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Pictures of a Chevrolet are animated together with pictures of a kaleidoscope. The narrator list the features of the car as the footage of the 1961 Chevrolet is shown.
A gun fight breaks out in a wild west town before it is revealed that the town is a vacation destination called Frontier City. A family drives into the town with a new Chevrolet. The new Chevrolet is compared to an old Chevrolet in the western town.
A teacher asks a student, Richard, to tell the class about his most exciting day. Richard explains that his most exciting day was when his mother and father argued about which car they should buy. When Richard's family selects the new Chevy the whole family is happy about the choice they made.
A man picks up a woman from a hotel in an invisible car. The couple drive across the countryside apparently levitated as onlookers stare. At the end of the drive the magic behind the invisible car is revealed to be a Chevrolet.
A Mercury Meteor drives down a road as a narrator tells the viewer to dial m for Mercury Meter. The narrator also tells the viewers to dial other letters as he lists the benefits of the Mercury Meteor.
A man receives a distress call from someone stuck on the side of a cliff. The man race across difficult terrain in his Jeep. The man rescues the person from cliff by using the winch on his Jeep.
A man is repeatedly convinced to buy worthless cars like a go-cart and an Indy 500 car. Every time he makes a poor purchase a Pontiac will drive by showing the feature he actually wanted. The man and his family eventually buy a Pontiac.
A song about the Pontiac Tempest plays as footage of the Tempest driving around town is shown. The Tempest's rear transmission and front engine is advertised as being the reason for the car's smooth ride.
Short promotional film focusing on student learning at Indiana University. Begins with a tour of the buildings and resources of the Libraries, the "focal point of I.U.'s academic program." The film then moves on to highlight teaching at the university, showing history professor, R. Carlyle Buley in individual conference with a student as well as in the classroom. Finally the film shows how teaching and learning are not just confined to the classroom, but come about through student meetings and informal gatherings. Ends with I.U. students graduating and going on to become productive members of society, proving that "books do come alive."
Shows the development of Negro education. Emphasizes that such a development was slow and difficult from the schoolhouse with broken windows and the teachers only a few steps ahead of the pupils to the modern school which spreads its influence beyond the confines of its four walls through training 9in home economics, machine shop, and handicrafts. Ends with shots of Negroes in universities, as surgeons and nurses in hospitals, and in the Army.
Demonstrates how the facilities of a large city library are made available to rural libraries. Shows the library truck from Gary, Indiana, delivering books, pictures, and other materials weekly, free of charge, upon the written request of a small-town librarian. Indicates how such cooperation results in better public service.
Presents basic fundamentals of basketball. Coach Branch McCracken and the Indiana University basketball team demonstrate, in regular and slow-motion photography, ways of shooting, passing, dribbling, and defensive and offensive footwork. For intermediate grades, high school and college.
Analyzes defensive footwork action in basketball by first demonstrating the correct stance. Slow motion and close-up photography then portray the two basic defensive moves: the parallel movement, which governs lateral guarding motions, and the stride, which governs advancing and retreating motions. Emphasis is placed on the correlation of arm movement with footwork, turning, pivoting, and getting into position for taking the ball on the rebound.
Portrays through the experiences of a family recently moving into a community, the variety of services provided by a centralized county library system to branch libraries and their users. These services available to users include rotating book collections, recordings, motion pictures; library administration and technical services involved in ordering, processing, cataloging, publicity, and circulation of materials; and the advantages of the correlated use of equipment, personnel, and materials found in a central library system serving branch libraries.
Uses two comprehensive high schools--one in Oakland, California, and the other in Labette County, Kansas--to show what every secondary school should be equipped to do. Shows various classroom situations illustrating how the schools provide for the varied interests of all students in their communities. Includes views of Dr. Conant presenting his findings to government and National Education Association officials.
A librarian describes the many services of a modern library. She lists microfilm, Braille books, records, films, exhibits, newspapers, and magazines, as well as books, among available materials. She also explains why a librarian's job, working with people and materials, is interesting.
A man’s car breaks down in front of a billboard in Time Square, telling him to buy a new Chevrolet. Onlookers shakes their heads in disappointment as he fails to get his car started.
Lucy approaches Charlie Brown, Snoopy, Linus, and Schroeder with a new jingle for the Ford Falcon. Schroeder plays the jingle as the rest of the peanuts dance and sing the jingle.
