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Since emerging in the 1970s, the prison industrial complex (PIC)—roughly defined as the constellation of governments, corporations, and others that employ policing, incarceration, surveillance, and...
We live in an age when mobile touchscreen devices are customarily “on” and in-hand. As a consequence, we frequently engage in practices that involve documenting the self in motion, our geolocationa...
Institute for Digital Arts & Humanities ; Sylvia Fernandez
Summary:
Toxic discourses towards the Mexico-United States borderland and its communities have continuously altered history, social dynamics, culture, among other things that are part of this region. Meanwh...
Institute for Digital Arts & Humanities; Kathleen Fitzpatrick
Summary:
Working in public, and with the public, can enable scholars to build vital, sustainable research communities, both within their fields, with other scholars in different fields, and with folks off-c...
Institute for Digital Arts & Humanities; Mary Borgo Ton
Summary:
How do we encourage students to read material closely and carefully? What can mark-up show us about the content and context of archival material? This workshop discusses TEI, an internationally-rec...
Institute for Digital Arts & Humanities; Mary Borgo Ton; Kalani Craig
Summary:
Interested in using network analysis in your research or teaching? Come to this hands-on session where we will deal with the basics of cleaning and formatting your data and loading it into the simp...
Institute for Digital Arts & Humanities; Sylvia Fernandez
Summary:
While cartography is a colonialist product when unrepresented individuals or communities utilize and recreate these tools they serve to contest a colonial cultural record. With respect to U.S.-Mexi...
Institute for Digital Arts and Humanities; Daniel Story; Kalani Craig
Summary:
Want to visualize and study a network in geographic space? We'll do a hands-on exercise with the powerful network analysis software Gephi. Learn about what files Gephi needs to create a network, so...