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Dramatizes parts of Liszt's life from a young boy to his last days as a teacher. Shows by animated maps, still pictures, and dramatization the places where he lived or performed, the people he knew, and the times in which he lived. Explains many things that influenced Liszt's music and presents excerpts of his music with special attention to Les Preludes.
Tells the story of a boy's trip to visit friends in Costa Rica. He lives in the home of an upper-class Costa Rican family, sharing their life and activities. He goes to see the public schools, the city market, native animals in the zoo, and the large plantations. Emphasizes the similarities and differences between life in Costa Rica and the United States.
Traces the history of the film industry from the beginning of ancient Chinese shadow shows to silouhettes and lighting for 3D effects. The invention of sound and special effects are dealt with.
Stresses today's need for foreign language instruction to help foster international cooperation and understanding. Learning of a foreign language by elementary school children by the oral-aural method, before learning to read or write the language is suggested as a valuable teaching technique. Television's contribution to a nonprofessionally trained language teacher in both the teachers' own preparation and the teaching of the class is cited. Specially made films with foreign language narrations can be used to give a link between a language and the culture from which is developed. Language laboratories are indicated as means for allowing students more practice in listening and speaking the language than do conventional techniques.
Describes the handling and processing of waste from the time it is discarded into separate garbage cans to the point where it is used in new and repaired goods. Shows the collection, separation grading, preparation for melting, and distribution of refuse to centers according to its usefulness. Depicts the repair of discarded toys and the feeding of hogs and surveys the activities of the department of sanitation.
Shows the different kinds of nails and screws and their uses. Tells how to determine the size of nails, and how to drive them properly by using various techniques. Describes the hammer and screwdriver, and shows proper ways of handling them. Illustrates the principal parts of screws by diagram, and demonstrates various ways to make their use more effective.
Features silent footage of Indiana University's "Marching Hundred" band, with Daniel L. Martino, director, and Charles F. Keen, assistant director, who are featured in a brief close-up. Includes quoted accolades from the band's founding in 1900 through 1948, including several from John Philip Sousa. Follows the men on a bus trip to the University of Illinois and showcases several halftime programs.
Tells of the energy, the courage, and the efforts of the Russians behind the front lines in World War II. Shows the holding and striking power of Russia.
The development of Tennessee Valley Authority, describing the benefits to the people. Includes conditions before TVA and various changes that TVA brought.
The biology of the past; the aims, methods and instrumentation of modern biology, and its pertinence to man; the biology of the future in terms of some of its problems.
Determines, with proper use and interpretation, the cause of poor sound if it lies in faulty 16mm motion picture projection equipment. Includes the following technical test sections: sound focusing test, the buzz track test, and a frequency response test. Offers, in addition, four sections for testing title music, dialogue, piano music, and orchestral music.
Presents physical education as an essential part of the modern school curriculum. John Glenn explains why the astronauts need to be ready physically and mentally for space travel. Describes how body motor skills are developed in early grades by tumbling, rope climbing, and rhythms. Pictures older students playing team games, as basketball and volleyball. Stresses the need for well-planned activities, accurate records, and competent, well-trained teachers.
Explores the possiblities of creating color lithography and explains methods of visualization, transfer and simple registry. Shows Patrick Dullantry, an American printmaker who works over progressive proofs of his work to develop a color lithograph. Presents color lithographs by such masters as Toulouse Lautrec, Paul Cezanne, Renoir, and works of modern contemporary young American printmakers.
The architects of the European Coal and Steel Community considered ECSC, not an end in itself, but the first step toward eventual European unity to be realized through the establishment of a common market for all goods. This program traces the successive steps that resulted in the establishment, in 1957, of the Common Market and Euratom. The major economic aims of the Common Market (the abolition of internal trade restrictions, and the establishment of an external common tariff among the six participating nations) are illustrated through the use of animated graphics.
Uses the voice of a young girl, killed in the eruption of Mt. Vesuvius, to narrate a tour through the ruins of Pompeii as she relives her past experiences and hears again the sounds which echoed through the city's streets. Shows the uncovered ruins of the bakery, the wine shop, gardens, temples, homes of the rich and the poor, the theatre, and the gladiatorial arena. Briefly mentions the girl's love for a young boy of Christian faith and the resultant conflict with her pagan religion.
Shows how to make a template for the job; how to install knives in the spindle; how to use the template when smoothing squared edges; how to set up equipment for shaping a curved edge; and how to shape a curved edge in more than one cut.
This is the presentation of art at its best as one reviewer puts it. The BBC cameras follow a guide, Bernard Braden, as he tours Hartford House wherein is housed one of the world’s finest collections of art, the Wallace Collection, given to England by a wealthy, aristocratic family. As the guide passes among them, the works of the world’s greatest artists come to life.
Marcel Duchamp's only film is an example of "graphic cinema." It wittingly demonstrates the intertwining of the visual and verbal responses to viewing a film. The title itself- "anemic" is an anagram of "cinema." Disks of spirals which create optical illusions alternate with disks containing elaborately obscene puns. Duchamp condenses the whole range of sexual elements involving emergence and penetration of a plane surface into a model association between the illusions of gyrating cones and the allusions to breasts, genitals and defecation. --WorldCat
A Teaching Film Custodians film about the presentation and conventions of live theatre at Shakespeare's Globe Theater circa 1600. Incorporating footage from the prologue of the 1944 British Technicolor feature film, "Henry V", directed by and starring Laurence Olivier, and graphics, this film illustrates the location, and appearance of the Globe and Rose theaters, the activity before a typical presentation, where the audience was seated, and the manner in which the Globe Theater was used. We see the audience entering the theater, gallants taking their places on stage, the orange girl and cider man hawking their wares, and the actors preparing for their entrance. Concludes with the curtain parting and the chorus reciting the prologue.
