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Presents each member of the New York Brass Quintet as he introduces his instrument and plays illustrative excerpts. Two trumpets begin with a duet. With the addition of the trombone, the French horn, and the tuba, a selection written for each successive ensemble is performed. Musical selections are: Pezel, Three Short Pieces from Suite; Saint-Jacome, Duet, No. 6; Spezzaferri, Preluio e Fuga; Bach, Two Chorales; and Ewald, Quintet for Brass, (3rd movement). (Arts and Audiences, Inc.) Film.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Interviews objectivist poet Louis Zukofsky as to the form and philosophy underlying his poetry, the circumstances under which his first poem was published, and several unique aspects of his poetry. Points out that while Zukofsky is not widely known, his poems and writings about poetry have had an important influence on his own and later generations. Includes readings of several of his works, such as "The," "Section Nine of 'A'," and "Bottom on Shakespeare."
Dr. Feinberg summarizes his previous lectures and adds some interesting observations on various aspects of humor. A “drunk” routine, a device used so frequently by comedians, is presented and analyzed.
Outlines and discusses various theories of humor, and presents examples of laughter created to illustrate each theory. Shows, through the use of a polygraph, that physiological changes occur in various parts of the body when a person laughs. (WOI-TV) Kinescope.
Faith in human goodness generally implies a faith in a higher deity, and such is the case in the work of Rouault and Manessier. Washburn compares and contrasts a number of works of the two painters.
Discusses the dignity of man and its importance. Examines the influence upon the human race of the ideas of such men as Galileo, Darwin, Marx, and Freud. Points out the state of man's dignity today in a world of terrorism, torture, hatred, and progressive dehumanization. Concludes with the reasons for a belief in man's dignity. (KQED) Film.
In his final program, John Dodds poses a startling question: “Are Americans civilized?” Undoubtedly, he says, most Americans will reply without hesitation. “Of course, we are!” Yet, Dr. Dodds points out, we are branded by many foreigners as a raw, materialistic, uncouth, mercenary, and even an uncivilized nation. He inquires into the factors in our society that have induced such severe criticism from abroad. He asks if others are merely jealous of our technological advancement –which most are as quick to adopt as they are to criticize –or have they actually found some basic flaws in the fabric of our culture. In peering into the structure of our civilization, he holds up a mirror in which all Americans might profit from viewing themselves. From this analysis we realize that American have their shortcomings both obvious and subtle, but, as to the state of American civilization, Dr. Dodds leads us to believe the picture is more pleasant than many would have us think.
Dr. Feinberg puts another great writer under the microscope in this discussion of the humor of Jonathan Swift. He presents and analyses samples of Swift’s material.
On the second of two programs on satire, Dr. John W. Dodds reads the hilarious article by Frank Sullivan, “Brothers in N.G.S.” excerpts ranging from Byron’s “Don Juan” to Phyllis McGinley’s poem “Public Journal” complete the program.
Dr. John W. Dodds explores the various approaches writers have taken toward the theme of love. Includes readings from the love poetry of Shakespeare, Marlowe, Raleigh, Donne, Suckling, Burns, Bridges, Browning, and others. (KQED) Kinescope.
Dr. John W. Dodds explores the subject of mortality as treated in literature. Includes the poems of Sir Walter Raleigh, John Donne, Robert Herrick, Shakespeare, and others. (KQED) Kinescope.
Dr. John W. Dodds reads selections from English poetry which illustrate a variety of approaches to nature. Includes the poems of Shakespeare, Keats, Shelley, Arnold, Coleridge, Browning, and Masefield. (KQED) Kinescope.
Discusses the form of the masque with samples of music and dances. Concentrates on the Lord Hayes' Masque by Thomas Campion. Musical compositions are performed by the Saturday Consort. (WQED) Kinescope.
