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Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
The Black Oak spring was located on the property of Dorothy Waters' childhood home in Black Oak. Waters says that her grandfather (who built the house in 1926) sold the water from the well to a man with a Bottling Company in Chicago in exchange for a new shed.
This was one of a group of excerpts gathered under the subject heading of Black Oak Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
Dorothy Waters grew up in the Black Oak neighborhood of Calumet Township and her parents owned farm land near the Chase Street spring in Small Farms. Waters and her siblings pulled weeds in their fields at night and quenched their thirst by drinking from the well on Chase Street. "We would pull weeds, we'd run up and down that big sand hill. And then we walked down and we get a drink at that spring. ... I just loved drinking from that spring."
This was one of a group of excerpts gathered under the subject heading of Black Oak Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
Dorothy Waters' childhood home in the Black Oak neighborhood was located on the same property as the Black Oak spring, an artesian well that was open to the public. Waters says, "Anybody that wanted to come and get water from in front of the house was welcome to do that." She says that this reflects the generous nature of her community.
This was one of a group of excerpts gathered under the subject heading of Black Oak Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
Dorothy and Robert Waters describe a gravel road on their family farm that connected the Black Oak spring to the Chase Street spring. The road made a relatively straight east-west line between the two springs, and was used to move farm machinery between fields.
This was one of a group of excerpts gathered under the subject heading of Black Oak Spring for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
Kay Westhues interviews Dorothy and Robert Waters at their home in Schererville, Indiana, on December 7, 2019. Dorothy Waters is a descendent of the Nimetz family, who settled in the Black Oak area in the 1800s and farmed the land surrounding the Chase Street Spring. Her family home on Calhoun Street was the site of another spring, called the Black Oak Spring, which was open to the public and bottled and sold in the early 1900s. The spring was capped sometime in the 1960s. Waters and her husband, Robert Waters grew up in the Black Oak area and discuss the springs, the neighborhood, and farming during that time. Part of the Spring at Small Farms Oral History Project. See the full exhibit here: https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home
Waters, Dorothy (narrator), Waters, Robert (narrator)
Summary:
Kay Westhues interviews Dorothy and Robert Waters at their home in Schererville, Indiana, on December 7, 2019. Dorothy Waters is a descendent of the Nimetz family, who settled in the Black Oak area in the 1800s and farmed the land surrounding the Chase Street Spring. Her family home on Calhoun Street was the site of another spring, called the Black Oak Spring, which was open to the public and bottled and sold in the early 1900s. The spring was capped sometime in the 1960s. Waters and her husband, Robert, grew up in the Black oak area, and discuss the springs, the neighborhood, and farming during that time. Part of the Spring at Small Farms Oral History Project. See the full exhibit here: https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home
This presentation is the first step in an answer to Emily Drabinski’s 2013 challenge to library and information science (LIS) professionals to think about ways in which to ‘queer the library catalog,’ and to represent identity as historically constructed and described. Beginning with a brief outline of the troubled history between marginalized groups and LIS classifications, I examine some of the proposals suggested over the past half-decade by researchers—and their limitations. Instead of starting anew, or using ‘uninformed’ social tagging/folksonomies, I propose a ‘turn’ to the catalogs and controlled vocabularies of archives and special collections, which frequently reckon with unclassifiable material.
Following through on that turn, I will discuss how linked data and linked data vocabularies are currently being used by several digital archives—along with some possible lessons for the LIS field as a whole. The radical and subversive use of linked data by queer digital archives offers a partial solution to the conundrum of minoritized and historical representation in the catalog. Finally, I will conclude by describing my own experiences and considerations in the construction of a new linked data vocabulary.
Video bio of Ink Spots, inducted to Indiana Broadcast Pioneers Hall of Fame in 2006.
Writer/Producer: Howard Caldwell;
Post-Production: DreamVision Media Partners;
Some Photos Courtesy of: The Indiana Historical Society; Duncan Shiedt;
The Ink Spots vocal group had its origin in the early 1930s in Indianapolis and appeared regularly on WLW-AM in Cincinnati. The group bolted to national popularity with its recording of the ballad “If I Didn’t Care” in 1939. Between 1940 and 1949, The Ink Spots had more than 30 hits on the pop charts.
--Words from the Indiana Broadcast Pioneers