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Fignewton Frog (puppet) and Dora (person) tell a story about Cheerily Chirp the young cricket who wants to learn to play the violin instead of being restricted to traditional cricket music.
Fignewton Frog (puppet) and Dora (person) tell a story about Jill the bee who worries about her busy work schedule. Broadly explains the variety of work bees perform including caring for larvae, guarding the hive, and gathering pollen.
Dora shows the audience how to make a clam and a bird puppet. Dora and Fignewton put on a play about Clifford the Clam who gets a sore foot from jumping too high.
Fignewton Frog (puppet) and Dora (person) tell a story about a reluctant root and the troubles that causes to its flower. Ends with a suggestion that children go to the library to learn more about gardening.
If a worm loses part of its body in time that part will be replaced. Using make-do puppets, Dora tells the story of on worm's adventures. Viewers learn how to make a puppet worm from paper.
In all societies, children have a need to play. The doll, made in the human image is a universal toy. The puppet, made in the human or animal form, is another means of diversion for children, as well as adults. In some non-technological societies, puppetry has been developed into a high art. Shari Lewis examines the variety of ways in which man, using materials at hand, has created replicas of himself for fun and amusement.
Host Dora shows Fignewton Frog the puppet how to make a star hand puppet and a cut-out fish to enact a play. She uses these to tell the story of Sayy the too-inquisitive starfish, who gets into trouble by being nosy. Dora recommends books on sea life.
Discussion of the George Herzog collections at the Archives of Traditional Music, of early ethnomusicologists and the development of the field, and biographical information on Herzog. Descriptive information presented here may come from original collection documentation. Please note collections of historical content may contain material that could be offensive to some patrons.
Explains why opera is not popular in America and what changes are necessary before opera will be accepted by the public. Points out that modern operatic performances are in two areas--grand opera and new opera experiments--and that there is considerable variety in the different periods of opera. Presents an aria from the dagger scene of Verdi's opera, Macbeth. (Univ. Calif. Ext.) Film.