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Describes how maps are made by picturing a class constructing a map from a model of the community. Shows the use of a legend and how a scale is derived in order that distance may be measured on the map. Illustrates the way a community can be located on county, state, and U.S. maps, and on a world globe.
Discusses the power and limitations of symbols, especially words. Describes the significance of the communications network in which humans live. Defines words as "maps" giving directions to "territories" of human experience. Stresses the point that words can be manipulated independently of the experiences they represent. Explains other pitfalls of communication related to word usage.
Traces the history of motion pictures from its early, one-minute format which astounded its audiences, to the elaborate productions of the l940s. Includes film footage of such early motion picture stars as: Mary Pickford, Lionel Barrymore, Mack Sennett, Charlie Chaplin, Rudolph Valentino, Greta Garbo, and Al Jolson. Highlights such classic motion pictures as The Jazz Singer, Birth of a Nation, Robin Hood, All Quiet on the Western Front, and Zola.
Provides a kaleidoscopic preview of Communist history. Explains the basis for the series and establishes documentary sources. Uses reenactments to show the collaboration on the Communist Manifesto by Marx and Engels, the development of Marxism, and the founding of the First International. Discusses the fallacy in Marx's premise and concludes by introducing Vladimir Ilyich Ulyanov, later known as Lenin.
Perhaps the original need for masks was for man to be able to disengage himself from his everyday life. He used them to symbolize that he was not “himself.” He was another being, human or superhuman, or even an abstract quality. He was able to satisfy two needs through the use of masks – the need for religion and the need for diversion. Miss Leadbeater and Shari Lewis concentrate on masks used for diversion and their counterparts in the modern United States – at Halloween and Mardi Gras.
In this program, Mr. Fitzpatrick discusses masks as a form of art expression, how they are made, and their uses. Describes ceremonial festivals, and the theater. Demonstrates the making of the mask in clay, paper mache, and bent cardboard. Explains how various materials such as raffia, paint, and metal are applied to the mask for decoration. Uses models to illustrate the artistic merit and effectiveness of masks.
Many aspects of our popular culture are discussed provocatively by Max Lerner and five Brandeis students: Is the quality of culture higher today than a century ago? What distinction should be made between folk culture and popular culture? Do the people in control of our means of culture purposely keep the levels low? Have the cultural media tried to raise the level? What is the state of the artist today? How does the desire to make money affect the quality of creative work? Will giving the artist
more freedom uplift our cultural standards? Can a popular culture be “creative?” Does low taste have a place in our society?
Matt Mann applies his teaching principles with a group of girls. The crawl, breast stroke, back stroke, and butterfly stroke are demonstrated in both regular and slow motion photography.
Discusses and demonstrates matter in its various states: solid, liquid, and gas. Shows how matter is broken up into its smallest components. Explains how energy is obtained from matter. Defines the fission and fusion processes. Concludes with a demonstration of a chain reaction. (WQED) Film.
Discusses and illustrates mature and immature behavior of people, and shows what can be done to promote maturity. Presents people with mature traits in some relationships but immature traits in other situations. Points out that strong motivation, activity, and going out to meet people all promote maturity. (KOMU-TV) Kinescope.
In this program, criminologist Joseph D. Lohman describes maximum security as the single most important characteristic of the American prison. He relates the consequences of excess security on inmates. Filmed scenes provide the setting of maximum security and an inmate describes the routine in such institutions. Lohman and Alexander discuss the need for diversity in staff and security which would alleviate many of the pitfalls of an inflexible system.
Limited to a Bolex, a tripod, a light meter, and 100 feet of Kodak 16mm B&W reversal film, we captured the film digitization phase of the Media Digitization and Preservation Initiative (MDPI) at Indiana University in Bloomington, IN. The film was shot in chronological order of the MDPI film digitization process and all editing was done in camera.
Explains how learning is aided by the meaningfulness of the material to be learned. Points out how rhyme, rhythm, and symbolism are aids to learning. Conducts an experiment to show the relationship of meaning to learning. (WGBH-TV) Kinescope.
Discusses natural and artificial means of measuring time and distance. Explains how the three natural divisions of time--day, month, and year--come from the motions of the earth and the moon. Tells how civil time, universal time, and the sidereal time are calculated. Uses charts, diagrams, and photographs to show how distances in space are measured by the speed of light and the magnitude or brightness of the stars. Features James S. Pickering of the American Museum-Hayden Planetarium.
