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Tyler Davis interviews Brenda Buck, a custodian at Indiana University South Bend and officer in AFSCME (American Federation of State, County, and Municipal Employees) Council 962.
This oral history was conducted through COVID-19 Stories, an oral history project seeking to document the experiences of members of the Indiana University South Bend community and residents of the River Park neighborhood (where the majority of the IU South Bend campus is located). Oral history narrators were asked to talk about their lives during the COVID-19 pandemic starting in the spring of 2020, including the pandemic's impact on their home and work lives. They were also welcome to talk about their relationship to social and racial justice protest movements in the wake of the death of George Floyd in May 2020.
Buffalo Rogers (Oklahoma City, Oklahoma)
Singer-songwriter Buffalo Rogers’ music has been described as Americana with a heart. Originally from Oklahoma, where he has lived with his wife and child for a number of years, he has spent many years touring extensively throughout the Oklahoma/Texas area with his blend of country/Americana/folk. Known for his showmanship and clever lyrics, his songs have been recorded by the Damn Quails and many others. Buffalo Rogers is also a visual artist.
Interviewed by Holly Hobbs, 09/30/2020.
In the era of “big data” revolution, social scientists face different types of challenges that we think are more technical, rather than theoretical. While it is certainly a challenge to analyze bigger than tera-byte data, the analysis of big data is not just a matter of solving computational problems. Big data provides a unique opportunity to solve society’s big problems if and only if it is analyzed through careful research designs and strong theoretical frameworks. This talk introduces two practical strategies for social scientists — parallel aggregation and matching — to make big data smaller so that we can overcome technical difficulties while making robust statistical inference. I will illustrate them based on my own trial and error during the analysis of large-scale medical claims data under the context of the US opioid epidemic. This talk also presents several tips for the effective management of big data.
Caique Vidal (Greensboro, North Carolina)
Caique Vidal is a singer, multi-instrumentalist, songwriter, and educator based in Greensboro, North Carolina. Born in Salvador, Bahia, he is steeped in the Afro-Brazilian tradition. One of his first performances took place with the ensemble of the Olodum Mirin project, participating in Michael Jackson’s “They Don’t Care About Us” (1993). Vidal studied at the Liceu de Artes e Oficios da Bahia and toured with the Balé Folclórico da Bahia. He participated in Mikael Mutti’s project Percussivo Mundo Novo. He has performed nationally and internationally, sharing the stage with artists including Suzana Baca, Carlinhos Brown, and Gilberto Gil. In 2012, Vidal moved to North Carolina, where he has taught Afro-Brazilian music and culture to professional musicians, publics school students, and universities. He leads the band Batuque, which uses Afro-Brazilian percussion in various contexts. Batuque has performed at venues including the Art of Cool-NC, Afro-Bahia Festival-NC, and Hardee’s Festival-VA.
Interviewed by Tamar Sella, 10/14/2020.
When stay-at-home orders were issued parents became teachers. And now that summer is here, parents are wondering what happens with their children's fall enrollment. We talked with Indiana University sociologist Jessica Calarco, who researches the impact of social inequalities on families, children, and schools, about what we might see when school is back in session.
Cantor Yvon Shore (Cincinnati, Ohio)
Cantor Yvon F. Shore is a cantor and educator based in Cincinnati, Ohio, where she is the Director of Liturgical Arts and Music at Hebrew Union College-Jewish Institute of Religion. She earned a master’s degree in Sacred Music and Ordination through HUC-JIR, New York in 1995. She received a bachelor’s degree in Music Education from West Chester University, College of Visual and Performing Arts with a double major in flute and conducting. Cantor Shore took additional studies in ethnomusicology at the Hebrew University of Jerusalem and the Jewish Theological Seminary in New York with Bathja Bayer, Amnon Shiloah, Edwin Seroussi, and Johoash Hirshberg. She continued graduate studies with an emphasis in musicology at the University of Cincinnati, College Conservatory of Music. At HUC, she teachers and oversees curricula, as well as leads prayer services. She has taught and lectured on topics from Music of the Moroccan Jewish Community to Classical Reform Jewish Music and Prayer.
Interviewed by Tamar Sella, 10/27/2020.
On the 50th anniversary of Earth Day, we went live on Facebook to reflect on historical Earth Days and discuss present issues in environmental health and climate communications.
