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0.3JUP0ORP: Animation of the evolution of midplane and meridional densities in logarithmic scale for the 0.3JUP0ORP simulation. The axes have units of AU and the time is given in ORPs in the upper right of each panel. The series starts at t = 0.08 ORPs and proceeds to the end of the simulation at approximately 10 ORPs. The black diamond in each of the panels indicates the location of the planet.
3JUP10ORP: Animation of the evolution of midplane and meridional densities in logarithmic scale for the 3JUP10ORP simulation. The axes have units of AU and the time is given in ORPs in the upper right of each panel. The series starts at t = 10.54 ORPs and proceeds to the end of the simulation at approximately 21 ORPs. The black diamond in each of the panels indicates the location of the planet.
1JUP0ORP: Animation of the evolution of midplane and meridional densities in logarithmic scale for the 1JUP0ORP simulation. The axes have units of AU and the time is given in ORPs in the upper right of each panel. The series starts at t = 0.08 ORPs and proceeds to the end of the simulation at approximately 10 ORPs. The black diamond in each of the panels indicates the location of the planet.
1JUP10ORP: Animation of the evolution of midplane and meridional densities in logarithmic scale for the 1JUP10ORP simulation. The axes have units of AU and the time is given in ORPs in the upper right of each panel. The series starts at t = 10.54 ORPs and proceeds to the end of the simulation at approximately 21 ORPs. The black diamond in each of the panels indicates the location of the planet.
3JUP0ORP: Animation of the evolution of midplane and meridional densities in logarithmic scale for the 3JUP0ORP simulation. The axes have units of AU and the time is given in ORPs in the upper right of each panel. The series starts at t = 0.08 ORPs and proceeds to the end of the simulation at approximately 10 ORPs. The black diamond in each of the panels indicates the location of the planet.
3JUP10ORP: Animation of the evolution of midplane and meridional densities in logarithmic scale for the 3JUP10ORP simulation. The axes have units of AU and the time is given in ORPs in the upper right of each panel. The series starts at t = 10.54 ORPs and proceeds to the end of the simulation at approximately 21 ORPs. The black diamond in each of the panels indicates the location of the planet.
BASELINE: Animation of the evolution of midplane and meridional densities in logarithmic scale for the BASELINE simulation. The axes have units of AU and the time is given in ORPs in the upper right of each panel. The series starts at t = 0 ORPs and proceeds to the end of the simulation at approximately 21 ORPs.
Scott Martin, Edward R. Feil, Madonna Byrkeland, Brent Corson, Allen Haig, Micki Johnson, Jerry Macek, Marian Mills, Gail Golden, Grant Golden, Edward Feil Productions
Summary:
A strange bird brings harmony to a very special barn yard and its inhabitants. Adapted from the children's book by Ben Berenberg.
Ever since humans appeared on earth, we've been domesticating everything from plants and animals to fire. This week on Through the Gates, anthropologist and political scientist James C. Scott explains how the domestication process has worked in reverse, and how it's led to interesting relationships between humans and governments around the world.
Scott, Leonard S., Hobbs, Al, Cooper, Tyron, Maultsby, Portia K.
Summary:
Panelists: Dr. Leonard Scott (Co-founder, Tyscot Records; Pastor, Rock Community Church), Al “The Bishop” Hobbs (Founder, Aleho Records; Former General Manager WTLC; Past Executive Vice Chair, Gospel Music Workshop of America); Moderator: Tyron Cooper (Department of Folklore and Ethnomusicology); Respondent: Dr. Portia Maultsby (Department of Folklore and Ethnomusicology).
Overleaf (recently merged with ShareLaTex) provides a collaborative interactive platform for writing, editing, and publishing articles. Overleaf also offers a variety of templates to create assignments, syllabi, reports, presentations, and newsletters.
In this workshop you will learn about Overleaf and LaTeX, a markup language, which enables you to separate your context from formatting (e.g., font, size, margins), thus allowing you to concentrate solely on your ideas. Particularly, using LaTeX is beneficial if your writing incorporates formulae, equations, glosses or your journal requires a specific article format and bibliographic style.
An advertisement for Sea Pak frozen shrimp in which a couple dines on the product and a narrator describes how it is made. Submitted for Clio Awards category Packaged Foods.
An advertisement for Seabrook Farms packaged foods in which a woman performs is freed from the captivity of her home stove with the help of the brand's prepared vegetables. The advertisement is made in the style of early 20th century silent films. Submitted for Clio Awards category Packaged Foods.
A narrator explains how there have been over a billion scoops of Sealtest Cherry Nugget Ice Cream because of the ingredients and the secret recipe used in making the ice cream.
An advertisement for Sealtest ice cream in which a woman tastes the brand product thinking it's from a specialty parlor and is surprised to learn it's Sealtest.
An advertisement for Sealtest ice cream in which a woman tastes the brand product thinking it's from a specialty parlor and is surprised to learn it's Sealtest.
Medical science’s long history of extractionism—especially in the United States from Black and Indigenous communities—hangs over the libraries and digital databases which knowledge workers generally work. So much of medicine’s history depends on the remains, biomater and biometrics stolen in the process of research. This paper presents a digital humanist intervention to this problem, through the description of the development and implementation of a custom built, open source digital dissertation template—the Opaque Online Publishing Platform (OOPP).
The platform, built for a dissertation that interrogates the moments when human subjects were made into research objects (specimens) in the fight against tuberculosis, gives knowledge workers a set of tools to make their primary evidence opaque. Borrowed from postcolonial philosopher Eduard Glissant, opacity refers to an individual’s personal refusal to be ingested into western knowledge practices. Expanding this notion, the OOPP enables scholars to apply opacity back onto the bodies of exploited subjects reproduced in photographs, illustrations, and case studies so commonly found in biomedical research publications. The opacity practiced in the dissertation platform speculatively reimagines what medical history might look like if medical knowledge divested their exploitative objects.
A cartoon Kathy transitions into a real life girl as she opens her closet full of pajamas and nightgowns. After Kathy goes to bed it transitions back to the cartoon version and advertise Sears discounts on pajamas products.
Professional golfer, Johnny Miller, walks towards the camera wearing his own line of clothes. When he reaches the camera he starts the same process over again wearing different clothes from his line.
The information presented here about each recording in this collection comes from minimal original documentation by the collector and from additional research by ATM staff. Use of the recordings in this collection requires permission from the American Museum of Natural History with a description of intended use. Patrons should contact atmusic@indiana.edu for assistance in getting further access to these recordings. These are acoustic recordings made on a cylinder phonograph and they are characterized by the relatively low fidelity and high surface noise typical of this format and recordings of this age. Some recordings in this collection may not appear in the MCO application due to damage that makes them currently unplayable. For more information on damaged recordings, contact the Archives of Traditional Music. The recordings available here are derivatives from stylus-based transfers made in 2017 on the Endpoint Solutions playback machine. Minimal noise reduction and de-clicking have been applied to these derivatives to offer modest improvement to the listening experience without compromising the integrity of the source audio. Some of these recordings are matched pairs made simultaneously by Berthold Laufer in an effort to capture a clear recording of the voice on one cylinder while capturing a clear recording of the instruments on another cylinder.
Descriptive information presented here may come from original collection documentation. Please note collections of historical content may contain material that could be offensive to some patrons.
Brazilian folk music from Brazil and Dahomey. Descriptive information presented here may come from original collection documentation. Please note collections of historical content may contain material that could be offensive to some patrons.
