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Celebrating the 10 year anniversary of being the Red Wolves. A brief history of campus life and culture when the IU East mascot was the Pioneers and the reason we changed to the Red Wolves and the introduction of Rufus, the Red Wolf. Being interviewed is the Director of Campus Life Rebekah Hester and NSM faculty member Neil Sabine.
Aaron Keim (Hood River, Oregon)
Aaron Keim lives an artistic life along with his wife Nicole, making music, building musical instruments, writing instructional music books, crafting folk art, and raising their 6-year-old son Henry in Hood River, Oregon. As the Quiet American, they play old-time and teach at festivals and music camps. Their connection to folk tradition is undeniable as they find new ways to sing old songs and unique ways to incorporate music and art into their teaching and performing. Mainly influenced by Depression-era string band music and the folk revival, they use ukulele, banjo, and accordion to accompany their harmony singing; pick old-time tunes; and lead the audience through group singing. A modern, home-grown folk revival: the Quiet American.
Interviewed by Raquel Paraíso, 09/23/2020.
The Sample: In celebration of Black History Month, Through the Gates' shorts, The Sample, sat down with Maria Hamilton Abegunde to discuss how the intersections of past and present, trauma and healing, influence the ways we, "witness and testify to lived experiences..." Among a wide array of accomplishments and experiences, Dr. Abegunde is an award-winning poet, the founding director of The Graduate Mentoring Center, and a visiting faculty member in the Department of African American and African Diaspora Studies. She is a memory keeper, and author of one collection of poetry and two poetry chapbooks.
Adam Faucett (Little Rock, Arkansas)
Adam Faucett is a singer-songwriter born in Benton, Arkansas, and based out of Little Rock. Faucett was originally a member of the Russellville, Arkansas-based band, Taught the Rabbits, and has been performing solo since 2006. After the breakup of that band, Faucett relocated to Chicago, where he focused on folk music, writing his first album, The Great Basking Shark. Upon the release of a second album in 2008, Show Me Magic, Show Me Out, he toured the U.S. and Europe with acts including Lucero, Calexico, The Legendary Shack Shakers, Vetiver, and Damien Jurado. Faucett’s music has been described as “southern soul swamp opera,” blending experimental rock, psychedelic rock, and noise rock into his framework of singer-songwriter country music.
Interviewed by Holly Hobbs, 09/14/2020.
Akua Naru (Boston, Massachusetts)
Akua Naru is a Hip Hop artist, organizer, producer, activist, and scholar whose work centers social justice advocacy and community building. Her music theorizes the myriad experiences of Black women through rhyme along a sonic spectrum from Jazz to Soul. She is co-founder of the production/management company The Urban Era and has released multiple albums alongside a wide range of additional artistic content. She has recorded with artists including Tony Allen, Angelique Kidjo, Questlove, and Georgia Anne Muldrow. Akua has performed internationally in more than fifty countries across five continents with her six-piece band. In her social justice work, she has collaborated with numerous individuals and organizations globally in order to instigate change. Akua Naru was a Nasir Jones Fellow at the Hutchins Center for African & African American Research at Harvard University (2018-19) and a Race & Media Fellow at the Center for the Study of Race and Ethnicity in America at Brown University (2019-2020).
Interviewed by Tamar Sella, 09/24/2020.
Alan Di Sciullo's account of the beginning of his involvement with the Youth Franchise Coalition, his testimony before Congress, and the legacy of the 18-year-old vote today.
Interview of IU East student Alex Hakes by Ethan Scott for assignment for Professor Travis Rountree's ENG-W270 Argumentative Writing class in the spring of 2019.
In the new year, we're returning to our first episode, "How the Arctic caught fire." But this time, we focus in on the Gwich'in perspective. Edward Alexander, co-chair of the Gwich'in Council International, tells us how he and those around him are working with the Arctic Council to exchange information and resources in support of a collaborative and resilient Arctic future.
The McCrary Sisters (Nashville, Tennessee)
The McCrary Sisters sing a unique style of gospel and inspirational music. Influenced by classic soul, Americana, blues and rhythm n blues, these sisters bring their joy to singing with tight soulful harmonies. The McCrary Sisters (Ann, Deborah, Regina and Alfreda) are the daughters of the late Rev. Samuel McCrary, one of the original members of the legendary gospel quartet, the Fairfield Four. The daughters were raised singing at home and at their father’s church before embarking as solo artists who performed with a wide range of major artists, including Bob Dylan, Elvis, Isaac Hayes, Stevie Wonder and more. In 2011, the Sisters officially formed their own group, the McCrary Sisters, and have since recorded or performed with notable artists Delbert McClinton, Black Keys, Martina McBride, Eric Church, Patty Griffin, Buddy Miller, Jonny Lang, Robert Randolph, the Winans, Donnie McClurkin, Rosanne Cash, Carrie Underwood, Hank Williams, Jr., Dr. John, Widespread Panic, Sheryl Crow, Maren Morris, Gregg Allman and many more. They have been featured on countless broadcasts, including BET’s Bobby Jones Gospel, TBN’s Jason Crabbe Show, PBS’s Rock My Soul w/ Fairfield Four, Lee Ann Womack, Buddy Miller, PBS’s Mountain Stage, CMT’s 2016 Fan Festival with Carrie Underwood, CMT’s 2015 Artists of the Year with Eric Church, ABC’s CMA Awards 2015 with Hank Williams, Jr., 2016’s Maren Morris special and more. Their annual Tennessee Christmas special is much beloved and widely watched.
Interviewed by Holly Hobbs, 10/19/2020.
Aline Mukiza (Burlington, Vermont)
Aline Mukiza is a dancer, musician, and community organizer based in Burlington, Vermont. Mukiza was born in Burundi and moved to Vermont in the state’s refugee resettlement program. She is a master artist of Burundian women’s dance and traditional song in the Vermont Folklife Center’s Traditional Arts Apprenticeship Program. Mukiza is the director of Twibukanye, where she teaches Burundian music and dance to young adult women and girls in Chittenden County. She has worked with the Vermont Folklife Center to develop and expand pedagogies and materials for cultural education in her community. Additionally, Mukiza has worked as a multilingual liaison for the Burlington School District and a family service coordinator at the Vermont Family Network. She has also served as coordinator of the Heritage Learning Program, a project of the Burundian American Association of Vermont, which provides language, science, and culture classes to children.
Interviewed by Tamar Sella, 10/14/20.
Alonzo Demetrius (Morristown, New Jersey)
Alonzo Demetrius Ryan Jr. is a trumpeter, composer, and bandleader. He was classically trained in trumpet pedagogy and has studied at the historic Philadelphia Clef Club of Jazz. In 2014 he obtained a B.M. from the Berklee College of Music, and in 2019 received his MM from the Berklee Global Jazz Institute. He has taught masterclasses domestically and abroad at Berklee College of Music, IMEP Paris College of Music, Music Academy International, Fundación Danilo Perez, and beyond. Alonzo is the founder and bandleader of the band The Ego, which has performed throughout the New England and New York metropolitan areas since the fall of 2017. He has worked with musicians including Terence Blanchard, Terri Lyne Carrington, Ralph Peterson Jr., Tia Fuller, Robert Glasper, and Jason Palmer. His album Live from the Prison Nation (The Onyx Productions Music Label, 2020) is his personal form of protest against the Prison Industrial Complex.