6:45 - James Capshew and Ellen Ketterson
25:45 - Janet McCabe and Stephen Jay
39:30 - Jim Shanahan and Enrique Saenz
Carla Sciaky (Lakewood, Colorado)
Carla Sciaky is a multi-instrumentalist and folk singer-songwriter based in Lakewood, Colorado. As a soloist, she toured the US and Europe throughout the 1980s and 90s, recording first on her own Propinquity Records and later on Green Linnet and Alacazam Records. Her songwriting won her awards and/or recognition in such arenas as the Kerrville New Song Competition, the Louisville (Kentucky) songwriting competition, the Colorado Arts and Humanities Fellowship for Composition, the Billboard Songwriting Competition, and the Colorado, Utah, and Kansas Artist in Residence programs. As a member of the long-standing infamous Denver-area group the Mother Folkers, Carla was recently inducted into the Colorado Music Hall of Fame, and her solo Zoom series, Concept Concerts, has soothed fans worldwide during the sheltering time of COVID. In the classical/early music world, Carla performs on baroque violin with Sémplice, a Denver quartet specializing in baroque music on period/replica instruments, as well as being a member of the Baroque Chamber Orchestra of Colorado since their first season. Carla is also active in the holistic and energy healing world, helping people find greater well-being through her practice Doorway to Healing, and is working on two book projects.
Interviewed by Raquel Paraíso, 10/12/2020.
Va-et-vient (Addison County, Vermont)
Vermont’s Addison County group Va-et-vient (“Come and Go”) celebrates the many colors found in music from several French cultures. They play repertoires from across different centuries ranging from France to Québec and New Orleans. They perform dance numbers, love songs, Cajun and Créole tunes, and traditional Québecois tunes. From their neighbors to the north, they bring back traditional tunes learned from Québecois elders, reweave them into their own arrangements, and have been spreading them throughout New England and Québec since 2001. The group includes Carol Reed from Leicester (voice, guitar, & mandolin), Suzanne Germain from Lincoln (voice and percussion), and Lausanne Allen from South Starksboro (voice, fiddles, flute, penny whistles, harmonica, & mandolins). All three have backgrounds rich in French cultures and language, and lifelong experiences living and traveling in French-speaking lands.
Interviewed by Tamar Sella, 10/01/2020.
Indiana University's Covid-19 testing labs are now online at Bloomington and the IUPUI campuses. Dr. Aaron Carroll, of the IU Medical School and director of Surveillance and Mitigation at IU, says it's another step toward the university's ultimate plan of ubiquitous testing.
Casey Wayne McCallister (Charlottesville, Virginia)
Originally from Baton Rouge, multi-instrumentalist Casey Wayne McCallister spent years in New Orleans playing with multiple bands in the nuevo roots/country scene, including Hurray for the Riff Raff, before relocating to Charlottesville, Virginia. Over the years, he slowly began to do increasing amounts of composition for film, and now he has multiple feature film scores under his name, including the independent films Ghostbox Cowboy (2018), Western (2015), the Ross Brothers’ Bloody Nose, Empty Pockets (2020), and Socks on Fire (2020. He is also a skilled refurbisher of vintage organs.
Interviewed by Holly Hobbs, 09/08/2020.
We talked with Indiana University's vice president for research, Fred Cate, about a few of the ongoing and groundbreaking types of research going on around the COVID-19 pandemic. Cate says it would be hard to find a part of life in Indiana that research at IU hasn't been touching. Listen to hear details of some of the interesting work going on around the IU system.
This brief video presentation outlines the rationale for the "For Students, By Students" Exam Review Assignment, explains the process, and provides examples of student work.
Caz Gardiner (Washington, D.C.)
Caz Gardiner, 2019 Wammie (Washington DC Area Music Association) nominee for best Soul Artist/Group, grew up listening to jazz, Caribbean music, soul, blues, rock, mod, and punk. Caz has shared the stage with Sharon Jones and the Dap Kings, Lee Fields and the Impressions, the London Souls, the Selecter, Don Bryant, and Nikki Hill. Starting her music career in the 1990s as the front woman of the soul/ska band the Checkered Cabs, Caz was later the lead singer of the rock/soul band the Ambitions, as well as for the rocksteady band Caz and the Day Laborers, before deciding that she wanted to break free of the band dynamic by starting her own self-titled band. In addition to her own current band, Caz Gardiner has performed with the BandHouse Gigs, Newmyer Flyer productions, Beat Hotel, Soul Crackers, Caz Gardiner and the Badasonics, Caz and the Commotions, Victor Rice Octet, and the New York Ska Jazz Ensemble. Caz has recorded and performed throughout the U.S., South America, and parts of Europe.
