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An older butler delivers tea to a workman in overalls. The workman sips the tea and toasts his Volkswagen which is displayed in the middle of a lavish living room. The butler smiles at the vehicle too. A voice describes all the benefits of a Volkswagen truck.
A Volkswagen goes through a carwash. A narrator states that no one can tell the difference between a new and old Volkswagen as long as you wash it occasionally.
The car is driving in the dark and all we see at first are the headlights. As it drives there are flashes of light that display more of it. It begins to rain and the car drives on unencumbered. An announcer talks about the vehicle and in the end we see its gotten through the storm and is driving off on a clear road as the sun rises. Drumbeats accompany the full ad in the background.
A spotlight shines on a Volkswagen as an announcer reveals that the Volkswagen appearance has remain unchanged for ten years while internally it has been constantly improved.
An advertisement for a Volkswagen pick up in which the vehicle drives in circles around a town's main street. Submitted for Clio Awards category Autos.
An advertisement for Volkswagen narrated by a man. The scene depicts a snowplow driver driving his Volkswagen Beetle through a dark, snowy morning on unplowed roads to reach his snowplow.
An advertisement for1965 Volkswagen car in which a male child narrator describes his father's new car with bigger windows as a hand drawn animation of the car moves around.
Rambler "The Eye": A spotlight shines on a Volkswagen as an announcer reveals that the Volkswagen appearance has remain unchanged for ten years while internally it has been constantly improved.
Mercury Monterey "Big Boots":A cowboy uses his Mercury Monterey to help other cowboys corral a herd of horses into a pin.
Volkswagen "Search" - Someone is walking up stairs very heavy footed with dramatic music accompanying the ascent. The announcer talks about how if you are looking for a car that can hold nine people and is great value then you are looking for a Volkswagen. We see these questions and 'Searching?' on a wall in italics as a spotlight highlights them before we see Volkswagen written capitalized in non-italics. The exterior and interior of a Volkswagen truck are featured, and the key for a Volkswagen which has the logo of the company on it is also featured.
Renault Dauphine "Last Word" - A woman's voice says several key terms to describe the Renault in French and the male announcer translates them into English and goes into further descriptions. The announcer talks about how the car is good for parking, French, and has room for people and packages in the front of the car. We see a brunette woman with a child driving the car. Given price at $1645 at port of entry in New York and we are told it has 40 miles on a gallon. Renault Dauphine in writing is displayed over a map of the USA.
Dean Shanahan sits down with journalist and documentarian Elena Volochine to discuss Russian politics, her experiences reporting in Moscow, and her film Oleg's Choice, which follows Russian fighters in Eastern Ukraine.
Many of us here in Indiana wonder how we can access local food as the weather gets colder and warm-weather plants go dormant. So, in three parts, we're asking folks near Bloomington how they prepare for and operate in winter.
This episode, we meet Lauren Volpp, who nurtures Three Flock Farm, the Plant Truck Project, the People's Market, and much more. She explains how these distinct farmers market cultivates collective confidence and stability that can build capacity for future winter harvests.
Visit the market website here: https://www.peoplesmarketbtown.org/
Another podcast explaining markets and food justice work in Bloomington: https://blackprogressivespodcast.buzzsprout.com/1806789/9060825-food-justice-locally-ep-5-part-1
An advertisement for Volvo in which a man sitting inside a Volvo car addresses the camera and discusses the strength of the vehicle's steel pillars. The man exits the car to show a stack of other cars being continually stacked on top of the Volvo, demonstrating its sturdiness. One of the winners of the 1971 Clio Awards.
A cartoon car turns into a vicious beast that starts to eat the car owner’s home and cost the owner more money in repairs. The man trades in his beast car for a Volvo which doesn’t need repairs. The man and his wife are then able to invest money into fixing and upgrading their house instead of spending money on their car.
Tells a story adapted from Aesop's "Mercury and the Woodsman." When a woodcutter loses his axe, a little man offers him a silver one, and later a golden one. When the woodcutter refuses to claim them as his, he is given both axes as a reward for his honesty. The greedy neighbor who tries to outwit the little man soon learns that honesty is the best policy.