Interviewed by Tamar Sella, 10/08/2020.
Alonzo Townsend (St. Louis, Missouri)
Alonzo Townsend is the youngest son of Delta blues legend and patriarch of the St. Louis Blues Henry James “Mule” Townsend and blues singer Vernell Townsend. Alonzo has made it his mission to carry on the blues heritage and become an active voice for St. Louis’ history and vibrant music scene. Alonzo accepted the posthumous Grammy Award for Best Traditional Blues Album in 2008 on behalf of his late father for his album, Last of the Great Mississippi Delta Bluesmen: Live in Dallas. Alonzo himself is a spoken word emcee, booking coordinator, event manager and talent manager for events like Taste of St. Louis, River Front Times Music Showcase, Big Muddy Blues Festival, Blues at The Arch and more. His spoken word recording, “A Letter To My City,” was featured as a part of the 18 N 18 St. Louis Blues Society Compilation Album. Townsend is a speaker and writer for the St. Louis Blues Society, Blues Education programs including “Hip-Hop to The Blues,” and a presenter/youth educator for Blues in The Schools Programs.
Interviewed by Holly Hobbs, 09/04/2020.
Amy Garland (Fox, Arkansas)
Fox, Arkansas-based musician and artist, Amy Garland, has spent many years serving as a mentor figure to other artists throughout the region. She also has her own show on the local public radio station, KABF, called “Backroads,” where she plays a variety of independent country/old-time/bluegrass/singer-songwriter musics to her local fanbase. Her all-girl group, The Wildflowers, performs regional shows, while she continues writing and performing her own compositions. Amy Garland is also a social worker and a guitar strap maker.
Interviewed by Holly Hobbs, 09/18/2020.
Our economic recovery will likely be gradual, and spikes in coronavirus cases could directly impact those improvements going forward. That's part of the new economic forecast from Indiana University's Kelley School of Business scholars. Their new report suggests we still may experience some difficulties in the workforce, despite continued, if slower, improvements into 2021.
Dr. Kyle Anderson, of the Kelley School of Business, said he feels optimistic about Indiana's position compared to many other states in that recovery. Listen to our conversation to find out why.
Kyle Anderson, an economist at Indiana University's Kelley School of Business at Indianapolis, talks about the cycle that an economic downturn can create for those pushed out of the workforce. He talks about growth sectors of the economy and personal and business advice.
Kyle Anderson, an economist at Indiana University's Kelley School of Business at IUPUI, joins us to discuss the end of May's jobless claims, the recession, general recovery prospects and more.
Kyle Anderson, an economist at Indiana University's Kelley School of Business at IUPUI, joins us to discuss the state's economic condition as we make our way through August. He talks about the prospects for recovery, sectors hardest hit, evictions, personal advice and more.
Tyrell Anderson, a historic conservationist and co-founder of the Decay Devils, discusses when he first became aware of the Lake Sandy Jo/M&M Landfill Environmental Protection Agency Superfund Site. He states that it is important to have more conversations about the histories of areas like Lake Sandy Jo "so you don't find yourself in a similar situation in the future."
This was one of a group of excerpts gathered under the subject heading of Environmental Impacts for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Tyrell Anderson shares a memory of when his father took him to the spring for the first time, telling him "I'm gonna take you to the best water in Gary!” His father loved the taste of the spring water, but Anderson thought it had an "earthy" taste, explaining "If water could taste healthy, that's what it would taste like."
This was one of a group of excerpts gathered under the subject heading of Water Quality and Taste for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Tyrell Anderson, historic conservationist and co-founder of the Decay Devils, discusses how learning about his family's history has helped him to be more grateful. He says, "Seeing what they had to do to get drinking water, water for home, etc. It made me appreciate my upbringing a lot more...It made me appreciate their upbringing and their struggle."
This was one of a group of excerpts gathered under the subject heading of Use of the Spring Today for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.
Kay Westhues interviews Tyrell Anderson at Anna’s Kombucha Café in Gary, Indiana, on January 22, 2020. Anderson is a photographer, videographer, and historic conservationist who co-founded the Decay Devils, a Gary-based non-profit arts and preservationist collective. He describes his first visit to the spring with his father, and discusses the spring’s significance in his family’s history, as well as its role as a landmark in the city of Gary. He also talks about the impact of Lake Sandy Jo, an EPA Superfund Site, on the surrounding community. Part of the Spring at Small Farms Oral History Project. See the full exhibit here: https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home
Kay Westhues interviews Tyrell Anderson at Anna’s Kombucha Café in Gary, Indiana, on January 22, 2020. Anderson is a photographer, videographer, and historic conservationist who co-founded the Decay Devils, a Gary-based non-profit arts and preservationist collective. He describes his first visit to the spring with his father, and discusses the spring’s significance in his family’s history, as well as its role as a landmark in the city of Gary. He also talks about the impact of Lake Sandy Jo, an EPA Superfund Site, on the surrounding community. Part of the Spring at Small Farms Oral History Project. See the full exhibit here: https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home
Andrae Ambrose (Chicago, Illinois)
As the President and Lead Producer of Jambrose Music Group, gospel musician Andrae Ambrose is known for his professional overseeing of live recording sessions. Andrae has worked with a number of major recording artists, including Grammy Award-winning producers Kevin Randolph, Donald Lawrence, Kirk Franklin, and Aaron Lindsey, as well as work with artists such as Leslie Ruiz, Brandon Roberson, Atmosphere of Heaven, San Franklin, One 4 Christ, and Reggie Royal & Judah. Andrae has served on the Chicago Board of Governors of the National Association of Recording Arts & Sciences (NARAS) and was the co-chair for the Gospel Task Force of the Chicago Chapter. He is the composer of the SoundMind Collection, a series of therapeutic instrumental music. As a member of a pastoral family, his perspective on music ministry includes training of worship leaders and choirs around the world.
Interviewed by Holly Hobbs, 10/01/2020.
Andre Johnson (Washington, D.C.)
Andre “Whiteboy” Johnson is a singer and guitarist based in Washington, D.C. Johnson is the lead guitarist and founding member of D.C. go-go band Rare Essence. In 1976, Johnson co-founded Rare Essence with friends in elementary school. Originally the Young Dynamos, they later changed their name and expanded their lineup, becoming one of the city’s premiere go-go institutions, putting on marathon shows that ran until 5 a.m. and performing regularly six to seven nights a week. Since the 1980s, the band has released dozens of studio albums, mixtape albums, live albums, compilations, and singles. They have performed with Run DMC, Wale, DJ Kool, LL Cool J, Doug E. Fresh, Biz Markie, Ice Cube, Heavy D and the Boyz, Wu Tang Clan, Redman and Method Man, French Montana, Scarface, TLC, Eric B and Rakim, YoYo, Shabba Ranks, The Roots, Erykah Badu, Thievery Corporation, KRS-1, and go-go icons Chuck Brown, Trouble Funk, The Junk Yard Band, and EU.
