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Home movie taken at Angkor Wat in Cambodia. Much of the footage is dark and difficult to see. Buddhist monks in bright robes can be seen around the temple.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows the seaside landscape and cliffs of Lanzarote. Bailey boards a plane leaving Lanzarote and films and view from the window, including shots of Mount Teide.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Features Castillo de San Gabriel and street scenes showcasing local inhabitants and buildings.
Home movie footage of a voyage from Cincinnati to New Orleans that Bailey took aboard the steamboat Delta Queen in early 1968. An article about her experience, "Last Call for the Delta Queen River Cruise," was published in the New York Times in May 1968. The film primarily shows the scenery as the boat cruises down the river and members of the crew working on the ship (including the captain manning the bridge). Features the Delta Queen's calliope as passengers gather to listen. Bailey herself takes a turn at the instrument. On shore, the film documents stops at historic antebellum homes, including McRaven and Oak Alley Plantation. The footage is not edited in chronological order.
Travelogue documenting Bailey's trip to Denmark circa 1971. Primarily shows a harbor with glaciers, local flora, and village life. Shots of men working on boats and doing construction.
Opens with a shot of Nelle and Lynn ; footage of Ft. Lauderdale beach with a pier ; small boats in a harbor taken from the water ; views of palm trees and waterfront homes as the camera sails by.
Cut to the Bixler's home in Indianapolis during wintertime ; scenes of snow covered streets ; Nelle shoveling the walk while Lynn plays.
Cut to Nelle with Lynn, holding a dog, posing for the camera along a riverbank and walking through the woods at Clifty Falls State Park (Madison, IN) ; Lynn and friend on a jungle gym ; views of Washington Boulevard (their street) with spring flowers blooming.
Nelle and Donald and a younger man riding in the back of a boat with a confederate flag ; people at a busy swimming pool and a girl (probably Lynn) receiving a swimming lesson ; the Bixlers attending a large picnic ; more scenes in the yard ; children getting on a schoolbus.
Opens with a group of kids flying a toy airplane in a field ; Bixlers and guests (another couple and a boy) at the Indianapolis 500 ; Bixlers and friends at a backyard party, people riding horseback and atop a car ; footage taken from inside an airplane and "hi-lites" of Thomaston, AL trip.
Inside the Bixler home, a birthday celebration for an older woman (possibly one of Lynn's grandmothers) ; Lynn and friend in a swimming pool near the beach ; Bixlers and another couple visit the Sarasota Jungle Gardens ; more beach scenes and relaxing at a hotel. Briefly shows a Ringling Brothers circus in the process of being torn down.
The Bixler family visits Kentucky Lake. Shows footage of a bridge (possibly Eggner's Ferry) ; Donald and Lynn swimming ; scenes taken while out on a boat, including a large ship carrying lumber and a rock quarry. A confederate flag can be seen flying at the end of the boat. Several shots of Nelle and Lynn inside the boat and Nelle cooking. Brief footage of Pickwick Landing Dam. Film ends with scenes along Highway 68, including The Hitching Post store in Aurora, KY.
Title card: "The Bixler's go to Florida, Hollywood-Miami, February 1956". Images of postcards advertising flights to Florida.
Lynn and Nelle at Storyland, a kiddie park with a fairy tale and nursery rhyme theme ; shows Lynn at a petting zoo interacting with various animals, including a monkey who steals her hat ; monkeys on leashes and in costume perform at a tourist attraction. The Bixlers visit Africa USA ; footage of a Jeep safari (some blurry) and river cruise with many shots of zoo animals and lush foliage. Next is the Parrot Jungle and a crocodile show. Brief footage of homes along the water in Fort Lauderdale. The film ends with Lynn playing in the ocean, her "first experience with the Atlantic Ocean".
Film reel of various travels.
Visit to Abraham Lincoln Birthplace in Hodgenville, Kentucky ; footage of the yard and garden at Washington Boulevard house ; Lynn and Donald at the swimming pool ; Lynn and puppy ; very brief scenes at a zoo ; Bixler family playing in the yard ; "World Famous Pluto Spring" gazebo at French Lick Springs Hotel ; seals and dolphins performing at Miami Seaquarium ; footage from Africa USA safari and an Indian village attraction (possiblyl Miccosukee Indian Village) ; scenes of driving down Miami streets with special focus on motels. Ends with Lynn playing with the puppy back at home.
