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Bernadine Bailey's sister, Joy, and her nephew, Paul Freeman Wilkinson emerge from the Wilkinson family home in Western Springs, Illinois. Paul is wearing roller skates. He roller skates down the sidewalk with an unknown girl as a collie plays alongside them. Bailey joins her sister, nephew, mother (Nellie Voigt Freeman), and an unknown man (possibly her husband, John Hays Bailey) as the group poses in front of the house. Brief shots of Paul Freeman Wilkinson riding a tricycle and a couple (possibly the Wilkinsons) working in the yard.
Begins with exterior and garden of Valencia Apartments, Bailey's residence in St. Augustine with her second husband, George W. McCord. Bailey and McCord kiss for the camera, then she and her friends walk around the garden.
Footage of the Stillman College-IU Cultural Exchange circa 1964. Footage features the IU delegation traveling by plane, the meet and greet between IU and Stillman College, Stillman College Orchestra practice, and music lessons provided to the Stillman College students.
Footage documenting Bailey's travels to the Canary Islands circa 1971. The film begins with Bailey as the subject - she waves and blows kisses to the camera. We see she is traveling with her husband, Carson Ritchie. He poses outside the Tahiche Club. The camera captures scenes of the coastline with many beach-goers enjoying the sun. Bailey and Ritchie take turns filming each other walking around their hotel.
Home movie footage of a visit to Tempel Farms, home of the Tempel Lipizzan horses. Opens with a sign reading "Tempel Good Luck Farm". Show exterior footage of the stables and other buildings around the farm. Horses can be seen grazing in a pasture. A group in traditional German costume poses for the camera, possibly as part of an event that is taking place.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows rock formations in Teide National Park, a local harbor, street scenes in an unknown town. More footage taken from inside a plane, now flying over the water and landing. Ends with views of the ocean taken from a hotel balcony.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows geysers and the rocky red landscape of Timanfaya National Park alongside the island's characteristic white buildings. Ends with footage of a local market outside the Church of San Gines, Arrecife.
Travelogue documenting Bailey's trip on the Queen Anna Maria Greek Line in 1965. The ship makes stops in Malta, Egypt, Israel, Morocco, Greece, Turkey, Gibraltar, and Israel. A brief shot of New York City is seen in the middle of the film (it may not have been edited chronologically). Bailey captures extensive footage of local people and street scenes in large cities as well as many people working as fishermen, agricultural workers, and vendors in small markets. Notable landmarks include: St. Paul's Square and Cathedral (Malta), the acropolis at Alexandria, Montaza Palace, Cairo Citadel, Mount of Beatitudes and St. Peter's Church (Israel), the Blue Mosque, Athens acropolis, Achilleion Palace, and São Jorge Castle. Other highlights include Bailey riding a camel in Cairo, feeding a wild monkey in Gibraltar, and a man in a ghutrah disembarking a plane and waving to the crowd in Greece - possibly Saud bin Abdulaziz.
This film opens in a classroom, showing a music teacher working through a piece with a group of string musicians. He goes on to talk about an influential teacher he had at Virginia State College named Undine Moore. Quipped the "Dean of Black Women Composers," Undine Eliza Anna Smith Moore was a notable and prolific American composer and professor of music in the twentieth century. Much of her work was inspired by black spirituals and folk music. She was a renowned teacher, and once stated that she experienced “teaching itself as an art.” Towards the end of her life, she received many notable awards for her accomplishments as a music educator.
Home movie footage of Bailey's trip to Hawaii circa 1954. She has unidentified travel companions on this trip, another woman and an older man. Begins with footage (some dark) taken from a boat arriving in Honolulu as a crowd well-wishers wave and greet them. Bailey then spends some time posing for the camera while wearing leis and exploring a garden. The camera captures the landscape and people enjoying a local beach.
Very brief home movie documenting Bailey's trip to Hawaii in 1960. Shows the waters of the Pacific taken while cruising in a boat, followed by a brief glimpse of a TWA StarStream 707 plane on a tarmac. The footage is very light and hard to see in some places.
Travelogue documenting Bailey's trip to Hawaii in 1960. Features extensive footage of the 1960 Kapoho eruption and the destruction of buildings and vegetation in the aftermath. Shots of several landmarks, including Kamehameha I statue outside Aliʻiōlani Hale, Iao Needle Point, ruins of Fort Elizabeth, Captain Cook Monument, the Royal Mausoleum, Chamberlain House, Spouting Horn, Prince Kuhio's birthplace, Hulihee Palace, Kaahumanu Church, Queen Emma Summer Palace, and Puowaina Punchbowl Crater. A close-up shows Ernie Pyle's grave marker at the National Memorial Cemetery of the Pacific. Ends with footage of a luau depicting many traditional dances, men making Kālua pork, and surfing.
Documents Bailey's trip to Mexico circa 1950. Shows footage of the Cascada El Salto de San Antón waterfall, Cuernavaca Cathedral, and the interior of Palacio de Cortes (with murals painted by Diego Rivera). Includes many shots of people swimming in a pool and close-ups of beautiful flowers and foliage. Bailey captures a local market and fishermen at Lake Pátzcuaro. Ends with beach goers swimming and surfing in Acapulco Bay.
Documents Bailey's trip to Mexico circa 1950. Shows merchants selling their wares and local architecture in the city of Puebla, including Puebla Cathedral and the Temple of San Francisco Acatepec. Ends with large groups dancing as part of a celebration, displaying various styles of folk dancing and traditional costume.
Black and white scenes of a market in Norway. People selling fish by a harbor, an old woman buys flowers from a cart. Scenes on a city street and views of the sea. Exterior shots of Borgund Stave Church. Ends with footage of cars being hoisted onto a ship.