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
The Chemical Genomics Core Facility (CGCF) is adding phage display capability to assist research projects requiring peptide domain screening. They will employ both the traditional DNA M13 phage as well as the RNA Qβ phage for screening. An advantage of the Qβ phage is the ease with which genetic modifications can be made. Qβ phages will be used to display library of peptides (8 to 50-mer) and to screen over 1 million targets. They will be able to assist scientists with the design, experimentation, preliminary result analyses, sequencing data, amplification, reconstitution, and storage of the obtained hybrid phages of interest. In this seminar, Dr. Alain Bopda Waffo discusses the practical methodology and application of phage display as well as newly developed biopanning techniques.
Wagner, Gerald, Wolf, Ray, Thomas, Ben, Miles, Emily, Shanahan, James
Summary:
Late September in the U.S. saw a host of abnormal weather events: record heat in the Southeast, a Category 5 hurricane in an odd location, and five feet of snow in Montana. This episode, the team zeroes in on the early, heavy snows that could have a long-term effect on farmers in the Northern Plains.
2:00 - Gerald Wagner, director of the Blackfeet Environmental Office
14:00 - Ray Wolf, science and operations officer, NOAA/NWS Quad Cities
20:45 - Ben Thomas, director of the Montana Department of Agriculture
Describes the first fire raid on the City of London on the night of December 29, 1940. Opening sequences in the film are taken from the roof of St. Paul's Cathedral. They show the London fire brigade working in the midst of blazing buildings and streets. Closing daylight sequences show the visible destruction of Guild Hall, St. Lawrence Jewry, St. Brides church and innumerable warehouses.
An advertisement for Wall's Fizz Bang fizzy lollipops in which a jingle plays over various slapstick shots of children dancing, running, and eating lollipops in an early 20th-century urban environment. One of the winners of the 1975 Clio Awards.
Wallace Lester (Nashville, Tennessee)
Born in Jackson, Mississippi, and raised all over America, Wallace Lester has been playing drums from an early age. Wallace spent the 1990s touring nationally with the Boulder, Colorado-based funk-jam band Zuba. He played over two hundred and fifty dates a year with Zuba and placed his songs in the Farrelly Brothers’ classic comedies Kingpin and There’s Something About Mary. Once he moved to New Orleans, Louisiana, Wallace drummed with the space rockers Bipolaroid and the soul blues shouter Mathilda Jones. Hurricane Katrina sent Wallace north to Mississippi, where in his first week in Oxford, he was asked to join the Yalobushwackers with Jim Dickinson. Besides the Yalobushwackers, Wallace has also toured nationally and internationally with Kenny Brown, Reverend John Wilkins, the Como Mamas, Shannon McNally, Eric Deaton, Blue Mountain, and Garry Burnside. After twelve years in Holly Springs, Mississippi, Wallace now resides in Nashville, Tennessee.
Interviewed by Holly Hobbs, 09/18/2020.
Waller, Gregory A. (Gregory Albert), 1950-, Caddoo, Cara, Bernstein, Matthew, White, Dana F.
Summary:
Panel One: The State of Research and Platforms for Access engaged panelists in a discussion of historical and current approaches to research in early black-audience film and the modes of research access to film and related documentation, bringing scholarship into conversation with past, current, and evolving technologies for access and presentation.
Panel One: The State of Research and Platforms for Access was moderated by Professor Gregory Waller (Indiana University - Bloomington). Three speakers, Cara Caddoo (Indiana University - Bloomington), Matthew Bernstein (Emory University), and Dana White (Emory University), presented during Panel One and participated in a concluding Question and Answer Session.
John A. Walsh (Indiana University - Bloomington) presented "Film, paratexts, and the digital document" on November 16, 2013 during the Regeneration in Digital Contexts: Early Black Film Workshop.