Black and white footage of girls of various ages in school uniforms playing tennis and other games. Shows a sign reading "Falmouth High School for Girls". Possibly taken in Cornwall, England.
Film begins with British Merchant Navy ship. Primarily shows blurry footage of Fiji, including a village with thatched roof buildings and new construction. Local children interact with and smile for the camera. A storefront advertises Procera bread. The film then shows a busy intersection in a town - the crowd is diverse with people in traditional and western-style clothes.
A continuation of the footage from [Frankfurt, Germany 1954] and similar street scenes of the town center of Frankfurt am Main. Footage of rubble and ruins of buildings from World War II. Shows construction and rebuilding near the ruins. Notable landmarks include Alte Oper.
Street scenes of the town center of Frankfurt am Main. Footage of rubble and ruins of buildings from World War II. Shows construction and rebuilding near the ruins. Notable landmarks include St. Catherine's Church. A movie poster for "How to Marry a Millionaire" starring Marilyn Monroe is visible. The film was released in West Germany in 1954.
Home movie of Bailey's trip to Iceland circa 1971. This film shows a geothermal area in Iceland that features bright blue pools, bubbling hot springs, and steam rising from the ground.
Home movie of Bailey's trip to Greenland circa 1971. Shows Bailey and Carson Ritchie in a small coastal village. Captures many images of locals, particularly women, performing household and agricultural labor.
Home movie of Bailey's trip to Iceland circa 1971. Carson Ritchie (Bailey's third husband and travel companion in the early 1970's) walks along the shore of a small river. Shows people in a rowboat.
Home movie of Bailey's trip to Iceland circa 1971. Shows close-up shots of flowers and trees blooming. Carson Ritchie (Bailey's third husband and travel companion in the early 1970's) and another man crossing a small river (the water is very bright, possibly another geothermal area). Footage taken from a boat sailing down the river.
Home movie of Bailey's trip to Iceland circa 1971. Shows large cruise ships in a harbor. Brief shots of a geothermal area with steam rising from the ground.
Home movie of Bailey's trip to Iceland circa 1971. Footage taken from a window of a plane taking off. Glaciers are visible as the plane flies over the Arctic Ocean. Shows Bailey and Ritchie disembarking in Iceland.
Footage of the coastal village of Kirkjubøur in the Faroe Islands. Primarily shows the rural landscape and inside of St. Magnus Cathedral. Brief exterior shots of Saint Olav's Church.
Footage of the coastal village of Kirkjubøur in the Faroe Islands. Primarily shows the local landscape and wandering sheep. Features exterior shots of Saint Olav's Church.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows the metropolitan area and seaport of Las Palmas in Gran Canaria, including the Don Juan hotel. We see Bailey is traveling with her husband, Carson Ritchie.
Travelogue documenting Bailey's trips to New Zealand, Indonesia, and Cambodia, 1955-1956. Film begins with footage of people playing cricket in Auckland, the Auckland War Memorial Museum, and people enjoying the beach. In Rotorua, Maori women in traditional dress play instruments and perform a dance. Shows the New Zealand Parliamentary Library and Riddiford Baths in Wellington. Captures diverse landscapes of New Zealand, including beaches, snowy mountains, and geothermal areas. Bailey's mother, Nellie Freeman, accompanies her in New Zealand. Footage of Asia primarily shows small village life and men, women, and children working in fields and doing housework. Bailey captures a large celebration complete with a float that has a Hindu temple spire. Ends with extensive footage of Angkor Wat with close-ups of the art and architectural features.
Home movie of Bailey's trip to Iceland circa 1971. Street scenes of Reykjavik, Iceland in the public square Austurvöllur. Also shows the British and American embassies.
Home movie of Bailey's trip to Iceland circa 1971. Street scenes of Reykjavik, Iceland (appear to be taken from hotel balcony). Features exterior shots of Neskirkja and Hotel Saga.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows Bailey and Carson Ritchie riding a camel with a two-seater saddle. Lots of footage of other tourists on camels and along the beach.
Home movie of Bailey's trip to Iceland circa 1971. This film shows a visit to Seljalandsfoss and the surrounding landscape. Brief shot of a small bubbling geyser. In Reykjavik, the camera captures the public square Austurvöllur taken from the balcony of the Hotel Borg.
