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The most commonly reported use of NSSE results is assessment for accreditation. NSSE's Accreditation Toolkits, designed for all regional and several specialized associations, articulate the requirements and standards for each accreditor with NSSE process and items. In this session we show how NSSE items map to accreditation standards, discuss the potential for using NSSE data in institutional self-studies and quality improvement plans, and explore ways colleges and universities have used their results in accreditation and to measure and monitor institutional effectiveness.
As demands for accountability increase, student affairs divisions are pressed to demonstrate learning outcomes and conduct assessment. This webinar offers student affairs professionals ways to explore their NSSE results to gain valuable information about student experiences and suggestions for corroborating these trends with existing institutional data.
During the webinar, the presenters will demonstrate ways NSSE data can be leveraged to measure student participation in HIPs. Furthermore, there will be an emphasis on how to relate aspects of engagement with institutional measurements of HIP participation. The overall aim is to prepare participants to facilitate campus dialogue about high-impact practices and maximize the benefits of the updated NSSE survey data and reports.
In recent years, Omeka has become an important tool for the exhibit of digital object collections. As with many technologies, Omeka can present some issues with setup and configuration, but overall, Omeka is easy to use for managing digital content. A few of the recent projects to use Omeka are the Lilly Library's War of 1812 (http://collections.libraries.iub.edu/warof1812/) and Indiana University Library Moving Image Archive's World War II Propaganda Films (http://collections.libraries.iub.edu/IULMIA/). The two projects discussed at this session are the Don C. Belton memorial site by the English Department, presented by Erika Jenns, and the ‰ÛÃRegeneration in Digital Contexts: Early Black Film‰Û conference and workshop site presented by the Black Film Center/Archive graduate assistant Ardea Smith.
Using Omeka to Represent the Library of Professor Don C. Belton (http://belton.indiana.edu/) presented by Erika Jenns
Using my experiences cataloguing the collection of Professor Don Belton, the late novelist, book collector, and English professor at Indiana University Bloomington, I will address the benefits of using Omeka to create a dynamic access point for users. After Belton's death in 2009, the bulk of his collection was transferred to branch libraries on campus. Remaining books were kept by IU's English Department, which does not have a formal library. To make the collection more visible, I created an Omeka website, meant to function as a precursor to a visit to the collection. The site uses tags, rendering it more searchable. It also includes scans of book covers, digitized videos of Belton lecturing and reading, and posts by students who have worked with the collection. The site represents Belton's books both physically and electronically. Coupled with biographical information, it highlights Belton's research interests, sources of inspiration, and some of the works he produced.
The Proceedings of Regeneration in Digital Contexts: Early Black Film (http://www.indiana.edu/~regener8/regeneration/) presented by Ardea Smith
In 2013, the Black Film Center/Archive received a National Endowment for the Humanities Level I Digital Humanities Start-Up Grant to convene an interdisciplinary group of scholars, archivists, curators, and digital humanities technology specialists for a two-day conference and workshop, ‰ÛÃRegeneration in Digital Contexts: Early Black Film.‰Û The conference and workshop proceedings were documented on video and fully transcribed. To enhance public access to these proceedings, I oversaw the creation of a website utilizing the open-source Omeka platform and VideoStream 2 plugin designed by project advisor Will Cowan at Indiana University. The website anchors streaming video content to keyword-searchable transcripts of the event proceedings. Drawing on the development process for the ‰ÛÃRegeneration‰Û website, my presentation will discuss the practical issues of building of an Omeka-based site using IU's webserve system with an aim to help individuals new to digital archival creation.
Episode 3 from the Agency for Instructional Television series In Other Words. In this television program focusing on communication skills, host Stephanie Edwards provides on-camera commentary for a story about a junior high school student who has not prepared properly for an interview she is conducting. A nondramatic segment presents police officer Bob Brooks explaining how he uses interviewing skills at the scene of a crime.
Episode 24 of It Figures, a 28-part mathematics series for fourth graders. Each episode introduces real-life situations involving math concepts that can, at times, prove difficult. Often a child gets caught in the problem that does not come out successfully, but experience proves the best teacher. Capsizing the information taught in each program is a cartoon sequence. These cartoons provide previews of what follows from a live-action sequence. The content of It Figures was developed by a consortium of 31 state and provincial education agencies. Managing the project were Ed Cohen and the late Larry Walcoff. Individual programs were produced by Larry Wood Productions (in the facilities of KLVX in Las Vegas), the Illinois State Board of Education, New Jersey Network (NJN), KLCS in Los Angeles, Maryland Instructional Television and South Carolina ETV.