Dr. Betty Walton and Dr. Saahoon Hong are researchers and professors at Indiana University’s School of Social Work who are using machine learning — data analysis that automates analytical model building — to study almost 30,000 cases of adults using about 100 variables in a decade-long longitudinal study.
This innovative research is built off anonymized data from the Adult Needs and Strengths Assessment and is aimed at helping those coping with mental health issues, identify intersections mental health illness and suicidal ideation and develop a suicidal prevention/recovery model within the mental health system.
Walton bio: https://socialwork.iu.edu/FacultyAndStaff/profile.php?id=Walton_Betty_beawalto
Hong bio: https://socialwork.iu.edu/faculty-staff/profile/hong_saahoon/
Their research:
https://scholarworks.iupui.edu/bitstream/handle/1805/26724/Hong2021Examining-the-intersection.pdf?sequence=4&isAllowed=y
This audio:
https://soundcloud.com/on-topic-with-iu/on-topic-with-iu-studying-mental-illness-and-suicidal-risk-with-machine-learning
War Activities Committee of the Motion Picture Industry : distributed and exhibited by
Summary:
A short bulletin urging people to travel only when absolutely necessary in order that space can be saved for millions of troops and millions of essential civilian war workers. States that every non-essential traveler may be preventing a serviceman from joining his family during the holiday season. Civilians are told "on every highway and mainline, war has the right of way" and "we've got a battle of transportation to win here in the U.S., you can help to win it just by staying home."
War Food Administration, Nutrition and Conservation Branch, Westinghouse Electric and Manufacturing Co.
Summary:
In This Too Is Sabotage narration states "the saboteur is malnutrition," showing underlying causes of workplace accidents, lost man-hours, and losses in wartime productivity are often caused by the poor nutrition of workers' diets. Announcing "we're fighting against improper eating," a wartime nutritional program built from 7 food groups is detailed. At a dramatized presentation demonstrating meal planning following these nutritional guidelines before an audience of women, the presenter states that the guidelines "will help us with the job that has been given to us women, as the guardians of the vigor and vitality of our families."
"In the field of nutrition, the Westinghouse Company's film, This Too Is Sabotage, does a good job of selling the fact that a well-balanced diet is essential to health and happiness. This film is shown to employees in over a thousand war plants. The lunch hour is a favored time. Pre-shift showings to early arrivals are well attended, though many prefer to stay after a shift" (C.A. Lindstrom, "Agricultural Pictures and the War" Journal of the Society of Motion Picture Engineers vol. 42, no. 3, March, 1944, p. 183)
Omeka.net is a free digital library system with a rigid structure, but through perseverance and discipline the limitations may become possibilities. Since not everyone can afford to host a digital collection on their server, the cost effective solution is Omeka.net. By focusing on creative planning and manipulation, the strict boundaries can be made into a more interactive experience for the user. The restrictions inherent in Omeka.net can lead to creative responses, and I will share some of my creative responses from ravenquill.omeka.net that can be implemented into any omeka.net site.
Dorothy Waters grew up in the Black Oak neighborhood of Calumet Township and her parents owned farm land near the Chase Street spring in Small Farms. Waters and her siblings pulled weeds in their fields at night and quenched their thirst by drinking from the well on Chase Street. "We would pull weeds, we'd run up and down that big sand hill. And then we walked down and we get a drink at that spring. ... I just loved drinking from that spring."
This was one of a group of excerpts gathered under the subject heading of Community Use of the Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
The Black Oak artesian well was located in the front yard of Dorothy Waters' family home. She says that when people from the neighborhood collected water from the spring, they sometimes left pennies on a tree stump to thank the family for providing the water to the public.
This was one of a group of excerpts gathered under the subject heading of Black Oak Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Dorothy Waters recalled that her brother told her that there used to be a house next to the Chase Street spring: "There was a house there, that he called the Spring House. Because it was right there at the spring." Dorothy shares an anecdote about the man who lived there, who used its cold waters as his refrigerator.
