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Bruce “Sunpie” Barnes (New Orleans, Louisiana)
Bruce “Sunpie” Barnes is a musician, author, and ethnographic photographer. Sunpie is the Big Chief of the Northside Skull and Bone Gang, one the oldest Afro-Creole carnival groups in the United States, which began its traditions in 1819. He is a member of the Black Men of Labor Social Aid and Pleasure Club and the band leader of Sunpie and the Louisiana Sunspots. His joint book and album project, Le Kèr Creole, was co-authored with Rachel Breunlin and Leroy Etienne. Sunpie is a former National Park Service Ranger, former high school biology teacher, former college football All-American, and former NFL football player for the Kansas City Chiefs. He performs his own style of Afro-Louisiana music, incorporating blues, zydeco, creole jazz, gospel, work songs, and Caribbean and African-influenced rhythms and melodies and is a multi-instrumentalist who plays accordion, harmonica, and piano along with rubboard, talking drum, and dejembe. He is a former member of the Paul Simon Band, and his acting work has appeared in the Hollywood films Point of No Return, Deja Vu, Under Cover Blues, Jonah Hex, Tremé, The Big Easy, Skeleton Key, and many more.
Interviewed by Holly Hobbs, 09/14/2020.
Tyler Davis interviews Brenda Buck, a custodian at Indiana University South Bend and officer in AFSCME (American Federation of State, County, and Municipal Employees) Council 962.
This oral history was conducted through COVID-19 Stories, an oral history project seeking to document the experiences of members of the Indiana University South Bend community and residents of the River Park neighborhood (where the majority of the IU South Bend campus is located). Oral history narrators were asked to talk about their lives during the COVID-19 pandemic starting in the spring of 2020, including the pandemic's impact on their home and work lives. They were also welcome to talk about their relationship to social and racial justice protest movements in the wake of the death of George Floyd in May 2020.
Buffalo Rogers (Oklahoma City, Oklahoma)
Singer-songwriter Buffalo Rogers’ music has been described as Americana with a heart. Originally from Oklahoma, where he has lived with his wife and child for a number of years, he has spent many years touring extensively throughout the Oklahoma/Texas area with his blend of country/Americana/folk. Known for his showmanship and clever lyrics, his songs have been recorded by the Damn Quails and many others. Buffalo Rogers is also a visual artist.
Interviewed by Holly Hobbs, 09/30/2020.
In the era of “big data” revolution, social scientists face different types of challenges that we think are more technical, rather than theoretical. While it is certainly a challenge to analyze bigger than tera-byte data, the analysis of big data is not just a matter of solving computational problems. Big data provides a unique opportunity to solve society’s big problems if and only if it is analyzed through careful research designs and strong theoretical frameworks. This talk introduces two practical strategies for social scientists — parallel aggregation and matching — to make big data smaller so that we can overcome technical difficulties while making robust statistical inference. I will illustrate them based on my own trial and error during the analysis of large-scale medical claims data under the context of the US opioid epidemic. This talk also presents several tips for the effective management of big data.
Caique Vidal (Greensboro, North Carolina)
Caique Vidal is a singer, multi-instrumentalist, songwriter, and educator based in Greensboro, North Carolina. Born in Salvador, Bahia, he is steeped in the Afro-Brazilian tradition. One of his first performances took place with the ensemble of the Olodum Mirin project, participating in Michael Jackson’s “They Don’t Care About Us” (1993). Vidal studied at the Liceu de Artes e Oficios da Bahia and toured with the Balé Folclórico da Bahia. He participated in Mikael Mutti’s project Percussivo Mundo Novo. He has performed nationally and internationally, sharing the stage with artists including Suzana Baca, Carlinhos Brown, and Gilberto Gil. In 2012, Vidal moved to North Carolina, where he has taught Afro-Brazilian music and culture to professional musicians, publics school students, and universities. He leads the band Batuque, which uses Afro-Brazilian percussion in various contexts. Batuque has performed at venues including the Art of Cool-NC, Afro-Bahia Festival-NC, and Hardee’s Festival-VA.
Interviewed by Tamar Sella, 10/14/2020.
When stay-at-home orders were issued parents became teachers. And now that summer is here, parents are wondering what happens with their children's fall enrollment. We talked with Indiana University sociologist Jessica Calarco, who researches the impact of social inequalities on families, children, and schools, about what we might see when school is back in session.
