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A man and a woman kiss in a mansion and there are periodical shots of a blindfolded gold angel. The advertisement ends with a shot of Revlon intimate perfume.
A French man and woman stare at each other in an extravagant theater before the woman pulls out her petit compact. Another woman says that Petite is the compact you refill because the case is too beautiful to throw away.
An advertisement for Revlon Touch & Glow liquid makeup in which a male narrator, accompanied by music, explains how the moisturizing qualities of the product give the user a "fresh dewy look." The scene depicts a well-dressed man and woman walking around New York City in the early morning. Submitted for the Clio Awards.
An advertisement for Revlon Hi & Dri deodorant in which an offscreen male narrator describes how the product is fortified with the antibiotic neomycin to kill odor-causing bacteria on the skin. Accompanying the narration are shots of microscopic skin bacteria and a profile of a woman's face. Submitted for the Clio Awards.
An advertisement for Revlon Touch & Glow liquid makeup in which a male narrator and then a female narrator speak of how the product enhances complexion. A man and woman drink champagne by candlelight in a moonlit garden while some matching Revlon Touch & Glow products are featured. Submitted for the Clio Awards.
An advertisement for Rexall in which a male narrator, accompanied by music, describes Morning Mist lipsticks and Golden Guardian cases, which are displayed by a woman in a lush lagoon setting. At the end of the advertisement a woman sings a Rexall jingle. Submitted for the Clio Awards.
Rex Marshall tells the audience how electricity is the next step in the evolution of convenience. Marshall also mentions that Reynolds aluminum can be found in electrical appliances featured during National Electrical Week.
An advertisement for Rheingold Beer in which a male narrator speaks about the "extra dry" beer as a duck hunter enjoys the outdoors and a few beer with friends in a cabin. A male and female voice, accompanied by music, sing a jingle about Rheingold.
An advertisement for Rheingold Beer in which singer Johnny Desmond sings a version of the song "Let's Do It, Let's Fall in Love" depicting the beer as a perfect accompaniment to a variety of casual and formal food activities. Submitted for the Clio Awards.
An advertisement for Rheingold Beer in which actor/singer Bert Parks sings a version of the song "Let's Do It, Let's Fall in Love" depicting the beer as a perfect accompaniment to a variety of recreational food activities. Submitted for the Clio Awards.
An advertisement for Rheingold Beer in which singer Tony Bennett sings a version of the song "Let's Do It, Let's Fall in Love" depicting the beer as a perfect accompaniment to a variety of food activities. Submitted for the Clio Awards.
An elementary school orchestra, rehearsing for a school program, is having some difficulty in keeping the rhythm. The teacher illustrates familiar kinds of steady beat with a stethoscope, pulse rate, a clock, and a metronome. The drummer illustrates accented beats, and members of the orchestra play tunes in each rhythm. The rhythm of the piece they were practicing becomes clear, and the rehearsal proceeds.
The exciting topic of “stretching time” is explained by Professor Jones in this program. Devices used for continuity without change of character in the music include postponement or avoidance of cadences and extension and overlapping of phrases. To the commentator this is truly the most “exciting” area of music appreciation.
From the series Ripples. The program specifically concerns Americans of African descent who. in the 1970's, are engaged in an active s'arch for an expression of their historical past. Age old African tribal chants become sounds of the '70's forWashington, D.C. children involved in theAfrican Heritage Dancers and Drummers after-school program. Instruments of the African orchestra are introduced and set in motion. Then, children everywhere are invited to blend their hands, feet and voices into the insistent musical mix.
An advertisement for Riceland Rice packaged foods in which an animated child eats the product with a dragon and an adult figure. The characters exhibit stereotypes associated with Chinese peoples. Submitted for Clio Awards category Packaged Foods.
