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WTHI-TV, Karen Rariden anchor
Anne Ryder, reporter
Sullivan County Highway Department workers on strike. Interview with striking worker Randy Putoff. The strikers are camping across the street from Highway Dept. County says it will start hiring to replace strikers the next week.
Dumpsters are all full of trash to residents are told to take their trash to the dump.
Mike Conway, photographer
A variety of different candles are shown as a narrator state how cancer does not discriminate between class or race. The commercial concludes with the narrator stating that cancer treatment is available at the Southern California Cancer Center and asking for donations.
An advertisement for Johnson's Holiday Car Washing Cream in which a male narrator talks about the product as a man cleans his car. At first the man struggles with a hose and has to change his clothes. But he only has to use a bucket of water and a sponge with Holiday. The narrator says the shine looks a foot deep as a man place a ruler on the car to measure it's reflection.
An advertisement for J-Wax car wax in which a male narrator talk about the product's ability to protect the body of cars that sit outside. A woman enters a shopping mall during a rainstorm as her car sits outside. Then a man puts J-wax cream on his car outside in front of his suburban home.
This week: The nation's first coal-to-diesel plant is well on its way to being built in Dale, Indiana, but residents are split as to whether they should allow it to happen. PLUS, we take a look at how Indiana fared in this year's EPA Superfund report.
A public service announcement from the Safety Belt Task Force in which a girl sitting in a rocking chair recounts her struggles following her father's death in a car crash. The girl angles her face toward the camera to reveal a scar from the accident, while an offscreen male narrator urges the viewer to wear a seat belt. Submitted for the Clio Awards.
This presentation looks at the changing landscape of cross-national survey research and provides a first-hand account of the European Social Survey’s (ESS) transition from traditional face-to-face methods to the increasingly prevalent push-to-web data collection methods. The ESS is one of the largest academically led cross-national survey that has been conducted across much of Europe since its establishment in 2001. Its aim is to measure attitudes, beliefs, values and behavioral patterns and thus provide comparative data across countries and over time. However, like any other survey research, ESS faces major challenges, such as declining response rates, rising costs for traditional data collection and deteriorating data quality due to the interviewer effect.
To resolve this situation and create a uniformly applicable new data collection standard, the ESS has conducted numerous experimental push-to-web mixed mode (web and postal) studies in several countries in recent years. In addition, the pandemic has made face-to-face surveys impossible in many European countries between 2020 and 2022, which has meant a rapid and forced shift to self-completion questionnaires.
In this workshop, participants will learn about the characteristics of the data collection process itself, and some of the lessons learned from comparing the two types of fieldwork used in parallel in Hungary. Possible solutions for achieving representative samples, especially for hard-to-reach social groups in push-to-web surveys, strategies to improve participation, including the use of conditional and unconditional incentives, will be discussed in the first part of the workshop. The second part of the workshop will be dedicated to critically assessing the ‘mode effect’ associated with f2f surveys compared to self-completion surveys when it comes to sensitive topics such as attitudes in politics, LGBTQ and migration. The workshop will end with a brief demo of a smartphone app-based solution to collect digital behavior and trace data.
This workshop is intended for faculty and students working with secondary survey data or conducting or planning their own data collection.
P. Sainath, the former Rural Affairs Editor at The Hindu, where he forced public attention to India’s epidemic of farmer suicides, will discusses relationship between journalism, cultural documentation, and social justice. His current project, the People’s Archive of Rural India (ruralindiaonline.org) is a volunteer-sustained multimedia website documenting everyday life, cultural traditions, and socioeconomic and environmental challenges across India, with special attention to women’s labor. Among his many career awards are the 2007 Ramon Magsaysay Award (the “Asian Nobel”) and the first Amnesty International’s Global Human Rights Journalism Prize in 2000. His 1996 book, Everybody Loves a Good Drought: Stories from India’s Poorest Districts, was reissued as a Penguin Classic in 2012.
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
Salaam performs music from the Middle East and Nothern Africa. Members of the ensemble discuss improvisation in Middle Eastern music, Turkish and Arabic scales, and the history of the clavichord. Musical selections are from Turkey, Tunisia, Iraq, and Andalucia.