Cantor Yvon Shore (Cincinnati, Ohio)
Cantor Yvon F. Shore is a cantor and educator based in Cincinnati, Ohio, where she is the Director of Liturgical Arts and Music at Hebrew Union College-Jewish Institute of Religion. She earned a master’s degree in Sacred Music and Ordination through HUC-JIR, New York in 1995. She received a bachelor’s degree in Music Education from West Chester University, College of Visual and Performing Arts with a double major in flute and conducting. Cantor Shore took additional studies in ethnomusicology at the Hebrew University of Jerusalem and the Jewish Theological Seminary in New York with Bathja Bayer, Amnon Shiloah, Edwin Seroussi, and Johoash Hirshberg. She continued graduate studies with an emphasis in musicology at the University of Cincinnati, College Conservatory of Music. At HUC, she teachers and oversees curricula, as well as leads prayer services. She has taught and lectured on topics from Music of the Moroccan Jewish Community to Classical Reform Jewish Music and Prayer.
Interviewed by Tamar Sella, 10/27/2020.
On the 50th anniversary of Earth Day, we went live on Facebook to reflect on historical Earth Days and discuss present issues in environmental health and climate communications.
6:45 - James Capshew and Ellen Ketterson
25:45 - Janet McCabe and Stephen Jay
39:30 - Jim Shanahan and Enrique Saenz
Carla Sciaky (Lakewood, Colorado)
Carla Sciaky is a multi-instrumentalist and folk singer-songwriter based in Lakewood, Colorado. As a soloist, she toured the US and Europe throughout the 1980s and 90s, recording first on her own Propinquity Records and later on Green Linnet and Alacazam Records. Her songwriting won her awards and/or recognition in such arenas as the Kerrville New Song Competition, the Louisville (Kentucky) songwriting competition, the Colorado Arts and Humanities Fellowship for Composition, the Billboard Songwriting Competition, and the Colorado, Utah, and Kansas Artist in Residence programs. As a member of the long-standing infamous Denver-area group the Mother Folkers, Carla was recently inducted into the Colorado Music Hall of Fame, and her solo Zoom series, Concept Concerts, has soothed fans worldwide during the sheltering time of COVID. In the classical/early music world, Carla performs on baroque violin with Sémplice, a Denver quartet specializing in baroque music on period/replica instruments, as well as being a member of the Baroque Chamber Orchestra of Colorado since their first season. Carla is also active in the holistic and energy healing world, helping people find greater well-being through her practice Doorway to Healing, and is working on two book projects.
Interviewed by Raquel Paraíso, 10/12/2020.
Va-et-vient (Addison County, Vermont)
Vermont’s Addison County group Va-et-vient (“Come and Go”) celebrates the many colors found in music from several French cultures. They play repertoires from across different centuries ranging from France to Québec and New Orleans. They perform dance numbers, love songs, Cajun and Créole tunes, and traditional Québecois tunes. From their neighbors to the north, they bring back traditional tunes learned from Québecois elders, reweave them into their own arrangements, and have been spreading them throughout New England and Québec since 2001. The group includes Carol Reed from Leicester (voice, guitar, & mandolin), Suzanne Germain from Lincoln (voice and percussion), and Lausanne Allen from South Starksboro (voice, fiddles, flute, penny whistles, harmonica, & mandolins). All three have backgrounds rich in French cultures and language, and lifelong experiences living and traveling in French-speaking lands.
Interviewed by Tamar Sella, 10/01/2020.
Indiana University's Covid-19 testing labs are now online at Bloomington and the IUPUI campuses. Dr. Aaron Carroll, of the IU Medical School and director of Surveillance and Mitigation at IU, says it's another step toward the university's ultimate plan of ubiquitous testing.
Casey Wayne McCallister (Charlottesville, Virginia)
Originally from Baton Rouge, multi-instrumentalist Casey Wayne McCallister spent years in New Orleans playing with multiple bands in the nuevo roots/country scene, including Hurray for the Riff Raff, before relocating to Charlottesville, Virginia. Over the years, he slowly began to do increasing amounts of composition for film, and now he has multiple feature film scores under his name, including the independent films Ghostbox Cowboy (2018), Western (2015), the Ross Brothers’ Bloody Nose, Empty Pockets (2020), and Socks on Fire (2020. He is also a skilled refurbisher of vintage organs.
Interviewed by Holly Hobbs, 09/08/2020.
We talked with Indiana University's vice president for research, Fred Cate, about a few of the ongoing and groundbreaking types of research going on around the COVID-19 pandemic. Cate says it would be hard to find a part of life in Indiana that research at IU hasn't been touching. Listen to hear details of some of the interesting work going on around the IU system.