Richard Rodgers was brought up in a passionately musical family. His mother was brilliant pianist; his father, a doctor, sang. They would sing and play the comic operas of the day. He was weaned on “The Merry Widow” and “Chocolate Soldier.” “These are the happy memories of childhood.” When he was sixteen years old, he met 23-year-old Lorenz Hart, who proceeded to explain his theory of lyric writing. Rodgers was proud that the age of sixteen he understood Hart. Rodgers played a couple of tunes for him and that was the beginning of a 24-year partnership. Nothing has ever been more gratifying than his first success to its fullest ... loved every minute of it. Everything that’s come along since, I’ve loved. I roll success around in my mouth like a piece of candy.” He hates failure –but thinks it’s the result of being alive –and readily admits to several: “Chee Chee,” “Pipe Dream,” and “Higher and Higher.” “I love it when it’s good and I hate it when it’s bad,” he says. Another Rodgerism: “In writing for people, there are two facets –one is emotional, the other is intellectual.”
A reminiscence about Lorenz Hart is naturally followed by Rodgers’ personal and professional transition in Oscar Hammerstein II. One big difference: Oscar was interested in what to say, Larry in how to say it. The first thing Rodgers and Hammerstein ever did, “Oklahoma!,” turned out to be one of the greatest American musical theatre hits. But there was nothing about “Oklahoma!,” to suggest success. The original play was a flop … the producers announced it was their last show, they were so sure it would die … Hammerstein had had eleven years of failures … the director couldn’t get a job before they hired him … the choreographer had only one other show to her credit. Rodgers and Hammerstein declared they wouldn’t touch “My Fair Lady,” as they didn’t have the courage to tamper with GB Shaw. When they decided to do “Carousel,” based on Molnar’s “Liliom,” they dared to change the ending. At an early run-through, they learned the author was in the theatre and were thoroughly intimidated by his presence. But they were relived at his enthusiastic response and particularly at his approval of the ending. In this program there is a moment of great poignancy as Oscar Hammerstein is shown reciting “Surrey with the Fringe on top,” a song which always makes Rodgers cry because of its sentimental simplicity. More Rodgers philosophy: “Somehow or other, we find what we need – in marriage, work, friends and music.
Richard Rodgers talks about his collaborators, Lorenz Hart and Oscar Hammerstein, and the difference in the relationship he had with these two men as compared to that of Gilbert and Sullivan “who loathed each other.” Hart was “way out,” says Mr. Rodgers, whereas Hammerstein was more down to earth. In the Rodgers and Hammerstein team, Rodgers acquired the reputation of the businessman – the man who transacted the deal, took care of the finances, and knew how to count. Rodgers pooh-poohs this with “I don’t know the salary of one person who works for me. I have a business office and people who take care of that end. I don’t want to be known as a good business man. I like the reputation of writing good music, if I do.” When Hammerstein realized that his days were numbered, he told Rodgers to get a young person to work with. “A young person will give you energy, new ideas, direction; you will give somebody young experience,” he said. When 20th Century Fox wanted to remake “State Fair,” they asked Rodgers and Hammerstein for three songs to add to the old score. When it became obvious that Oscar could never do it, Rodgers decided to undertake both music and lyrics, for the first time in his life. The songs were accepted, and he says, “I never had more fun working my life. I’m on a new road whether it’s with another collaborator or alone.”
Indiana University, Bloomington. Audio-Visual Center
Summary:
Interviews Richard Wilbur and Robert Lowell (Pulitzer Prize winners) and explores their interests in poetic expression, and the origins of the ideas in their respective poems. Presents Wilbur reading "On the Marginal Way," "Love Calls Us to the Things of This World," and "Advice to a Prophet." Shows Lowell reading "Water," "Soft Wood," "A Flaw," "Fall, 1961," and "The Opposite House."
Interviews Richard Wilbur and Robert Lowell (Pulitzer Prize winners) and explores their interests in poetic expression, and the origins of the ideas in their respective poems. Presents Wilbur reading "On The Marginal Way," "Love Calls Us To The Things of this World," and "Advice to a Prophet." Shows Lowell reading "Water," "Soft Wood," "A Flaw," "Fall, 1961," and "The Opposite House."
Barry Ulanov, associate professor of English at Barnard College, discusses the poetry of Richard Wilbur with the poet. Wilbur reads and discusses “Exeunt,” “A Simile for Her Smile,” “Part of a Letter,” part of “Candide,” and other poems.
Barry Ulanov, associate professor of English at Barnard College, discusses the order, clarity and tonality which are outstanding in the poetry of Richard Wilbur. Wilber reads and comments on “Digging for China,” “Statues,” “Two Voices in a Meadow,” and other poems.
