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Records highlights of the emergence of democratic government in Venezuela. Shows that the Venezuelan election of December 2 1963, allowed for the first transfer of office from one democratic administration to another in that nation's history. The film documents numerous national problems and aspects of the political campaign. Factors included for examination are the importance of the military, the terrorists' campaign to prevent the election, and the problems of illiteracy and poverty. Refers to the large political setting of Venezuela within Latin American history. Shows the failure of the Cuban-backed terror campaign to keep the people from voting. Includes interviews with Past-President Betancourt and President-Elect Leoni.
Travelogue documenting Ed Feil's trip to Italy in 1963. Feil's film "Cleveland Institute of Art" is showing at the Venice Film Festival. Shares footage with Italy '63 (barcode 40000003364033).
Presents a background of Verdi's life and discusses his early operatic productions, including Rigoletto. Discusses the characteristics of the Italian opera, describes Verdi's love for and his contribution to his country, and tells of his awakening interest in Shakespeare which later influenced some of his compositions.
Here was a man whose music was often misinterpreted, says Dr. Popper as he discusses the life and works of operatic composer Verdi. He tells how Verdi was influenced by Shakespeare and talks of his master work, “Rigoletto.” The program also features demonstrations of Verdi’s music.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Film recording of a live performance of the V&E show.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
V&E show with a special travel-around component.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Intermittent audio in/out over the course of the show. two days of V&E show footage and skits.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Clips from the Nick & Leon Show, including several skits.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Skits - Micro-wave church, Dueling poets, 'The Fascists', Clown stereo repair, 30 second interview, etc. Tape contains several episodes.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
2 episodes with skits, musical and otherwise.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Collection of Skits, sometimes including several takes, for the Vern & Evelyn show.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Special episode where fans of the show visit V&E, and are interviewed by Leon Varjian. The tape contains another, unrelated recording on the end as well.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Continuation of the first anniversary live show recording.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Two episodes with skits, musical and otherwise.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Excerpts from several skits and episodes.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Recording of the first-anniversary of the V&E show. Performance from The Vomit Raisins.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Collection of V&E show skits from different 1983 episodes.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
3 Episodes on three subsequent days. Includes skits, musical and otherwise.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Special V&E skit where Vern runs for mayor of Madison, WI.
Video bio of Vern Kaspar, inducted to Indiana Broadcast Pioneers Hall of Fame in 2004;
Vern Kaspar owned, with his two sons, four radio stations and an online newspaper. He was the station’s CEO and senior political analyst. Born in 1922 in Sioux City, Iowa, Kaspar obtained his first FCC license at age 13 as an amateur radio operator, building and operating his own amateur radio station — the use of part of the radio frequency spectrum for recreation, non-commercial exchange of messages and emergency communication that is still used today. Back in the days before Teletype news was available, he would copy Morse code at 33 words per minute to obtain national and international news for local radio stations. After serving in the Navy in World War II and stints at Princeton and Columbia University, he became an executive for WOI-TV, the first TV station in Iowa. In 1953, he helped with TV coverage of Dwight D. Eisenhower’s presidential campaign. In 1959, as a minority partner in a radio station in Nebraska, he decided he’d like to own one of his own. In addition to WILO-AM in Frankfort, Indiana, Kaspar Broadcasting owned WHSW-FM, and two Missouri stations: KWRE-AM and KFAV-FM. Kaspar died Jan. 5, 2018, in Rossville, Indiana. He was 95.
--Words from the Indiana Broadcast Pioneers
Many projects and policies that could help with climate change stumble on too many decision points, places where ideas can be shot down. Francis Fukuyama discusses his idea of "vetocracy" in relation to climate.
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
Edward R. Feil, Naomi Feil, Vicki Rubin, Beth Rubin
Summary:
Home movie of Vicki horseback riding as Naomi, Beth, and Eddie watch. She rides in a paddock with other children and receives a blue ribbon. Later shows Ed and Eddie building a sandcastle, possibly at Family Camp, while Vicki and a group of teenagers paddle in a canoe. Briefly shows the boys at home, Eddie in a sandbox and a housekeeper holding baby Kenny.