Literary critic and lecturer on South African affairs, John Barkham interviews the distinguished South African author, Nadine Gordimer. Deals with subjects ranging from the effect of South Africa on the author's work and her attitude towards racial problems to her opinions of C.P. Snow. Reveals her opinions of America, of herself, and of her writing. Presents her advice for the beginning writer.
Employs dance routines and originally scored music to portray differences in marriage rituals of three societies. Emphasizes the basic motive behind the selection of marriage partners, the rituals that join them, and the values that guide their relationships. Compares Americans, the Bantu of Africa, and the Muria of India.
Presents several Southerners who advocate viewpoints and actions which are at variance with extremists on both sides of the civil rights issue. Interviews Governor Carl E. Sanders of Georgia; R. E. McIver, a businessman of Conway, South Carolina: The Reverend James L. Hooten, minister of the First Christian Church, Savannah, Alabama; Beverly Briley, Mayor of Nashville, Tennessee; and Eleanor Sheppard (Mrs. Thomas E.), Mayor of Richmond, Virginia. Indicates that the differences of attitudes and approaches to civil rights presented provided insight into a range of viewpoints which would add sanity and stability to the South in the present period of crisis.
William Daley and Shari Lewis discuss the capacity of man’s hands and the way hands in many parts of the world today still remain the primary means by which useful and beautiful objects are created to fill people’s needs. Pottery, as created by primitive people of the American continent, is an example of this idea. Several Girl Scouts work with Mr. Daley creating objects from clay, indicating the satisfaction which comes from creative activity. Mr. Daley demonstrates the properties of clay and introduces ways in which is can be useful by untrained hands.
Perhaps the original need for masks was for man to be able to disengage himself from his everyday life. He used them to symbolize that he was not “himself.” He was another being, human or superhuman, or even an abstract quality. He was able to satisfy two needs through the use of masks – the need for religion and the need for diversion. Miss Leadbeater and Shari Lewis concentrate on masks used for diversion and their counterparts in the modern United States – at Halloween and Mardi Gras.
Employs dance routines and originally scored music to portray the formation of human personality in three societies. Demonstrates the authoritarian, cooperative, and dwarfed personality types. Points out how personality types perpetuate themselves. Compares Americans, Alorese of the Dutch East Indies, and the Hopi Indians. (KUHT) Film.
Professor Joel Climenhaga interviews New Zealand poet, Allen Curnow. Includes a discussion of Curnow's poetry, which reveals the character, history, and folklore of New Zealand. Presents his views on the role of the problems involved in writing in and about a new country.
There is in the heart of every man the desire to express himself through the creation of something beautiful, says Shari Lewis. Whatever the motivation for making the object, the result is, in many cases, beauty. Woodcarving from many parts of the world is examined and provides an opportunity to explore its beauty.
Opens with an interview involving Nkosi, Soyinka, and featured guest, Achebe. Focuses on the craft and work of Achebe himself and questions whether he deliberately avoids passing moral judgment. Shows Achebe discussing the influences which have shaped his artistic life and recounting experiences from a U. S. visit. Closes with an examination of the traditional novel and a possible new African novel form.
Examines French African literature and the concept of "negritude," the idea of a unique African collective personality. Visits a classroom in Nyasaland, where the teacher-poet Rubadiri discusses Soyinka's poem "Telephone Conversation." Presents President Senghor of Senegal, also an admired poet, who speaks on the concept of "negritude." Closes with an interview of Dr. Fonlon in Cameroon, who discusses dangers facing African literature.
Provides a close view of Dorothea Lange and her photographs, enabling the viewer to share her deep involvement in her work and her philosophy as a photographer. Looks in on Lange as she prepares for a one-woman exhibition of her work covering the past fifty years and comments on the reasons and emotions that have moved her to photograph particular scenes. Represents, with her death in October, 1965, a memorial to her and to the despair and hope which she captured so well in her documentary photographs.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Provides an opportunity for the viewer to compare the personality of Dorothea Lange, photographer-artist, with her work. Many of her photographs are presented; these cover various periods, such as the depression, World War II, and the growth of the urban sprawl in contemporary California. Lange is shown in her home as she states she is convinced the world is not being truly photographed at all today. To the present generation of photographers, she proposes a new photographic project with the cities of America as the subject--to be done on a scale comparable to that of the Farm Security Administration Photographic Project of the thirties.
Presents an interview with exiled South African essayist and short story writer, Mphahlele, who discusses the advantages and disadvantages of a writer in exile. Reveals that he feels he has absorbed both the European and African traditional ways of life but shows he remains gloomy about creative writing in a divided society. Discusses the author's autobiography and the impact of emerging African literature.