Shows Guatemala's natural resources, crops, and other products. Includes the cultivation of coffee, bananas, corn, pepper, cinchona for quinine, and plants for rotenone. Includes a short Spanish lesson.
After not finding any Right Guard deodorant at her grandma’s house a teenager explains to her grandma what Right Guard is and that her entire family uses the same can of deodorant. The commercial ends with the grandma getting with the times and buying her own can of Right Guard.
Right Guard Deodorant "Locker Room" - A man in a locker room asks to borrow some Right Guard Deodorant. Everybody in the locker room scrambles to give him their can of Right Guard Deodorant.
Mennen Deodorant "Tension" - Two men are in a deadlock arm wrestle while a narrator states that a man should used Mennen deodorants for the tension and exertion that are common in a man’s life.
A mother chastises her daughter for not having Right Guard deodorant in her house. The daughter corrects her mother by showing her the new Decorated Right Guard she has in her medicine cabinet.
A football player gets chewed out by his coach, team, and wife for leaving his family defenseless when he took the family can of Right Guard deodorant with him to the locker room.
Follows a troop train, a freight train, and a truck rushing to deliver men and supplies to a ship convoy in 1943. Explains the reasons for transportation delays and the shortage of goods in wartime. This film was intended to promote understanding and support of the war effort despite inconveniences on the home front.
Office of Strategic Serivces, United States. Office of the Coordinator of Inter-American Affairs
Summary:
A narrated travelogue addressed to viewers in the U.S. Celebrates the beauty of the city of Rio De Janeiro emphasizing modernization of architecture, government, commerce, arts and sciences. "Presents scenic pictures of Rio de Janeiro, city of contrasts. Balances the natural splendors of Sugar Loaf Mountain and Guanabara Bay with a railroad tunnel skyscraper, the Rio Philharmonic Orchestra, night clubs, and modern schools of research. Depicts finally the omnipresence of religion among the people as symbolized by the statue of Christ overlooking the city" (U.S. Government Films, U.S. Office of Education, 1954, 160). With a tone of boosterism that characterizes the Coordinator of Inter-American Affairs films, narration concludes "Rio De Janeiro is a friendly city, a happy city, a scenic wonder of the world."
Reviews the rise of Hitler to power, his broken promises, the invasion of Germany's neighbors, Germany's eventual defeat, and the Allied occupation of Germany, with its many problems which are aggravated by rigid zoning of the territory.
A Teaching Film Custodians classroom film of excerpts from the 1944 Paramount Pictures feature film, "The Hitler Gang". This film traces the rise of Hitler and the growth of the Nazi movement in Germany. Shows the techniques of intimidation and mass psychology used on the German public, and briefly refers to the aggressions by Germany on neighboring countries. The film begins shortly after the Armistice in 1918, when Hitler, a corporal in the German Army, informs his commanding officer of a threatened revolt of the men in his barracks.
Episode 12 from the Agency for Instructional Technology series You, Me, and Technology. While we provide ourselves with the greatest benefits at the lowest risk, we are learning to design safety into the construction and operation of our technologies.
An advertisement for Ritz packaged crackers in which a group of foods with animated faces wish to be paired with the product. Submitted for Clio Awards category Baked Goods.
An advertisement for Nabiso Ritz packaged crackers in which a song plays about how the product can be paired with any food. Submitted for Clio Awards category Baked Goods.
An advertisement for Ritz Crackers in which a woman marches to the store to buy the product while a song plays. Submitted for Clio Awards category Baked Goods.
An advertisement for Ritz crackers in which an animation of the brand logo consumes a package of sardines. Submitted for Clio Awards category Short Spots.
Early use of rivers is described, form the Indian canoe of hollowed log to the flatboats and keelboats of the Ohio and Mississippi Rivers. Bash tells of the importance of water transportation, of families building flatboats and traveling down the currents with even their cows and chickens aboard, and she shows the ways the keelboats were propelled upstream by sweeps and by men with tow ropes walking along the banks. Cargoes of wheat, corn, animal skins and log rafts are related in their importance to the lives of the people. Songs include “Sewanee River,” “Shenandoah,” and “Old Woman.”