Interviewed by Tamar Sella, 11/02/2020.
Andrea Colburn (Atlanta, Georgia)
Singer-songwriter Andrea Colburn is one-half of the musical duo Andrea and Mud, who categorize themselves as “surf western music.” Based in Atlanta, they spent many years operating a very demanding touring schedule. Growing up in St. Louis, Andrea Colburn says she wanted to learn guitar from a young age, but never particularly excelled at the instrument. When she moved to Georgia in 2012, however, a shift happened, and she found herself performing on a new level. When she connected with Kyle “Mud” Moseley, they found the right match. The duo released their album Bad News Darlin’ in 2020. In addition to guitar, Andrea Colburn also plays the musical saw.
Interviewed by Holly Hobbs, 09/24/2020.
Andrew Heist (Juneau, Alaska)
Along with working at the Alaska State Senate and playing bluegrass, Cajun, and old-time music on mandolin, fiddle, guitar, and accordion, Andrew Heist is the president of the Alaska Folk Festival. This festival, central to Juneau’s social life, has become the largest cultural event annually held in Juneau, with participants and attendees numbering over 2,500 and thousands more in the radio audience—and even the internet. KRNN-FM, Juneau's Public radio station, broadcasts all the performances live. Musicians and participants from around the world attend the nine four-hour performances averaging fifteen acts each, fourteen hours of dances plus dance workshops, a family concert and forty-plus hours of teaching workshops devoted to every imaginable folk music skill, plus jamming all week long.
Interviewed by Raquel Paraíso, 09/23/2020.
Andy Ruff (Bloomington, Indiana)
Andy Ruff is a lifetime Indiana resident and father of two: Anna and Hank (Hank is the front man for the band Hank Ruff and The Hellbenders). Andy Ruff is a honky tonk country singer, songwriter, bandleader, and mandolin and guitar player. Over the years, he has released two full-length albums of original songs with his local band, the Dew Daddies: Makin’ Good Time and Powered by Twang. Ruff is also a long-time politician, having served twenty years (five terms) on the Bloomington, Indiana, city council. In June 2020, he won a five-way primary to become the Democratic nominee for US Congress in a race he lost in November of 2020.
Interviewed by Holly Hobbs, 10/5/2020.
Angelica Garcia (Richmond, Virginia)
Angelica Garcia is a songwriter and vocalist based in Richmond, Virginia. Growing up in a musical and multigenerational environment, Garcia recalls Mexican ranchera music always playing throughout her home, which included Garcia’s mother, who was a professional singer of mostly mariachi and Latin pop. Garcia attended the magnet high school LACHSA (Los Angeles County High School for the Arts). In Richmond, she has released studio albums including Medicine For Birds (2016) and Cha Cha Palace (2020), both with Spacebomb Records. She released several music videos, and her song “Jícama” became widely known when Barack Obama selected the track for his 2019 year-end list. Her music explores Latinx identity and her roots in Los Angeles, and she has donated proceeds from her work to regionally based organizations supporting migrant families in the U.S. such as ¡MIRA!, Annunciation House, and Immigrant Families Together.
Interviewed by Tamar Sella, 10/29/2020
Anna Borges (Medford, Massachusetts)
Anna Borges, originally from Recife, Pernambuco, began her career in Brasília, singing in local nightclubs and theaters. She studied the guitar and enrolled in the Escola de Música de Brasília, where she studied voice with Jane Duboc and sang in choral groups, studying both classical and popular techniques. After many years working closely with Brazilian guitarist Agilson Alcântara, Anna moved to Boston, Massachusetts along with her father, who was stationed there as a vice-consul in the Brazilian Consulate. In Boston, she began a musical collaboration with Bill Ward, with whom she would start the band Receita de Samba. The band performs bossa nova and samba, and well as regional specialties such as forró, ijexá, and coco. Anna is also an event promoter for Brazilian music in the Boston area with her own Sounds of Brazil Anna Borges Productions.
Interviewed by Tamar Sella, 09/27/2020.
Annalisa Boerner (New Haven, Connecticut)
Annalisa Boerner is a violist and educator based in New Haven, Connecticut. As Senior Resident Violist at Haven String Quartet/Music Haven, she teaches music to youth in the New Haven community and plays with the resident quartet. Before Music Haven, she held a Community Music Works fellowship in Providence, R.I., where she performed as a member of the Community Music Works Players and taught a full studio. During her time there, Annalisa was part of world premiere performances of music by Gonzalo Grau and Kareem Roustom. She has collaborated with such artists as the Kronos Quartet, the Cavani String Quartet, the Claremont Trio, and members of the Cleveland Orchestra in concert. Annalisa earned her Bachelor of Music and Master of Music degrees from the Cleveland Institute of Music and has performed with various orchestras throughout New England and Ohio.
Interviewed by Tamar Sella, 09/28/2020.
Aria Arus (Raleigh, North Carolina)
Aria Arus is a DJ, producer, and biochemist in Raleigh, North Carolina. Biochemist by day, by night she is Neuron Husky, her psyberpunk canine alter ego. Neuron Husky blends genres of drum and bass, psytrance, hardstyle, and future bass. She has performed in venues ranging from music festivals to burns to anime conventions. She has held several residencies at clubs throughout central North Carolina, has performed in Japan and Thailand, and has played alongside renowned artists such as Jackal & Hyde, Fixx, DJ Irene, DJ Micro, John B, Apashe, Space Jesus, and many others. Starting in 2015, Neuron Husky gained recognition as both electronic musician and installation artist, designing her own performance stages. She is backed up by the artist collaborative Source Code Studios, which specializes in constructing immersive psychedelic landscapes around the dance floor.
Interviewed by Tamar Sella, 10/06/2020.
Arnaldo Guevara (North Salt Lake, Utah)
Born in Ciudad Bolívar, Guayana, Venezuela, Arnaldo Guevara sings Venezuelan Llanero music. He has performed extensively with various groups in radio programs, festivals, and cultural events since he was a child. While attending college in Mérida, he joined the choir Orfeón de la Universidad de Los Andes, the polyphonic group Tepuy 5, and the Cantoría de Mérida, with which he toured Venezuela, the Caribbean Islands, and Colombia. He has performed with important groups such as Stereo Gaita, Diamantes del Sur, and Las Cuerdas de Don Ramón Hurtado. He has participated in numerous TV and radio shows and has released three CDs, Arnaldo Guevara y su canto (2009), Arnaldo Guevara y su canto en Mavidad (2015), and Arnaldo Guevara y Su Canto... Popular y Caribeño (2017). He has shared the stage with prestigious artists and groups such as Cheo Hurtado, Jesús Hidalgo, Gualberto Ibarreto, Serenata Guayanesa, and Huascar Barradas, among others. Currently, he resides in North Salt Lake, Utah, where he is a member of the Hispanic choir Luz de las Naciones. In addition to being a musician, Arnaldo is also a social communicator and works as a professional broadcaster.