R is a statistical package used by many digital textual analysts to explore aspects of styelometry. Here at IU, we have an instance of the popular Rstudio running on Karst to facilitate work on large corpora. However, it is often helpful to begin work with a small test set (sometimes even a single text) and scale up. The CyberDH group has put together code packages and annotated RNotebooks that are available on GitHub to serve as a friendly introduction to how the process of scaling up might work. This talk will step through the basics of these exercises and the visualizations that result.
This session targets institutions participating in the NSSE Consortium for the Study of Writing in College and provides an overview of NSSE and discusses the value of writing questions and their correlation with other variables.
Demonstrates with the Wheat Farmer an approved procedure for teaching with motion pictures. A seventh-grade social studies group studying how the world is fed discusses interests and problems which indicate that a motion picture would help; the teacher prepares the lesson by previewing the film and studying its handbook; immediately before screening, purposes or seeing the film are clarified; the film is shown; and pupils discuss questions previously outlined and plan further studies on the basis of what they have seen in the film.
Episode 6 from the Agency for Instructional Television series In Other Words. In this television program focusing on communication skills, host Stephanie Edwards provides on-camera commentary for stories concerning students' appropriate use of the ideas and words of others in their essays and conversations. A nondramatic segment presents newspaper and television reporters who explain how pertinent quotations lend credibility.
This session will discuss how typological theories, or theories on different configurations of variables that constitute "types," can help address complex causal relations such as high order interaction effects and equifinality even when there is limited diversity of cases. The discussion will emphasize operational issues such as how to develop typological theories, how to iterate between theorizing and initial empirical case study examples, and how to use typological theories to clarify case selection for qualitative research projects. The session will focus on two extended examples that participants may want to review in advance, though it is not essential order to follow the discussion. The first is an article on burden sharing in the 1991 Persian Gulf War (Bennett, Lepgold, and Unger, International Organization, Winter 1994), and the second is an article on military occupations (Edelstein, International Security, Summer 2004).
This webinar overviews how to effective use data from the Beginning College Survey of Student Engagement in combination with data from the National Survey of Student Engagement.
Recording of presentations from Uterus Transplant Conference hosted by the Indiana University School of Medicine on the IUPUI campus in November 2011. Moderated by Guiseppe Del Priore, MD, MPH, FACOG (Director of the Division of Gynecologic Oncology, Indiana University School of Medicine). Conference participants included a multinational group of four research teams who had worked for over 15 years to make uterus transplantation a reality for patients.
An advertisement for Utica Club Beer in which a stop motion animation of three German beer steins are featured. One beer stein tells outlandish stories about him and the Kaiser but his nose grows longer the more lies he tells. As his nose grows he knocks over the other steins and then he speaks about the product and his nose shrinks
An advertisement for Utica Club beer in which a man enters a bar in a town called Rome and asks for Budweiser, but the bartender tells him he must "do as the Romans do" and hands him a Utica Club instead.
An advertisement for Utica Club beer in which a man cheers for the opposing team at a sporting event, then asks for a competitor's beer, but his companion hands him a Utica Club beer and he fits in with the group.
An advertisement for Utica Club Beer in which a pair of talking beer steins ("Schultz" and "Uncle Rudolph") talk about how the beer is authentically German. The ad concludes with a female beer stein singing a jingle about how Utica Club ages beer "the natural way." Submitted for the Clio Awards.
Common read experiences are rare in medical schools but are a proven high impact practice in undergraduate education. With the second year of the Common Read Experience (CRE) at IUSM completed, the data demonstrates that the common read experience fosters a sense of belonging for some students, diversifies their worldview, and allows them to understand social issues in society.
Source material used for the Agency for Instructional Technology series Geography in U.S. history : illuminating the geographic dimensions of our nation's development.
"Here is the first photographic report on the robot bomb since the censorship was lifted. In this nine-minute capsule of buzz-bomb terror, 'V-1' brings to the screen in 16 mm sound-on-film a subject which will arouse its audiences to a vivid realization of the terror that life in London must be under the robot. 'V-1' includes spectacular shots of the bombs being destroyed in mid-air by anti-aircraft fire and by fighter planes." "Scenes include: robot bomb attacks which killed or injured 26,000 persons by September 30, 1944 and destroyed or damaged a million houses. There is one tremendous moment when, in one of the most sensational scenes of the war, a 'V-1' is caught on the wing by a British plane" (Business Screen December, 1944, No. 2, Vol. 6, p. 41).