Home movie of Bailey's trip to Iceland circa 1971. This film shows a visit to Skálholt featuring its rural landscape and historic cathedral. Brief shot of girls in traditional Icelandic dress. Next, Bailey and Carson Ritchie visit Gullfoss and pose together in front of the falls.
Footage documenting Bailey's travels to the Canary Islands circa 1971. The film begins with Bailey as the subject - she waves and blows kisses to the camera. We see she is traveling with her husband, Carson Ritchie. He poses outside the Tahiche Club. The camera captures scenes of the coastline with many beach-goers enjoying the sun. Bailey and Ritchie take turns filming each other walking around their hotel.
Home movie footage of a visit to Tempel Farms, home of the Tempel Lipizzan horses. Opens with a sign reading "Tempel Good Luck Farm". Show exterior footage of the stables and other buildings around the farm. Horses can be seen grazing in a pasture. A group in traditional German costume poses for the camera, possibly as part of an event that is taking place.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows rock formations in Teide National Park, a local harbor, street scenes in an unknown town. More footage taken from inside a plane, now flying over the water and landing. Ends with views of the ocean taken from a hotel balcony.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows geysers and the rocky red landscape of Timanfaya National Park alongside the island's characteristic white buildings. Ends with footage of a local market outside the Church of San Gines, Arrecife.
Travelogue documenting Bailey's trip on the Queen Anna Maria Greek Line in 1965. The ship makes stops in Malta, Egypt, Israel, Morocco, Greece, Turkey, Gibraltar, and Israel. A brief shot of New York City is seen in the middle of the film (it may not have been edited chronologically). Bailey captures extensive footage of local people and street scenes in large cities as well as many people working as fishermen, agricultural workers, and vendors in small markets. Notable landmarks include: St. Paul's Square and Cathedral (Malta), the acropolis at Alexandria, Montaza Palace, Cairo Citadel, Mount of Beatitudes and St. Peter's Church (Israel), the Blue Mosque, Athens acropolis, Achilleion Palace, and São Jorge Castle. Other highlights include Bailey riding a camel in Cairo, feeding a wild monkey in Gibraltar, and a man in a ghutrah disembarking a plane and waving to the crowd in Greece - possibly Saud bin Abdulaziz.
Home movie footage of Bailey's trip to Hawaii circa 1954. She has unidentified travel companions on this trip, another woman and an older man. Begins with footage (some dark) taken from a boat arriving in Honolulu as a crowd well-wishers wave and greet them. Bailey then spends some time posing for the camera while wearing leis and exploring a garden. The camera captures the landscape and people enjoying a local beach.
Very brief home movie documenting Bailey's trip to Hawaii in 1960. Shows the waters of the Pacific taken while cruising in a boat, followed by a brief glimpse of a TWA StarStream 707 plane on a tarmac. The footage is very light and hard to see in some places.
Travelogue documenting Bailey's trip to Hawaii in 1960. Features extensive footage of the 1960 Kapoho eruption and the destruction of buildings and vegetation in the aftermath. Shots of several landmarks, including Kamehameha I statue outside Aliʻiōlani Hale, Iao Needle Point, ruins of Fort Elizabeth, Captain Cook Monument, the Royal Mausoleum, Chamberlain House, Spouting Horn, Prince Kuhio's birthplace, Hulihee Palace, Kaahumanu Church, Queen Emma Summer Palace, and Puowaina Punchbowl Crater. A close-up shows Ernie Pyle's grave marker at the National Memorial Cemetery of the Pacific. Ends with footage of a luau depicting many traditional dances, men making Kālua pork, and surfing.
Documents Bailey's trip to Mexico circa 1950. Shows footage of the Cascada El Salto de San Antón waterfall, Cuernavaca Cathedral, and the interior of Palacio de Cortes (with murals painted by Diego Rivera). Includes many shots of people swimming in a pool and close-ups of beautiful flowers and foliage. Bailey captures a local market and fishermen at Lake Pátzcuaro. Ends with beach goers swimming and surfing in Acapulco Bay.
Documents Bailey's trip to Mexico circa 1950. Shows merchants selling their wares and local architecture in the city of Puebla, including Puebla Cathedral and the Temple of San Francisco Acatepec. Ends with large groups dancing as part of a celebration, displaying various styles of folk dancing and traditional costume.