Dr. John W. Dodds continues the exploration of nature as treated in literature. Includes readings which illustrate a religious and philosophical meaning of nature. Draws upon the poetry and prose of Blake, Wordsworth, Thoreau, Lowell, and MacLeish. (KQED) Kinescope.
Writings ranging from Socrates to Stevenson are read by Dr. John W. Dodds in the second of two programs on the theme of morality. Stevenson’s “Aes Triplex” is the major work read on this program, illustrating a courageous facing of mortality. A selection from the “Essays” of Francis Bacon and two poems by Christina Rossetti complete the program.
Compares the music during the reign of Maximilian I with the social, economic and political life prevalent at the time. Music, including Ode On the Death of Maximilian, by Ludwig Senfl, is performed by the Saturday Consort. Featured guest is Dr. George Fowler, Professor of History, University of Pittsburgh. (WQED) Kinescope.
Compares the music of the reign of Elizabeth I with the social and economic conditions prevalent at the time. Various musical selections of this era in English history are performed by the Saturday consort. Featured guest is Dr. George F. Dowler, Professor of History, University of Pittsburgh. (WQED) Kinescope.
Uses a fishing trip, high school debate, and cartoon sequences to explain conservation practices on the farm. Tells what conservation is, how much is needed, and who should pay the cost. (Agrafilms, INC.) Film.
Presents a vacation camping trip in the southeast by the Ed Harvey family. Upon meeting a low-income farm family they examine the causes and solutions to the extreme poverty of major portions of the farm population. (Agrafilms, Inc.) Film.
Considers immigration to the U.S.A from the post bellum years into the twentieth century. Discusses the areas of origin of the immigrants. Relates how they filled up the frontier and the Middle Border and furnished labor for the expanding industry of the East. (KETC) Kinescope.
Traces development in Big Business, supported by the Republican Party, which led to efforts by the farmers and by labor to protect their share of opportunity. Discusses the growth of the Granger movement and the beginning steps toward unionism. (KETC) Kinescope.
Compares Italian paintings on musical subjects with music of contemporary composers of Italy during the Renaissance. Musical performances are provided by the Saturday consort. Featured guest is Dr. Walter Hovey, Head of the Frick Fine Arts Department, University of Pittsburgh. (WQED) Kinescope.
Imperialism was in the air as the nineteenth century ran toward its close. The USA proved not to be immune. A new “manifest destiny” took hold of American minds; expansion beyond continental limits had its attractions. The early twentieth century saw the USA taking its part in world affairs as a solid full-grown member of the family of nations.
Explains how industry grew after 1865 to made the U.S.A. one of the leading industrial nations by the early years of the twentieth century. Discusses factors which produced this growth--chiefly American enterprises and inventiveness. (KETC) Kinescope.
Discusses the early twentieth century change from the laissez-faire attitude in government to one of regulation of big business to help protect the American public. Considers the efforts of reformers and the Progressive party led by Theodore Roosevelt. (KETC) Kinescope.
Presents the story of the rise of totalitarianism and the failure of the democracies to produce effective answers to world problems. Discusses the American attitudes towards Fascism, Nazism, and Communism. Appraises the validity of these attitudes. (KETC) Kinescope.
There was an overwhelming decision in November 1932 to change leadership. Early New Deal legislation sought to accomplish the first two R’s, Relief and Recovery. The later years of the New Deal were pointed toward the third, Reform. An English historian of the modern American scene has offered a sound theme for this part of the story: “One many not agree with the answers which he gave, but one must admit that FDR asked the right questions.”
The USA withdrew and sought to lead its own life. The nation tried to return to “normalcy.” In an unstable world Americans knew amazing prosperity and, while it lasted, lived with carefree abandon. Then came the day of reckoning. The first stages of the Age of the Great Depression were confusing and painful.
September 1939 brought war. American apprehensions increased and neutrality grew less and less tenable. The Japanese military settled the conflict of attitudes in early December, 1941. Americans went to war and this time no one, save possibly the Russians, and with little reason, would dispute awarding them the real victors. But, unfortunately, only two of the totalitarian powers were defeated.