Interviewed by Raquel Paraíso, 10/15/2020.
Arnaldo! Drag Chanteuse (Seattle, Washington)
Arnaldo started as a soloist with Seattle Men’s Chorus (SMC) and has performed with SMC in some of the major concert halls in the US, Europe, New Zealand, and Australia. In 1995, he started a group called Cabaret Q, where the “drag chanteuse” persona began. In 1999, Arnaldo began his solo cabaret shows in Seattle’s Capitol Hill and has since performed his one-person cabaret in Portland, Las Vegas, Palm Springs, Puerto Vallarta, New York, and Manila. Arnaldo has also collaborated with various directors, choreographers, and songwriters in the Seattle area. In 2005, he completed the Cabaret Summer Conference Workshop at Yale University. In 2006, Arnaldo started the Pacific Northwest Cabaret Association and continues to organize Seattle’s March is Cabaret Month featuring local and visiting artists. 2007 marked Arnaldo’s New York cabaret debut, and in 2008, Arnaldo was honored with a New York Backstage Bistro Award. 2014 was Arnaldo's Manila debut, where he received Most Innovative Concert Artist in Manila Gawad Musika award. In 2016, Arnaldo was presented by the Filipino Community of Seattle with a Lifetime Achievement Award for promoting culture and the arts.
Interviewed by Raquel Paraíso, 10/07/2020.
Arnetta Johnson (Camden, New Jersey)
Arnetta Johnson is a trumpet player based in Camden, New Jersey. Johnson began playing trumpet at age thirteen with mentors Nasir Dickerson, Jamal Dickerson, and Hassan Sabree. She attended the Creative and Performing Arts High School in Camden, followed by Berklee College of Music. Johnson has performed with Beyoncé at the Super Bowl, as a featured trumpeter on her 2018 On the Run II Tour, and on the Carters’ Grammy-winning album Everything Is Love. She has toured internationally and performed on television shows including Black Girls Rock. Johnson has also studied with saxophonist Tia Fuller and singer-poet Jill Scott, whose Blues Babe Foundation presented Johnson with their Rising Star Award. Johnson has worked with musicians including Terri Lyne Carrington, the Roots, and Chloe x Halle, and leads her own band Arnetta Johnson and SUNNY (Sounds Uplifting Nobility through Notes and Youth). Her goal is to stand jazz on its head: disrupt, uplift, and inspire.
Interviewed by Tamar Sella, 10/8/2020
There is growing interest in geographic information science and spatial analysis in public health research and practice, with emphasis on place-based interventions. However, given the spatialization of social inequity, these tools and methods can be used to reproduce the status quo if we do not critically apply spatial thinking when we use spatial methods and tools for public health problems. In this talk, I impress the importance of place for public health and discuss potential remedies and directions.
Artie Mendoza (Flathead Indian Reservation, Montana)
Firefighter by day and rapper by night, Artie Mendoza (Kiid Truth) is a twenty-five-year-old Kootenai and Mexican who has been described as a “performer with a knack for rhythm and poetry.” Artie made the name “Kiid Truth” at the age of eleven based on his age and in his music he spoke the truth. At the age of nineteen, Artie finished up his first mixtape, The truth speaks for itself. Artie's goal in music is to take his talent to the next level while spreading positive messages through his music and speaking about what is going on at present. He says that the reason to do music is to express himself, to spread messages through his music and connect with people struggling in the same way he did. He has been very active in his community during COVID times and has been part of the social media campaign that the Confederated Salish and Kootenai Tribes launched aiming to educate kids about COVID-19.
Interviewed by Raquel Paraíso, 09/16/2020.
Arturo Rodriguez (Seattle, Washington)
An accomplished musician, author, teacher, and DJ, Arturo Rodriguez has performed worldwide, sharing the stage with such music legends as Tito Puente; Dave Valentin; Paul Horn; Pete Escovedo; Brandi Carlile; Crosby, Stills and Nash, and many more. Never one to stand still for very long, Arturo is both a familiar face and a powerful force on the local Seattle music scene. While moving through the musical boundaries of salsa, rumba, jazz, pop, rock, and even Afro Cuban ritual music, Arturo has an amazing talent for bringing people together. He currently performs with the Rumba Kings and is working on a new album with his new trio, Weave Poetic, a phenomenal performance group fusing Latin and jazz music together with incredible vocal harmonies. All members in the group sing and write original music. Arturo teaches Latin percussion and drum set and helps salsa dancers with their musicality both virtually and live.
Interviewed by Raquel Paraíso, 10/06/2020.
Ashley Frith (Providence, Rhode Island)
Ashley Frith is a musician, composer, and educator based in Providence, Rhode Island. Ashley studied viola with Lila Brown at The Boston Conservatory. She was the music director, composer, and lyricist for the Trinity Repertory Company’s 2018-19 season production of Jose Rivera’s Marisol, directed by Brian Mertes. She has composed music for a production on allyship with Off the Page Education in NYC. Ashley has held resident musician and teaching artist positions with Newport String Project, Revolution of Hope, the Greater Miami Youth Symphony, and Community Music Works in Providence, Rhode Island. At Community Music Works, she serves as Director of Racial Equity and Belonging, where she performs, teaches, and develops anti-racism curricula. Ashley also explores the use of sound as a healing modality, in combination with mindfulness practices, and the effect these tools can have on mental health.
Interviewed by Tamar Sella, 11/02/2020.
Ashley Sankey (Birmingham, Alabama)
Birmingham, Alabama-based musician Ashley Sankey, a classically trained keyboardist and percussionist and a formally trained jazz and opera vocalist, has been performing in the Birmingham area for many years. She taught herself guitar, and although she works in multiple genres, she considers herself a soul musician. Sankey has her own in-home studio, where she also produces music and engineers studio sessions for other up-and-coming Alabama artists. Ashley has a long history in the church and started singing background for traveling gospel acts at the age of thirteen. She released her first studio album, Ashley Sankey Presents “Birmingham’s Here,” in 2013. She also performs as a percussionist at Grant Chapel African Methodist Episcopal Church in Birmingham.
Interviewed by Holly Hobbs, 09/23/2020.
Aubrey Atwater (Warren, Rhode Island)
Aubrey Atwater is a musician, vocalist, writer, public radio commentator, and dancer based in Warren, Rhode Island. Atwater presents programs of folk music, dance, and spoken word, and has performed and taught across the United States as well as England, Ireland, and Canada. She sings and plays the mountain dulcimer, old-time banjo, guitar, mandolin, and Irish tin whistle, and also performs with percussive clogging. In both teaching and performance, Aubrey conveys the heritage behind traditional folk music and dance, showing an expertise of folk history and its key players. Part of the acclaimed duo Atwater-Donnelly, Aubrey and her husband Elwood Donnelly perform with up to eight other band members and have thirteen recordings and six books to their credit. Atwater and Donnelly are both on the performing rosters for the Rhode Island State Council of the Arts and the New England Foundation for the Arts.
Interviewed by Tamar Sella, 10/29/2020.