Shows the overall story of lumbering in the Pacific Northwest from the falling of trees to the production of lumber, paper, venier, and plywood. Surveying by aerial photography is described. Transportation of logs from forest to mill, sorting at the mill, sawing, salvage of waste materials, and production of newsprint are shown with emphasis on timber conservation.
Indicates the preparation necessary for entrance into radio work, stressing a strong foundation in science and mathematics. The development of personality and a cultural background is stressed. Gives an overview of radio and its present importance and the application of radio principles to public address systems, sound reproduction, and television.
Pictures and describes a number of common African musical instruments. Indicates the probable origin of the instruments. Among those shown and played are the tom-tom, skin drums, horns of various types, and the xylophone.
Portrays life in the northeast corner of Scotland. The work of the fishermen and farmers and the industries and other activities of Aberdeen are described in some detail.
A message from Donald M. Nelson, chairman of the War Production Board, urging Americans to save metals, rubber, and greases for the World War II effort.
"A record of the achievements of the Canadian Army's First Division in the Sicilian campaign of World War II, a campaign that breached the walls of Axis Europe. It also shows how this campaign was made possible by the efforts of farmers and factory workers in Canada."--NFB website.
Depicts the life and adventures of Sir Francis Drake, an English explorer of the 16th century. Portrays his exploration of the new world and shows some of his personal possessions including sword, ceremonial helmet, and Bible. Shows model demonstrations of how ships sailed in those days and how sailors fought. Indicates the crude navigation instruments used by early explorers and points out the difficulties which Drake encountered.
Portrays the role of Nanking in the history of China. Pictures its modern city life and its surroundings, including the Yangtze River, the mausoleum of Sun Yat-sen, ancient landmarks, and famous buildings.
Uses a poem by F. L. McConkey and drawings by Joseph Servell to depict the work and social environment of a factory town where anger frusteration, and despair set in when the workmen are laid off.
Explains the contents of the Essentials of Good Speech. Discusses duration as an aspect of voice production and how it refers to the length of sound. Illustrates a lesson on duration at the "Presentation Stage" of Face A of the Speech Model. Shows the pupil learning a "part" (Duration) which will later be applied to a "whole" (word or words).
Presents a lesson at the "Imitation Stage" on loudness. Demonstrates how to help a pupil correctly imitate loud and soft vowels through the process of shaping only one ingredient at a time.
Discusses a well-known system for practicing pronunciation: articulation of consonants and enunciation of vowels. Emphasizes again more "parts" which are to be applied to "wholes." Shows how sounds are associated with a color code: blue for voiceless, red for voiced, and brown for nasal manner of articulation. Illustrates an early lesson at the "Presentation Stage" and introduces specific touch positions for color work.
Discusses the GLGSP as an integrative device for the general teaching of language and speech so that every communication between pupil and adult can be made a learning situation for language or speech or both. Presents five steps a teacher can use in understanding what a pupil has said.
Presents four lesson segments demonstrating advanced stages of pitch learning. Demonstrates, in the first segment, the production of vowels which move from low to high or high to low, and the production of combinations of loud, soft, high, and low-pitched vowels. Presents, in the second segment, the application of "part" learning of pitch to the correct general pitch by asking the pupil to lower his voice. Shows, in the final segment, the application of "part" learning of pitch to the intonation of the question, "Is it big?"
Continues synthetic practice of the "whole" word, "welcome", narrowing to analytic work on the second syllable (km). Shows the teacher shaping (km) toward correctness: weak form of the syllable, i.e., soft, short, nasal emission on (km). Then pupil works at the "Presentation and Imitation Stages" on Face A of the speech model.
Examines carry-over practice involving habituation of the correct accent and intonation of the entire phrase. Demonstrates carry-over practice given through the General Language: General Speech Pattern by the teacher in the language lesson, by other teachers in a nursery school, and by parents at home. Concludes with a pupil automatically using the phrase correctly in a general situation.
Discusses shaping the pronunciation of vowels and consonants. Depicts the teacher helping the pupil combine voiced and nasal consonants with long vowels. Also presents more difficult sound combinations, including short vowels.
Demonstrates the guiding of a pupil to consciously produce the desired pitch of vowels through reinforcement of his correct imitations. Depicts the teacher assessing the pupil's natural pitch for the vowels (ü), (ä), and (ē), in one case making the child conscious of his naturally high (ü).
Demonstrates the incorporation of the "part" (weak second syllable) back into the "whole", "Welcome." Depicts the teacher attempting to get proper intonation on the word through (a) shaping and (b) general practice. Presents an assessment of the automatic production of the phrase.
Focuses on "CH" and "J" at Face C of the speech model through the GLGSP in classroom situations as the sounds arise incidentally in words. Shows the pupil working at the "Production Stage" of "CH" and the "Presentation Stage" of "J". Concludes the learning session, which began at Face A when the pupil started the in-depth work on "SH" as a single sound.
Demonstrates one pupil's accomplishment of the early goals of color work: pronunciation of vowel and consonant combinations. Depicts a pupil producing the majority of speech sounds on request, and imitating (shaping) some complex sounds: "SH", "R", "L", and "S". Discusses the application of "part" learning to the pronunciation of a new word, "talent," which the pupil sees in print.
Continues to practice, as well as working on the whole phrase incidentally. Evaluates the automatic production of the entire phrase. Includes five examples of use of the General Language: General Speech Pattern unrelated to specific work on (km).
Presents a lesson at the "Production Stage" on duration, an aspect of voice production. Depicts the pupil producing vowels of long or short duration on request. Points out how the knowledge and skill of the "part" learning of duration is then applied to the word "welcome." Demonstrates the use of verbal direction alone to help the pupil learn correct syllable duration in the word.
