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Home movie footage of a visit to Tempel Farms, home of the Tempel Lipizzan horses. Opens with a sign reading "Tempel Good Luck Farm". Show exterior footage of the stables and other buildings around the farm. Horses can be seen grazing in a pasture. A group in traditional German costume poses for the camera, possibly as part of an event that is taking place.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows rock formations in Teide National Park, a local harbor, street scenes in an unknown town. More footage taken from inside a plane, now flying over the water and landing. Ends with views of the ocean taken from a hotel balcony.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows geysers and the rocky red landscape of Timanfaya National Park alongside the island's characteristic white buildings. Ends with footage of a local market outside the Church of San Gines, Arrecife.
Travelogue documenting Bailey's trip on the Queen Anna Maria Greek Line in 1965. The ship makes stops in Malta, Egypt, Israel, Morocco, Greece, Turkey, Gibraltar, and Israel. A brief shot of New York City is seen in the middle of the film (it may not have been edited chronologically). Bailey captures extensive footage of local people and street scenes in large cities as well as many people working as fishermen, agricultural workers, and vendors in small markets. Notable landmarks include: St. Paul's Square and Cathedral (Malta), the acropolis at Alexandria, Montaza Palace, Cairo Citadel, Mount of Beatitudes and St. Peter's Church (Israel), the Blue Mosque, Athens acropolis, Achilleion Palace, and São Jorge Castle. Other highlights include Bailey riding a camel in Cairo, feeding a wild monkey in Gibraltar, and a man in a ghutrah disembarking a plane and waving to the crowd in Greece - possibly Saud bin Abdulaziz.
Home movie footage of Bailey's trip to Hawaii circa 1954. She has unidentified travel companions on this trip, another woman and an older man. Begins with footage (some dark) taken from a boat arriving in Honolulu as a crowd well-wishers wave and greet them. Bailey then spends some time posing for the camera while wearing leis and exploring a garden. The camera captures the landscape and people enjoying a local beach.
Very brief home movie documenting Bailey's trip to Hawaii in 1960. Shows the waters of the Pacific taken while cruising in a boat, followed by a brief glimpse of a TWA StarStream 707 plane on a tarmac. The footage is very light and hard to see in some places.
Travelogue documenting Bailey's trip to Hawaii in 1960. Features extensive footage of the 1960 Kapoho eruption and the destruction of buildings and vegetation in the aftermath. Shots of several landmarks, including Kamehameha I statue outside Aliʻiōlani Hale, Iao Needle Point, ruins of Fort Elizabeth, Captain Cook Monument, the Royal Mausoleum, Chamberlain House, Spouting Horn, Prince Kuhio's birthplace, Hulihee Palace, Kaahumanu Church, Queen Emma Summer Palace, and Puowaina Punchbowl Crater. A close-up shows Ernie Pyle's grave marker at the National Memorial Cemetery of the Pacific. Ends with footage of a luau depicting many traditional dances, men making Kālua pork, and surfing.
Documents Bailey's trip to Mexico circa 1950. Shows footage of the Cascada El Salto de San Antón waterfall, Cuernavaca Cathedral, and the interior of Palacio de Cortes (with murals painted by Diego Rivera). Includes many shots of people swimming in a pool and close-ups of beautiful flowers and foliage. Bailey captures a local market and fishermen at Lake Pátzcuaro. Ends with beach goers swimming and surfing in Acapulco Bay.
Documents Bailey's trip to Mexico circa 1950. Shows merchants selling their wares and local architecture in the city of Puebla, including Puebla Cathedral and the Temple of San Francisco Acatepec. Ends with large groups dancing as part of a celebration, displaying various styles of folk dancing and traditional costume.
Black and white scenes of a market in Norway. People selling fish by a harbor, an old woman buys flowers from a cart. Scenes on a city street and views of the sea. Exterior shots of Borgund Stave Church. Ends with footage of cars being hoisted onto a ship.
Bailey and other classmates of the Class of 1922 celebrating their 40th reunion at Wellesley College. The women mingle and enjoy refreshments outside. Shows Tower Court, Lake Waban, and other buildings around the Wellesley campus. The women then arrive with dressed in purple aprons and bonnets (their class color) and a sign in a shape of a cow (class mascot) reading "Bellesley". The alumnae classes celebrating reunions then march in a parade with flags and class colors. The film then documents a trip to Marblehead, Massachusetts with Wellesley friends and a visit to the home of classmate Esther B. Card.
Home movie with footage of Air Force planes in an airfield and various activities in the Wilkinson family's yard. Shows Bernadine Bailey's nephew, Paul Freeman Wilkinson, and another boy playing with a Scottish terrier, a chicken coop, and close-ups of the yard's flowers.
Shows a group of people posing for the camera in front of their house, including Nellie Freeman, Bernadine Bailey's mother. The rest of the group is likely Paul R. Wilkinson (the younger man with glasses), his siblings, and parents. Paul F. Wilkinson, Bernadine Bailey's nephew, is playing with a group of other children.
Describes the ways in which a newspaper brings information and service to a community and traces a news story and advertisement from their beginnings to their publication in the paper. Follows the reporting of the arrival of a baby elephant for the city zoo and shows the step-by-step process including the writing, editing, typesetting, proofing, printing, and delivery of the paper in which the story appears. Shows the variety of news sources, special features, and services the newspaper must use each day. | Shows how the daily newspaper is published and explains the work of each department.
