11442. The Farmer's Tools (15:08)

Date:
1959
Summary:
Bash Kennett takes a trip to show the crude wooden tools used by the pioneer and tells the story of tools from the plow, combine and steam tractor to modern farm equipment. The use of primitive farm tools illustrates a way of life; with each improvement in tools came a change in the way of life of the settler and thus history is reflected in the tools farmers use. Songs include “Old Joe Clarke” and “I Know My Love.”

11443. The Farmer's Wife (09:51)

Date:
1942
Main contributors:
United States. Department of Agriculture, Wilding Picture Productions, Inc. : produced by
Summary:
"A documentary tribute to the farm women of America and an explanation of their part in winning the war. Exemplified by 'Mom,' the farm woman is shown to be a potent force in lining up the farm family behind the agricultural war production program. It is "Mom" who helps the child out of difficulty. She looks after the chickens, the pigs, the young calf. If she's not in the garden or in the orchard, she is in the kitchen canning vegetables, picking a chicken, cooking, so that all will have enough and the right kind of food to eat. Everything and everybody on the farm depends on 'Mom.' She lends cheer and encouragement when morale is low. She is the moving spirit in community affairs. The things she does every day on the farm are war work. The attitude of farm women in general is summed up in 'Mom's' closing speech, 'If our farm can help—I guess it's little enough. It's kind of up to you and me to see it through' " (Motion Pictures of the United States Department of Agriculture, 1945, 22).

11444. The fascist revolution (29:02)

Date:
1959
Summary:
Examines the fundamental political ideas of fascism--rejection of the individual and deification of the state, distrust of reason and belief in force, and renunciation of freedom in favor of security. Uses documentary film footage to show the environment in which fascism rose in Germany and Italy immediately following World War I, and the disastrous results it brought until its defeat in 1945. Points out that fascism was not necessarily eradicated by World War II.

11445. The fate of barley and future of beer brewing (35:14)

Date:
2019-11-08
Main contributors:
Davis, Steven, Carley, Sanya, Robionson, Clay, Steinberg, Matthew
Summary:
As climate changes, so do pieces of culture. Pieces like car ownership, outdoor sports, and the drinks we share. This is the first episode in our beverage series, and it's all about beer. From field to glass, we explore challenges for barley farmers, options in sustainable brewing, and the willingness of the public to invest in more environmentally friendly beer. 4:30 - Steven Davis of University of California Irvine 11:30 - Sanya Carley of Indiana University 19:00 - Clay Robinson of Sun King Brewing in Indianapolis and Matthew Steinberg of Exhibit 'A' Brewing in Framingham

11447. The Fifth Annual Little 500, 1955 (21:45)

Date:
1955
Main contributors:
Indiana University Audio-Visual Center
Summary:
Highlight reel of activities surrounding the 1955 Little 500 bicycle race. Activities include qualifiers, the filming of an NBC telecast (featuring the Marching Hundred and Mini 500 tricycles), and the bicycle race (winning team: South Cottage Grove). This film does not have sound.

11448. The Fight for Opportunity (30:15)

Date:
1955
Summary:
Traces development in Big Business, supported by the Republican Party, which led to efforts by the farmers and by labor to protect their share of opportunity. Discusses the growth of the Granger movement and the beginning steps toward unionism. (KETC) Kinescope.

11449. The film makers : King Vidor (28:53)

Date:
1970
Main contributors:
See Other Contributors
Summary:
King Vidor, Hollywood director of The big parade, War and peace, Solomon and Sheba, and the silent film Our daily bread, recalls Hollywood landmarks of a bygone era and talks about his directing techniques. Includes some segments of his films.

11450. The fine arts (27:38)

Date:
1957
Summary:
Defines fine art and distinguishes between the terms liberal and servile as applied to the arts. Points out that a work of fine art has individuality, originality, and says something. Depicts modern painting as a revolt against the public's lack of aesthetic understanding. (Palmer Films) Kinescope.