Illustrates the techniques involved in drawing roosters. Depicts the rooster in several poses: looking "over his shoulder" and feeding. Explains various beliefs of the Japanese concerning the rooster. (KQED) Kinescope.
Describes and demonstrates the sounds, manner of playing, and uses of representative percussion instruments. A young audience, led by members of the New York Percussion Trio, illustrate that organized clapping can be music. Members of the trio show and demonstrate wooden, skin-covered, and metal percussion instruments. The audience joins the trio in a mambo demonstrating how music can be made with some percussion instruments without long practice. Music includes: Nagel, Prelude in Dance; Kabelevsky, Dance of the Comedians; Portal, Sweet and Gentle; and an excerpt from Saint-Saens' Samson and Delilah. (Arts and Audiences,Inc.) Film.
Take melody – add harmony – rhythm – counterpoint and you have a musical composition, one element at a time. Members of the New York Woodwind Quintet return to explain and illustrate the component parts of music. Two young students of flute and clarinet play a duet by Tellemann to illustrate counterpoint. In closing, a familiar melody is selected and the children themselves choose the components for their own composition. In closing, a familiar melody is selected and the children themselves choose the components for their own composition.
Discusses and demonstrates the Stradivarius violin, the viola, and the cello. Explains the distinguishing features of the Stradivarius instruments being used and presents musical selections featuring each of the instruments in turn. Music includes: Beethoven, Serenade from Trio, Paganini, Caprice; Dohnanyi, Serenade from Trio; and Bach, Bourree from C Major Suite. (Arts and Audiences, Inc.) Film.
The French horn, capable of producing melody, and the piano, a percussion instrument able to produce symphonic effects, are instruments which contrast with each other and blend exquisitely. To illustrate this musical partnership the program features John Barrows, French horn, and Vera Brodsky, piano. This film deals with the blending and contrasting of voices in composition and Mr. Barrows points out how composers have capitalized on this partnership.
Discusses and demonstrates the use of the versatility of the instrument and explains how effects are produced. Features Rey de la Torre. Includes the following illustrative selections: Llobet, "Catalonian Melody"; Terrega, "Tremolo Study"; Sor, "Theme and Variation"; and Albenize, "Leyenda."
Discusses the origin and development of the sonata form and explains its construction. Includes musical illustrations by Schumann, Haydn, Schubert, and Franck.
Discusses the fugue, explains its construction, and demonstrates with compositions played in part and in their entirety. Includes selections by Mozart, Bach, and Beethoven.
Defines and discusses "song-form" in music. Illustrative works include B Major Sonatina (Schubert), Norwegian Dance (Grieg), Sonata in D Major (Brahms), and Trio (Beethoven). (USC) Film.
Visits Grand Teton National park near Jackson Hole, Wyoming. Discusses the life of the early French beaver trappers. Explains their methods of survival, and how they lived, traded, and fought with the Indians. Shows traps used by the early mountain men and demonstrates how they were set. Illustrates with film footage, dioramas, and photographs.
In this program, Temianka explains the meaning and origin of the word, “scherzo,” which refers to a sprightly, humorous instrumental composition or movement commonly used in quick triple measure. Illustrative compositions are selected for Mozart, Beethoven, Mendelssohn, Dvorak and Schumann.
Discusses and demonstrates theme and variations and traces the development of this musical form. Illustrations include variations of the Vintner's Daughter, and the "Trout-Quintet," played in its entirety by the Paganini Quartet, with piano. (USC) Film.
Visits Dinosaur National Monument in Utah and Colorado. Discusses the age of the dinosaur, how the dinosaur quarry was formed, and why the dinosaur became extinct. Illustrates with film footage of dinosaur quarry and photographs of dinosaurs and their enviroment as it existed 140,000,000 years ago.