Compares the Columbia, Colorado, and Sacramento-San Joaquin river systems to show what man has done to utilize each to his advantage. Illustrates the adaptation of the rivers to diverse uses--as avenues of commerce, for logging and fishing, for electrical power, and water.
Reviews the records of both parties in the area of conservation and use of our natural resources. Points out that controversy has been particularly sharp on the development of power resources. (KQED) Kinescope.
Bash describes the manner in which the Indians marked the first pathways. She tells of the boot nailed to a tree which told postmen a settler lived nearby and wanted mail delivery. Singing “Big Rock Candy Mountain,” “I Know Where I’m Going” and “Wanderin.” Bash traces many landmarks.
Using dramatized events and newsreels, this film shows the organizing done during World War II to ship war supplies to the military. Shows the work of the Army Transportation Corps in providing ship convoys, as well as the work done by supply depots.
Using dramatized events and newsreels, this film shows the organizing done during World War II to ship war supplies to the military. Shows the work of the Army Transportation Corps in providing ship convoys, as well as the work done by supply depots.
Tells the story of John Brown and his resistance to slavery in Kansas. Explains his resort to violence to help keep slavery out of Kansas and his use of the 'underground railway' to guide slaves to freedom. Concludes with a review of the Harper's Ferry incident and Brown's hanging.
The interesting development of roads, from a path through the forest which a horse could scarcely travel, on through the building of the roads which led westward, and which were used by the huge Conestoga Wagons for hauling freight. A model of the Conestoga Wagon is shown, and models of the various kings of roads, those made of logs, those of boards, and later the McAdam Road. The building of the Cumberland Road is described, and the life which centered around those who used the roads depicted. The early toll road is mentioned, and a tie-in made with the Turnpike of today. Song material includes, “Goin’ Down the Road Feelin’ Bad,” “On Top of Old Smoky,” and “Low-Backed Car.”
The seventh in a series of a film about the Americas, this film shows the water, rail, motor, and air transportation routes of Latin America, tracing their development from early Spanish exploration to the 1940's.
Edward R. Feil, Edward G. Feil, Ken Feil, Naomi Feil
Summary:
Home movie of a summer trip to Lake Roaming Rock in Roaming Shores, OH. Shows the boys swimming and playing in the sand. Naomi also wades into the water. People can be seen water skiing in the background.
Edward R. Feil, Edward G. Feil, Ken Feil, Naomi Feil, Beth Rubin
Summary:
Home movie of a summer trip to Lake Roaming Rock in Roaming Shores, OH. Shows the boys enjoying the beach while Beth reads a book and tries to hide from the camera and a fireworks show at night. Back home in Cleveland, Beth pushes the boys and friends on a spinner while Tiger runs around in the yard.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Provides a candid view of poet Robert Creeley in his home and introduces his poetry. Presents him describing the influences of other literary figures on his works and explaining his own method of working. Includes readings of several of his poems, such as "La Noche," "The First Time," "The Place," and "Someplace."
Provides a candid view of poet Robert Creeley in his home and introduces his poetry. Presents him describing the influences of other literary figures on his works and explaining his own method of working. Includes readings of several of his poems, such as "La Noche," "The First Time," "The Place," and "Someplace."
Studies the return of romanticism to contemporary poetry through the poetry of Robert Duncan and John Wieners. Presents Duncan reading several poems, including "The Architecture," and excerpts from "A Biographical Note" and "A Statement on Poetics." Shows Wieners, a student of Duncan, reading "A Poem for Painters," "Cocaine," and an excerpt from an unpublished prose work.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Studies the return of romanticism to contemporary poetry through the poetry of Robert Duncan and John Wieners. Presents Duncan reading several poems, including "The Architecture," and excerpts from "A Biographical Note" and "A Statement on Poetics." Shows Wieners, a student of Duncan, reading "A Poem for Painters," "Cocaine," and an excerpt from an unpublished prose work.
Provides a close look at the works and creative philosophy of Robert Erickson, a composer and inventor of musical instruments. Illustrates Erickson composing an original composition, '9 1/2 for Henry (Orville and Wilbur)," which integrates the sounds of modern technology with traditionally-produced music. Follows Erickson as he tapes the sounds of automobiles, airplanes, and wind, mixes the sounds in his studio, and attends the presentation of the final work.
