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Seven performance scenes with commentary documenting how David DeBoor Canfield’s “Concerto after Mendelssohn” for trombone and orchestra was ideated, composed and entered into the repertoire. Peripheral information includes interviews with the composer and collaborators.
David Baker’s Concert Piece was commissioned by Lenore Hatfield and The Camerata for M. Dee Stewart. Conducted by Keith Brown, it was premiered with that orchestra in 1997. It is a major three movement concerto with strings “informed by jazz” as Baker said. Since the piece begins muted, Stewart chose to use a SoloTone mute ala Tommy Dorsey. Baker was asked to transcribe it for piano to give it more performance opportunities. After giving the premier performance of the piano version, Ashley Toms and Stewart recorded it in Auer Hall, Jacobs School of Music at Indiana University. This exciting work was edited under the supervision of Konrad Strauss, Professor of Music (Audio Engineering and Sound Production); Chair, Department of Audio Engineering and Sound Production.
Géza Szilvay, of the Sibelius Academy of the University of the Arts Helsinki, delivers a lecture to students of Mimi Zweig, Professor of Music (Violin, Viola) at the Indiana University Jacobs School of Music.
Géza Szilvay, lecturer, Yvonne Frye, lecturer, Mimi Zweig, lecturer, Päivyt Meller, moderator
Summary:
A Videoconference Event presented by Sibelius Academy’s Distance Learning Program & the Jacobs School of Music, Indiana University.
Includes: Géza Szilvay and Yvonne Frye of the East Helsinki Music Institute and the Sibelius Academy of the University of the Arts Helsinki on The Colourstrings, Mimi Zweig of the Jacobs School of Music on String Pedagogy, and An Overseas Panel Discussion: What is a Good Violin Teacher Like? Discussion led by Päivyt Meller of he Sibelius Academy of the University of the Arts Helsinki, with panelists Géza Szilvay, Yvonne Frye, Réka Szilvay, Valerie Albrecht, Mimi Zweig, Grigory Kalinovsky, Asia Doike, and Rose Scioroni.