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This film uses diagrams to illustrate the importance of salvaging common everyday items in an effort to reuse important raw materials for building ships. The film asserts that one day's salvage by the whole British people counteracts the loss of one ship. An emphasis is put on "The importance of salvage to the flow of goods; [and] various examples of useful materials commonly thrown away."--War Films, Bulletin of the Extension Division, Indiana University, February, 1943.
"Produced in cooperation with the Institute of Pacific Relations, this film answers such vital questions as: How large in the Japanese Empire? Is Japan self-sufficient in food? What is Japan's naval and military strength? What are the living standards of the Japanese people? What are Japan's vital weaknesses? How can Japan be defeated?"--War Films Bulletin of the Extension Division Indiana University, February, 1943.
Presented as an authentic message from the Japanese people to the American people, this film is actually a fake newsreel designed to counter any views the American moviegoer might have had about the Japanese being a backwards nation. The film employs a white American in yellowface as the Japanese narrator who describes the modern, technological Japan capable of withstanding the American military's attacks. Uses captured feature films and documentaries from the Japanese, including a short sequence from the 1937 German/Japanese co-production "The Daughter of the Samurai" in a brief clip with the actress Setsuko Hara. The film concludes with a plea to buy U.S. war bonds.
Humorously using the arrogant and bumbling Mr. Proudfoot, this film serves a dual purpose of emphasizing the importance of obeying blackout hours, as well as easing the stress of the time period by encouraging laughter.
United States. Department of Agriculture, Wilding Picture Productions, Inc. : produced by
Summary:
"A documentary tribute to the farm women of America and an explanation of their part in winning the war. Exemplified by 'Mom,' the farm woman is shown to be a potent force in lining up the farm family behind the agricultural war production program. It is "Mom" who helps the child out of difficulty. She looks after the chickens, the pigs, the young calf. If she's not in the garden or in the orchard, she is in the kitchen canning vegetables, picking a chicken, cooking, so that all will have enough and the right kind of food to eat. Everything and everybody on the farm depends on 'Mom.' She lends cheer and encouragement when morale is low. She is the moving spirit in community affairs. The things she does every day on the farm are war work. The attitude of farm women in general is summed up in 'Mom's' closing speech, 'If our farm can help—I guess it's little enough. It's kind of up to you and me to see it through' " (Motion Pictures of the United States Department of Agriculture, 1945, 22).
United States. Office of the Coordinator of Inter-American Affairs
Summary:
"The title of this film is self-explanatory. It is especially adapted for students of archaeology and anthropology" (A List of U.S. War Information Films, Office of War Information, Bureau of Motion Pictures, April, 1943, 13)
Starring Lt. James Stewart, this WWII recruitment film shows jobs, training and education provided to men between the ages of 18 and 26 who enlist in the U.S. Army Air Forces.
Produced for an American audience, the film explores the role of women in the war effort and thanks America for sending relief bundles to the victims of the London Blitz. Shows British women caring for evacuee children, working in the land army, as ambulance drivers and auto mechanics, in defense factories, ferrying planes for the R.A.F., and operating rest centers.
Develops basic concepts of electrical distribution, both cross-country and within the home. Complete distribution system is explained, with demonstrations of "line loss" and the use of fuses for overload protection. Reviews parallel and series circuitry. Summarizes, using questions.
United States. Office of the Coordinator of Inter-American Affairs
Summary:
A narrated travelogue addressed to viewers in the U.S. shows life in several small towns surrounding Lake Atitlan, Guatemala. Shows rope making from sisal hemp and traditional textile weaving. Concludes with a visits to the outdoor markets in Santiago Atitlan and Chichicastenango.