This was one of a group of excerpts gathered under the subject heading of Community Use of the Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
The Black Oak spring was located on the property of Dorothy Waters' childhood home in Black Oak. Waters says that her grandfather (who built the house in 1926) sold the water from the well to a man with a Bottling Company in Chicago in exchange for a new shed.
This was one of a group of excerpts gathered under the subject heading of Black Oak Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
Dorothy Waters grew up in the Black Oak neighborhood of Calumet Township and her parents owned farm land near the Chase Street spring in Small Farms. Waters and her siblings pulled weeds in their fields at night and quenched their thirst by drinking from the well on Chase Street. "We would pull weeds, we'd run up and down that big sand hill. And then we walked down and we get a drink at that spring. ... I just loved drinking from that spring."
This was one of a group of excerpts gathered under the subject heading of Black Oak Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
Dorothy Waters' childhood home in the Black Oak neighborhood was located on the same property as the Black Oak spring, an artesian well that was open to the public. Waters says, "Anybody that wanted to come and get water from in front of the house was welcome to do that." She says that this reflects the generous nature of her community.
This was one of a group of excerpts gathered under the subject heading of Black Oak Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
Dorothy and Robert Waters describe a gravel road on their family farm that connected the Black Oak spring to the Chase Street spring. The road made a relatively straight east-west line between the two springs, and was used to move farm machinery between fields.
This was one of a group of excerpts gathered under the subject heading of Black Oak Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
Kay Westhues interviews Dorothy and Robert Waters at their home in Schererville, Indiana, on December 7, 2019. Dorothy Waters is a descendent of the Nimetz family, who settled in the Black Oak area in the 1800s and farmed the land surrounding the Chase Street Spring. Her family home on Calhoun Street was the site of another spring, called the Black Oak Spring, which was open to the public and bottled and sold in the early 1900s. The spring was capped sometime in the 1960s. Waters and her husband, Robert Waters grew up in the Black Oak area and discuss the springs, the neighborhood, and farming during that time. Part of the Spring at Small Farms Oral History Project. See the full exhibit here: https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
Kay Westhues interviews Dorothy and Robert Waters at their home in Schererville, Indiana, on December 7, 2019. Dorothy Waters is a descendent of the Nimetz family, who settled in the Black Oak area in the 1800s and farmed the land surrounding the Chase Street Spring. Her family home on Calhoun Street was the site of another spring, called the Black Oak Spring, which was open to the public and bottled and sold in the early 1900s. The spring was capped sometime in the 1960s. Waters and her husband, Robert, grew up in the Black oak area, and discuss the springs, the neighborhood, and farming during that time. Part of the Spring at Small Farms Oral History Project. See the full exhibit here: https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home
This presentation is the first step in an answer to Emily Drabinski’s 2013 challenge to library and information science (LIS) professionals to think about ways in which to ‘queer the library catalog,’ and to represent identity as historically constructed and described. Beginning with a brief outline of the troubled history between marginalized groups and LIS classifications, I examine some of the proposals suggested over the past half-decade by researchers—and their limitations. Instead of starting anew, or using ‘uninformed’ social tagging/folksonomies, I propose a ‘turn’ to the catalogs and controlled vocabularies of archives and special collections, which frequently reckon with unclassifiable material.
Following through on that turn, I will discuss how linked data and linked data vocabularies are currently being used by several digital archives—along with some possible lessons for the LIS field as a whole. The radical and subversive use of linked data by queer digital archives offers a partial solution to the conundrum of minoritized and historical representation in the catalog. Finally, I will conclude by describing my own experiences and considerations in the construction of a new linked data vocabulary.
Video bio of Ink Spots, inducted to Indiana Broadcast Pioneers Hall of Fame in 2006.
Writer/Producer: Howard Caldwell;
Post-Production: DreamVision Media Partners;
Some Photos Courtesy of: The Indiana Historical Society; Duncan Shiedt;
The Ink Spots vocal group had its origin in the early 1930s in Indianapolis and appeared regularly on WLW-AM in Cincinnati. The group bolted to national popularity with its recording of the ballad “If I Didn’t Care” in 1939. Between 1940 and 1949, The Ink Spots had more than 30 hits on the pop charts.