The first program includes highlights from the other programs in this series to serve as an overview. Robert Frost discusses with a group of high school students and adults how and why he writes poetry. Illustrates his points with readings of his own poems, including "The Pasture" and "Stopping by Woods on a Snowy Evening." Emphasizes that prose has rhythm but that poetry is rhythm plus rhyme. Features a conversation with Dr. Jonas Salk, developer of the Salk polio vaccine. (WQED) Kinescope.
Robert Frost talks about and illustrates with his own poems the fundamental meaning of poetry. He speaks of the fun of writing, listening to words, and stories in poetry. He reads from his own poems “The Runaway Colt,” “Dust,” “The Woodchuck,” “The Ant,” “The Bluebird,” and “Stopping by the Woods.” This program evolved from a lecture to fifth grade classes involved in WQED’s Television Teaching Demonstration.
Robert Frost discusses with a group of high school students what brings him happiness in life, what he does for entertainment, and what it means to write a poem. Reads and interprets from "The Gift Outright," "The Road Not Taken," and "Mending Wall." He denies that poems say anything more than they seem to say. (WQED) Kinescope.
Robert Frost speaks informally with a group of friends about poetry, authors, and publishing. He discusses his philosophy of poetry, and his ideas on religion, loyalty, world affairs, love, and science. Suggests that one should not read more into a poem than is intimated by the poet. (WQED) Kinescope.
This program is a conversation between Robert Frost and DR. JONAS SALK, developer of the Salk Polio Vaccine. They compare and discuss the similarities of science and poetry, and the devotions and the methods of procedure the poet and the scientist must make as well as the satisfaction derived in both fields by fulfillment.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Examines several of Robert Rauschenberg's works, including "Oracle," a piece of "radio-sculpture," scenes from his theatrical works "Spring Training" and "Pelican," and a painting called "Barge." Discusses why, at the peak of his fame as a painter, Rauschenberg stopped painting altogether and how he feels about his art. Includes a discussion by Leo Castelli, an art dealer and friend of Rauschenberg, about the artist as a person and the significance of his works.
Blocks with letters on them come on screen. They spell out ‘Mighty Satisfying’ from above, but on the right they say ‘Rocket Oldsmobile’. Each of the sides open up like a door to show a tiny car inside. Each of the cars comes out with a driver. All of this is accompanied by musical cues. A woman in a majorette costume appears with a baton in one hand, she blows a whistle. She starts walking and doing a routine with her baton as she walks across a line of Oldsmobiles that are pulling up next to her. An announcer introduces the Oldsmobile. She twirls the baton and points, we then see the cars in the lineup start to drive forward. She continues to march as the cards advance from behind her, they split off into two groups making room for her to continue dancing in the middle. We see the cars continuing to drive in formation. She marches between them more and then they start to crisscross each other before driving in a circle around her. We see the cars back in their square letter boxes and the doors close to each as the ad ends.
Rockhunting in central Oregon. Opportunities available for pursuit of this hobby. Cutting, polishing and finishing rocks by the lapidary. Examples of finished jewelry and rock collections.
Discusses the role and status of artists in society. Considers the sources of support of artists and suggests that artists are necessary to any society. Includes participation by Mark Van Doren, the author, and Philip Evergood, an American painter. (Hofstra College and WOR-TV) Kinescope.
Describes the critic as having a responsibility to society while expressing his own point of view. the critic does not attempt to educate but rather to observe keenly and to report and comment upon the arts. Features critics from the New York Herald-Tribune, Time magazine, and the New York Times. (Hofstra College and WOR-TV) Kinescope.
Reveals the intense feeling for the weak individual and the place in society which Eric Hoffer has achieved. Describes working as source of power for these people. Focuses on Hoffer's systematized mode of living with its inherent difficulties for the weak individual.
Illustrates and explains the use of role playing in analyzing problems of human relationships. Shows a mothers' club and a group at the 1947 National Training Laboratory in Group Development as they enact simple incidents involving various techniques of role playing.
Home movie of Ed and Eddie participating in Indian Guides, an outdoor adventure group for boys through the YMCA. Shows a group of boys and fathers sledding, riding horses, and walking through the woods outside of Cleveland in the wintertime.