An advertisement for Salada Tea in which a person is shown sleeping and a narrator says the product will not keep you awake. Submitted for Clio Awards category Short Spots.
An advertisement for Salada tea in which a door-to-door coffee salesman has doors repeatedly slam in his face as he begins his product pitch. The man sits at his car between sales to drink some Salada, which he says is a reprieve from a whole morning of coffee drinking. An offscreen narrator states that Salada is the "coffee drinker's tea." One of the winners of the 1976 Clio Awards.
In this Air Check, Senator-Elect DeAndrea Newman Salvador joins us to talk about North Carolina's 39th District, which she flipped in the most recent election. As the founder of Renewable Energy Transition Initiative (RETI), she also helps us understand high energy burdens and offers insight into lowering them.
Resources:
https://salvadorfornc.com/meet-deandrea/
http://www.energyhero.org/
My project aims to explain the enduring influence of H.P. Lovecraft’s Cthulhu Mythos, especially among authors opposed to his racist and reactionary politics, by arguing that Lovecraft’s work presents a philosophy of “asymptotic reenchantment.” Discourses of asymptotic re-enchantment begin as realism or science fiction but then progressively approach the boundary between these naturalistic genres and fantasy, without ever crossing the border. To illustrate this epistemological shift, I use Topic Modeling to isolate characteristic topics (including “Creation,” “The Past,” and “The Apocalypse”) from a set of 12 fantasy novels and then track the prevalence of these topics across Lovecraft’s “At the Mountains of Madness” (1936) and Reza Negarestani’s Lovecraftian treatise/novel Cyclonopedia (2008).My results suggest that the magical character of these texts rises and falls periodically, cyclically disenchanting and reenchanting the world. This discourse provides an alternative epistemology to the racialized scientism and secularism of neoliberalism without abandoning science wholesale.
Samantha Crain (Norman, Oklahoma)
Samantha Crain is a Choctaw singer, songwriter, poet, producer, and musician from Oklahoma. She is a two-time Native American Music Award winner and winner of an Indigenous Music Award. Her genre spanning discography has been critically acclaimed by media outlets such as Rolling Stone, SPIN, Paste, No Depression, NPR, PRI, The Guardian, NME, Uncut, and others. She has toured extensively over the past eleven years nationally and internationally, presenting ambitious orchestrated shows with a band and intimate folk leaning solo performances. She has toured with First Aid Kit, Neutral Milk Hotel, Lucy Rose, the Avett Brothers, the Mountain Goats, Brandi Carlile, Langhorne Slim, and many other bands and artists.
Interviewed by Holly Hobbs, 10/02/2020.
An advertisement for Samsonite's Saturn II suitcase in which the suitcase withstands abuse by a pack of circus elephants that step on it, sit on it, and throw it around. Narration and text in French. Submitted for the Clio Awards International category.
In episode 93, Dean Shanahan interviews Maurer School of Law professors Ian Samuel and Steve Sanders. They talk about Supreme Court nominee Brett Kavanaugh, Samuel's time as Antonin Scalia's counter-clerk, judicial politics, and Samuel's podcast First Mondays.
A man sets off a fire alarm. When the firemen arrive the man request tickets for the fireman’s ball. After receiving his ticket from the fireman, the man is then told he could win a trip around the world for going to the ball. The man then imagines going on worldwide trip.
An advertisement for the San Francisco Police Department featuring a policeman speaking to the camera about his sworn duties, juxtaposed against scenes of officers doing crowd control at a street protest. An offscreen male narrator says "Your first year as a San Francisco cop, you'll make over $11,000 and you'll earn every cent" over a still image of a protester yelling at a policeman. One of the winners of the 1971 Clio Awards.
Sanchez Steenberger, Babrielle, Sanchez Steenberger, Maria, Shanahan, James
Summary:
The Sample: In our season finale, Maria and Gabrielle Sanchez Steenberger graduate from IU as first-generation college students, as education advocates, as mother and daughter. Their matching caps? "La Gente Está Presente Mamá" and "La Gente Está Presente Mija."