What if every baby could get the COVID-19 vaccine in its first month of life? Dr. John Patton, Professor of Biology at the College of Arts and Sciences, is on the case.
Dr. Patton's lab is developing an inoculation that would modify the Rotovirus vaccine to incorporate immunity from the novel coronavirus as well. Host Elaine Monaghan and producer Violet Baron get the facts and the timeline on this episode of Through the Gates.
An advertisement for Vademecum toothpaste that is narrated by a man accompanied by music. The scene depicts a scientist named Sven Vademecum III who is experimenting on toothpaste tubes and how to get all the toothpaste out in a clean fashion. After observing a sardine can key he uses the concept at the end of a toothpaste tube. The scene ends with a close-up of the product and the tagline, "Neatness and clean teeth through science."
Nicolas Valazza, Institute for Digital Arts & Humanities
Summary:
In 1950, the U.S. Customs seized various materials that Alfred Kinsey was trying to import from Europe, a circumstance that led to the federal court case “United States v. 31 Photographs etc.” Among these controversial objects were books, engravings, and photographs that were deemed “obscene” according to the legal standard of the time. In 1957, thanks to the support of the IU President Herman B. Wells and a group of lawyers involved in civil liberties activities, the Kinsey Institute won the case and was able to recover the books and artworks, which are now part of its library. The verdict of this trial greatly contributed to redefine the notion of “obscenity” in legal terms, by creating an exception for the purpose of study and research, and thus consolidating academic freedom. This interdisciplinary project, at the crossroads of literary and legal studies, will develop a digital collection of books and artworks that were seized by U.S. Customs and then apply to this corpus tools of text mining and analysis meant to identify patterns that lead to the accusation of obscenity.
The Valient is shown as being the preferred car of San Franciscans because of its ability to drive up steep inclines, navigate through tight curves and its low cost.
Episode 13 from the Agency for Instructional Technology series Drawing with Paul Ringler. Shows the effects of value and contrast in pictures, how to recognize and choose a value key to fit subject, and how to recognize and use major, intermediate, and minor contrast.
Lesson 13 from the Agency for Instructional Technology series Amigos. The goals of this series, in order of priority, are: To expose children to basic Spanish; to introduce children to Hispanic culture; to create an interest in the geography of countries where Spanish is the primary language; to reinforce skills and concepts taught in the regular elementary school curricula.
An advertisement for Van Heusen men's shirts in which a man walks through a car wash wearing the product to demonstrate its "wash and wear" capabilities. Submitted for Clio Awards category Apparel.
An advertisement for Van Heusen apparel in which a man walks out of the ocean on his way to an office building modeling the brand's line of men's shirts with "wash and ready" technology. Submitted for Clio Awards category Apparel.
An advertisement for Van Heusen's men's shirts in which a woman describes why she likes her husband wearing the 417-style shirt. Submitted for Clio Awards category Apparel.
An advertisement for Van Heusen collared shirts in which actor/singer Bert Parks wears the product and addresses the camera about its wrinkle-free qualities. The screen occasionally becomes wrinkled and crumpled up as he speaks. Submitted for the Clio Awards.
An advertisement for Van Heusen Century Vantalux shirts in which a narrator describes the product's permanent wash and wear design. Submitted for Clio Awards category Apparel.
An advertisement for Van Heusen "Wash n' Wear" shirts with "Vanalux" narrated by a man. The scene depicts a man named George walking through a car wash with the shirt on and then putting the rest of his suit on and catching a bus. The scene ends with a montage of men wearing Van Heusen shirts with music and ends with a close-up of the logo.
Discusses musical form known as theme and variations in which attention is directed exclusively to the process of varying a simple theme. Illustrates with an example from a Mozart sonata. Points out the various kinds of· elaboration of the theme: (1) melodic embellishment; (2) change of tonality; (3) change of tempo; (4) change of basic meter; and (5) a coda at the end.
Discusses the type of variation form known as passacaglia in ·which the theme is a short pattern in the bass. Repeating this theme over and over again, more or less exactly, provides a ground for the variations above it. Illustrates with Purcell's Lament of Dido and Bach's Passacaglia in C Minor, both played in full.
