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Home movie of Bailey's trip to Iceland circa 1971. Footage taken from a window of a plane taking off. Glaciers are visible as the plane flies over the Arctic Ocean. Shows Bailey and Ritchie disembarking in Iceland.
Home movie of a dolphin show taken at Sea Life Park Hawaii. A continuation of the performance seen in Hawaii #1. Also shows dolphins being fed by park workers.
Home movie of Bailey's trip to Iceland circa 1971. This film shows a geothermal area in Iceland that features bright blue pools, bubbling hot springs, and steam rising from the ground.
Home movie footage of Bailey's trip to Hawaii circa 1954. She has unidentified travel companions on this trip, another woman and an older man. Begins with footage (some dark) taken from a boat arriving in Honolulu as a crowd well-wishers wave and greet them. Bailey then spends some time posing for the camera while wearing leis and exploring a garden. The camera captures the landscape and people enjoying a local beach.
A continuation of the home movie footage from [Lake Michigan and Calumet River ca. 1967 #2]. This film focuses more on the river's industrial activity and large shipping boats.
Documents Ansel Adams as he discusses light, interpretation, the use of different filters, exposures, ranges, and magnification, illustrating each from his own vast collection of photographs. The presentation centers around his demonstrations of various techniques to achieve given effects.
Footage documenting Bailey's travels to the Canary Islands circa 1971. Shows the metropolitan area and seaport of Las Palmas in Gran Canaria, including the Don Juan hotel. We see Bailey is traveling with her husband, Carson Ritchie.
An older couple greeting people in a receiving line. The woman is Nellie Voigt Freeman, Bailey's mother. The original title indicates this was part of an Easter celebration. Bailey is present in the group. The film then focuses on flower in a garden - the original title indicates this is Artillery Lane in St. Augustine.
Home movie taken at Angkor Wat in Cambodia. Much of the footage is dark and difficult to see. Buddhist monks in bright robes can be seen around the temple.