The manufacture of protective enclosures is part of routine work in many libraries and museums. This presentation summarizes a novel collaboration of 3-D scanning and modeling technology provided by digital technology available on campus with automated box making services internal to Library Preservation. A custom-fitted enclosure for a painting on wood panel within the Lilly Library collections was the net result. This developmental method holds promise for specialized storage and shipping protection of library, scientific research and museum collections.
In episode 78, Dean James Shanahan speaks to Professor of Law Steve Sanders about Masterpiece Cakeshop v. Colorado Civil Rights Commission—a case in which the Supreme Court will determine whether the application of Colorado's public accommodations law to compel a cake maker to design and make a cake that violates his sincerely held religious beliefs about marriage violates the Free Speech or Free Exercise Clauses of the First Amendment.
Sandhya Sridhar (Nashua, New Hampshire)
Sandhya Sridhar is a teacher and performer of Carnatic music based in Nashua, New Hampshire. Growing up in Matunga, Bombay, she studied at the Shanmukhananda Sabha arts center and under the tutelage of Smt.Alamelu mani. In New Hampshire, she founded the Aradhana School, a studio devoted to preserving, propagating, and increasing awareness of Carnatic music. In addition to music lessons and interactive lecture-demonstrations, the studio also sponsors performances at community events. Sandhya has taught students who have performed in several premiere venues of the Greater New England area and have won many prestigious prizes. Sandhya has been a grantee of the Traditional Arts Apprenticeship program at the New Hampshire State Council of the Arts, and has been inducted into the Council’s Board. She also serves on the board of directors of MIT’s MITHAS, an organization that hosts Hindustani and Carnatic Classical music concerts in the Greater Boston area.
Interviewed by Tamar Sella, 10/23/2020.
IU's digitization of the 14,000 early color photographs of Charles Cushman opened the world's eyes to the work of a pioneer amateur in this genre. Beyond its value in exposing to the public beautiful and historically valuable images, the Cushman site also opened a window onto three areas of inquiry: the history of photography, the study of the American built environment, and not least the life of one mysterious man. This talk focuses on the elusive creator of the Cushman photographs. I will discuss how digital resources, made accessible by IU and other providers, have begun to reveal the contours of an otherwise forgotten life. In my virtual pursuit of this peripatetic artist, I came closer not just to one man's secrets but also to the heart of midcentury America.
Does the history of Indiana shape how Hoosiers relate to the environment today? Conversation with Eric Sandweiss, Professor of History at IU Bloomington
Professor Helen Sanematsu's research in service design helps tailor interventions in medicine and community health by focusing on an individual’s real-life actions, environment, thoughts, and emotions. During this discussion, she’ll share examples of her work in service design from collaborations with the Indiana Department of Health, and show how her research and teaching overlap.
Lecture delivered by Ezelle Sanford III, PhD (Assistant Professor, Department of History, Carnegie Mellon University) on September 30, 2022. This event is a part of the IUPUI Center for Africana Studies and Culture's "Black Health Equity Speaker Series" and was cosponsored by the IUPUI Medical Humanities and Health Studies program and the John Shaw Billings History of Medicine Society. Includes an introduction by Leslie Etienne (Founding Executive Director of the Center for Africana Studies and Culture and Director of Africana Studies Program, IUPUI).
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
The Federal Reserve Bank of San Francisco hosted in late 2019 the Fed's first conference focused on climate change. There, researchers presented on topics ranging from the effects of climate change on the global workforce to the interaction between pollution and interest rate. But the day kicked off with one series of questions: why this and why now?
In this episode, with the help of Reuters reporter Ann Saphir, we examine central banking's climate risks and the Fed's engagement with those issues.
Sara Duke, Institute for Digital Arts & Humanities
Summary:
My research project topic models the letters of Alexander Hamilton. I will compare the results of a topic model of Hamilton's outgoing correspondence from his arrival in the American colonies (after October 1772) to his death (July 1804) with the lyrics from Hamilton: An American Musical. In doing so, I study the extent to which the vocabulary of Hamilton's letters shape the musical's lyrics,and how this shift reflects changes in perceptions of his place within eighteenth-century American political culture. This project serves as the foundation for my MLIS digital humanities capstone project.