Two boys, both between the ages of four and five, are subjects in a study of aggressive and destructive impulses. The film shows how differently two children, but a few months apart in age and from similar backgrounds, respond to a graduated series of opportunities and invitations to break balloons. Demonstration film of a projective technique developed by L. Joseph Stone.
Visits a number of international trade fairs and identifies their purposes and contributions to the United States agricultural program. Illustrates ways United States agricultural products are introduced to actual and potential customers. Studies some of the agricultural export items which have been favorably influenced by the trade fair. Proclaims the importance of foreign markets as an outlet for our agricultural surplus.
A female narrator forecasts a bright future for aluminum as she lists recently developed products that contain aluminum. The commercial concludes with another narrator asking the viewers to choose Alcoa for all their aluminum needs.
A chef shows the audience that he is able keep his food fresh and preserved by using aluminum cans and packaging. The chef also mentions how aluminum is used in agricultural and transportation industries.
A narrator talks about the vital role aluminum plays in the transportation industry. Footage of aluminum vehicles are shown. The narrator talks about how Aluminum Ltd. supplies the majority of the aluminum in the market and is the most active in aluminum research.
Pictures of human hands are shown as a narrator explains how fragile and worn out human hands can be. The commercial then transitions to footage of American Machine & Foundry's automatic machines are shown doing jobs that used to be done by human hands. The narrator states how useful these machines can be to society.
A boy wakes up to find a new jet bike waiting for him. He then goes to fly model airplanes with his dad. As the boy goes home, he notices water skiers, scuba divers, and bowlers. In each scene and place the boy visit an American Machine & Foundry product is featured.
A narrator explain how the Bell Telephone Company was instrumental in the Echo I project. The Echo I satellite allowed for the first wireless telephone call through a satellite. The narrator rejoices at this breakthrough in telecommunications and hypothesis about the future of communication.
A narrator talks about the new machine developed by Bell Telephone Company that allow people to have three-way calls, have work calls forward to a person home phone, and remember frequently used phone numbers.
Explains why large quantities of war materials, in particular steel, are needed for the war effort. Shows the sea battle and beachhead landing of the Normandy invasion.
Footage of Bailey's trip across the Soviet Empire in 1957 offering a rich depiction of life under Soviet rule. Features many street scenes capturing local culture in the former Soviet Union, Ukraine, Warsaw, and East Berlin. Numerous depictions of Lenin, in commemorative art, can be seen throughout. The film focuses both on large cities and rural landscapes, where women notably join men in performing hard labor in the fields. Bailey documented trips to many landmarks ; in Leningrad, this includes the Winter Palace, Admirality Tower, Senate Square, Alexander Column, and Peterhof Palace ; in Kiev, the National Opera, St. Sophia's Cathedral, and the Verkhovna Rada building ; in Moscow, the Bolshoi Theatre, Cathedral Square, Red Square, St. Basil's Cathedral, the Grand Kremlin Palace, and many examples of Stalinist architecture ; in Warsaw, the Ghetto Heroes Monument and stone reliefs of workers on Marszałkowska street ; in Berlin, the ruins of the Reichstag, St. Hedwig's Cathedral, and a monument to Soviet soldiers in World War II. The specter of the war lingers throughout as many cities still sport heavy damage from bombing - particularly Berlin and Stalingrad.
An advertisement for Belvedere cigarettes in which an older, well-dressed woman finds an instant-gift coupon in a pack of Belvederes. The narrator lists many of the possible awards that could be won. The woman says she doesn't I smoke Belvederes because of the coupons, rather, she says, "I smoke them because I like them."
Shows many fish-eating birds and indicates how the characteristics of each, although different, enable them to catch and eat fish. Emphasizes such characteristics as the long neck, a strong bill, long legs, toes that are sometimes webbed, and the ability to swim and dive underwater.
Short promotional film focusing on student learning at Indiana University. Begins with a tour of the buildings and resources of the Libraries, the "focal point of I.U.'s academic program." The film then moves on to highlight teaching at the university, showing history professor, R. Carlyle Buley in individual conference with a student as well as in the classroom. Finally the film shows how teaching and learning are not just confined to the classroom, but come about through student meetings and informal gatherings. Ends with I.U. students graduating and going on to become productive members of society, proving that "books do come alive."
A mother and her daughters go horseback riding through a park. As they are horseback riding a narrator explains how great Camay soap is and footage of the mother using the soap is mixed with footage of them horseback riding. When the horseback riding is finished the mother is greeted by her husband and the family happily drives away.
Shows the importance of organized fire-fighting activities in a city. Includes a visit to a city fire house, the equipment there and in action at a fire, simple precautions against fires, and how to turn in alarms in case of fire.
Travelogue documenting Bailey's trip to Hawaii in 1960. Features extensive footage of Hawaii's scenic oceans, beaches, hills, and flowers. Shots of several landmarks, including Aloha Tower, ʻIolani Palace, Laie Hawaii Temple and the murals inside, Ewa Plantation School, Halekiʻi-Pihana Heiau, Kalaupapa Settlement and Father Damien's grave. Shows several homes with names and addresses, possibly friends of Bailey, as well as Bailey attending an outdoor reception at a private garden with close-ups of tropical flowers. Ends with footage of hotel exteriors around Waikiki and Bailey at the airport.
A woman takes a bath with Dove Soap and models several different outfits. A narrator explains that if a woman use Dove Soap then it will make her more beautiful in all of her outfits.