Aurélien Barnes (New Orleans, Louisiana)
Aurélien Barnes is a New Orleans trumpet player steeped in the tradition of the city. Born in 1995, he is part of the young generation of musicians carrying on the legacy of the trumpet and the blues in New Orleans. From an early age, he learned from some of the best musicians and teachers in the city, including the Tremé Brass Band, Leroy Jones, Gregg Stafford, Kent Jordan, and many others. He is the son of Bruce “Sunpie” Barnes, a multi-instrumentalist and specialist in blues, zydeco, and Afro-Caribbean musics. Aurélien performs with several brass bands in New Orleans and around the world, including Grammy-nominated Cha Wa, Kings of Brass, the Palmetto Bug Stompers, and more. He has performed with a wide range of artists across several genres, such as Marcus King, Nicholas Payton, Solange, Dr. John, and Carlos Vives. In addition to his musical diversity, Aurélien is a French citizen and speaks French, Spanish, and Portuguese fluently.
Interviewed by Holly Hobbs, 10/14/2020.
Babar Harrie (Troy, Michigan)
Hailing from an American-Pakistani background, artist Babar Harrie combines his identity and experiences with his passion for music. Born in Lansing, Michigan, and raised in Metro Detroit, Babar first began rapping and freestyling at the age of 16. In the fall of 2010, Babar released his first mixtape, Just Let Me, which garnered him increased recognition. Following the mixtape, he released a number of music videos which gained hundreds of thousands of views through different viewing platforms. Releasing two more mixtapes over the course of two years, November and OCD: Opening Closed Doors respectively, Babar began performing at a variety of local venues. In 2013, he started working alongside Takeover Music Group (TOMG) with MTV artists like Trigg da Kidd and Fuco Bunkin. After taking time off and making a pilgrimage to the Holy City of Mecca in 2014, Babar’s music started to further incorporate his culture and religion in order to reach audiences worldwide.
Interviewed by Tamar Sella, 10/06/2020.
Dr. Matthew Baggetta, from the O'Neill School of Public and Environmental Affairs at Indiana University -- Bloomington, talks about the mail-in ballot process, and Indiana's acceptable reasons for voting by mail.
MAIL IN ABSENTEE BALLOTS: A federal appeals court has now reinstated Indiana's Election Day deadline to receive the mail-in ballots. Your absentee ballots must once again be received by noon on NOVEMBER 3rd to be counted.
ABSENTEE IN-PERSON VOTING (or early voting): Tuesday, October 6th through Monday, November 2nd.
ELECTION DAY, Tuesday, November 3rd.
ABSENTEE IN-PERSON VOTING (or early voting): Tuesday, October 6th through Monday, November 2nd.
ELECTION DAY, Tuesday, November 3rd.
Indiana has mail-in voting, but it comes with a specific set of requirements. Dr. Matthew Bagetta, a professor in the O'Neill School of Public and Environmental Affairs details the process in this quick hit.
Dr. Matthew Baggetta from the O’Neill School of Public and Environmental Affairs describes election day for us. Polls in Indiana close at 6 p.m. on November, 3rd, so get there before then, and stay in line, he says.
The lines might seem longer because of social distancing, he says, but stay in line.
He also talks about what voters will need to bring to the polls with them on Election Day.
Listen to this, and then make sure you're registered to vote. Dr. Matthew Baggetta, from the O'Neill School of Public and Environmental Affairs at Indiana University -- Bloomington, talks about the voting calendar ahead of us, the mail-in ballot process, poll watchers and much, much more.
DEADLINE TO REGISTER TO VOTE, Monday, October 5th.
MAIL IN ABSENTEE BALLOTS: A federal appeals court has now reinstated Indiana's Election Day deadline to receive the mail-in ballots. Your absentee ballots must once again be received by noon on NOVEMBER 3rd to be counted.
ABSENTEE IN-PERSON VOTING (or early voting): Tuesday, October 6th through Monday, November 2nd.
ELECTION DAY, Tuesday, November 3rd.
The coronavirus is changing a summer, and the upcoming fall season, of political campaigns. Traditional big rallies aren't taking place, large events that often feature campaigns or get out the vote drives are postponed or canceled, door-to-door electioneering may be impacted as well. Dr. Matthew Baggetta of the O’Neill School of Public and Environmental Affairs joins us to talk about local election strategies, messaging and what's to come as we look ahead in the campaign calendar.
In our first episode of Season 6, The Media School's Dean Jim Shanahan sits down with Hussein Banai, assistant professor at the Hamilton Lugar School of Global and International Studies.
Banai's new book, "Hidden Liberalism
Burdened Visions of Progress in Modern Iran," describes the ways that liberal political ideals appear in the country, and what their influence might mean for Iran's future.
The two discuss the book, modern Iran's political sphere, and how it may affect international relations in the future.
Beau Bledsoe (Kansas City, Missouri)
Beau Bledsoe studied classical guitar at the University of Missouri-Kansas City Conservatory of Music under Douglas Niedt, where he received a Master of Music. There he continued his professional career in the Kansas City music scene playing with jazz musicians, classical chamber musicians, and also participating in the burgeoning Latin music scene. His interest in exploring new repertoire, cultures, and programming ideas led to the creation of a large body of arrangements, transcriptions and compositions for the solo guitar and guitar chamber music. He also founded Ensemble Ibérica, a group that performs the music of Ibéria (Spain and Portugal) and the colonial Americas while educating the public about Iberian cultural influence. His music is regularly programmed on Radio 1 BBC and All Songs Considered on NPR. His recording Yalnız by Alaturka received 4.5 stars and Best Albums of 2013 from Downbeat Magazine. He serves on the music faculty at the UMKC Conservatory of Music.
Interviewed by Holly Hobbs, 09/09/2020.
Belén Escobedo (San Antonio, Texas)
Belén Escobedo plays rare and beautiful fiddle tunes in the South Texas-Mexican grass roots Tejano Conjunto tradition. Growing up on the south side of San Antonio and working as a professional fiddler since she was a teenager, Belén has preserved a unique style of fiddling that has all but disappeared from the Texas borderlands. Belén has a vast and unique repertoire, including tunes she learned from her grandfather’s whistling and a huge range of borderlands tunes from both sides of the border. The name of her trio, Panfilo’s Güera, honors her grandfather’s influence on her, the grandchild he called his güera, or “blondie.” Panfilo’s Güera is Belén, her husband Ramón Gutierrez (tololoche or double bass), and Stevie R. Vaveges (bajo sexto).
Interviewed by Raquel Paraíso, 09/16/2020.
Ben Sollee (Louisville, Kentucky)
Ben Sollee is a cellist and composer based in Louisville, Kentucky. He has performed with companies including the Charlotte Ballet and the North Carolina Dance Theater, where he wrote original music for the play Dangerous Liaisons. Ben has toured on his bicycle, riding over 4,000 miles. He has been invited to speak on sustainability at festivals including South by Southwest Music (2011) and TEDx San Diego (2012). At home, Ben has raised awareness about Mountain Top Removal Strip Mining in Central Appalachia. His album Dear Companion (Sub Pop, 2010) with artist Daniel Martin Moore and producer Jim James sheds light on the issue. Ben’s music has been featured in film and television, including Mark Steven Johnson’s Killing Season starring John Travolta and Robert De Niro, ABC’s Parenthood, and HBO’s Weeds. Working with experimental technology, Ben has used the Vanishing Point virtual reality app, and created an interactive sculptural installation called Livestream.
