141. Interview with DJ Supreme, Birmingham, Alabama (05:55)

Date:
2020-09-26
Main contributors:
DJ Supreme
Summary:
DJ Supreme (Birmingham, Alabama) Birmingham, Alabama-based DJ/producer and local radio personality DJ Supreme has held many roles in the entertainment industry over the years. While he works in many genres, his classic sets fuse hip-hop with funk, soul, Motown, and classic rock as well as contemporary Top 40. DJ Supreme was born and raised in Detroit, Michigan, but relocated to Birmingham in the late 1980s, when he began making his own beats and doing his own production. He is one half of the hip-hop performing duo Shaheed and DJ Supreme. The Birmingham-based Communicating Vessels record label released the group’s third album, Knowledge Rhythm and Understanding. Together, they’ve performed with major touring acts, including Raekwon the Chef, Stalley, Atmosphere, and Brother Ali. In the summer of 2014, Shaheed and DJ Supreme successfully toured the UK with Jurassic 5 and Dilated Peoples. Interviewed by Holly Hobbs, 09/26/2020.

142. Interview with Doris "Lady D" Fields, Beckley, West Virginia (06:16)

Date:
2020-10-22
Main contributors:
Doris "Lady D" Fields
Summary:
Doris "Lady D" Fields (Beckley, West Virginia) Doris Fields, aka “Lady D,” is a singer, bandleader, actress and visual artist based in Beckley, West Virginia. Known as West Virginia’s First Lady of Soul, Lady D has opened for the O’Jays at Charleston’s FestivALL (2007), as well as performed for The HistoryMakers: An Evening With Henry Louis Gates, Jr. in Charleston (2010). Along with her band MI$$ION, she performed her original song “Go Higher,” chosen as the best Obama Inaugural Song, at the Obama for Change Inaugural Ball in 2009. Lady D received the Lifetime Achievement Award at the All Black Schools Sports & Academic Hall of Fame (2014) and has won the DC Blues Society Blues Challenge (2017). As an actress, Lady D has toured with her one-woman show The Lady and the Empress, a musical stage play based on the life and music of Bessie Smith. She has also acted with West Virginia productions of Honey in the Rock, Hatfields, McCoys and various other shows. Interviewed by Tamar Sella, 10/22/2020.

144. Interview with Dot Levine, Philadelphia, Pennsylvania (05:50)

Date:
2020-09-18
Main contributors:
Dot Levine
Summary:
Dot Levine (Philadelphia, Pennsylvania) Dot Levine is a Philadelphia-based entertainer, bandleader and producer. As a singer and guitar player, they specialize in many genres, most prominently 1920s jazz music. Dot has performed with their group the Singular Band, as well as with the Mahogany Stompers, a duo with percussionist Julius Masri; the Howling Kettles, an old-timey trio with members spread across the United States; and groups such as the Perseverance Jazz Band. Dot is also a dedicated teacher, an active producer, and has worked extensively as a live sound technician. They build electronic instruments and equipment to use in their recording studio and in their solo experimental project, Fink Tank. In March 2020, Dot founded Dottie’s Serenade Service, which provides individually tailored socially distant performances in the age of pandemic and has expanded beyond Philadelphia to New York City, Boston, New Orleans, and Los Angeles. Interviewed by Tamar Sella, 09/18/2020.

145. The fire season is far from over (45:05)

Date:
2020-01-24
Main contributors:
Douglas, Arabella, Miles, Emily, Shanahan, James
Summary:
Part 1 In our first episode covering this season's Australian bushfires, we speak with Arabella Douglas. She is a traditional owner who belongs to the Currie family of the Yugambeh and Bundjalung nations near the Gold Coast of Australia. She also researches behavioral economics and social impact investing at Griffith University. As we entered 2020 and fires swelled, swallowing towns and protected bush, Arabella helped organize a fundraiser to help spread First Nations fire knowledge and land lore, which has protected patches of land this season and for thousands of years. Part 2 In our second episode covering this season's Australian bushfires, we discuss effects on wildlife and communities, whether in the fire zone or choked by smoke. Then, we turn to the generative and unifying role of artists near and far in times of crisis. If you are interested in supporting the ongoing work to protect and recover Australia's wildlife, a couple options mentioned in the episode are Kangaroo Island Land for Wildlife and the Wildlife Information Rescue and Education Service (WIRES). 3:30 - Amy, who cares for lots of animals, including a Quaker parrot and his friends just outside Canberra