An advertisement for Roman frozen ravioli in which a husband argues with his wife about wanting fresh ravioli like his mother made, and the wife replies that the Roman brand frozen version is of the same quality. Submitted for Clio Awards category Packaged Foods.
Uses the voice of a young girl, killed in the eruption of Mt. Vesuvius, to narrate a tour through the ruins of Pompeii as she relives her past experiences and hears again the sounds which echoed through the city's streets. Shows the uncovered ruins of the bakery, the wine shop, gardens, temples, homes of the rich and the poor, the theatre, and the gladiatorial arena. Briefly mentions the girl's love for a young boy of Christian faith and the resultant conflict with her pagan religion.
Outlines the principles that guided the work of the romantic painter and illustrates these principles with paintings and prints. Shows a landscape in the romantic mode depicted at the easel. Identifies romanticism as the beginnings of expressionism. (Hofstra College and WOR-TV) Kinescope.
An advertisement for Romper Room Children's Shoes in which an animated shoemaker has trouble selling shoes until he finds four bees making Romper Room shoes and he sells the whole stock. Submitted for Clio Awards category Apparel.
An advertisement for a Ronson Adonis lighters in which a woman buys the product for her husband. Submitted for Clio Awards category Tobacco Products and Supplies.
An advertisement for Ronson table lighters in which American fashion designer Anne Fogarty describes various models of table lighters for a program called "Room to Room with Ronson." Submitted for Clio Awards category Tobacco Products and Supplies.
An advertisement for Ronson Can-Do electric can opener in which a narrator describes everything the product can do to the tune of "The Twelve Days of Christmas." Submitted for Clio Awards.
An advertisement for Ronson Roto-Shine electric shoe polisher in which a narrator describes the product and actors demonstrate it. Submitted for Clio Awards.
Dramatized incidents including a discussion between a disgruntled son and his parents over the boy's plans for a college education are used in explaining that discussion brings information to the individual, leads to a broader and richer life, and expedites cooperative achievement.
Describes the program of self-determination in Roosevelt City, a newly-incorporated all black city in Alabama. Explains that because the city has very little money, all government officials and those providing community services are unpaid. Describes the attempt to make all people desire to become involved in the operations of city government.
Illustrates the techniques involved in drawing roosters. Depicts the rooster in several poses: looking "over his shoulder" and feeding. Explains various beliefs of the Japanese concerning the rooster. (KQED) Kinescope.
Demonstrates how are memory operated to maintain prejudice, and shows how people remember things which are favorable to their own beliefs. Discusses the various points of view concerning prejudice--historical, economic, sociological, and psychological. Points out the use of stereotypes in mass media, and cites examples of the way in which mass media can break down these stereotypes. (Hofstra College & WPIX) Kinescope.
Teenagers from Malaya, Philippines, Greece, Iceland, Thailand, and Turkey discuss prejudices within their own countries and toward others. Criticism is made of the American soldier and tourist as representatives of the United States. Presents comments on Russia as a current problem source and the effect of tradition and war in stimulating prejudice. (WOR-TV) Kinescope.
Teenagers from the United Kingdom, Pakistan, the Philippines, and Indian discuss prejudices against Britain and her policies. They further discuss their preconceived notions about America and indicate how their visit has changed these ideas. (WOR-TV) Kinescope.
Herald Tribune Forum delegates from Israel, France, Turkey, and Lebanon discuss their prejudices against other forum delegates and their countries. They indicate that some of their prejudices have been removed through acquaintances made in the U.S. (WOR-TV) Kinescope.
Herald Tribune Forum members from the Gold Coast, the Union of South Africa, Ethiopia, and Nigeria discuss American prejudices towards Africans and towards African-Americans. (WOR-TV) Kinescope.
Shows how to operate the controls of a vertical turret lathe, set up tools in the main turret head, rough-face and rough-turn an aluminum casting, and drill the center hole.
Shows how to plan the installation of the circuit run, switch run, and wall receptacle run; how to determine the location of required runs; how to install an offset bar hanger and ceiling outlet box; how to rough-in a circuit run, using nonmetallic sheathed cable; and how to make up connections for switches, receptacles, and fixtures.