Interviewed by Tamar Sella, 10/09/2020.
Merav Ben-David is a wildlife ecologist at the University of Wyoming. Her specialty? The effects of global environmental change on animals and their ecosystems. Her next move? A run for the U.S. Senate.
In this episode, host Janet McCabe talks with Dr. Ben-David about what it means for a climate scientist to run for office in a state whose economy has long relied on coal.
Bertram Levy (Port Townsend, Washington)
Bertram Levy is one of the few accomplished bandoneonistas in North America. In 1989, Bertram first heard the instrument played live by Astor Piazzolla. He was so moved by Piazzolla’s music that he abandoned all his other musical endeavors to pursue the bandoneón. At that time Bertram was in his late forties and had achieved an international reputation as a banjo and concertina virtuoso. He had been featured on more than a dozen albums, including the Smithsonian CD compilation American Folk Music. He had also authored the definitive concertina tutor The Concertina Demystified, was chosen as banjo player of the year by Frets magazine, and was highlighted in several national broadcasts of The Prairie Home Companion with Garrison Keillor. In addition, he created and directed the most prestigious instrumental folk music festival in the United States: the Festival of American Fiddle Tunes. Bertram’s first bandoneón lessons were with Miguel Varvello in Buenos Aires in 1991 and later in Paris with Cesar Stroscio. In 2005, Bertram enrolled in the Conservatorio Manuel de Falla in Buenos Aires to study classical bandoneon with the great Rodolfo Daluisio. He founded Tangoheart in 1999 to introduce Pacific Northwest audiences to authentic Argentine tango. He currently lives both in Washington State and in Buenos Aires, where he continues his studies with Rodolfo Daluisio.
Interviewed by Raquel Paraíso, 10/23/2020.
Bethany Highley (Bonners Ferry, Idaho)
Bethany is a professional recording artist and session vocalist with classical vocal training, choir, musical theater, and worship leading experience. She can also dance, play piano/keyboard, and write song lyrics. Bethany just finished co-writing and recording vocals for a chill but dark electronic album written and produced by Yuri Kryzhanivskyy. She defines herself as pretty trance, chill, alternative, alt/dream pop/rock/punk-oriented, but has dynamic singing style abilities.
Interviewed by Raquel Paraíso, 10/5/2020.
Bonnie Montgomery (Wimberley, Texas)
Austin-based artist Bonnie Montgomery works in a multitude of genres, including outlaw country, classical, and opera. With her roots in White County, Arkansas, Montgomery is a multi-instrumentalist and vocalist who has performed and toured with a number of artists, securing the title of 2020 Entertainer of the Year from the Arkansas Country Music Awards, the ACMA 2019 Americana/Roots Artist of the Year, and the titles of Best Americana Artist and Best Female Vocalist. She has produced singles with rockabilly legend Rosie Flores, toured with Texas troubadour Ray Wylie Hubbard, and composed a 2016 short-length opera about Bill Clinton’s youth in Hot Springs, Arkansas, which earned her accolades from The New Yorker and Huffington Post.
Interviewed by Holly Hobbs, 09/16/2020.
Bradley Simmons (Durham, North Carolina)
Bradley Simmons is a performer and educator of Afro-Cuban and African percussion based in Durham, North Carolina. A native of New York City, he started playing at age nine, and became a sought after Conguero and shekere player for community and religious events. Bradley has played on Broadway plays including Timbuktu with Eartha Kitt and Melba Moore and Billy Wilson’s version of Guys and Dolls starring Robert Guillame. He has performed in nightclubs with musicians including Eartha Kitt, Gregory and Maurice Hines, and Oba Babatunde, and has recorded and played with the Fatback Band and with drummer Norman Connors. Bradley is the former Music Director of the Chuck Davis African-American Dance Ensemble and has taught throughout the United States. Bradley is a Musical Director at Duke University where he teaches West African and Afro-Cuban music. He is the leader of the percussion ensemble Elements of Percussion, which tours locally and nationally.
Interviewed by Tamar Sella, 09/25/2020.
This episode, we're taking a deeper look at environmental injustices in an around prisons. How are they sited, what do they emit, and what does all of this mean for people locked inside?
We start with the history of the St. Louis and Central Michigan correctional facilities with Dr. Elizabeth Bradshaw, move through trends with Candice Bernd and legal arguments with Taylor Carpenter, and start the discussion around what can be done to improve conditions.
America's Toxic Prisons: https://earthisland.org/journal/americas-toxic-prisons/
Taylor's legal note: https://mckinneylaw.iu.edu/ihlr/pdf/vol17p229.pdf
Brandon Woody (Baltimore, Maryland)
Brandon Woody is a trumpet player, composer, and curator based in Baltimore, Maryland. Growing up in East Baltimore, Woody is an alumnus of the Baltimore School for the Arts, and participated in programs such as the Berklee jazz workshop and Grammy Camp. Woody has studied with Cecile Bridgewater, Ambrose Akinmusire and Theljon Allen. He has performed with musicians including Quincy Phillips, Terri Lyne Carrington, and Tarus Mateen, and has appeared on the projects of several different rappers and singers including Miranda Curtis, Sophie Marks, and Neptune. Woody is also a member of the band of singer Solange. Woody has performed at venues such as Jazz at Lincoln Center Appel Room, the Lyric Opera House, the Kimmel Center, Monterey Jazz Festival, Moma Ps1, and Harlem Stage. After attending the Brubeck Institute on a full scholarship, he moved back to his hometown of Baltimore. In 2015, Woody founded his band UPENDO, which has toured nationally and internationally.
Interviewed by Tamar Sella, 09/16/2020.
Dr. David Brenneman joins the program to talk about the upcoming re-opening of Indiana University's famed Sidney and Lois Eskenazi Museum of Art, how the museum industry is fairing in the economic crunch and what you might expect to see the next time you visit your favorite galleries.
Brian Coleman (Summerville, South Carolina)
First Nation drummer Brian Coleman was born in Summerville, South Carolina, where he resides with his wife Shantrice and their daughter, Alijah. Brian is a Tribal member of the Edisto Natchez-Kusso Tribe of South Carolina. He serves as Chairman and Treasurer of the Board for the Tribal Council and the Edisto Indian Free Clinic. As a musician, he is a member of the Edisto River Singers Drum group, with whom he regularly performs at pow wows and other functions. He received his degree in electrical engineering from South Carolina State University and a Master’s in Business Administration (MBA) from Charleston Southern University, and continues to work as an electrical engineer.
Interviewed by Holly Hobbs, 10/09/2020.
