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An advertisement for Molson Beer in which a male narrator speaks in French Canadian about "La Force De L'Age" (translated The Strength of the Age) while music plays and images of construction are shown. Images of electrical plant, hospital, stadium, and dam. The commercial ends with the Molson logo and slogan "La Bonne Biere de Chez Nous."
A man face is labeled a 9 for being the toughest kind of face to shave and requiring a person to set the setting on a Gillette Adjustable Razor to 9. However, with the new Gillette razorblade he can get a clean shave on a lower setting.
A father wakes up and trips over a toy horse. He walks into the room and find his wife applying baby cream to their daughter. The wife explains to him why she is applying the cream and the father reflect on how fast his daughter is growing.
A Spanish-language advertisement for Pana-Arm desktop lamps in which two stop-motion animated lamps dance and declare love for each other. One of the winners of the 1975 Clio Awards.
An advertisement for Budweiser in which four men play a card game around a table. One of the men declares he has a hand of five kings and proceeds to lay out four kings on the table, followed by a bottle of Budweiser as the fifth "king." An offscreen male narrator encourages the viewer to make the product their regular, "special" beer. One of the winners of the 1973 Clio Awards.
Shows home life of a typical Japanese family in Tokyo, pointing out customs that are similar to, and different from, those in America. Stresses the warm relationship between parents and children.
James Whitcomb Riley Memorial Association, Indiana University School of Medicine
Summary:
Documentary about the 25th anniversary of the opening of Riley Hospital for Children. The 25-minute 16 mm film originally aired on WFBM-TV (later known as WRTV-6) in 1949. At the time, the television station only broadcast in the evening, airing movies, documentaries, and baseball games. This film was one of the first pieces to be broadcast.
Footage of the Stillman College-IU Cultural Exchange circa 1964. Footage features the IU delegation traveling by plane, the meet and greet between IU and Stillman College, Stillman College Orchestra practice, and music lessons provided to the Stillman College students.
An experimental film created by Norman McLaren and Evelyn Lambart in which a sheaf of lines, constantly gyrating, group and regroup harmoniously in accord with music composed and played on wind and string instruments by folk musician Peter Seeger.
This film opens in a classroom, showing a music teacher working through a piece with a group of string musicians. He goes on to talk about an influential teacher he had at Virginia State College named Undine Moore. Quipped the "Dean of Black Women Composers," Undine Eliza Anna Smith Moore was a notable and prolific American composer and professor of music in the twentieth century. Much of her work was inspired by black spirituals and folk music. She was a renowned teacher, and once stated that she experienced “teaching itself as an art.” Towards the end of her life, she received many notable awards for her accomplishments as a music educator.
In this film the cinematographic space becomes itself an active element of the dance rather than being an area in which the dance takes place. The dancer shares with the camera and the cutting a collaborative responsibility for the movements themselves. Recommended for use only by groups interested in the cinematographical element of the dance.
Camera-less film made by participants at an event 'Action + Agency: Storytelling + Filmmaking' held at the Grunwald Gallery of Art on Thursday March 6, 2025.
This multi-faceted event featured live interviews facilitated by Alex Chambers, host of WFIU’s Inner States podcast, about moments that embody a resistance to the status quo. Attendees had the option to participate in experimental camera-less filmmaking, creating art inspired by the action and agency in the stories told from Amy Oelsner, Stephanie Littell, and Ileana Haberman. At the end of the evening, the strips of film were spliced together and projected in the gallery.
This event was part of the YOU (probably) HAVEN’T SEEN THIS BEFORE exhibit which was held at the Grunwald Gallery of Art from January 17 - March 8, 2025.
Animation and a musical background are used to locate incenters, circumcenters, centroids, and orthocenters in a number of triangles. The film was created on the Tektronics 4051 Graphics Terminal.
Portrait of a woman who was born without arms, yet leads a normal and productive life. Follows her through a typical day as she cares for her home and family, and explains her thoughts about her handicap and life.
Professor Sears Crowell's interest in marine biology began when he took classes at the Children’s School of Sciences in Woods Hole, Massachusetts. As a teenager, he worked at the Marine Biological Laboratory at Woods Hole, where he completed most of his research throughout his career. He focused his investigations on hydroids, sea anemones, and jellyfish.
Highly involved in the science community, Dr. Crowell served as trustee for the Marine Biological Laboratory and was named trustee emeritus in 1979. He also served two terms on their executive committee and was secretary of the board of trustees for two years. He was the first program officer for the American Society of Zoologists and the first managing editor of their publication, American Zoologist. Dr. Crowell also served as chairman of the zoology section of the Indiana Academy of Science from 1949 to 1950. He was a member of the Indiana University faculty for 31 years.