Interviewed by Holly Hobbs, 09/30/2020.
César “Jarochelo” Castro (Los Angeles, California)
A professional son jarocho musician, luthier, and instructor, César Castro has been an active liaison between communities in the US and Veracruz, Mexico, for over fifteen years through Radio Jarochelo, a community-based podcast series he started in 2010, as well as various cultural projects, artist residencies with musicians from Veracruz, and cultural events in local communities, cultural centers, schools, universities, and California state prisons. He is very active as a community activist working to promote community building through music and participatory projects, particularly traditional Mexican son jarocho music. He conveys vast knowledge and experience in son jarocho/fandango musical practices and engages disenfranchised communities in building self-sustaining projects that tap into and build upon cultural knowledge, embodied experience, and memory. He plays requinto, jarana, improvises lyrics, and dance son jarocho.
Interviewed by Raquel Paraíso, 09/15/2020.
Observing art can help us relate to environmental issues and move us emotionally, but what happens when we take the next step and begin creating art? In this episode, we look at the multi-level potential for art to help us engage in climate commitment.
Video bio of J Chapman, inducted to Indiana Broadcast Pioneers Hall of Fame in 2020;
J Chapman grew up in the broadcasting industry — his father, Jerry, led Indianapolis’s WFBM-FM/TV (now WRTV-TV) for three decades, and J got an early start in the media business when assigned by his father to mow the grass at the station’s northside transmitter site. After graduating from Hanover College in 1983, Chapman worked as on-air talent at stations in Indianapolis; South Bend, Indiana; and Madison, Indiana. He also worked at stations in Scranton, Pennsylvania, and Covington, Kentucky. Chapman was part of a team that launched Indianapolis’s Fox TV affiliate, WPDS-TV (now WXIN-TV), in 1984 as a photographer and sports anchor. In the later 1980s, Chapman decided to go into broadcast sales and joined Emmis Communications, where he started as a sales representative for WENS-FM and became sales manager before becoming general sales manager for WTLC-AM/FM. From 2001 to 2005, he was director of sales for Emmis’s Indianapolis Radio Group, where he worked for 17 years. In June 2013, he became owner and president of Woof Boom Radio with six stations throughout eastern Indiana, serving the Muncie, Anderson, Hartford City, Daleville, Yorktown, Alexandria, Pendleton, New Castle and Marion communities. He soon added more Indiana stations in Lafayette and a five-station cluster in Lima and Delphos, Ohio. Chapman also served as the board chairman of the Indiana Broadcasters Association.
--Words from the Indiana Broadcast Pioneers
Charles Gonzales, former president of the Student National Education Association, describes his role, his decision to move to Washington to work with the youth franchise movement. Included are anecdotes about John Dean, congressional testimony, and post-ratification efforts to register young voters.
Chris Newell (Bar Harbor, Maine)
Chris Newell (Passamaquoddy) is a musician and educator based in Bar Harbor, Maine. He was born and raised in Motahkmikuhk (Indian Township, ME) and is a proud citizen of the Passamaquoddy Tribe at Indian Township. Chris has been a member of the Mystic River singers, an award-winning inter-tribal pow wow drum group based in Connecticut. The group traveled across North America singing and learning at community pow wows. Beyond, Chris has served as Education Supervisor for the Mashantucket Pequot Museum and Research Center and co-founded the Akomawt Educational Initiative addressing the lack of Native history and social studies in public schools and other institutions. He spearheaded Akomawt’s collaboration with the Leventhal Map Center’s exhibit America Transformed: Mapping the 19th Century, earning the 2019 Excellence Award from the New England Museum Association. Chris serves as Executive Director and Senior Partner to Wabanaki Nations in the Abbe Museum in Bar Harbor, Maine.
Interviewed by Tamar Sella, 10/23/20.