Brian Marshall (Humble, Texas)
Brian Marshall is considered one of the keepers of the unique Texas Polish fiddle tradition. Performers like Brian Marshall have been responsible for a recent revitalization of the rich tradition of Polish fiddling from Texas that declined into obscurity until recent years. In the nineteenth century, Polish bands used fiddles to create a distinctly Texan sound. Brian and His Tex-Slavik Playboys bring back the old Polish Texan sound. A Houston native with Bremond roots, Marshall has a fiddle style redolent of the Old Country while containing elements of Western swing as well. Brian and his band have recorded several CDs including Texas Kapela and Texas Lowlands.
Interviewed by Raquel Paraíso, 09/14/2020.
Brian Walther (Bismarck, North Dakota)
Brian Walther’s career in music goes all the way back to 1982 and he has played countless styles of music. Whether it be as a polka drummer, a bass player in a country punk band, a keyboard player in a blues rock outfit, or an acoustic solo artist, Brian has a lifetime of experience in the music industry. Brian has recorded two solo albums that are currently available and was a founding member of the seminal 1980s cult country punk band Eddie & The Shitheads. The Shitheads were at the forefront of the DIY independent music movement selling several thousand copies of their classic record Ignorant Prix. Brian is the lead vocalist and guitar player for the American Storytellers. He has also produced multiple independent artists and worked as a live sound engineer for many years.
Interviewed by Raquel Paraíso, 10/05/2020.
In the third and final episode of our land defender series, we talk with Eduardo Brondizio, David Rodríguez Goyes, and Stella Emery Santana about the international systems that have long exploited indigenous land and resources, as well as indigenous and peasant resistance efforts and opportunities to support land defenders.
Bruce “Sunpie” Barnes (New Orleans, Louisiana)
Bruce “Sunpie” Barnes is a musician, author, and ethnographic photographer. Sunpie is the Big Chief of the Northside Skull and Bone Gang, one the oldest Afro-Creole carnival groups in the United States, which began its traditions in 1819. He is a member of the Black Men of Labor Social Aid and Pleasure Club and the band leader of Sunpie and the Louisiana Sunspots. His joint book and album project, Le Kèr Creole, was co-authored with Rachel Breunlin and Leroy Etienne. Sunpie is a former National Park Service Ranger, former high school biology teacher, former college football All-American, and former NFL football player for the Kansas City Chiefs. He performs his own style of Afro-Louisiana music, incorporating blues, zydeco, creole jazz, gospel, work songs, and Caribbean and African-influenced rhythms and melodies and is a multi-instrumentalist who plays accordion, harmonica, and piano along with rubboard, talking drum, and dejembe. He is a former member of the Paul Simon Band, and his acting work has appeared in the Hollywood films Point of No Return, Deja Vu, Under Cover Blues, Jonah Hex, Tremé, The Big Easy, Skeleton Key, and many more.
Interviewed by Holly Hobbs, 09/14/2020.
Tyler Davis interviews Brenda Buck, a custodian at Indiana University South Bend and officer in AFSCME (American Federation of State, County, and Municipal Employees) Council 962.
This oral history was conducted through COVID-19 Stories, an oral history project seeking to document the experiences of members of the Indiana University South Bend community and residents of the River Park neighborhood (where the majority of the IU South Bend campus is located). Oral history narrators were asked to talk about their lives during the COVID-19 pandemic starting in the spring of 2020, including the pandemic's impact on their home and work lives. They were also welcome to talk about their relationship to social and racial justice protest movements in the wake of the death of George Floyd in May 2020.
Buffalo Rogers (Oklahoma City, Oklahoma)
Singer-songwriter Buffalo Rogers’ music has been described as Americana with a heart. Originally from Oklahoma, where he has lived with his wife and child for a number of years, he has spent many years touring extensively throughout the Oklahoma/Texas area with his blend of country/Americana/folk. Known for his showmanship and clever lyrics, his songs have been recorded by the Damn Quails and many others. Buffalo Rogers is also a visual artist.
Interviewed by Holly Hobbs, 09/30/2020.
In the era of “big data” revolution, social scientists face different types of challenges that we think are more technical, rather than theoretical. While it is certainly a challenge to analyze bigger than tera-byte data, the analysis of big data is not just a matter of solving computational problems. Big data provides a unique opportunity to solve society’s big problems if and only if it is analyzed through careful research designs and strong theoretical frameworks. This talk introduces two practical strategies for social scientists — parallel aggregation and matching — to make big data smaller so that we can overcome technical difficulties while making robust statistical inference. I will illustrate them based on my own trial and error during the analysis of large-scale medical claims data under the context of the US opioid epidemic. This talk also presents several tips for the effective management of big data.
Caique Vidal (Greensboro, North Carolina)
Caique Vidal is a singer, multi-instrumentalist, songwriter, and educator based in Greensboro, North Carolina. Born in Salvador, Bahia, he is steeped in the Afro-Brazilian tradition. One of his first performances took place with the ensemble of the Olodum Mirin project, participating in Michael Jackson’s “They Don’t Care About Us” (1993). Vidal studied at the Liceu de Artes e Oficios da Bahia and toured with the Balé Folclórico da Bahia. He participated in Mikael Mutti’s project Percussivo Mundo Novo. He has performed nationally and internationally, sharing the stage with artists including Suzana Baca, Carlinhos Brown, and Gilberto Gil. In 2012, Vidal moved to North Carolina, where he has taught Afro-Brazilian music and culture to professional musicians, publics school students, and universities. He leads the band Batuque, which uses Afro-Brazilian percussion in various contexts. Batuque has performed at venues including the Art of Cool-NC, Afro-Bahia Festival-NC, and Hardee’s Festival-VA.
Interviewed by Tamar Sella, 10/14/2020.
When stay-at-home orders were issued parents became teachers. And now that summer is here, parents are wondering what happens with their children's fall enrollment. We talked with Indiana University sociologist Jessica Calarco, who researches the impact of social inequalities on families, children, and schools, about what we might see when school is back in session.
Cantor Yvon Shore (Cincinnati, Ohio)
Cantor Yvon F. Shore is a cantor and educator based in Cincinnati, Ohio, where she is the Director of Liturgical Arts and Music at Hebrew Union College-Jewish Institute of Religion. She earned a master’s degree in Sacred Music and Ordination through HUC-JIR, New York in 1995. She received a bachelor’s degree in Music Education from West Chester University, College of Visual and Performing Arts with a double major in flute and conducting. Cantor Shore took additional studies in ethnomusicology at the Hebrew University of Jerusalem and the Jewish Theological Seminary in New York with Bathja Bayer, Amnon Shiloah, Edwin Seroussi, and Johoash Hirshberg. She continued graduate studies with an emphasis in musicology at the University of Cincinnati, College Conservatory of Music. At HUC, she teachers and oversees curricula, as well as leads prayer services. She has taught and lectured on topics from Music of the Moroccan Jewish Community to Classical Reform Jewish Music and Prayer.
Interviewed by Tamar Sella, 10/27/2020.
On the 50th anniversary of Earth Day, we went live on Facebook to reflect on historical Earth Days and discuss present issues in environmental health and climate communications.