--Words from the Indiana Broadcast Pioneers
Presents an account of an actual air raid by the Bomber Command of the Royal Air Force. Aerial photographs disclose the objective to be raided. Then staff planning, routine preparations, and the tension of the evening take-off are shown. Follows a big Wellington bomber through its bombing of the target, engine trouble, the wounding of its wireless operator, and finally its report back to headquarters.
A man talks about the different types of suburban homes that Wausau can make. Wausau can also build a family a home that reflects their needs and price.
Wayne and Helen Drake (Masters), Jon Kay (Director), Joe Martinez (Videographer), The Woodstove Flapjacks (Music) Thomas G. Richardson (Project Coordinator), Traditional Arts Indiana
Summary:
Starting with only 30 sows, Wayne and Helen Drake built what would become a multi-generational family hog breeding business now involving thousands of pigs. Far from being an isolated practice, Wayne says he learned a lot from other hog farmers. “I learned a lot from the old people, that’s what I called them. You’d sit around the pens, and chew the fat with them, and you pick up a lot of ideas, and exchange ideas. It was really educational for me as a 4-H kid.”
Both Wayne and Helen Drake began showing at the State Fair in the 1940s and have continued nearly every year since. Their children, now running the family business, Drake Purebred Farms, have also been showing hogs their whole lives, and have amassed numerous awards and accolades themselves. For the Drakes, hog breeding and showing has turned into a family tradition with no signs of slowing down.
IU journalism Distinguished Professor Emeritus David Weaver has been connected with IU nearly all of his academic life, but acclaim for his work comes from across the globe.
A native Hoosier, Weaver, BA’68, MA’69, left the state briefly to earn his Ph.D. in 1974 from the University of North Carolina. He returned that same year to join the IU journalism faculty, embarking on a 38-year career as a researcher and professor.
Weaver quickly gained recognition for his work, especially in agenda setting, which explores media’s effects on the public, and studies the influence of news sources, other media and journalistic traditions on the news agenda. He has applied the theory to such topics as the relationship among media bias, public opinion and Congressional policy in one 58-year time span.
Weaver is author of more than a dozen books, including the award-winning American Journalists series, which he initiated in the 1970s with his mentor, journalism Professor Emeritus Cleve Wilhoit. Taking the pulse of journalists to gauge what they think about their jobs and their industry produced information no one else was collecting.
Collaborating with other professors at the school, he conducted subsequent surveys in 1982, 1992 and 2002. The most recent, The Global Journalist in the 21st Century, was published this year with journalism professor Lars Willnat, one of Weaver’s former students.
From 1988 until his retirement in 2011, Weaver was the IU Roy W. Howard Professor. In 2009, he received a lifetime achievement award from the Association for Education in Journalism and Mass Communication, an organization he had served as president. Weaver also has served as president of the Midwest Association for Public Opinion Research.
In 2010, IU named him Distinguished Professor, the first journalism faculty member to achieve this honor. Earlier this year, he was inducted into the Indiana Journalism Hall of Fame.
Mary Jo Weaver served as a professor in the Department of Religious Studies at Indiana University from 1975 until her retirement in 2006. Audiovisual materials in Dr. Weaver’s papers consist primarily of recordings of radio appearances and conference presentations.
Rebroadcasting of a talk by Mary Jo Weaver on the subject of catholic and protestant fundamentalism. She discusses the impact of fundamentalist protestants on protestant organizations, and extends these impacts to fundamentalist Catholics.
Mary Jo Weaver served as a professor in the Department of Religious Studies at Indiana University from 1975 until her retirement in 2006. Audiovisual materials in Dr. Weaver’s papers consist primarily of recordings of radio appearances and conference presentations.
Presentation by Mary Jo Weaver on her fourth book: 'New Catholic Women: A Contemporary Challenge to Traditional Religious Authority'. Dr. Weaver discusses the role of women in religious systems around the world, and the role of gender in religious practice.
