Could not complete log in. Possible causes and solutions are:
Cookies are not set, which might happen if you've never visited this website before.
Please open https://media.dlib.indiana.edu/ in a new window, then come back and refresh this page.
An ad blocker is preventing successful login.
Please disable ad blockers for this site then refresh this page.
During the webinar, the presenters will demonstrate ways NSSE data can be leveraged to measure student participation in HIPs. Furthermore, there will be an emphasis on how to relate aspects of engagement with institutional measurements of HIP participation. The overall aim is to prepare participants to facilitate campus dialogue about high-impact practices and maximize the benefits of the updated NSSE survey data and reports.
Digital mapping offers a variety of options that range in complexity from dropping a point on your smartphone’s mapping application to analyzing statistical differences in different geographies to warping geography for historical or artistic purposes. In addition to learning digital mapping methodology for humanist and social sciences research, and adapt mapping tools for artistic practice, we will discuss the critical application of these tools and how they can be used effectively in the classroom.
This presentation was part of a series of workshops offered by the Institute for Digital Arts and Humanities called Choosing a Digital Method.
Data mining encompasses a several different approaches to exploring large swaths of information, from the open largely unstructured text of the novel to the structured world of social-network entries to the automated comparison of photographs on a pixel-by-pixel basis. We'll use your research question or object as the entry point to make sense of the world of data mining and send you home with an activity you can adapt and use to introduce your students to data mining in your discipline.
This presentation is part of a series of workshops offered by the Institute for Digital Arts and Humanities called Choosing a Digital Method.
The maker movement, a subculture affiliated with a do-it-yourself ethos and, more recently, a passion for digital technologies, has been growing over the last two decades and is making its way onto the university campus . Digital humanities (DH) centers in particular have taken up the maker ethos, incorporating digital technologies such as 3D printers and microcomputers into their spaces. While recent literature acknowledges both the lack of female presence in makerspaces and a desire for more diversity in the digital humanities, no study of making has yet employed a feminist approach to understanding why and how these issues arise in the first place. The Centering Gender Project aims to do just this, by employing Wajcman’s (2004) theory of TechnoFeminism in an examination of public and academic examples of making. Martin's talk will showcase preliminary findings from her first on-site visits to makerspaces, and challenge the audience to think through ways their learning spaces could diversify their population.
Bob Gonyea, Kevin Fosnacht, Polly Graham, Kyle Fassett
Summary:
Institutions that participated in the 2018 NSSE/ACUHO-I Housing Study are invited to join this free webinar to walk through the new reports, ask questions of the researchers, and hear a brief summary of findings from the study. Feel free to include others from your institution – especially those from campus housing. NSSE webinars are live and interactive, providing participants the opportunity to ask questions via polls and text chat. The webinar will be recorded and posted on the NSSE website for those who are unable to participate.
An advertisement for General Telephone and Electronics by which a narrator describes the work of Sylvania Lighting while a rapid succession of shots play displaying various ways the products are used.
Institute for Digital Arts & Humanities, Sylvia Fernandez
Summary:
While cartography is a colonialist product when unrepresented individuals or communities utilize and recreate these tools they serve to contest a colonial cultural record. With respect to U.S.-Mexico borderlands, toxic discourses have continuously altered its history, social dynamics, culture, local and binational relationships. This presentation brings to the forefront initiatives that create alternative cartographies that challenge colonialist impositions such as: Borderlands Archives Cartography (BAC), a transborderlands project dedicated to locate, map and facilitate access to nineteenth and mid-twentieth century U.S.-Mexico borderlands newspapers; and Torn Apart / Separados, a mobilized humanities project that intervenes in the United States’ immigration debates with data narratives illuminating the effects of the government’s policy of separating families and the infrastructure subtending immigration enforcement. These initiatives use GIS tools to interpret data and archival material in new ways, enabling to see patterns otherwise invisible in static maps. BAC and Torn Apart digital maps and visualizations pose new questions contest established narratives, creates alternative forms of mapping and activate a knowledge production shaped from the ground-up. With this in mind, these alternative cartographies function as a historical and cultural record of the present and become resources to resist impositions in the future.