Edward R. Feil, Vicki Rubin, Julius Weil, Beth Rubin, Helen Kahn Weil, Edward G. Feil
Summary:
Vicki and Beth present Naomi's father, Julius Weil (called Opa), with a birthday cake and he blows out imaginary candles. Vicki then hands him birthday cards to open. Baby Eddie toddles around in the background amidst other party guests.
Edward R. Feil, Naomi Feil, Vicki Rubin, Beth Rubin
Summary:
Home movie showing a day trip to Burton, Ohio. Vicki, Beth, Naomi, and Gusty (the family housekeeper) eat ice cream cones in a car before driving to a flea market in Burton. Along the way, the car passes an Amish buggy.
"The biggest thing is the values that started with the Deinstitutionalization Project and went on through all of our projects about consumer advocacy, self-determination, empowerment to people with disabilities, language use... just totally different values about people with disabilities." Vicki (Victoria C.) Pappas arrived at the Developmental Training Center (D.T.C.) in Bloomington as a graduate student in 1974. The D.T.C. was the the original name of the Indiana Institute on Disability and Community (IIDC). Vicki retired as director of the IIDC's Center for Planning and Policy Studies the year prior to this 2013 interview.
Vicki discusses the history of the IIDC and significant activities involving government and other partners in the state of Indiana. She talks about her experience with the Deinstitutionalization Project directed by Mike Tracy in the early 1970s, the legacy of former Director Henry J. Schroeder, and the impact of important legislation in shaping the work of the IIDC, including passage of the Americans with Disabilities Act and its implementation in Indiana. She also discusses voting participation and access, developing the state disability plans with the Governor's Council for People with Disabilities, and the creation of the IIDC's Collaborative Work Lab for digitally assisted group decision making.
Video bio of Vicki Weger, inducted to Indiana Broadcast Pioneers Hall of Fame in 2013.
Producer: Vicki Weger;
Narrator: Ed Hopkins;
Editor: Mike Latta;
Vicki Weger traveled with her dad’s “Harry Weger and the Big Ten Western Feature” shows that signed on in 1955 on WTHI-TV in Terre Haute, Indiana. She performed in many shows across the country. In 1978, she began freelancing as a newspaper, radio and TV journalist, and in 1982 was hired at WTHI-TV. There she worked the assignment desk and later became the station’s managing editor, taking her freelancing work to the network level with travels to many foreign countries and coverage of notable domestic stories. In 1998 she moved to Chicago as a full-time freelance producer for “The PBS NewsHour” and “Religion & Ethics” and similar work for NBC and ABC.
--Words from the Indiana Broadcast Pioneers
Edward R. Feil, Vicki Rubin, Beth Rubin, Edward G. Feil, Ken Feil, Naomi Feil
Summary:
Home movie of Vicki Rubin's 16th birthday party at the Feil home. The living room is decorated with Halloween decorations. Vicki and her boyfriend wear colonial costumes. Her friends gather around as she opens gifts and Beth brings out a cake.
Edward R. Feil, Naomi Feil, Beth Rubin, Vicki Rubin
Summary:
Shows a group of children (including Vicki and Beth) wearing costumes outside in the Feil's yard. Naomi directs them as they perform. The group then performs for a classroom of younger children.
