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Shoenberger, Elisa, Fresco, Nancy, Ivanov, Petr, Miles, Emily, Shanahan, James
Summary:
On the long list of lives changed by Arctic warming are sled dogs. This episode, we're featuring a story by Elisa Shoenberger that dives into how the sport of mushing is changing along with the climate. We also dip into our vault to take another look at the 2019 Arctic fire season, from Alaska to Siberia, from fire ecology to the politics of air quality.
2:00 - Sled dog feature by Elisa Shoenberger
10:15 - Nancy Fresco
15:00 - Petr Ivanov
CRISPR screening is a genetic loss-of-function approach that identifies the genes in a particular pool, such as DNA Damage Response (229 genes), Protein Kinases (746 genes), or Transcription factors (1580 genes), which are responsible for the phenotype of your interests. Chemical Genomics Core Facility (CGCF) researchers will assist you with experimental design, CRISPR library selection, high-throughput equipment training and usage. In this seminar, Jingwei Meng presents the usage of the current DNA Damage Response library in two recent screening projects and explains the existing standard protocols for such arrayed CRISPR screening at CGCF. The CGCF is currently collecting potential CRISPR-related projects and closely working with the IU Genome Editing Center (IUGEC) to bring researchers an integrated service suite of genome technology.
Representation is one of the most powerful impacts that archives can make on communities. Ensuring that all people’s works, lives, and information is being preserved in an archive is what fuels a many modern day archivist. However, establishing equal representation of minorities and underrepresented groups is not enough to create a more inclusive world, archivists must also create ways for people to access that information. The creation of digital libraries and other online resources, allows for more people to use the resources collected, see themselves and their work represented, and gain an understanding of the artists who have come before them. The Ars Femina Archive (AFA), is housed at Indiana University Southeast, and is a collection of music composed by women from before the 1500s to the 1800s. This archive preserves and celebrates the impact that women in history have had on music. Women are largely underrepresented in the arts and especially in music, the AFA allows for people from around the world to research and access this collection of musical compositions created by women. This presentation will focus on the history of the collection, what is contained in the archive, its mission and how that mission is furthered by digitization, and the impact it has on scholarship and performance.
The Federal Reserve Bank of San Francisco hosted in late 2019 the Fed's first conference focused on climate change. There, researchers presented on topics ranging from the effects of climate change on the global workforce to the interaction between pollution and interest rate. But the day kicked off with one series of questions: why this and why now?
In this episode, with the help of Reuters reporter Ann Saphir, we examine central banking's climate risks and the Fed's engagement with those issues.
Based on experience at the Penn Libraries, my talk will explore the landscape of Mapping and GIS services at higher education institutions, and the role and core competency of the GIS librarian in promoting spatial literacy on campus through presentation of several examples: 1) The Penn MapRoom/MapTable as a collaborative mapping method that have been successfully integrated as a course curriculum into an Urban History class; 2) Penn COVID-19 Twitter sentiment mapping; 3) crowdsourced accessbility mapping application; 4) deep mapping in an ancient history project; and 5) miscellaneous research project consultations. The examples cover applications in various disciplines from the Social sciences, humanities, and health sciences, to physical sciences.
This item is a set of examples from the collection [United States, North and South Carolina, Georgia, African Americans, 1920s-1930s] collected by Lawrence Gellert. Some content and language may be offensive. The examples have been selected to accompany the monograph, A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial, by Steven Garabedian, published by the University of Massachusetts Press in 2020. The larger collection of Lawrence Gellert recordings are described in the IUCAT record (https://iucat.iu.edu/catalog/2231335 ). Some of these recordings were made using a primitive recording device and the audio quality is very poor. Titles are taken from those provided in Gellert's notes or have been created based on the song content. Gellert did not document the names of performers for their safety, and that is why the performers for most of these recordings are unknown.