Discusses the rondo and explains its construction. Illustrates with compositions played partially or in their entirety. Features the Paganini Quartet, including a brief history of the quartet's Stratavari instruments, all of which belonged to Paganini. Musical selections include Rondino (Kroisler), Turkish Rondo (Mozart), and the finale from both a sonata and a quartet by Beethoven. (USC) Film.
Visits Yellowstone National Park to explain the story of American buffalo and its destruction. Shows the Yellowstone herd and then explains the methods used by the Indians to capture the buffalo. Tells why the white man, after the Civil War, destroyed the buffalo herds. Illustrates with film footage, dioramas, and photographs.
Visits Mesa Verde National Park in Southwestern Colorado. Discusses the work of archaeologists and how they uncover ancient Indian cities. Shows an Indian burial ground, homes of early cliff dwellers, and workers excavating, mapping, and recording their discoveries. Explains how their work provides knowledge of early Indians.
Visits the national monument of Canyon de Chelly in Arizona. Describes the life of the Navajo Indians living in the canyon. Shows the ancient ruins of early Indian cliff dwellers. Tells how the Indians farm, raise sheep, cook, and build their homes. Concludes with scenes of a trading post and Indian rodeo. (KETC)
Uses a trip to a grocery store to explain who gets the money that is represented by the spread between farmers and consumers. Questions are answered by a store manager, businessmen at a civic club luncheon, and by a speaker at the luncheon. Points out reasons for and importance of the "marketing margin." (Agrafilms, Inc.) Kinescope.
Visits Carlsbad Caverns National Park near Carlsbad, New Mexico. Describes the discovery of the caverns by early settlers who observed a huge formation of bats leaving the entrance. Shows and explains how the huge caverns were formed over thousands of years of time. Provides close-ups of stalagmites, stalagtites, and limestone draperies.
Cities are growing, and people have to move about in them. How they do this can have a considerable effect on the development of the city itself. Many –perhaps most –of the inhabitants of a city own cars, and the temptation to use them is easy to understand. But often a private car is not the best way to get from here to there in a city; public transportation –buses, subways, streetcars, even helicopters for longer distance –is often the best way to move people. Yet too often even so simple a matter as intra-urban transportation resembles a jigsaw puzzle. Groups have grown up to handle different parts of the problem, with the results that these units may overlap, or do not cover the whole problem. The older geographical areas which they were established to serve are new sections within a larger unit, but the original group still exist while the transportation problems become more and more complicated, and increasingly in need of overall planning. Once again the program concludes with a plea to the citizen to learn more about the problems of urban transportation, and to help his community to resolve some of them.
Cities are growing at an explosive rate; more and more people come to cities to liv, to work, to raise their families where there are the greatest number of opportunities for jobs, education, and recreation. But these thousands of new inhabitants do not only increasethe population of the city; they also magnify the problems that any group of people face when they live together in large numbers. Where to live? How to move about? How to govern themselves and guide the development of the community in which they live? The first program of METROPLEX sets the stage for the others, explaining why people are attracted to the city, and what difficulties they and the community face when they move there. Photographs, film clips, diagrams, and sketches are used to good effect to make the picture clear.
Friction in the Old World led to war. The USA tried to maintain neutrality, but with each passing month the problems created became more and more thorny. Finally, the nation was drawn into the conflict. With amazing speed and efficiency the country mobilized. Its participation in World War I was the deciding factor in bringing victory to the Allies.
Because We Are follows the story of the African American Dance Company during their 50th season at their annual Kukusanya intensive workshop, a time of gathering together in community as the term kukusanya evokes. It also invites viewers into the world of the Dance Company, its members, and their practice of ubuntu, the essence of the Africanist
principle that “I am, because we are.”
Since I am because we are, this work cannot be completed without you. I ask that you allow yourself to be immersed: enjoy the film with all your being. I welcome you to learn how to view the art on screen from the perspective of the performers, and to learn alongside them. I invite you to sing along, repeat after them when asked, clap (on beat), follow the prompts in the film and within yourself to move your body out of your seat and to the beat of the drums... you are invited to share in community with us, to be free to enjoy a new sense of what community and art can be, as exhibited by the African American Dance Company.
