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Opens with footage of an unidentified dam. Briefly shows exterior of Chrysler transmission plant in Kokomo.
Film mostly shows construction projects in various stages filmed across the seasons. Lots of footage of men working and close-ups of machinery. One site is Eastgate Shopping Center in Indianapolis. Another appears to be a stadium or racetrack.
Home movie of Bernadine Bailey and her second husband, George W. McCord. They were married from 1946-1947 and resided in Florida. The film shows a sunrise Easter service being held at Castillo de San Marcos in St. Augustine. Next are scenes of flowers in a garden and Bailey and McCord sunbathing. She is reading the June 1946 issues of Holiday magazine. The original title indicates that this was shot at 223 E. Superior St in Chicago, a residence Bailey held during the 1940's.
An older couple greeting people in a receiving line. The woman is Nellie Voigt Freeman, Bailey's mother. The original title indicates this was part of an Easter celebration. Bailey is present in the group. The film then focuses on flower in a garden - the original title indicates this is Artillery Lane in St. Augustine.
Home movie taken at the Wilkinson family home in Western Springs, Illinois. Bernadine Bailey's nephew, Paul Freeman Wilkinson, can be seen wearing a crown and playing with a toy sword. There is an couple and two other children with Paul, but their relation to the Wilkinson family is unknown.
Depicted here is a family road trip through the western United States of America. Some highlights include older ladies having a snowball fight, the Rock Mountains, mountain streams and rivers, picnics being enjoyed in parks, and small towns seen from a distance.
Black and white footage of girls of various ages in school uniforms playing tennis and other games. Shows a sign reading "Falmouth High School for Girls". Possibly taken in Cornwall, England.
Home movie taken circa 1965 in an unknown location, likely in Illinois. Shows men on tractors working in a field and using farm machinery to plant crops.
Film begins with British Merchant Navy ship. Primarily shows blurry footage of Fiji, including a village with thatched roof buildings and new construction. Local children interact with and smile for the camera. A storefront advertises Procera bread. The film then shows a busy intersection in a town - the crowd is diverse with people in traditional and western-style clothes.