Edward R. Feil, Naomi Feil, Vicki Rubin, Beth Rubin, Kathryn Hellerstein, Betsy Feil, Susan Hellerstein, Beth Hellerstein, Mary Feil Hellerstein, Harold S. Feil, Amy Feil, Ellen Feil, Nellie Feil, Maren Mansberger Feil, George Feil, Herman Hellerstein, Leslie Feil, David Hellerstein, Daniel Hellerstein, Jonathan Hellerstein
Summary:
First half of the film shows Kathy Hellerstein’s birthday party (1964) at the Harold Feil home. She opens presents and blows out the candles on her birthday cake. The film then cuts to a celebration for Naomi, where she is presented with a cake that says “Happy Birthday and Welcome Home”. Ed, Vicki, Beth, and the housekeepers pose with her. On another occasion, Gusty, the housekeeper, is given a cake that reads “Happy Birthday to our beloved Gusty”. She then opens presents.
Edward R. Feil, Edward G. Feil, Naomi Feil, Vicki Rubin, Beth Rubin, Ken Feil, Robbie Cohen
Summary:
Naomi and Eddie at the airport seeing Vicki off as she boards a plane. Back at the house, a housekeeper, Kenny, and Beth are in the living room as Eddie runs by with no pants on. Next, the film shows a birthday party for Robbie Cohen, a next-door neighbor and friend of Eddie's. The Feils and the Cohens are present at the party. A teenage boy performs magic tricks for the children. Afterwards, the children play in the yard.
Edward R. Feil, Vicki Rubin, Beth Rubin, Naomi Feil, Edward G. Feil, Ken Feil, Julius Weil, Helen Kahn Weil
Summary:
Home movie of casual birthday celebrations over breakfast for Vicki and Beth at their home. The family is gathered around the kitchen table, where Beth is given cinnamon rolls with birthday candles. Beth opens her presents and is ecstatic to receive a new watch and comedy records. The film then shows Beth at a more formal gathering with extended Weil family receiving a birthday cake (possibly in conjunction with Rosh Hashanah dinner). On another day, Vicki receives a birthday cake and opens presents during breakfast as the family watches. Ends with brief footage of a party with friends.
Edward R. Feil, Naomi Feil, Vicki Rubin, Beth Rubin
Summary:
Home movie of the family’s trip to Euclid Beach amusement park. A pregnant Naomi watches as the girls go on rides with Gusty, the family's housekeeper. The girls also visit the Cleveland Aquarium.
Indiana University Southeast. Institute for Local and Oral History
Summary:
Victor "Vic" Megenity was interviewed by Andrew Wayne as part of the Floyd County Bicentennial Oral History Project, which commemorates Indiana's bicentennial by recording the past and present experiences of New Albany and Floyd County residents. During the interview, Vic Megenity covers a number of topics, including his thoughts on New Albany, including its history; his parents and grandparents; what his life was like growing up; historical items he's collected; his time as a middle school history teacher, including a time capsule project he had his class do in 1976; and his friend Katheryn Hickerson and how they helped save the Division Street School, an historic school building in New Albany.
The Victorian Women Writers Project started at Indiana University in 1995, under the leadership of Perry Willett, and had as its stated goal "to produce highly accurate transcriptions of works by British women writers of the 19th century." In 2007, encouraged by interest among the English department's faculty and graduate students, the Libraries and the English Department began exploring how to best reinvigorate this project, and over the summer of 2009 work has begun to upgrade the current contents of the VWWP and to add new texts. Currently plans are underway to involve English graduate student in the encoding process. This brown-bag conversation will share the changes to date and look ahead to the plans we are making to incorporate the VWWP in English graduate courses thereby establishing an ongoing dedication to this scholarly encoding project.
United States. Department of Agriculture, United States. Office of Information. Motion Picture Service
Summary:
Reports on the coordination of community volunteers for wartime farm harvesting labor through the efforts of the Victory Farm Volunteers of the U.S. Crop Corps and local agricultural agents. "The story of the farm labor shortage caused by the war, and how it was met during the crop season of 1944 through the vigorous and patriotic efforts of several million volunteers from our towns and cities. It shows the county agent in a typical agricultural county, marshalling its forces to recruit help needed to harvest the local potato crop. Similarly, workers were recruited all over the country to help with fruit, grain, cotton, sugar beets, hay, truck, and other crops. With the patriotic help of these volunteers, farmers, in spite of war handicaps were able to produce the largest crops in history" (Motion Pictures of the United States Department of Agriculture, 1945, 19). In an epilogue, Judge Marvin Jones, War Food Administrator, emphasizes that manpower shortage on farms is still a problem.