Mary Jo Weaver served as a professor in the Department of Religious Studies at Indiana University from 1975 until her retirement in 2006. Audiovisual materials in Dr. Weaver’s papers consist primarily of recordings of radio appearances and conference presentations.
Conference presentation by Mary Jo Weaver. Dr. Weaver examines the development of feminist theology as a field and a sphere of thought. Includes historical context and timeline and philosophical implications.
Weaver, Mary Jo, Ruether, Rosemary R. , Tuite, Marjorie, Ashe, Kay
Summary:
Mary Jo Weaver served as a professor in the Department of Religious Studies at Indiana University from 1975 until her retirement in 2006. Audiovisual materials in Dr. Weaver’s papers consist primarily of recordings of radio appearances and conference presentations.
Recording of a conference panel including Mary Jo Weaver and several other experts on religion, discussing the role of women in church. Dr. Weaver advocates for the involvement of women in the ecclesiastical hierarchy of the Catholic Church.
Webb, Charles, Ponella, Philip, Bernstein, Leonard, Shanahan, James
Summary:
In episode 61, we speak with IU Jacob School of Music Dean Emeritus Charles Webb and Philip Ponella, the Wennerstrom Philips Music Library Director and director of Music Information Technology Services, about the great composer and conductor Leonard Bernstein. In 2009, the Bernstein family awarded the Jacobs School of Music with the contents of one of his composing studios. That studio is now on tour as part of the global celebration "Leonard Bernstein at 100."
Video bio of Glenn Webber, inducted to Indiana Broadcast Pioneers Hall of Fame in 2012.
Producer: Nancy Holman;
Narrator: Howdy Bell;
Production: DreamVision Media;
Glenn Webber spent 20 years at WRTV-TV in Indianapolis as an announcer and newscaster. It was, however, his partnership with Joe Pickett on WFBM-FM in the early 1960s that cemented his legacy. Known as the “Pickett-Webber Thing,” their morning drive time radio show was arguably the first great personality duo of Indianapolis radio. They enjoyed high ratings for nearly two decades. After leaving WFBM-FM, Webber was the public face and announcer for the Indiana State Police, before becoming part of the original staff of WENS-FM, launched in 1981. He died in 2011 at age 90.
--Words from the Indiana Broadcast Pioneers
Video bio of Vicki Weger, inducted to Indiana Broadcast Pioneers Hall of Fame in 2013.
Producer: Vicki Weger;
Narrator: Ed Hopkins;
Editor: Mike Latta;
Vicki Weger traveled with her dad’s “Harry Weger and the Big Ten Western Feature” shows that signed on in 1955 on WTHI-TV in Terre Haute, Indiana. She performed in many shows across the country. In 1978, she began freelancing as a newspaper, radio and TV journalist, and in 1982 was hired at WTHI-TV. There she worked the assignment desk and later became the station’s managing editor, taking her freelancing work to the network level with travels to many foreign countries and coverage of notable domestic stories. In 1998 she moved to Chicago as a full-time freelance producer for “The PBS NewsHour” and “Religion & Ethics” and similar work for NBC and ABC.
--Words from the Indiana Broadcast Pioneers
As we head into the election in a rapidly changing country, we can see the ways that liberal politics are giving way to more radical policies around the world. Dean Shanahan and Professor of Practice Elaine Monaghan speak with Michael Weinman, Professor of Philosophy at Bard College Berlin, about his new coedited volume, “The Emergence of Illiberalism: Understanding a Global Phenomenon.” The trio discuss how we can understand trends away from liberal policies and politics, and what we might expect to replace them.
Our information technology (IT) infrastructure is not perfect and data can be corrupted by means both malicious and random. This talk covers some of the issues with IT infrastructure that lets data corruption creep in and NSF-funded work by the authors to augment a popular workflow management system (Pegasus) to provide increased scientific data assurances.
While man is blowing trumpet at beginning of film we see, at left, Peter Fraenkel in white suit and Herman B Wells in dark suit.
At the 1:18 mark we see the unfurling of Indiana University's World War II service flag.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