Sarah Hare, Julie Marie Frye, Beth Lewis Samuelson
Summary:
The sixth chalk talk in the series, this video describes inequities in journal publishing. The video also explains how disparities in information access impact both researchers and citizens.
Sarah Hare, Julie Marie Frye, Beth Lewis Samuelson
Summary:
The fifth chalk talk in the series, this video describes the benefits of publishing articles in journals. The video also explains how scholars assess journals and how the ownership of scholarly journals has shifted.
Sarah Hare, Julie Marie Frye, Beth Lewis Samuelson
Summary:
The seventh chalk talk in the series, this video describes new models that broaden information access. The video also explains how students can actively make the information ecosystem more equitable.
Compared to other mammals, human offspring are slow-maturing and outrageously costly to rear, yet men's motivation to care for children is highly variable. Some fathers will do anything to remain nearby and care for their children while others (even men certain of their paternity) act as if they don't know they have children. Most fall someplace in between, prompting evolutionists to ask how Darwinian natural selection could have favored production of such costly children without concurrent selection pressures on fathers to provide what progeny need to survive? Resolving this paradox of “facultative fathering” requires us to consider the deep history of the human family, and in doing so to rethink the tremendous potential for nurture that resides in human males.
Humans are remarkably similar to other apes. Like us, chimpanzees and orangutans are extremely clever, use tools and exhibit rudimentary understanding of causality and what others intend. However, other apes are not nearly as good at understanding the intentions of others nor nearly so eager to accommodate or help them. By contrast, right from an early age, humans are eager to help and share. It was this combination of understanding what others intend along with impulses to help and please them that enabled our ancestors to coordinate behavior in pursuit of common goals—with spectacular consequences later on. So how and why did such other-regarding capacities emerge in creatures as self-serving as non-human apes are? And why did they emerge in the line leading to the genus Homo, but not in other apes?
In her lecture, Sarah Hrdy explains why she became convinced that the psychological and emotional underpinnings for these "other-regarding" impulses emerged very early in hominin evolution, as byproducts of shared parental and alloparental care and provisioning of young. According to widely accepted chronology, large-brained, anatomically modern humans evolved by 200,000 years ago, while behaviorally modern humans, capable of symbolic thought and language, evolved more recently still, in the last 150,000 or so years. But Hrdy hypothesizes that emotionally modern humans, interested in the mental and subjective states of others emerged far earlier, perhaps by the beginning of the Pleistocene 1.8 million years ago.
The 30-minute webinar provides a quick review of some literature related to first-year experiences, an introduction to the module items, an in-depth look at aggregate findings, and suggestions for using results on your campus. For example, ideas for developing structured peer support, may arise from results showing that first-year students are most likely to seek help with coursework from friends or other students. We also highlight the importance of disaggregating data by various population, by highlighting some differences between female and male students.
Women make up about half of Jewish Studies scholars, and they are 42% of tenure-track faculty at R1 universities. Yet in peer reviewed journals, women made up only about a quarter of cited authors. How can we understand this difference? How does it relate to other fields where bibliometric studies have shown gender gaps? Have there been substantial changes over the past four years, which could correspond with #MeToo and heightened interest in diversity in academic circles? This is not a “bad apple” problem: It can’t be true that each of the many dozens of male article authors independently has a problem of reading and citing fewer women. And if the problem is not just individual men, we will not arrive at the solution by designing strategies to change the citational habits of each individual man. The issue is clearly systemic and structural. This project uses bibliometric analyses of gender and Jewish studies scholarship to begin to answer these questions - as well as generate additional ones.
Our traditional journal vendors are transitioning from being publishers to being data analytics companies. A few of them, including RELX (Reed Elsevier + LexisNexis) have even become data brokers that sell dossiers of personal information to ICE. In this discussion, we’ll look at how companies’ research platforms are now part of larger data analytics systems, and what that means for our privacy and intellectual freedom. We’ll also think about open access projects and other efforts that could help ensure that people who use our libraries can do their research without being subjected to surveillance.