Home movie taken during Ed Feil's military service in World War II. Begins in Allied-occupied Austria, where Ed visits the composer statues in the Stadtpark. Portaits of Lenin and Stalin hang on buildings near the Austrian Parliament. Shows lots of footage taken from a moving train as the men travel through Steyr and western Germany on their way to Le Havre. Extensive shots of rubble and the bombed out landscape across Austria and Germany as well as soldiers on the train.
The Vietnam War: Stories from All Sides began as an oral history project telling stories from American & Vietnamese veterans, refugees and others impacted by the war. Ron Osgood initiated the project through an Institute for Digital Arts & Humanities (IDAH) Fellowship and a New Frontiers Grant. Over the past 10 years, more than 150 oral history interviews have been recorded, a prototype website for educational use created and a documentary film produced.
Currently, Osgood is working with Jon Cameron to upload the 150 oral history interviews to the IU Libraries’ Media Collections Online service. In addition to providing long-term preservation for the media and an institutionally owned platform for hosting, website embeds are also being migrated from YouTube to Media Collections Online.
Erskine Caldwell, American novelist and reporter, interviewed before leaving Moscow, briefly tells of the civilian defense work he witnessed. Scenes showing how the Russians are carrying out their pledge of "All for Victory!" including efforts in huge metallurgical plants, the oil industry, the rapid harvest, nurses drilling, and Red Cross work.
What it means to live in a contemporary Japanese village is shown through film shot especially for this series in Nijike, 430 miles from Tokyo. A housewife appears in the film sequences, but the voice heard in the narration is that of Miss Kimie Tojo, daughter of the late Premier Tojo. Professor Ward, host for the program, points out that the village has often been considered the backbone of traditional Japan. His guest, Richard K. Beardsley, Professor of Anthropology at the University of Michigan, concurs. It is the land, (Professor Beardsley says), the importance of working the land, of keeping it going, of keeping it in the family, that strongly enforces traditional ways in Japanese villages. These traditional ways stress cooperation on a family and on a community level, and the subordination of each person to the collective good. Holding and working the land is a way of life, not a business. Yet the modern world has made its impression on village life. A century ago the village had little connection with the outside world. Now, as a result of central government supervision, police and military conscription, economic changes brought about when the villagers began to raise crops for outside sale, a national system of schools, and the introduction of electricity and radios, this insular picture has altered. But because of the basic social conditions and the primary concern for working the land, changes occur slowly. In their own villages, younger men are gaining control because they understand machinery and marketing best. A real social transformation is taking place, but quietly, without violence, without setting life off balance. The families scrape a living from two acres of land and stay, for the most part, buried within the household and the community. They find satisfaction from living collectively. Their way of life has for generations fitted their nature and their circumstances; yet it seems flexible enough to make room for the new.
The Sample: Being a musician is all about balance. Knowing your notes while looking at the bigger picture of the score. Perfecting your performance as an individual artist while harmonizing with an orchestra. For IU student Dylan Naroff, it's about finding his own sound in the hustle and bustle of life at Jacobs School of Music.
Presents an analysis of bacteriophages and how they may change. Explains why bacterial viruses are useful to scientists studying different life forms. Uses diagrams and animation to show how bacteria reproduce within a cell and how mutations of these viruses can be identified. Describes the "copy errors" responsible for mutation, and the ways in which cross-breeding among viruses takes place.
An advertisement for Virginia Slims regular or menthol cigarettes that is geared toward women. The advertisement starts with a male narrator explaining that women gained their rights in 1920, including the right to smoke. The second half of the advertisement features a female narrator explaining the product as a modern looking woman smokes a Virginia Slim. The scene ends with a close-up of the product and a jingle that ends, "You've come a long, long way."