The title, Kukusanya, is a self-synergy philosophy and kinesthetic art; in Swahili, it means both “assembling and assembler.” This film is a conversation with Ashley Hayes, a Ph.D. student at Indiana University Bloomington, dance performer, and cultural consultant making a film on the African American Dance Company (AADC) at their 50th anniversary at Indiana University Bloomington in 2024.
Reviews the progress of the Communist Party in Japan from pre-war days to the present. Includes film footage showing the release from prison of leading communist leaders just after World War II. Discusses the high degree of trained leadership, the party and the party's influence in politics.
Reports on the capture of Munda and Rendova in the Solomon Islands. The role of medical instruments and supplies as a kind of weapon in these battles is emphasized, as well as their primary role in the battle against death by wound and infection. Shows the "heroes" at home who donate blood plasma and prepare medical supplies for the front lines. "The camera record of the opening attack against Rendova and Munda, the Japanese counterattack, and the magnificent job done in evacuating American wounded and saving their lives. In these front-line scenes is vividly shown how medical supplies from America meant the difference between life and death of our fighters" (September 1945 Supplement to Indiana University Extension Division Visual Aids Catalog of October 1943, 44).
Introduces the subject of Japanese Brush Painting. Explains the use of the brush painting materials. Discusses the Japanese approach to art. Artist-host T. Mikami paints samples of the subjects to be covered in the series. (KQED) Kinescope.
Reviews U.S. history from its beginnings, with emphasis on the heritage of freedom and the basic principles of the Declaration of Independence which together account for the nation's greatness. (KETC) Kinescope.
Discusses the dietary needs of the expectant mother and stresses the importance of proper diet for maintaining the mother's dental health and for developing the baby's teeth. A specialist in nutrition and a dentist serve as consultants. (WQED) Kinescope.
Discusses the initial visit to the doctor after pregnancy is suspected. Indicates some of the physiological changes which are indications of pregnancy and outlines some of the procedures in the doctor's office, including a step by step description of the pelvic examination. (WQED) Kinescope.
Compares German paintings and engravings of the Renaissance with contemporary music of the period. Musical selections are performed by the Saturday Consort. Host is Colin Sterne with featured guest Dr. Walter Hovey of the University of Pittsburgh.
Why special treatment for the American farmer? This is the questioned posed in this opening program and, using a story line built around the average family of Ed Harvey, the film seeks a more intelligent handling of agricultural policy on the national level. The program presents a definitive history of agriculture economics in an effort to explain the farmer’s vulnerable position in the constantly changing business cycle of a capitalistic society. Although the program does not advocate any definite policy, it does ask intelligent questions which tend to stimulate thinking on the farm problem.
“Trade is a two-way street. If you want to sell, you’ve got to buy,” says Ed Harvey in this program, after a discussion of international trade and the relation of surplus to tariff. A trip through Washington, D.C., and cartoon sequences of the surplus problem and the import-export balance are featured in the program.
Presents a discussion on America's position in the modern world. Covers such topics as foreign aid plans, internal restrictions on the operation of our foreign policy, and the operations of the United Nations.
Presents a discussion of economic growth as a national goal. Reviews the causes and effects of inflation, unemployment, and rate of growth. Points out the effect of education on new employment patterns. Compares American and Soviet rates of expansion. Discusses problems of automation, standards of living, and the individual initiative in our economic position.
Presents the utilitarian function and underlying ideas of varied works of art, and tells how many objects now treasured in museums were originally created for practical, utilitarian purposes. Explains how changes in ideas bring changes in art expression, illustrating with works of art from the collection of the Boston Museum of Fine Arts.