With my project, "When All Things Speak" I've been working on the artistic work that blends archival research, digital design, and folklore specific to the central and Southern central regions of Indiana. I am creating an interactive, digital folktale using the international Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) Knowledge Base and Indiana University’s Lilly Library to digitally entangle buried archival folklore, computer learning, and local Indiana storytelling techniques in order to exhibit a responsive folktale co-authored by human, community, and machine. Synthesizing digital design with subversive folklore allows viewers to directly interact with what philosopher Pierre Bourdieu calls the “field of cultural production" of folktales, connecting dark lessons of the past to the context of today’s grim realities. In my proposed project, many participants will play a role in authorship, the imaginarium of the tale will come directly from its audience, and the user is promoted to an active role in the meaning-making.
My research process is archival, analytic, and artistic. After examining archival folklore and collecting contemporary stories, I will analyze recurring motifs and ideas within the stories. Artistically, my design work will then respond to this data. Using my extensive experience as a graphic designer, I will develop new illustrations, animations, and typesetting, while also publishing the artifacts of the entire collaborative process in a digital artwork. Web-based and interactive, the proposed piece will be endlessly shaped by participatory tellings and re-tellings, mirroring the way mythologies adapt to contemporary moments. A kind of visual translation of the role and power that dark, midwest folktales have, my amalgamated tale will leverage the function that subversive, dark folktales have to help viewers visualize alternative futures. This carries particular relevance in this ongoing global reassessment of our relationship to the world around us.
Sarah McElroy Mitchell, Lilly Library, Ethan Gill, Office of the Provost
Summary:
Lilly Library Reference and Reading Room Coordinator Sarah McElroy Mitchell shows viewers an item included in the Spring 2022 Lilly Library exhibition, The Eye, The Mind and The Imagination, Part II. It is an edition of The Lion & The Mouse, by Jerry Pinkey, which retells Aesop's famous fable and won the 2010 Caldecott Medal. It is part of the Lilly Library's collection.
This is the first of two presentations on time series analysis. This first (morning) workshop introduces time series methods and their utility for examining social science data. The second (afternoon) presentation will discuss research that employs time series methods to answer a substantive question of interest to social science scholars. The morning workshop provides an introduction to methods of time series analysis. Some topics that will be covered include stationarity, ARIMA models, autoregressive distributed lag (ADL) models, error correction models, GARCH models, and vector autoregression (VAR) models.
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
Sari Reist (Nashville, Tennessee)
Sari De Leon-Reist is Artistic Director of the Grammy-nominated Alias Chamber Ensemble. She plays with the Nashville Opera Orchestra and is a regular substitute for the Nashville Symphony. Sari was also a soloist with the Nashville Chamber Orchestra and the Nexus Chamber Orchestra. In the popular music realm, she can be heard on the recordings of Lady A (formerly Lady Antebellum), Kings of Leon, Faith Hill, Ben Folds, Train, Carrie Underwood, and many others. Sari received her Bachelor of Music degree in cello performance from San Francisco Conservatory of Music under the tutelage of Irene Sharp. She was formerly on the faculty of Mannes College of Music, School for Strings New York, and the Children’s Orchestra Society of New York, as well as the Governor’s School of the Arts in Tennessee and Lipscomb University. In 2018, she was a guest artist in the First National Youth Cello Festival in Ningbo, China. Sari teaches at Blair School of Music at Vanderbilt University in Nashville.
Interviewed by Holly Hobbs, 09/22/2020.
Sasha Renee (Louisville, Kentucky)
Sasha Renee is a rapper based in Louisville, Kentucky. Sasha Renee recorded her first song in 2010. By 2011, she was under the management of Double A Entertainment and released two underground mixtapes. A Proper Introduction and the Yearned Presence mixtapes were both released before 2012 and hosted by DJ Genius. Sasha Renee was nominated for #1 Female Hip-Hop Artist at the Kymp Kamp awards in Kentucky in 2013 and 2014. “Love Lost” was released as her first official single. She continued to record and release new music including a compilation album. She launched her weekly soul based open mic event The Vibe, which became a staple in the Louisville music scene, with artists, poets, and creatives traveling from surrounding cities to be heard. Sasha Renee released the EP I Am Sasha Renee in 2017 and won the KUEA award for Best Female Hip-Hop artist in Kentucky in both 2017 and 2018.
