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Home movie footage of France during Ed Feil's military service circa 1946. Shows men in uniform walking in the street with the Arc de Triomphe du Carrousel visible in the background. Also has footage of the Eiffel Tower, Arc de Triomphe, and Unknown Soldier memorial.
Travelogue showing a visit to Los Angeles. Shows a sign for La Casita Del Arroyo in Pasadena as well as a Wilshire Pl street sign. There is also footage of a boat in the water and people on board the boat.
Begins with scenes of a garden, a large evergreen tree, and flowers in a front yard. Child's handwriting on a sign reading "The End", some illegible writing, then "Joe". Shots of an unknown boy and Tiger.
Edward R. Feil, Mary Feil Hellerstein, George Feil, Nellie Feil, Harold S. Feil
Summary:
Travelogue compilation that begins in Belen, New Mexico. Shows footage of a desert landscape with mountains in the distance taken from a moving train. Back in Cleveland, Mary walks with friends in the garden at the Harold Feil home. Ends with the family visiting Hunting Valley, Ohio. Harold and Nellie visit with another couple, Ed and a friend ride bikes.
Edward R. Feil, Naomi Feil, Edward G. Feil, Ken Feil, Beth Rubin, Vicki Rubin
Summary:
Home movie of the Feil family visiting a petting zoo. Shows the kids feeding and petting a variety of barnyard animals. Eddie also rides a pony. Shows a log cabin with furs and antlers on the exterior walls and a sign reading "Daniel Boone's cabin". Ends with footage of the boys and a friend playing with wood blocks at the Feil home.
Footage is very dark (nearly opaque) and shaky. Shows Eddie and a friend (possibly Robbie Cohen) playing Twister in the living room of the Feil home. Also shows a film being projected on the wall.
Evelyn Dorsey, Naomi Feil, Mrs. Aiken, Edward R. Feil, Joseph M. Flynn, David Van Tassell, Stanley Alprin, Julius Weil, Helen Weil, Albert F. Paolino, Mrs. Jane Heath, Mrs. Roberta Vann Duzer, Marian Kadish, Ken Feil, Anna V. Brown, Robert Brown
Summary:
Follows a mother and daughter, Mrs. Aiken (100) and Mrs. Dorsey (80), as they transfer from their home to an assisted living facility. Mrs. Aiken adjusts well, while Mrs. Dorsey does not. As this transition is documented, the film explorers attitudes towards aging, care for older people, the emotional effects of the transition from one's home to assisted living, the emotional impact of aging, and relationships between mothers and daughters. Produced through a grant from The Ohio Program in the Humanities.
Discusses the individuality of artistic techniques. Follows Reginald Pollack as he attempts to find creative inspiration in nature. Shows the benefits of studying other artists' work.
Edward R. Feil, Edward G. Feil, Ken Feil, Naomi Feil
Summary:
Home movie of the Feil family's trip to Greenfield Village in Michigan. Shows the boys petting horses hooked up to a carriage, the exterior of the Ford Mack Avenue plant ("first factory of the Ford Motor Company"), and a man spinning pottery which the boys then have as souvenirs.
Presents Mr. Nkosi interviewing poet and educator David Rubardiri of Nyasaland and Kenyan poet Joseph Kariuki. Discusses Rubardiri's personal struggle as a creative writer in an emerging nation and the general state of contemporary African literature. Describes native oral tradition involved in African writing, discusses possible future forms, and examines how African literature is taught in the schools.
Examines the French-Anglo Canadian controversy and French-Canadian dissatisfaction with the Anglo-Canadian controlled country, and describes the economic, educational, social, and traditional factors that have ignited the conflict.
Mrs. Eleanor Roosevelt hosts this program and discusses solutions to the Congo crisis with several guests including Adlai Stevenson, US Ambassador to the United Nation and G. Mennen Williams, Assistant Secretary of State for Affrican Affairs.
In this program Professor Woodworth explains the concepts of tonality (the musical key) and modulation (a shift in key) and their place in composing music. The relations between keys, and the use a composer makes of these relations is an element which must be understood if the symphony is to be fully appreciated. The program ends with a comparison of Haydn and Mozart, showing how their musical styles developed, and giving examples of the work of each.
A continuation of the discussion of sonority, in which a full orchestra—strings, wind instruments and tympani—displays the musical effects which can be produced by various instruments. The Cambridge Festival Orchestra performs portions of Haydn's First and 80th Symphonies, and Mozart's 33rd and 34th Symphonies, demonstrating not onlytechniques of performance but also how the instruments themselves contribute to the composer's musical structure.
A return to classical traditions may be considered the hallmark of Brahms' music, declares Professor Woodworth. Brahms himself is reputed to have said that music is a drama in which the only players are musical themes. To implement this, he reintroduced the use of counterpoint, strict construction and an intellectual orchestration based on something more than desire for sonority. These changes, says Professor Woodworth, are apparent in works such as his Third Symphony, which is used as a musical example for this program. Not only is this a new effort in musical composition, it is also an interesting use of a nationalistic spirit in music.
Moving deeply into the German romanticism of the 19th Century, the symphony grew as composers experimented with new methods of orchestration, and an increased expression of feeling and mood. Professor Woodworth illustrates this change as he plays recordings of Schubert's Symphony Number 7, and Mendelssohn's Symphony Number 35. The need to express intense subjectivity in music lead to structural changes in the composition of Mendelssohn's symphonies. This need is one of the key characteristics of German romantic music.
Examines trade unionism in Australia, England, and the United States and pursues in its comparative study what trade unionism has come to mean to Australins.