The Indiana University Libraries, in partnership with Northwestern University Library, recently received a grant from the U.S. Institute of Museum and Library Services (IMLS) to create an open source software system for academic libraries and archives to easily provide online access to video and audio collections. This project builds on IU's success in developing the open source Variations digital music library system and on Northwestern's long history of expertise in video digitization and delivery. The speakers will describe the project objectives and organization, explaining how the project ties in with such strategic IU initiatives as Empowering People, the IU Bloomington Media Preservation Initiative, and the Libraries' own strategic directions work. The expected product architecture will also be described, including how other open source community projects such as Fedora, Hydra, and Opencast Matterhorn are involved. Finally, some requirements for the system gleaned from user research will be described.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
McRobbie-Gair Family Home Movies Collection: This home movie contains mainly footage of a large military parade in Melbourne, Australia. It is most likely of an ANZAC day parade. ANZAC day is one of the major public holidays in Australia and is held annually on April 25. It commemorates the first landings of the Australian and New Zealand Army Corps (ANZAC) at Gallipoli, Turkey, on April 25, 1915. The year of this particular parade is not yet clear though it is probably in the early 40s. But the footage of the event is particularly important as it features shots of numerous senior Australian politicians and military officers, including former Australian Prime Ministers, William Hughes and John Curtin. There is additional footage of other military parades and school sporting events very typical of the time.
An advertisement for Veep soda in which two animated young boys grab bottles of the product from a refrigerator and discuss how the drink does not spoil their appetites. A jingle and live-action footage of Veep bottles being opened and poured briefly punctuate the animation. Submitted for the Clio Awards.
Dr. Sumner explains how land surface is considered the most precious of all natural resources since it and climate together produce soil and determine the nature of vegetation. As an example of uncultivated plants which are a rich natural resource, Dr. Sumner cites our nation’s timber supplies. He points out that recent progress in reforestation has not equalized our consumption and growth of timber.
Reveals how the nature, concentration, and temperature of reacting substances affect the velocity of chemical reactions. Through laboratory experiments and animated drawings demonstrates and explains the role of these factors with respect to the velocity of molecules, spheres of influence; and vibrational energy. Through animation explains reversible reactions and the abstract processes of chemical equilibrium.
Records highlights of the emergence of democratic government in Venezuela. Shows that the Venezuelan election of December 2 1963, allowed for the first transfer of office from one democratic administration to another in that nation's history. The film documents numerous national problems and aspects of the political campaign. Factors included for examination are the importance of the military, the terrorists' campaign to prevent the election, and the problems of illiteracy and poverty. Refers to the large political setting of Venezuela within Latin American history. Shows the failure of the Cuban-backed terror campaign to keep the people from voting. Includes interviews with Past-President Betancourt and President-Elect Leoni.
Travelogue documenting Ed Feil's trip to Italy in 1963. Feil's film "Cleveland Institute of Art" is showing at the Venice Film Festival. Shares footage with Italy '63 (barcode 40000003364033).
Presents a background of Verdi's life and discusses his early operatic productions, including Rigoletto. Discusses the characteristics of the Italian opera, describes Verdi's love for and his contribution to his country, and tells of his awakening interest in Shakespeare which later influenced some of his compositions.
Here was a man whose music was often misinterpreted, says Dr. Popper as he discusses the life and works of operatic composer Verdi. He tells how Verdi was influenced by Shakespeare and talks of his master work, “Rigoletto.” The program also features demonstrations of Verdi’s music.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Film recording of a live performance of the V&E show.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
V&E show with a special travel-around component.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Intermittent audio in/out over the course of the show. two days of V&E show footage and skits.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Clips from the Nick & Leon Show, including several skits.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Skits - Micro-wave church, Dueling poets, 'The Fascists', Clown stereo repair, 30 second interview, etc. Tape contains several episodes.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
2 episodes with skits, musical and otherwise.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Collection of Skits, sometimes including several takes, for the Vern & Evelyn show.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Special episode where fans of the show visit V&E, and are interviewed by Leon Varjian. The tape contains another, unrelated recording on the end as well.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Continuation of the first anniversary live show recording.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Two episodes with skits, musical and otherwise.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Excerpts from several skits and episodes.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Recording of the first-anniversary of the V&E show. Performance from The Vomit Raisins.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Collection of V&E show skits from different 1983 episodes.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
3 Episodes on three subsequent days. Includes skits, musical and otherwise.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Special V&E skit where Vern runs for mayor of Madison, WI.