An advertisement for Round the Clock stockings in which a model puts on the product while the camera moves slowly up her leg, and a narrator describes the brand's record keeping practice to help fit customers with the right size. Submitted for Clio Awards category Apparel.
McRobbie-Gair Family Home Movies: Film is comprised of travelogue sequences primarily from south, central, and western England, but also of Sweden and Scotland. County and city locations in England include Canterbury, Nottingham, Twickenham suburb, Surrey, Manchester, the coastal town of Llandudno, Salisbury, and the Isle of Wright. Cities and locations in Scotland include Meikleour, Rothesay on the Isle of Bute, Loch Lomond, and Edinburgh, and locations in Sweden include Gothenburg, Stockholm, and Upsala, according to title cards. Highlights from England include shots of the “White Rabbit” monument in Llandudno commemorating Lewis Carroll’s inspiration for “Alice in Wonderland,” shots of Windsor, Conway, and Arundel Castles, the Manchester Piccadilly Station, Canterbury and Salisbury Cathedrals and a selection of hotel and restaurant signs from Canterbury (Tudor House, The Sun Hotel, Chequers Inn, Senlac Hotel, The BattleAxe – Crafts and Restaurant, Pilgrim’s Rest, and Fremlins George Hotel). Notable locations in Scotland include the Meikleour Beech Hedge [sic], and the Nigg Church of Nigg Parish (Nigg Old Church), Loch Lomond, and Edinburgh (Princes St.) city shots. Finally, sequences in Sweden open with travel on a passenger ship, the “Patricia,” to Gothenburg. In this sequence is also a shot of a Nazi flag, which according to the title card, was taken in Stockholm. Upsala cathedral is also shot with lots of sequences on waterways throughout. Footage consists of color film stock with title cards inserted for new locations or sites.
McRobbie-Gair Family Home Movies : Film consists of travelogue sequences mainly of the Eastern United States and Canada, with footage from New York, Washington D.C., Virginia, Illinois, and New Mexico. The film opens with shots of the New York City skyline and Times Square at night with an amazing light show of entertainment and advertising signage. We see the marquee of several historic movie theatres, including the Loew’s State Theatre and the Strand Theatre, showing 'Only Angels Have Wings' (1939) and 'Indianapolis Speedway' (1939), respectively. Other notable footage includes a segment of the 1939-40 New York World’s Fair. There is also footage from George Washington’s Mount Vernon estate in Virginia, Chicago, IL cityscapes, and wonderful footage of Niagara Falls. Moving north to Canada the film captures shots from Montreal, Toronto, and Québec City. Notable sequences include shots of Montmorency Falls and Château Frontenac in Québec City. Finally, the film travels to the American Southwest of New Mexico, including the cities of Gallop and Albuquerque. The film captures in amazing detail an “Inter-Tribal Indian Ceremonial” in Gallop, according to a title card, which includes ritual dancing, games (including tug-of-war and foot and horse races), and a rodeo with broncos and bulls. Footage consists of a combination of color and black and white film stock with title cards inserted for new locations and cities.
McRobbie-Gair Family Home Movies: Comprised of two home movies, "USA I" & "USA II," the film opens with beautiful vistas of the Grand Canyon, and goes on to various locations, mainly in California, including Los Angeles, Long Beach, San Francisco, and Yosemite National Park. The film includes shots from the UCLA campus, St. Paul’s Episcopal Cathedral, the Little Church of the Flowers, and the Wee Kirk o’ the Heather. Various beach shots capture the California coastline, including shots of the Cyclone Racer rollercoaster at the Pike Amusement Park in Long Beach. Footage then moves to Yosemite National Park, capturing various attractions, including the Grizzly Giant tree and the Massachusetts tree (fell in 1927), as well as various shots of Yosemite vistas, waterfalls, deer, and chipmunk feeding. Footage then moves on to San Francisco and captures Fisherman’s Warf, a parade, the San Francisco Zoo, and shots of Alcatraz and the Golden Gate Bridge. Shots of people on a passenger ship wearing what appear to be Hawaiian leis, with following sequences at a tropical location, possibly the Hawaiian Islands. The final segment is from another tropical location, possibly separate from Hawaii based on attire. Footage consists of color film stock with title cards inserted for several new locations.