6:45 - James Capshew and Ellen Ketterson
25:45 - Janet McCabe and Stephen Jay
39:30 - Jim Shanahan and Enrique Saenz
Carla Sciaky (Lakewood, Colorado)
Carla Sciaky is a multi-instrumentalist and folk singer-songwriter based in Lakewood, Colorado. As a soloist, she toured the US and Europe throughout the 1980s and 90s, recording first on her own Propinquity Records and later on Green Linnet and Alacazam Records. Her songwriting won her awards and/or recognition in such arenas as the Kerrville New Song Competition, the Louisville (Kentucky) songwriting competition, the Colorado Arts and Humanities Fellowship for Composition, the Billboard Songwriting Competition, and the Colorado, Utah, and Kansas Artist in Residence programs. As a member of the long-standing infamous Denver-area group the Mother Folkers, Carla was recently inducted into the Colorado Music Hall of Fame, and her solo Zoom series, Concept Concerts, has soothed fans worldwide during the sheltering time of COVID. In the classical/early music world, Carla performs on baroque violin with Sémplice, a Denver quartet specializing in baroque music on period/replica instruments, as well as being a member of the Baroque Chamber Orchestra of Colorado since their first season. Carla is also active in the holistic and energy healing world, helping people find greater well-being through her practice Doorway to Healing, and is working on two book projects.
Interviewed by Raquel Paraíso, 10/12/2020.
Va-et-vient (Addison County, Vermont)
Vermont’s Addison County group Va-et-vient (“Come and Go”) celebrates the many colors found in music from several French cultures. They play repertoires from across different centuries ranging from France to Québec and New Orleans. They perform dance numbers, love songs, Cajun and Créole tunes, and traditional Québecois tunes. From their neighbors to the north, they bring back traditional tunes learned from Québecois elders, reweave them into their own arrangements, and have been spreading them throughout New England and Québec since 2001. The group includes Carol Reed from Leicester (voice, guitar, & mandolin), Suzanne Germain from Lincoln (voice and percussion), and Lausanne Allen from South Starksboro (voice, fiddles, flute, penny whistles, harmonica, & mandolins). All three have backgrounds rich in French cultures and language, and lifelong experiences living and traveling in French-speaking lands.
Interviewed by Tamar Sella, 10/01/2020.
Indiana University's Covid-19 testing labs are now online at Bloomington and the IUPUI campuses. Dr. Aaron Carroll, of the IU Medical School and director of Surveillance and Mitigation at IU, says it's another step toward the university's ultimate plan of ubiquitous testing.
Casey Wayne McCallister (Charlottesville, Virginia)
Originally from Baton Rouge, multi-instrumentalist Casey Wayne McCallister spent years in New Orleans playing with multiple bands in the nuevo roots/country scene, including Hurray for the Riff Raff, before relocating to Charlottesville, Virginia. Over the years, he slowly began to do increasing amounts of composition for film, and now he has multiple feature film scores under his name, including the independent films Ghostbox Cowboy (2018), Western (2015), the Ross Brothers’ Bloody Nose, Empty Pockets (2020), and Socks on Fire (2020. He is also a skilled refurbisher of vintage organs.
Interviewed by Holly Hobbs, 09/08/2020.
We talked with Indiana University's vice president for research, Fred Cate, about a few of the ongoing and groundbreaking types of research going on around the COVID-19 pandemic. Cate says it would be hard to find a part of life in Indiana that research at IU hasn't been touching. Listen to hear details of some of the interesting work going on around the IU system.
This brief video presentation outlines the rationale for the "For Students, By Students" Exam Review Assignment, explains the process, and provides examples of student work.
Caz Gardiner (Washington, D.C.)
Caz Gardiner, 2019 Wammie (Washington DC Area Music Association) nominee for best Soul Artist/Group, grew up listening to jazz, Caribbean music, soul, blues, rock, mod, and punk. Caz has shared the stage with Sharon Jones and the Dap Kings, Lee Fields and the Impressions, the London Souls, the Selecter, Don Bryant, and Nikki Hill. Starting her music career in the 1990s as the front woman of the soul/ska band the Checkered Cabs, Caz was later the lead singer of the rock/soul band the Ambitions, as well as for the rocksteady band Caz and the Day Laborers, before deciding that she wanted to break free of the band dynamic by starting her own self-titled band. In addition to her own current band, Caz Gardiner has performed with the BandHouse Gigs, Newmyer Flyer productions, Beat Hotel, Soul Crackers, Caz Gardiner and the Badasonics, Caz and the Commotions, Victor Rice Octet, and the New York Ska Jazz Ensemble. Caz has recorded and performed throughout the U.S., South America, and parts of Europe.
Interviewed by Holly Hobbs, 09/30/2020.
César “Jarochelo” Castro (Los Angeles, California)
A professional son jarocho musician, luthier, and instructor, César Castro has been an active liaison between communities in the US and Veracruz, Mexico, for over fifteen years through Radio Jarochelo, a community-based podcast series he started in 2010, as well as various cultural projects, artist residencies with musicians from Veracruz, and cultural events in local communities, cultural centers, schools, universities, and California state prisons. He is very active as a community activist working to promote community building through music and participatory projects, particularly traditional Mexican son jarocho music. He conveys vast knowledge and experience in son jarocho/fandango musical practices and engages disenfranchised communities in building self-sustaining projects that tap into and build upon cultural knowledge, embodied experience, and memory. He plays requinto, jarana, improvises lyrics, and dance son jarocho.
Interviewed by Raquel Paraíso, 09/15/2020.
Observing art can help us relate to environmental issues and move us emotionally, but what happens when we take the next step and begin creating art? In this episode, we look at the multi-level potential for art to help us engage in climate commitment.
Video bio of J Chapman, inducted to Indiana Broadcast Pioneers Hall of Fame in 2020;
J Chapman grew up in the broadcasting industry — his father, Jerry, led Indianapolis’s WFBM-FM/TV (now WRTV-TV) for three decades, and J got an early start in the media business when assigned by his father to mow the grass at the station’s northside transmitter site. After graduating from Hanover College in 1983, Chapman worked as on-air talent at stations in Indianapolis; South Bend, Indiana; and Madison, Indiana. He also worked at stations in Scranton, Pennsylvania, and Covington, Kentucky. Chapman was part of a team that launched Indianapolis’s Fox TV affiliate, WPDS-TV (now WXIN-TV), in 1984 as a photographer and sports anchor. In the later 1980s, Chapman decided to go into broadcast sales and joined Emmis Communications, where he started as a sales representative for WENS-FM and became sales manager before becoming general sales manager for WTLC-AM/FM. From 2001 to 2005, he was director of sales for Emmis’s Indianapolis Radio Group, where he worked for 17 years. In June 2013, he became owner and president of Woof Boom Radio with six stations throughout eastern Indiana, serving the Muncie, Anderson, Hartford City, Daleville, Yorktown, Alexandria, Pendleton, New Castle and Marion communities. He soon added more Indiana stations in Lafayette and a five-station cluster in Lima and Delphos, Ohio. Chapman also served as the board chairman of the Indiana Broadcasters Association.
--Words from the Indiana Broadcast Pioneers