146. Doing Qualitative Research in Times of Physical Distancing (1:17:00)

Date:
2020-06-10
Main contributors:
Dr. Jessica Nina Lester
Summary:
The COVID-19 pandemic has raised a range of concerns and questions for social science researchers. For many qualitative researchers, research sites are no longer accessible, and many data collection methods are no longer feasible. Critical questions about what qualitative research can and even should do during times of physical distancing are arising, particularly among graduate students. Specifically, many graduate students with qualitative dissertation work in development or already underway are now facing notable delays to their progress toward completion, with questions about a “research restart” pointing to uncertainty. This webinar aims to address some of the common concerns that graduate students conducting qualitative research are now navigating. Specifically, in this webinar, the following will be explored: the complicated ethics of “continuing research” during uncertain times; the value of historicizing methodological practice when designing and re-designing qualitative research methodologies and methods; and virtual methodologies and methods for carrying out qualitative research.

147. WIM | Technical Forecasting of Political Conflict (1:19:00)

Date:
2020-11-13
Main contributors:
Dr. Philip Schrodt
Summary:
Over the past couple of decades, technical models, both statistical, machine learning and combinations of these methods, for forecasting various forms of political conflict, including protest, violent substate conflict, and even coups, have become surprisingly common in policy and NGO communities, particularly in Europe, though not, curiously, in US academia. These methods, working with readily available, if noisy, open source data, use a number of familiar predictive analytical approaches such as logit models in the statistical realm and random forests in the machine learning, and consistently outperform human analysts. This talk will first review the current state of the field, with a particular emphasis on why current models work whereas prior to 2005 there was little consistent success with the problems, and then present some challenges that remain unresolved. The talk will assume familiarity with general social science quantitative approaches, but not with the details of specific technical approaches: lots of graphics, a couple tables, no equations.

148. AMPPD Project Update (55:34)

Date:
2020-10-07
Main contributors:
Dunn, Jon, Hardesty, Juliet L., Whitaker, Maria
Summary:
Academic libraries and archives are dealing with increasing numbers of digital audio and video (AV) files, acquired through both digitization of analog collections and acquisition of born-digital AV resources. While the emergence of low-cost storage options and maturity of streaming platforms has made it easier to store and deliver AV, these collections often lack metadata needed in order to make them discoverable and usable by researchers and other users. Since late 2018, the Indiana University Libraries have been working with partners at the University of Texas at Austin, New York Public Library, and digital consultant AVP to develop an open source software platform, known as AMP (Audiovisual Metadata Platform), that leverages automated machine learning-based tools together with human expertise to build workflows to create and augment metadata for AV resources to improve discovery, rights determination, and use. We will present an update on progress of the AMP project and its successes and challenges to date, including a demonstration of the AMP system and discussion of issues in system design, workflows, and the use of open source and commercial cloud-based machine learning tools. We will also discuss results to date of testing the AMP system using collections from the Cook Music Library and University Archives at IU and from the New York Public Library. This work is generously supported by a grant to IU from the Andrew W. Mellon Foundation.

149. Reopening updates with IUPUI epidemiologist Tom Duszynski (14:09)

Date:
2020-05-07
Main contributors:
Duszynski, Tom, Smith, Kenny, Miles, Emily
Summary:
Tom Duszynski is an epidemiologist, and the epidemiology education director of the Fairbanks School of Public Health at IUPUI in Indianapolis. He tells us about what scientists have learned about Covid-19 in the last few weeks, talks about how we're doing bending the curve of confirmed cases, how states will re-open and much more. #INThisTogether

150. Tom Duszynski, epidemiologist at IUPUI, talks Covid-19 (16:14)

Date:
2020-04-14
Main contributors:
Duzynski, Tom, Smith, Kenny, Miles, Emily
Summary:
We talked with Tom Duzynski who is the Epidemiology Education Director at the Fairbanks School of Public Health at IUPUI in Indianapolis, Indiana. He discussed hints that our stay at home practices and quarantine practices are working, how long it might be until we can start returning to more normal activities, what experts are continually learning about covid-19 and more.

151. Interview with Dwynell Roland, Minneapolis, Minnesota (05:35)

Date:
2020-10-07
Main contributors:
Dwynell Roland
Summary:
Dwynell Roland (Minneapolis, Minnesota) Dwynell was born and raised in North Minneapolis and has been rapping since the age of 13. During that time when he first started writing, he was part of a collective called TCB (Twin City Boyz). His time with the TCB was spent largely perfecting his craft of freestyling. Dwynell’s first mixtape, Upside, showed his burgeoning songwriting talent. His album 92 and Roland showed ongoing growth as a songwriter, taking on topics of partying and reflection, as well as feel-good jams and deep lyrics. With the release of his Factors EP in 2014, Dwynell started to explore more serious subject matter, such as the track “She” about the quest for love gone awry, and that led him to new territory, such as garnering an opening spot on Prof Outdoors in 2016. Shortly after his performance, he released a project called The Popular Nobody, a project that allowed Dwynell to show why he is one of the standouts of the young new rappers hailing from Minneapolis. Interviewed by Holly Hobbs, 10/07/2020.