Virtual book event held on October 26, 2020 featuring librarian and author Megan Rosenbloom as she discusses her new book, Dark Archives: A Librarian’s Investigation into the Science and History of Books Bound in Human Skin. The event was cosponsored by the Indiana University School of Medicine’s Ruth Lilly Medical Library and the Indiana Medical History Museum.
2021 IAH Annual Business Meeting
President’s Report
Amendment of the IAH By-Laws
Election of New IAH Board Members and Officers
Awards Ceremony
Bennett-Tinsley Award for Undergraduate History Research and Writing
Walter K. Nugent Best Graduate Student Paper Award
James H. Madison Best Indiana Magazine of History Article (2020) Award
Digital technology is changing everything in our lives, including the ways in which we study, learn, teach, and create knowledge in the university. While these changes have been slower to come in the humanities, they are now well established and accelerating, with significant implications for teaching and research. What are the new opportunities afforded by the development of digital tools and platforms for humanists? What new fields of inquiry have opened for humanists as a result of the explosion of digital technology? And how should humanists understand and respond to the growing power and influence of the technical disciplines in shaping the priorities of the contemporary university?
Presented by Dr. William D. Adams, former head of the National Endowment for the Humanities, as part of the IU Institute for Digital Arts & Humanities 2017-18 Speaker Series, which had the theme "Making the Arts & Humanities."
This NBC film shows how a community organization in New York City has helped to diffuse a violent atmosphere. It also demonstrates consumer (tenant) protection by the use of legal-aid and rent strikes.
This workshop will cover basic scientific visualization concepts and applications using Paraview, including data types, the basic interface, pipelines and more.
Community-based archives, taking community experience as their starting point and guiding focus, offer an alternative approach to preservation that widens the scope of value in networks of heritage and culture. Manchester Digital Music Archive (MDMArchive), a volunteer-run and user-generated music archive based in northern England, rethinks the boundaries of archival value not only through the content it preserves, but also through the perspectives expressed by its website, programming, and volunteer workforce. Drawing on dissertation research focused on the affective dynamics and equitable potentials of MDMArchive’s community-based approach, this talk combines ethnographic description with digital humanities analytical methods to examine the multiple networks within which the archive is emplaced. These networks, including the webs of personal motivation that influence archival work, the connections between users and content, and larger systems of music heritage preservation, underscore the role of the archive as an active participant in processes of cultural production. Tracing iterations of the research process from early exploratory stages through the synthesis of writing and digital analysis, I demonstrate how visualization techniques help to express the intentions and significance of community approaches to archiving. This multimodal research highlights how value is realized in digital archives and speculates about how community-based archival methods can be used to equitably foster and sustain local knowledge.
In this workshop, participants will examine a set of visualizations created by a team of faculty, librarians and academic specialists at Michigan State University. Using Michigan State University Library (MSUL) library data, this group can be utilized to explore questions of community and identity in comics culture. Utilizing the MSUL dataset, we will use Flourish to create visualizations that shed light on the patterns linked to comic publishing in the United States. Participants will leave the workshop with a better understanding of how to prepare data, model it in Flourish, and how to access pre-existing datasets here and elsewhere that work with Flourish.
Visualization is a potentially powerful tool for exploration and complexity reduction of categorical sequence data. This presentation discusses currently available sequence visualization against established criteria for graphical excellence in the visual display of quantitative information. Existing sequence graphs fall into two groups: they either represent categorical sequences or summarize them. We discuss in the presentation relative frequency sequence plots as an informative way of graphing sequence data and as a bridge between data representation graphs and data summarization graphs. The efficacy of the proposed plot is assessed by the R2 and the F-statistics. The applicability of the proposed graphs is demonstrated using data from the German Life History Study (GLHS) on women’s family formation. For the workshop please bring your laptop with R installed.