Video bio of Vern Kaspar, inducted to Indiana Broadcast Pioneers Hall of Fame in 2004;
Vern Kaspar owned, with his two sons, four radio stations and an online newspaper. He was the station’s CEO and senior political analyst. Born in 1922 in Sioux City, Iowa, Kaspar obtained his first FCC license at age 13 as an amateur radio operator, building and operating his own amateur radio station — the use of part of the radio frequency spectrum for recreation, non-commercial exchange of messages and emergency communication that is still used today. Back in the days before Teletype news was available, he would copy Morse code at 33 words per minute to obtain national and international news for local radio stations. After serving in the Navy in World War II and stints at Princeton and Columbia University, he became an executive for WOI-TV, the first TV station in Iowa. In 1953, he helped with TV coverage of Dwight D. Eisenhower’s presidential campaign. In 1959, as a minority partner in a radio station in Nebraska, he decided he’d like to own one of his own. In addition to WILO-AM in Frankfort, Indiana, Kaspar Broadcasting owned WHSW-FM, and two Missouri stations: KWRE-AM and KFAV-FM. Kaspar died Jan. 5, 2018, in Rossville, Indiana. He was 95.
--Words from the Indiana Broadcast Pioneers
From the beginning, Vernon A. Williams, BA’73, wanted to be a writer.
Growing up in Gary, Indiana, he wrote his first play in the fourth grade, which was performed in class. In middle school, he started a weekly hand-printed newsletter on notebook paper. He pitched an unsolicited radio program as a high school freshman to a local station that put him on the air. Two years later, he wrote and hosted the first student broadcast over the school corporation radio station. As a junior, he started a teen news column for Gary Info Newspaper – where his biggest “scoop” was being first to report the Jackson Five signing with Motown Records.
Those youthful experiences inspired a career in broadcast and print media, as well as education, that spanned more than 55 years. Williams started at The (Gary) Post-Tribune as a reporter, columnist and editorial board member. He was morning drive personality for “The Breakfast Club” and hosted the call-in program “Sound Off” on WLTH, and was station manager for WGVE.
Among his most notable career interviews were Lena Horne, Dick Gregory, Colin Powell, Jesse Jackson and Phylicia Rashad.
In 2001, Williams moved to Indianapolis to become marketing supervisor for Indianapolis Public Schools Career-Technical Education. After IPS, he became vice president, communications, for Indiana Black Expo, where he developed marketing and communication strategies, prepared high-impact communication material, wrote speeches, developed leadership presentations and organized press conferences.
Williams left Expo to become assistant to the chancellor for communication at IUPUI before taking his current position as communication and community engagement strategist for the premier urban research campus. He is a leader of IUPUI’s Africana Repertory Theatre and executive director of OnyxFest — the first and only annual Indiana theater festival featuring works of Black playwrights.
Williams is a news analyst and commentator for the Chicago/Gary Crusader Newspaper. He is president of the Indianapolis Association of Black Journalists and is on the Board of Directors for Heartland Films. He is a former president of IU’s Neal-Marshall Alumni Club.
He has written four books, the latest being, “God Said Tell You.” He has written and produced 11 plays — the most recent, “A Noise in the Attic,” will premiere in November.
Williams earned his bachelor’s degree in journalism from IU and a master’s in communication from Purdue University.
His myriad honors include the IU Alumni Association President’s Award, IU Groups Program Covered Bridge Award, Center for Leadership Development Community Leaders Award, 100 Black Men of Indianapolis Silver Anniversary Service Award, The National Sorority of Phi Delta Kappa – Beta Mu Chapter Community Service Award, Hoosier State Press Association First Place in Newswriting and the Indianapolis Recorder Champions of Diversity Award.
Many projects and policies that could help with climate change stumble on too many decision points, places where ideas can be shot down. Francis Fukuyama discusses his idea of "vetocracy" in relation to climate.
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
Edward R. Feil, Naomi Feil, Vicki Rubin, Beth Rubin
Summary:
Home movie of Vicki horseback riding as Naomi, Beth, and Eddie watch. She rides in a paddock with other children and receives a blue ribbon. Later shows Ed and Eddie building a sandcastle, possibly at Family Camp, while Vicki and a group of teenagers paddle in a canoe. Briefly shows the boys at home, Eddie in a sandbox and a housekeeper holding baby Kenny.