152. Interview with Eddie Moore, Kansas City, Missouri (05:39)

Date:
2020-10-06
Main contributors:
Eddie Moore
Summary:
Eddie Moore (Kansas City, Missouri) Jazz pianist and bandleader Eddie Moore was raised in Houston, Texas, and began his musical journey at Texas Southern University where he earned a Bachelor of Arts and immersed himself in the Houston music scene. As a lifelong musician traversing a number of bands and styles, he then relocated to Kansas City to study under Bobby Watson at the University of Missouri-Kansas City, where he received his MA in Jazz Studies. After forming jazz/fusion group Eddie Moore & The Outer Circle in 2012, he released his debut album, The Freedom of Expression, which was given 3.5 stars from Downbeat jazz magazine. Moore’s third album, Kings & Queens, incorporates elements of soul, R&B, rock, and hip-hop into his take on contemporary jazz. Released with Ropeadope Records, Moore’s forward-thinking sounds are part of the rich continuum of African American music that continues to be imbued with indigenous African elements. Moore is also recipient of the 2016 Charlotte Street Generative Performance Award; 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson; 2018’s work with The Outer Circle was nominated for an Indie Music Award; and his music has also been featured commercially for Sprint, Netflix’s Queer Eye and Morgan Cooper’s short film Room Tone. Moore has shared the stage and recorded with Bobby Watson, Pam, Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde,  Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. Interviewed by Holly Hobbs, 10/06/2020.

153. Interview with Eddie Parente, Portland, Oregon (05:07)

Date:
2020-08-31
Main contributors:
Eddie Parente
Summary:
Eddie Parente (Portland, Oregon) Originally from Jersey City, NJ, Eddie Parente studied violin and four-part harmony at Jersey City State College and played in string orchestra while studying jazz with saxophonist Emile DeCosmo. Eddie also studied with violinist Julie Lyonn Lieberman in NYC and credits trumpeter Ted Curson, who held jam sessions in Hoboken and encouraged Eddie to play jazz in those formative years. In the early 1980s, Eddie lived in Boston, Massachusetts, where he played in a Mexican mariachi band while studying classical Indian music with tabla, attending Irish traditional music sessions, and playing in an international folk dance band. Upon moving to Portland in 1985, Eddie participated in Ron Steen's jam sessions and studied and played with the great jazz violinist/bassist Rob Thomas. Since then, Eddie has played and recorded with a wide variety of musical groups. These days, Eddie is leading his own jazz quartet and plays in Mariachi Viva Mexico, a successful working mariachi group in the large and growing Latino community in the Pacific Northwest. Eddie has a CD of his original jazz and Latin compositions entitled Touraco and a CD entitled Quartet Jazz. Interviewed by Raquel Paraíso, 08/31/2020.

154. Interview with Edem K. Garro, Lincoln, Nebraska (05:46)

Date:
2020-10-01
Main contributors:
Edem K. Garro
Summary:
Edem K. Garro (Lincoln, Nebraska) Edem K. Garro is a Ghanaian-American composer, vocalist, and multi-instrumentalist from Omaha, Nebraska. In 2017, she won the Omaha Entertainment and Arts Award for Best Soul Artist. As a skilled hand percussionist and vocalist, she incorporates West African aesthetics into her songwriting and performances. Whether performing traditional music or her electronic compositions, Edem’s work primarily focuses on cultural preservation and identity. As a Nebraska Arts Council artist, she routinely performs for universities, schools, and organizations throughout the West. In recent years, she has had ongoing creative partnerships with Lincoln Motors, Minnesota Humanities, and the Denver Public Library. Interviewed by Holly Hobbs, 10/01/2020.