Walter Kerr, drama critic for the New York Herald Tribune, interviews noted Irish author Frank O'Connor. Mr. O'Connor contrasts the novel and the short story in relation to characterization, plot, and the time element. He discusses styles of the short story and appraises past and present psychological and subject matter trends in prose fiction.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Provides a candid view of poet Robert Creeley in his home and introduces his poetry. Presents him describing the influences of other literary figures on his works and explaining his own method of working. Includes readings of several of his poems, such as "La Noche," "The First Time," "The Place," and "Someplace."
Indiana University, Bloomington. Audio-Visual Center
Summary:
Documents the life and work of William Carlos Williams, poet, Pulitzer Prize winner, and physician. Illustrates his work with selected readings from letters, poems, and the autobiography of the poet. Shows still photographs of the poet as a young man and in his later years with his son, also a physician, practicing medicine in the local hospital.
Provides an opportunity for the viewer to compare the personality of Dorothea Lange, photographer-artist, with her work. Many of her photographs are presented; these cover various periods, such as the depression, World War II, and the growth of the urban sprawl in contemporary California. Lange is shown in her home as she states she is convinced the world is not being truly photographed at all today. To the present generation of photographers, she proposes a new photographic project with the cities of America as the subject--to be done on a scale comparable to that of the Farm Security Administration Photographic Project of the thirties.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Interviews Richard Wilbur and Robert Lowell (Pulitzer Prize winners) and explores their interests in poetic expression, and the origins of the ideas in their respective poems. Presents Wilbur reading "On the Marginal Way," "Love Calls Us to the Things of This World," and "Advice to a Prophet." Shows Lowell reading "Water," "Soft Wood," "A Flaw," "Fall, 1961," and "The Opposite House."
This is an excerpt showing one segment of episode 117. Presents critical comments and views of Asian scholar and war correspondent, Bernard B. Fall. Discusses the nature of the war in Vietnam, its effect upon the people, and the possibility of a practical solution. Includes taped comments.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Examines several of Robert Rauschenberg's works, including "Oracle," a piece of "radio-sculpture," scenes from his theatrical works "Spring Training" and "Pelican," and a painting called "Barge." Discusses why, at the peak of his fame as a painter, Rauschenberg stopped painting altogether and how he feels about his art. Includes a discussion by Leo Castelli, an art dealer and friend of Rauschenberg, about the artist as a person and the significance of his works.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Provides a close look at the work and creative philosophy of Sam "Lightnin" Hopkins, who has been singing and playing the blues for over fifty years. Recreates through the many songs he sings, a picture of "Lightnin's" life. Includes segments of his on-campus performances at the University of Houston and Notre Dame.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Introduces the humorist S.J. Perelman and his opinions on a wide variety of subjects. Discusses the authors who have influenced him and the reasons why a writer must imitate somebody. Concludes with a talk about reading, F. Scott Fitzgerald, travel, and Nathanael West.
. Presents the pop artist Jasper Johns in an interview in which he discusses his ideas about art; interspersed with scenes in which he is working on various works. Shows some of the flag paintings which anticipated the pop art movement of which he is one of the fathers. Includes examples of his subject matter: taylets, flags, numbers, works, and maps. Depicts him working with encaustic medium in which the pigments are mixed with molten wax.
Explores India's most critical problem and examines proposed solutions. Discusses the agricultural crises and the social customs which interrelate with the population problem. Shows the educational strategy to control the size of families. Presents illuminating accounts of major aspects of life in contemporary India.
Documents and dramatizes a civil lawsuit based on an automobile injury case. Dramatizes the beginning of the trial, showing how prospective jurors are chosen and questioned to determine possible bias and how the jury is selected and sworn in. Presents both lawyers making opening statements to the jury, and concludes with the direct and cross examination of all witnesses in the case for the plaintiff.
Bash tells how the use of medicines developed and how people learned to use beneficial plants. She tells the story of the original pharmacy in this country and the modern drugstore ... from bitter root to sugar-coated pills. Songs include "The Apothecary Shop," "Little Mohee," and "Buckeye Jim."
When man faced the elements of nature, it was through his ingenuity and the use of his hands that he was able to weave clothing for protection. This took varying forms, from the weaving of blankets to the creation of articles of clothing. Man employed different materials for this item, depending on the environment. This program looks at the basic principles of weaving, which are the same whether the end product is a simple or complex article. Angiola Churchill and Shari Lewis explore this area of man’s creativity.
