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Continues the modeling begun in Sculpture I. Brings the portrait bust to life-size proportions by adding more clay to the armature. begins work on some of the details of form ending with a general likeness of the model. (KETC) Kinescope.
Mose demonstrates the placement of features and the locating and working out of the especially prominent jaw muscles of the model. He explains the use of the death maskand tells stories about models and techniques.
Explains and demonstrates how sculpture in relief developed from the cave man to the present. Illustrates with ancient and modern examples. Discusses the composition and carving techniques of full-scale reproductions of famous sculptures. Describes how the artist's sculpture is transferred in the production of a commemorative medal. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the use of stone as a medium of sculpture. Demonstrates the tools and techniques of stone carving. Shows several works carved from different types of stone explaining why particular stone os chosen for a specific piece of sculpture. Illustrates with the carving of a portrait of Washington. features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
In this program, Mr. Fitzpatrick presents a historical review of sculpturing, emphasizing the materials and techniques employed in creating this art form. Discusses sculptural masterpieces from Egypt, Assyria, and Greece. Displays and explains the use of various varieties of stone. Demonstrates ways in which the beginner may use simple materials and tools--plaster of Paris, insulating brick, and a knife. Continues with a more detailed explanation of the sculptor's tools--mallet and various chisels. Features Henry Bursztznowicz demonstrating the techniques and tools used.
Demonstrates the tools and techniques of wood carving. Discusses and shows the advantages and disadvantages of wood as a medium of sculptor. Illustrates with finished works carved from different woods explaining the sculptural qualities and techniques of each. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Demonstrates the removal of the mold from the clay bust. Shows methods and implements used in removing the cast. Points out the importance of being careful and patient. Reviews briefly what has taken place in the preceding programs. (KETC) Kinescope.
Continues the modeling from Sculpture IV. Explains how the artist works to refine certain areas. Demonstrates how to "draw" carefully in the clay to bring out certain characteristics of the model. Discusses capturing certain expressions in the clay. (KETC) Kinescope.
Continues the work on details begun in Sculpture V. Explains how an area can be broken up into planes by the use of a block of wood. Demonstrates ways of modeling the eyes. Discusses the importance of the sculptor being able to draw graphically. (KETC) Kinescope.
Continues the modeling from Sculpture VI and completes the clay bust. Discusses and demonstrates how the eye is modeled. Emphasizes the importance of having different parts work together as a whole. Outlines the many finishing techniques that can be used. Comments briefly on several contemporary sculptors. (KECT) kinescope.