Describes the Japanese national character as a paradoxical complex of restraint and passion, arrogance and servility, pride in being Japanese and apology for being Japanese. Explains that Japan, more than any other nation has wavered between such contradictory attitudes and qualities. Discusses the concept of "force" and what it means to Japanese to be part of a group.
Illustrates the techniques involved in painting horses. Poses them in different stages of motion: running, trotting, and feeding. Tells why horses are a favorite subject for Japanese paintings. (KQED) Kinescope.
Shows the techniques involved in painting the heron. Depicts this bird sitting on a branch of a willow tree. Tells a tale of about the heron and the Emperor of Japan. (KQED) Kinescope.
Discusses the purposes and functions of the five major divisions within the department of Health, Education, and Welfare. Describes the several offices, agencies, and bureaus, and indicates how these deal with foods, drugs, social security, vocational rehabilitation, and education. Emphasizes that the major concern of the department is to benefit individuals in their living. Narrated by Abraham Ribicoff, a former secretary of the Department of Health, Education, and Welfare.
Uses the home experiences of six high school youngsters to portray and analyze the conditions leading to conflict between parents and their adolescent offspring. Shows how a group plan to go to the "Blue Room" after the Junior Prom precipitates an argument in each home situation, and analyzes the reasons for the conflicting viewpoints of parents and youngsters. Encourages mutual understanding of each other's position and depicts the Smith's success with the family conference technique as suggestive of a way to improve relations.
Shows the structure of the nervous system, together with its pathways and connections; the nature of a nerve impulse; conditions for setting up impulses; their passage from cell to cell; their discharge; and resultant activity, along with reflexes, sensory integration, and finally, activity of the cerebrum.
National Motion Picture Company Indianapolis and “produced under the auspices of the New York State Department of Health”
Summary:
An educational film about social work for babies in Indiana, during a
time when better health services for American families was becoming a critical need.
Uses such situations as computing a baseball player's batting average and adapting a recipe to illustrate the principles and uses of ratio and proportion. Explains the terms used, the difference between ratio and proportion, and the application of the principles to gears.
A woman encourages men to join the Noxzema team and chant their slogan of “take it off”. Footage is then shown of a man using Noxzema shaving cream to shave.
A woman sits in a Chevrolet convertible on top of a tall plateau in the middle of the Grand Canyon. A narrator talks about how Chevrolet stand alone in its own class.
Surveys the need for redevelopment of American cities and the forces which have created problems in urban areas; describes obstacles which deter the elimination of blighted areas and tenements and the relief of traffic congestion. Includes scenes of St. Louis in 1890, and of present-day housing and building programs in Baltimore, Chicago, Philadelphia, and Pittsburgh.
Discusses the relation of gravity to cosmology and to geophysics. Traces the history of ideas about gravity; discusses new instruments and new viewpoints on gravitation.
A woman bathes in a pool with Calgon Bath Oil Beads before leaving to go on a date with a man. During the commercial a jingle is sung about how Calgon Bath Oil Beads will make a person skin as smooth as satin.
A couple drives in a convertible at night which allows the woman’s hair to flow in the wind. As they drive a narrator explains the benefits of using Breck Shampoos.
A narrator warns the viewer that the future of the United States is in jeopardy because many young people are unable to go to college due to overcrowding.
Documents several experiments conducted at the Sleep Research Laboratory of the University of California at Los Angeles in studying the nature of sleep. Presents experiments to determine the relationship of dreams to stomach secretions, the amount of time infants spend dreaming, and the effects of depriving a subject of dreams. Shows the recording and interpretation of electrical impulses from a sleeping subject and the rapid eye movements during dreaming.
Traces the development of maps and of geodetic ideas from pre-scientific guesses to the present. Discusses the size, shape, and rotation of the earth and the position of the earth relative to its axis of rotation. Explains the use of the moon and artificial satellites as geodetic tools.
This older film is directed to young girls. Using diagrams, it helps them learn about menstruation and gives them a healthy understanding of the physical and emotional changes that occur in growing up.
