73. Birth of a Concerto (4:17:08)

Date:
2019
Main contributors:
Carl Lenthe
Summary:
Seven performance scenes with commentary documenting how David DeBoor Canfield’s “Concerto after Mendelssohn” for trombone and orchestra was ideated, composed and entered into the repertoire. Peripheral information includes interviews with the composer and collaborators.

75. David N. Baker, Concert Piece for Trombone and String Orchestra (21:18)

Date:
19uu
Main contributors:
David N. Baker
Summary:
David Baker’s Concert Piece was commissioned by Lenore Hatfield and The Camerata for M. Dee Stewart. Conducted by Keith Brown, it was premiered with that orchestra in 1997. It is a major three movement concerto with strings “informed by jazz” as Baker said. Since the piece begins muted, Stewart chose to use a SoloTone mute ala Tommy Dorsey. Baker was asked to transcribe it for piano to give it more performance opportunities. After giving the premier performance of the piano version, Ashley Toms and Stewart recorded it in Auer Hall, Jacobs School of Music at Indiana University. This exciting work was edited under the supervision of Konrad Strauss, Professor of Music (Audio Engineering and Sound Production); Chair, Department of Audio Engineering and Sound Production.

82. Lecture - Géza Szilvay (October 28,2015) (1:05:11)

Date:
2015
Main contributors:
Geza Szilvay, lecturer
Summary:
Géza Szilvay, of the Sibelius Academy of the University of the Arts Helsinki, delivers a lecture to students of Mimi Zweig, Professor of Music (Violin, Viola) at the Indiana University Jacobs School of Music.

83. Lecture Exchange – International Distance Learning: String Pedagogy (February 12, 2016) (2:50:48)

Date:
2016
Main contributors:
Géza Szilvay, lecturer, Yvonne Frye, lecturer, Mimi Zweig, lecturer, Päivyt Meller, moderator
Summary:
A Videoconference Event presented by Sibelius Academy’s Distance Learning Program & the Jacobs School of Music, Indiana University. Includes: Géza Szilvay and Yvonne Frye of the East Helsinki Music Institute and the Sibelius Academy of the University of the Arts Helsinki on The Colourstrings, Mimi Zweig of the Jacobs School of Music on String Pedagogy, and An Overseas Panel Discussion: What is a Good Violin Teacher Like? Discussion led by Päivyt Meller of he Sibelius Academy of the University of the Arts Helsinki, with panelists Géza Szilvay, Yvonne Frye, Réka Szilvay, Valerie Albrecht, Mimi Zweig, Grigory Kalinovsky, Asia Doike, and Rose Scioroni.

86. Alcina (2:17:44)

Date:
2015
Main contributors:
Handel, George Frideric, 1685-1759
Summary:

87. Alcina (2:18:54)

Date:
2015
Main contributors:
Handel, George Frideric, 1685-1759
Summary:

89. Alcina (2:24:18)

Date:
2015
Main contributors:
Handel, George Frideric, 1685-1759.
Summary:

90. Xerxes (2:30:14)

Date:
2013
Main contributors:
Handel, George Frideric, 1685-1759.
Summary:

95. Backstories 2023-2024 (3:48:00)

Date:
2024
Main contributors:
Jacobs School of Music, Jacobs School of Music - Office of Communications, Jacobs School of Music - Music IT Services
Summary:
Backstories is a promotional series of recordings used to promote projects at the Jacobs School of Music. This installment includes videos produced for the 2023-2024 academic year.

96. Leonard Bernstein’s “Mass” at 50 – Moderated by Jamie Bernstein (1:14:00)

Date:
2022
Main contributors:
Jacobs School of Music, Leonard Bernstein Office
Summary:
The Leonard Bernstein Office and the Indiana University Jacobs School of Music will co-present Leonard Bernstein's MASS at 50, a livestreamed panel discussion, at 3 p.m. ET on January 10, 2022. Offering a range of perspectives about the history of MASS and its continuing impact, the panel will be moderated by Bernstein’s daughter, Jamie Bernstein. Panelists will include: Stephen Schwartz, lyricist with Bernstein for MASS Marin Alsop, frequent conductor of MASS, including the recent Ravinia production Paulo Szot, baritone, Celebrant in the recent Ravinia production Carol Oja, William Powell Mason Professor of Music at Harvard University John Mauceri, frequent conductor of MASS, including its first European performance and the tenth anniversary production at the Kennedy Center Wayne Marshall, frequent conductor of MASS in Europe Douglas Webster, Celebrant, director, or producer in over twenty productions of MASS