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Shanahan, James, Yan, Harry, Torres-Lugo, Christopher
Summary:
The 2020 election will likely be on our minds for some time. But how did we get here? Dean Shanahan speaks with Harry Yan and Christopher Torres-Lugo, two graduate students who are researching election interference.
Yan and Lugo work at IU’s Observatory on Social Media, known familiarly as OSoMe, or “awesome.” The three discuss detecting bots, online election narratives, how the field is becoming more polarized— and what we might learn from it all.
This item is a set of examples from the collection [United States, North and South Carolina, Georgia, African Americans, 1920s-1930s] collected by Lawrence Gellert. Some content and language may be offensive. The examples have been selected to accompany the monograph, A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial, by Steven Garabedian, published by the University of Massachusetts Press in 2020. The larger collection of Lawrence Gellert recordings are described in the IUCAT record (https://iucat.iu.edu/catalog/2231335 ). Some of these recordings were made using a primitive recording device and the audio quality is very poor. Titles are taken from those provided in Gellert's notes or have been created based on the song content. Gellert did not document the names of performers for their safety, and that is why the performers for most of these recordings are unknown.
The HathiTrust Digital Library (HTDL) was founded in 2008 with just over 2 million volumes in the collection. Today there are over 17 million volumes ranging from 6th-century psalters to 21st-century academic texts. The diverse contents of the HTDL include government documents, academic journal articles, and monographs from all the disciplines one would find represented in a typical academic research library. While the majority of materials are in English, there are many volumes in German, French, Spanish, Italian, Arabic, Chinese, Russian, and Latin. Researchers may perform text analysis on the contents of HTDL by utilizing the many text analysis tools and data sets provided by the HathiTrust Research Center (HTRC).
The HathiTrust Research Center (HTRC), based at IU Bloomington, develops infrastructure, tools, and services to support Text Data Mining of the HTDL corpus. These include off-the-shelf web-based text analysis tools, a secure data capsule computing environment for analysis of rights-restricted content, and the HTRC Extracted Features Data Set, which provides volume-level and page-level word counts and other metadata for the entire corpus.
This presentation will discuss the current contents of the HTDL collection and its benefits as a data source and provide examples of existing research facilitated by HTDL collections and HTRC resources. In addition, this presentation will give an overview of the various HTRC text analysis tools and the different options for analyzing public domain and copyrighted material.
We voted, and we hope you did, too! On this election night Air Check, we only prognosticate a little bit. We otherwise discuss climate ghost towns, climate refuges or "havens," and the columns on Emily's future home spreadsheet.
Andre Johnson (Washington, D.C.)
Andre “Whiteboy” Johnson is a singer and guitarist based in Washington, D.C. Johnson is the lead guitarist and founding member of D.C. go-go band Rare Essence. In 1976, Johnson co-founded Rare Essence with friends in elementary school. Originally the Young Dynamos, they later changed their name and expanded their lineup, becoming one of the city’s premiere go-go institutions, putting on marathon shows that ran until 5 a.m. and performing regularly six to seven nights a week. Since the 1980s, the band has released dozens of studio albums, mixtape albums, live albums, compilations, and singles. They have performed with Run DMC, Wale, DJ Kool, LL Cool J, Doug E. Fresh, Biz Markie, Ice Cube, Heavy D and the Boyz, Wu Tang Clan, Redman and Method Man, French Montana, Scarface, TLC, Eric B and Rakim, YoYo, Shabba Ranks, The Roots, Erykah Badu, Thievery Corporation, KRS-1, and go-go icons Chuck Brown, Trouble Funk, The Junk Yard Band, and EU.
Interviewed by Tamar Sella, 11/02/2020.
Ashley Frith (Providence, Rhode Island)
Ashley Frith is a musician, composer, and educator based in Providence, Rhode Island. Ashley studied viola with Lila Brown at The Boston Conservatory. She was the music director, composer, and lyricist for the Trinity Repertory Company’s 2018-19 season production of Jose Rivera’s Marisol, directed by Brian Mertes. She has composed music for a production on allyship with Off the Page Education in NYC. Ashley has held resident musician and teaching artist positions with Newport String Project, Revolution of Hope, the Greater Miami Youth Symphony, and Community Music Works in Providence, Rhode Island. At Community Music Works, she serves as Director of Racial Equity and Belonging, where she performs, teaches, and develops anti-racism curricula. Ashley also explores the use of sound as a healing modality, in combination with mindfulness practices, and the effect these tools can have on mental health.
Interviewed by Tamar Sella, 11/02/2020.
