advertisement for Polaroid's Square Shooter camera in which a woman reminisces about a visit with her family after they board a bus to leave at the end of their stay. The woman bittersweetly looks through Polaroid photos from the visit as her significant other drives her home from the bus stop. One of the winners of the 1973 Clio Awards.
Since emerging in the 1970s, the prison industrial complex (PIC)—roughly defined as the constellation of governments, corporations, and others that employ policing, incarceration, surveillance, and more to manage social and political problems—has expanded rapidly. Today, the U.S. incarcerates more people (both in raw numbers and per capita) and spends more on policing than any other country in the world. In response, the political project of abolition argues for the dismantlement of the PIC and its constitutive elements, and their replacement with meaningful alternatives to punishment and imprisonment. But, while the PIC itself emerged in the mid-to-late 20th century, its historical roots stretch back further, to the 19th century, if not earlier. This story map seeks to expand the geographical focus of the PIC’s history by briefly illuminating the PIC’s historical development in Colorado’s Front Range region, with a particular emphasis on policing, starting in the mid-1850s and concluding in the early 21st century. As such, it adopts an abolitionist perspective to show how protecting property, punishing deviation from social norms, controlling local populations (especially minorities and poor people), and facilitating the accumulation of wealth drove the PIC’s growth in the Front Range. In doing so, it traces the settlement of the region during the Gold Rush in the late 1850s, Denver’s construction by chain gang labor, the infiltration of the Denver Police Department (DPD) by the Ku Klux Klan, suppression of the Denver Black Panther Party, and a number of other topics.
Discusses United States foreign policy. Presents viewpoints concerning the relationship of foreign policy to military policy. Questions the possibility of atomic war. Concludes that the most important problem today is the use of force. Featured guests are Mr. Hans J. Morgenthau, University of Chicago, and Mr. S.L.A. Marshall, Editorial Writer for the Detroit News. (WOSU-TV) Film.
Presents a discussion of American Foreign Policy. Points out the need of convincing our allies we are doing "the right thing" in foreign affairs. Features Mr. Paul Nitze, President of the Foreign Service Educational Foundation, and host Dr. Huston Smith. (KETC) Kinescope.
Discusses the role of the corporation and the corporate executive in political life. Reviews the laws which affect or restrict the active participation of each in politics. Presents an analysis of the responsibilities of a corporation in working for the good of the country. Explains how and why management and labor should participate more actively, and with more freedom, in the political affairs of the nation.
Pollywogs grow their legs and lose their tails as they become frogs. Dora Velleman tells the story of Polly, a pollywog, who is very vain of her beautiful tail. She snubs all her friends as a result, and she is very lonely. Finally she loses her tail and as she grows legs, she rejoins her friends who forgive her for being so vain. Fignewton Frog illustrates the story on the shadow theatre.
Uses laboratory experiments to explain the process of polymerization: the formation of compounds in which chains of carbon atoms are linked together. Demonstrates the process with the making of polyethylene, bakelite, foam rubber, and rayon. Presents examples of polymers which occur naturally. (KQED) Film.
Discusses imitative polyphony as a basic principle of musical structure. Illustrates two types of composition which use imitative polyphony as the structural principle, namely, the sixteenth century motet and the fugue as heard in Handel's Messiah. (WMSB-TV) Kinescope.
