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In the third episode of our post-election series, Bob Perciasepe explains how the Biden administration and the private sector could work together to decarbonize and build resilience. Bob is president of the nonprofit Center for Climate and Energy Solutions and former Deputy Administrator of the EPA.
Now deep in the holiday season, even in 2020, we have much to celebrate. But, in the U.S. especially, celebration can lead to a spike in emissions and waste from travel (despite CDC recommendations), obligatory gift-giving, temporary decorations, and feasts.
In this episode, we don't tell you to sit alone in a dark room and gnaw on the stems from your windowsill herb garden. Mental and physical health are inseparable and important, so we outline ways to think and act more sustainably while still having a wonderful holiday time.
Some resources!
Priya Cooks a Minimal-Waste Thanksgiving
Reducing food’s environmental impacts through producers and consumers
Composting Is Way Easier Than You Think
Newcomer, Carrie, Schricker, George, Dirksen, Rebecca, Miles, Emily, Shanahan, James
Summary:
Part 1
For thousands of generations, people have connected with their environments through music. They've developed ecological empathy, communicated with the divine, and passed their understandings through space and time.
Today, from Frank Waln's "Oil 4 Blood" to Billie Eilish's climate-tinged "All the Good Girls Go to Hell," popular artists continue to weave environmental activism into their art. Simultaneously, local artists foster space where people can engage collectively in the tradition of environmental music. In this episode, we begin to explore what all of that means, from Northern Indiana to rural Haiti.
3:15 - Carrie Newcomer, American folk musician
8:45 - George Schricker, long-time music educator
15:30 - Rebecca Dirksen, ethnomusicologist
Part 2
For thousands of generations, people have connected with their environments through music. They've developed ecological empathy, communicated with the divine, and passed their understandings through space and time.
Today, from Frank Waln's "Oil 4 Blood" to Billie Eilish's climate-tinged "All the Good Girls Go to Hell," popular artists continue to weave environmental activism into their art. Simultaneously, local artists foster space where people can engage collectively in the tradition of environmental music. In this episode, we continue to explore what all of that means, from Northern Indiana to rural Haiti.
2:00 - George Schricker, long-time music educator