155. Interview with Eimear Arkins, St. Louis, Missouri (05:57)

Date:
2020-09-04
Main contributors:
Eimear Arkins
Summary:
Eimear Arkins (St. Louis, Missouri) Originally from a small village in Ireland’s County Clare, St. Louis-based fiddler Eimear Arkins is also a singer and dancer with eleven Irish music world championship titles. Eimear has toured extensively with Comhaltas Ceoltóirí Éireann throughout Ireland, Britain, North America, and Canada. She has also performed with the show Brú Ború and helped to represent Ireland at World Expo 2010 in Shanghai. In August 2015, she traveled to World Expo in Milan with St. Louis Irish Arts where she promoted Irish culture and the expression of Irish culture worldwide. Eimear has toured with The Paul Brock Band, Cherish the Ladies, Tomaseen Foley’s A Celtic Christmas and often performs with harp player and St. Louis native, Eileen Gannon. Eimear is a qualified Irish music and dance instructor and teaches at St. Louis Irish Arts. In June 2018, she released her debut album, What’s Next?, and was awarded “Best Newcomer” from Live Ireland in 2019. In January 2020, Eimear was awarded an Artist Fellowship from the Regional Arts Commission of St. Louis. Interviewed by Holly Hobbs, 09/04/2020.

156. Interview with Elexa Dawson, the Flint Hills, Kansas (06:19)

Date:
2020-10-02
Main contributors:
Elexa Dawson
Summary:
Elexa Dawson (The Flint Hills, Kansas) First Nation singer-songwriter Elexa Dawson lives in the Flint Hills region of Kansas. As a musical storyteller, Elexa Dawson presents her original music with a voice that is reminiscent of the prairie hills she calls home. She is a citizen of the Potawatomi Nation, she plays guitar and mandolin, and she works as a studio vocalist. Her album Music is Medicine (Lost Cowgirl Records, 2019) debuted Elexa’s solo career with community-centered songs meant to inspire, instigate and heal. Her song “High Place” charted #6 on Indigenous Music Countdown. She was the 2019 First People’s Fund Fellow and the 2020 Western Arts Alliance AIP Fellow. Elexa performs solo as well as with a bluesy folk trio at private and public events, gatherings, festivals, and campfires. Interviewed by Holly Hobbs, 10/02/2020.

157. Discussing the many elements of the food supply chain (19:51)

Date:
2020-04-22
Main contributors:
Ellett, Jodee, Smith, Kenny, Miles, Emily
Summary:
Sustainable Food Systems Science's Jodee Ellett works with the Indiana Food Council Network and local food councils throughout the state. She explains what's going on in the food supply chain, how farmers may fare this year, and the growing trend toward community gardening and more.

158. Interview with Ellie Grace, Kansas City, Missouri (05:54)

Date:
2020-09-24
Main contributors:
Ellie Grace
Summary:
Ellie Grace (Kansas City, Missouri) Ellie Grace grew up performing in a family band. She is now a singer, multi-instrumentalist, songwriter, and dancer who specializes in roots-based Americana and percussive dance. Ellie has performed at prestigious venues across the U.S. and Canada, from the Winnipeg Folk Festival to Lincoln Center to the National Women’s Music Festival. She has appeared as a featured guest with Peter and Paul (of Peter, Paul and Mary) at the Rubicon Theater in California. Ellie Grace is also a teacher, having taught at camps, schools, colleges, and festivals across the country. In addition to her time on faculty at Smith College, Mount Holyoke College, and University of North Carolina-Asheville, Ellie has directed schools of folk music and dance in Missouri and North Carolina. Interviewed by Holly Hobbs, 09/24/2020.

159. Interview with Emi Grate, New York City, New York (05:58)

Date:
2020-09-22
Main contributors:
Emi Grate
Summary:
Emi Grate (New York City, New York) Emi Grate is a drag artist, event producer, and illustrator based in Brooklyn, New York. Emi Grate was born and raised in Mandalay, Burma, and came to the United State in 2011 for college. She is an LGBT asylee in the U.S. Emi Grate is a classically trained tenor vocalist. She holds a liberal arts degree in theatre and is trained as a stage manager. Emi Grate is the producer of A+ the Pan-Asian Drag Revue, and is Mr(s) BK 2018 and Miss Brooklyn Pride 2020. Her drag involves community organizing and is centered around themes of identity politics, looking to her own upbringing and cultural background to validate and celebrate queerness. Interviewed by Tamar Sella, 09/22/2020.

160. The Effects of Shift Work on Depression and Anxiety (09:04)

Date:
2020-04-24
Main contributors:
Endris-Burns, Amberly
Summary:
This project intended to study the relationship between shift work (specifically third shift), and its effects on depression and anxiety symptoms. Working nights has shown to have serious negative side effects on one’s physical and mental health. Hypotheses were made that those working third shift would experience higher levels of depression and anxiety symptoms than those who did not work overnight. Participants surveyed in this research worked either first, second, third or a rotating shift, and were asked questions pertaining to levels of anxiety and depression in a typical work week. After analyzing the data from all eligible participants, the study found that there were significantly higher levels of depression in those working third shift, rather than first shift, and that there were significantly higher levels of anxiety in those working second shift rather than first shift.