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Discusses the significance to science of observation and experimentation. Demonstrates with experiments the difference between observation and laboratory experiments. Shows and explains early laboratory apparatus used in developing natural laws of science. (WGBH-TV) Kinescope.
Discusses the importance of oceanography to the Antarctic program of the IGY, using charts and maps to show how the Antarctic waters influence weather, tides, and life in the sea. Explains the use of the nansen bottle and the bathythemograph in obtaining oceanographic data. Points out areas of oceanography which need further study and the relationship of these studies to the welfare of mankind.
By contrasting film footage showing Europe in ruins immediately following World War II and Europe's present prosperity, this first program lays the historical groundwork for the series. The first steps in this remarkable metamorphosis are traced from the initial effect of the Marshall Plan — from which grew the Organization for European Economic Cooperation (OEEC) — through the 1951 establishment of the European Coal and Steel Community.
Martin Levin, teacher and editor of “The Phoenix Nest” in “The Saturday Review,” call the humor of Ogden Nash brief and critical. He explains how Nash reshapes verse in interest of humor. Nash discusses humor and the apprehensions of beginning writers, then reads “Outcome of Mr. McCloud’s Gratitude,” “Lady in Slacks,” “It Is Indeed Spinach,” “Llama,” “A Prawn is a Prawn,” “Will Consider Situation,” “Drink with Something In It,” and “The Sniffle.” Nash notes the difference between his work and that of AP Herbert and Dorothy Parker.
Martin Levin, teacher and editor of “The Phoenix Nest” in “The Saturday Review,” and Ogden Nash discuss the social commentary in the latter’s poems. Nash reads “Seaside,” “Rabbits Who Doesn’t Mention Their Habits,” “Don’t Cry Darling, It’s Quite Alright,” and other poems. Nash reads his three favorites, “Dr. Feel,” “Mrs. Cavendish,” and “I Do, I Will, I Have.”
This is a tale of two famous Japanese clans who were bitter enemies. During the battle of Yashima in 1845, one clan was challenged to pierce a fan with a bow and arrow from a great distance. Artist T. Mikamo illustrates this story with a brush paingin of a fan, a bow and an arrow.
Discusses the dependence of U.S. economy on oil. Points out that even though we produce one-half the world's supply, we must still import one million barrels of oil a day. Forecasts future problems for this country because of this high rate of consumption which will exhaust proved oil reserves in 14 years.
Recreates the excitement of the gold rush by showing the prospector's trails, their campsites and the gold rush cities. Illustrates with prints of the settlers, miners, and dance hall girls. Visits an old gold mining town and saloons. Interviews an old prospector about gold mining days.
Tells the story of changes which have taken place in home implements. Shows an early vacuum cleaner, phonograph, washing machine, butter churn, and candle mold.
Fignewton Frog (puppet) and Dora (person) tell a story about "Oliver and his Dignity." Oliver is an otter, and this episode features shadow puppet theater.
Visits those animals at the Brookfield Zoo native to Australia. Tells the story of the kangaroo, wallabies, and the Dingo Dog. Shows filmed sequences of these animals as they live in the zoo.
Two Eyes, the prettiest and sweetest sister is mistreated by her mother and sisters and never gets enough to eat. Her fairy godmother tells her that her pet goat is magic and if she will say a magic rhyme she will have all the food she wants. Realizing that Two Eyes is eating better than they, the two sisters learn her secret and the goat is killed. Two Eyes then buries the goat's heart by the door step and a gold and silver fruit tree appears. When the Prince comes by and asks for some fruit only Two Eyes can pick it for him. When he learns of her cruel treatment, he takes her to his castle to be his bride.
Why special treatment for the American farmer? This is the questioned posed in this opening program and, using a story line built around the average family of Ed Harvey, the film seeks a more intelligent handling of agricultural policy on the national level. The program presents a definitive history of agriculture economics in an effort to explain the farmer’s vulnerable position in the constantly changing business cycle of a capitalistic society. Although the program does not advocate any definite policy, it does ask intelligent questions which tend to stimulate thinking on the farm problem.
This is the story of the plants we eat and how some of the things we eat were brought her by the first settlers. Bash Kennett tells the history of some of our fruits and vegetables and the Lillian Patterson dancers illustrate an imaginary gardening scene. Songs include “Aunty Minna’s Cooking the Syrup,” “Goober Peas” and “Onions and Potatoes.”
The film stresses that greater understanding and cooperation is needed between bicyclists and motorists to safely share the roadways. Based on recent research data on bicycle-motor vehicle accidents, critical situations in the ever-increasing bike-car traffic mix are discussed in terms of how bicyclists and motorists can cope with: Obstacles to the Flow of Traffic, Left Turn maneuvers, Visibility (Seeing and Being Seen), Right Turn Movements, Rules of the Road.
Discusses the free or open mental hospital. Includes views of a visit to the St. Lawrence State Hospital in Ogdensburg, New York. Explains how the open hospital operates, the difficulties involved in its administration, how patients respond, and how the system has succeeded. Features Dr. Herman Snow.
This is the first in a series of children’s program. Poindexter introduces his friend Mr. Raccoon, Miss Red Hen, The Princes and the Boy from “The Story that Never Ended,” the shoemaker from the story of “The Elves and the Shoemaker,” puppets from the “Grasshopper and the Ants,” the Gingerbread Boy, The Three Little Pigs, and many others. This program sets the scene for the story adventures ahead in this series.
Mr. Goldovsky discusses his basic philosophy of the Opera in English and demonstrates his production techniques with excerpts from Rigoletto, and his own personal story of the need for the broader concept and acceptance of opera.
Film features the Jeep audio visual unit, a vehicle equipped to provide complete sound and picture projection, regardless of road conditions or weather. Follows the vehicle as it used in an educational presentation.
