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CBS, WTOP-TV, Paul Niven, Dr. Martin Luther King Jr., Bill Linden, Michael J. Marlow
Summary:
Dr. Martin Luther King Jr. is interviewed by CBS news correspondent Paul Niven about his goals and reflections on the Civil Rights Movement. Some of the topics MLKJ addressed in the interview are interracial marriages, his childhood experience with racism, his father attitude to racism and segregation, Mahatma Gandhi, and his views on John F. Kennedy response to civil right issues.
Documents Bailey's trip to Mexico circa 1950. Shows footage of the Cascada El Salto de San Antón waterfall, Cuernavaca Cathedral, and the interior of Palacio de Cortes (with murals painted by Diego Rivera). Includes many shots of people swimming in a pool and close-ups of beautiful flowers and foliage. Bailey captures a local market and fishermen at Lake Pátzcuaro. Ends with beach goers swimming and surfing in Acapulco Bay.
Clips of Chicago home movies spanning the mid-to-late 1960's. Begins with a river cruise aboard the Skyline Queen (circa 1968). Follows with footage of Bailey visiting Lilacia Park in Lombard, Illinois, where she films a group of school children. The latter half of the film shows construction on the John Hancock Center over the course of several weeks (circa 1965-1966). Also shows people enjoying a crowded beach in the summertime, sunbathing, and skiing.
Travelogue documenting Bailey's trip to Hawaii in 1960. Features extensive footage of the 1960 Kapoho eruption and the destruction of buildings and vegetation in the aftermath. Shots of several landmarks, including Kamehameha I statue outside Aliʻiōlani Hale, Iao Needle Point, ruins of Fort Elizabeth, Captain Cook Monument, the Royal Mausoleum, Chamberlain House, Spouting Horn, Prince Kuhio's birthplace, Hulihee Palace, Kaahumanu Church, Queen Emma Summer Palace, and Puowaina Punchbowl Crater. A close-up shows Ernie Pyle's grave marker at the National Memorial Cemetery of the Pacific. Ends with footage of a luau depicting many traditional dances, men making Kālua pork, and surfing.
[videorecording] Home movie of David Bradley's 1991 New Year's Day party. Includes a screening of a clip of the 1952 production of "Talk About a Stranger" and also a screening of David Bradley's 1967 New Year's Party featuring Jayne Mansfield and her children Mariska & Zoltan Hargitay, Leo G. Carroll, King Vidor and Forrest Ackerman.
[videorecording] Home movie of David Bradley's 1989 New Year's Day party. Includes a screening of David Bradley's New Year's Day party, 1988 with guests, Lizabeth Scott, Madge Bellamy, Angelyne and Venetia Stevenson, Russ Tamblyn. Also includes a clip from the silent film "The Phantom of the Opera" with Mary Philbin.
[videorecording] Home movie of David Bradley's 1992 New Year's Day party. Included is a screening of another home movie by David Bradley called "Desperately Seeking David."
[videorecording] Home movie of David Bradley's 1994 New Year's Day party. Includes footage of another Bradley party from 1985 and also a film about the historic Civic Theatre in Auckland, New Zealand, called "The Mighty Civic".
An advertisement for General Telephone and Electronics by which a narrator describes the work of Sylvania Lighting while a rapid succession of shots play displaying various ways the products are used.
An advertisement for Ovaltine chocolate milk powder in which a male narrator talks about the love a mother gives to a child and the 'extras' mothers do for children. A mother is pictured helping a boy with his shoes, sewing a button and enjoying a cup of Ovaltine at a dinner table.
Rambler "The Eye": A spotlight shines on a Volkswagen as an announcer reveals that the Volkswagen appearance has remain unchanged for ten years while internally it has been constantly improved.
Mercury Monterey "Big Boots":A cowboy uses his Mercury Monterey to help other cowboys corral a herd of horses into a pin.
An advertisement for KLM Royal Dutch Airlines showing scenes of social life throughout Amsterdam, including shots of restaurants, bars, busy streets, museums, and shops. An offscreen male narrator encourages the viewer to take a KLM flight and experience the "surprises" Amsterdam offers. One of the winners of the 1975 Clio Awards.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Examines a number of opinions of Negro leaders as to the way the Negro should operate in his search for equality. Includes interviews with Elijah Muhammed of the Black Muslims; Daniel Watts, editor of Liberator magazine; Jimmy Garrett from the Congress of Racial Equality; Fannie Lou Hamer, one of the founders of the Mississippi Freedom Democratic Party; John Lewis, the co-founder, and Julian Bond of the Student Non-Violent Coordinating Committee; Andrew Young of the Southern Christian Leadership Conference; and Bill Epton, candidate from the Progressive Labor Party.
Provides a close look at the works and creative philosophy of Robert Erickson, a composer and inventor of musical instruments. Illustrates Erickson composing an original composition, '9 1/2 for Henry (Orville and Wilbur)," which integrates the sounds of modern technology with traditionally-produced music. Follows Erickson as he tapes the sounds of automobiles, airplanes, and wind, mixes the sounds in his studio, and attends the presentation of the final work.
Satyajit Ray, noted Indian film maker, explains the underlying philosophy guiding him in the production of his films, which he sees as a confluence of Eastern and Western cultures. Ray's main objective is to make his audiences see and think about issues such as poverty and politics.
Describes Project WILL, a plan designed to promote racial understanding between black and white high school students in Atlantic City, New Jersey. Relates how one staff member becomes disillusioned during the federally sponsored project conducted in two six-week sessions, and challenges the premise of the experiment. Indicates that although the students were supposed to be making their own decisions, they actually had no control over the project.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Illustrates Edward Weston's philosophy of photography and life through his writings, which he called "Daybooks." Relates the feelings of the photographer as photographs are presented from Weston's soft-focus period, his abstract photographs, and his work done in Mexico. Evaluates Weston as an artist through discussions by two of his sons, his second wife, and one of his former students.