Interviewed by Tamar Sella, 11/30/2020.
"You're not all that is."
In this episode of our spiritual ecology series, Rabbi Sandy Eisenberg Sasso shares stories and wisdom connecting our spiritual existence with our physical environment.
More about Rabbi Sasso: https://jwa.org/rabbis/narrators/sasso-sandy
Saunders, Laura , Shanahan, James, Filippelli, Gabriel, Miles, Emily
Summary:
The people who form Appalachians Against Piplelines have been resisting the Mountain Valley Pipeline and other extractive, environmentally dangerous projects since 2018, continuing the long tradition of care for the earth and all beings among the mountains.
In this sound-rich audio documentary about AAP's work, Appalachian-grown filmmaker Laura Saunders brings together the stories of folks who have dedicated years of labor, risked arrest, and continue to fight for the wellbeing of their communities.
The ITC team is deeply grateful to all of the storytellers who shared their time, energy, and selves in this episode. See links at the bottom of the show notes to learn more about them.
Thanks also goes to IU's Environmental Resilience Institute for offering High Impact grant funding to pay storytellers like the ones you hear in this episode — those working on the ground toward environmental justice. While our High Impact funding has now come to an end, we at ITC are always happy to collaborate in telling generative environmental justice stories that feel true and useful to the people living them. If you're interested in working together, email itcpod@iu.edu.
AAP Twitter: https://twitter.com/stopthemvp
AAP Facebook: https://www.facebook.com/appalachiansagainstpipelines/
AAP Instagram: https://www.instagram.com/appalachiansagainstpipelines/
Laura Saunders: http://www.saundersdocumentary.com/
An advertisement for Savage Seniors men's shoes in which a teenage boy and girl dance along a city street in inverted colors as a jingle plays. An offscreen male narrator describes the qualities of the product as the boy tries on the Savage shoes inside a shoe store. Submitted for the Clio Awards.
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
Dr. Todd Saxton is an expert on business strategy and entrepreneurialism. We talked with the Kelley School of Business professor about what small businesses are doing to stay afloat and innovate in this struggling economy.
Saylor, Dana L.; Delmonte, Andrew; Heffernan, Kevin
Summary:
This workshop will inspire and motivate you to pursue your independent career or, for those already established, share new ideas. Creative entrepreneur Dana Saylor, Buffalo-based architectural historian, artist, preservation advocate and event planner, leads the session, with presentations by other talented and dynamic professionals. Topics include: small business types and basic finances; social media strategies, including how taking a stand can garner engagement with your desired audience; and why emotional vulnerability can be good business. With rotating breakout sessions, you’ll get face-time with each of the presenters and plenty of opportunity for lively discussion.
An advertisement for Schaefer Beer in which a jazz band plays music and musicians are filmed in various creative angles. Then four-piece group of male singers sing a Schaefer Beer jingle.
An advertisement for Schaefer Beer in which a male store clerk stand behind a stack of Shaefer 6-packs. He stacks the beer while talking about how popular the product is while slowly stacking high enough that he can't be seen.
An advertisement for Schaefer Beer in which an animated talking dog pulls up to a bar top and orders a beer. The bartender is baffled while the other men at the bar seem unsurprised, expressing the sentiment that, of course the dog would order Schaefer.
An advertisement for Schaefer beer in which a jingle plays over scenes of people hang gliding and drinking the product together following their flights. One of the winners of the 1975 Clio Awards.
An advertisement for Schaefer Beer in which animated characters in a street parade sing about how the product remains pleasurable to drink even after more than one beer. Submitted for the Clio Awards.
An advertisement for Schaefer beer in which a grocery store clerk stacks six-pack boxes of Schaefer while talking about how much his customers love the product. Submitted for the Clio Awards.
An advertisement for Schaefer in which U.S. football players are shown training intensely on a field. An offscreen male narrator says that the players are building up a "more than one beer thirst" that only Schaefer beer can satisfy. Close-ups of the beer being poured intersperse with shots of the players and a male chorus sings a jingle. One of the winners of the 1971 Clio Awards.