Institute for Digital Arts & Humanities , Sylvia Fernandez
Summary:
Toxic discourses towards the Mexico-United States borderland and its communities have continuously altered history, social dynamics, culture, among other things that are part of this region. Meanwhile, by utilizing digital companions such as digital maps, it is possible to contest to these kind of narratives that invisibilized borderlands’ dynamics. According to Annita Lucchesi, “The power of mapping is that there is so much power in it. It doesn’t necessarily have to be oppressive…It can be liberating. It can be healing. It can be empowering, especially when it’s being used by people who have been historically oppressed” (“Mapping MMIWG” 2019). By taking into consideration Lucchesi’s argument, this workshop will work in a hands-on experience with archival material and public data to create maps that challenge toxic discourses and colonial cultural records. Taking into consideration projects such as Borderlands Archives Cartography and Torn Apart / Separados, this workshop will go over the creation process of activism projects through the use of mapping technology. Participants will work with archival material and public data, will gain ethical and critical skills to the incorporation of humanities studies with digital companions, as well as collaborative and interdisciplinary approaches to create activism mapping resources.
Institute for Digital Arts & Humanities, Kathleen Fitzpatrick
Summary:
Working in public, and with the public, can enable scholars to build vital, sustainable research communities, both within their fields, with other scholars in different fields, and with folks off-campus who care about the kinds of work that we do. By finding ways to connect with a broad range of publics, in a range of different registers, and in ways that allow for meaningful response, we can create the possibilities for far more substantial public participation in and engagement with the humanities, and with the academy more broadly. This workshop will focus on ways of envisioning the publics with whom we work and the questions that public engagement surfaces.
At times more complex data visualizations are necessary to communicate your argument and explore the multiple dimensions of your dataset. This hands-on session will start you down the path towards employing statistical methods to communicate your argument, and will give you a chance to bring your own data and work through options for visualizations. During the workshop we will use two sample datasets to discuss how they were prepared and structured to enable comparison with regression analysis. We'll discuss regression analysis and how you can compare two datasets in a way that ensures you're getting useful information.
McDonald, Robert H., Kelmer, Michele, Regoli, Michael, Olds, Kris, Nelson, Carrie, Wagstaff, Steel, Goodner, Mark
Summary:
This symposium explores the connection between course material costs and student success, progression, and retention, and features three experts on affordable course material from the University of Wisconsin-Madison: Kris Olds,Professor of Geography; Carrie Nelson, Director of Scholarly Communication; Steel Wagstaff, Instructional Technology Consultant.
Presentation at Open Repositories 2015 (OR2015), the 10th International Conference on Open Repositories, Indianapolis, Indiana, in session P2A: Integrating with External Systems: the use case of ORCID.
Presentation at Open Repositories 2015 (OR2015), the 10th International Conference on Open Repositories, Indianapolis, Indiana, in session P3A: Integrating with External Systems.
Presentation at Open Repositories 2015 (OR2015), the 10th International Conference on Open Repositories, Indianapolis, Indiana, in session P4A: Managing Research (and Open) Data.
Presentation at Open Repositories 2015 (OR2015), the 10th International Conference on Open Repositories, Indianapolis, Indiana, in session P4A: Managing Research (and Open) Data.
Presentation at Open Repositories 2015 (OR2015), the 10th International Conference on Open Repositories, Indianapolis, Indiana, in session P4A: Managing Research (and Open) Data.
24x7 short presentation at Open Repositories 2015 (OR2015), the 10th International Conference on Open Repositories, Indianapolis, Indiana, in session P4A: Managing Research (and Open) Data.
1998 NSRC/SFSU Conference "Kinsey at 50" -- A gathering of contemporary luminaries in the field of sex research, discussing Kinsey's work 50 years on in society.