This brief video presentation outlines the rationale for the "For Students, By Students" Exam Review Assignment, explains the process, and provides examples of student work.
Caz Gardiner (Washington, D.C.)
Caz Gardiner, 2019 Wammie (Washington DC Area Music Association) nominee for best Soul Artist/Group, grew up listening to jazz, Caribbean music, soul, blues, rock, mod, and punk. Caz has shared the stage with Sharon Jones and the Dap Kings, Lee Fields and the Impressions, the London Souls, the Selecter, Don Bryant, and Nikki Hill. Starting her music career in the 1990s as the front woman of the soul/ska band the Checkered Cabs, Caz was later the lead singer of the rock/soul band the Ambitions, as well as for the rocksteady band Caz and the Day Laborers, before deciding that she wanted to break free of the band dynamic by starting her own self-titled band. In addition to her own current band, Caz Gardiner has performed with the BandHouse Gigs, Newmyer Flyer productions, Beat Hotel, Soul Crackers, Caz Gardiner and the Badasonics, Caz and the Commotions, Victor Rice Octet, and the New York Ska Jazz Ensemble. Caz has recorded and performed throughout the U.S., South America, and parts of Europe.
Interviewed by Holly Hobbs, 09/30/2020.
César “Jarochelo” Castro (Los Angeles, California)
A professional son jarocho musician, luthier, and instructor, César Castro has been an active liaison between communities in the US and Veracruz, Mexico, for over fifteen years through Radio Jarochelo, a community-based podcast series he started in 2010, as well as various cultural projects, artist residencies with musicians from Veracruz, and cultural events in local communities, cultural centers, schools, universities, and California state prisons. He is very active as a community activist working to promote community building through music and participatory projects, particularly traditional Mexican son jarocho music. He conveys vast knowledge and experience in son jarocho/fandango musical practices and engages disenfranchised communities in building self-sustaining projects that tap into and build upon cultural knowledge, embodied experience, and memory. He plays requinto, jarana, improvises lyrics, and dance son jarocho.
Interviewed by Raquel Paraíso, 09/15/2020.
Observing art can help us relate to environmental issues and move us emotionally, but what happens when we take the next step and begin creating art? In this episode, we look at the multi-level potential for art to help us engage in climate commitment.
Video bio of J Chapman, inducted to Indiana Broadcast Pioneers Hall of Fame in 2020;
J Chapman grew up in the broadcasting industry — his father, Jerry, led Indianapolis’s WFBM-FM/TV (now WRTV-TV) for three decades, and J got an early start in the media business when assigned by his father to mow the grass at the station’s northside transmitter site. After graduating from Hanover College in 1983, Chapman worked as on-air talent at stations in Indianapolis; South Bend, Indiana; and Madison, Indiana. He also worked at stations in Scranton, Pennsylvania, and Covington, Kentucky. Chapman was part of a team that launched Indianapolis’s Fox TV affiliate, WPDS-TV (now WXIN-TV), in 1984 as a photographer and sports anchor. In the later 1980s, Chapman decided to go into broadcast sales and joined Emmis Communications, where he started as a sales representative for WENS-FM and became sales manager before becoming general sales manager for WTLC-AM/FM. From 2001 to 2005, he was director of sales for Emmis’s Indianapolis Radio Group, where he worked for 17 years. In June 2013, he became owner and president of Woof Boom Radio with six stations throughout eastern Indiana, serving the Muncie, Anderson, Hartford City, Daleville, Yorktown, Alexandria, Pendleton, New Castle and Marion communities. He soon added more Indiana stations in Lafayette and a five-station cluster in Lima and Delphos, Ohio. Chapman also served as the board chairman of the Indiana Broadcasters Association.
--Words from the Indiana Broadcast Pioneers
Chris Newell (Bar Harbor, Maine)
Chris Newell (Passamaquoddy) is a musician and educator based in Bar Harbor, Maine. He was born and raised in Motahkmikuhk (Indian Township, ME) and is a proud citizen of the Passamaquoddy Tribe at Indian Township. Chris has been a member of the Mystic River singers, an award-winning inter-tribal pow wow drum group based in Connecticut. The group traveled across North America singing and learning at community pow wows. Beyond, Chris has served as Education Supervisor for the Mashantucket Pequot Museum and Research Center and co-founded the Akomawt Educational Initiative addressing the lack of Native history and social studies in public schools and other institutions. He spearheaded Akomawt’s collaboration with the Leventhal Map Center’s exhibit America Transformed: Mapping the 19th Century, earning the 2019 Excellence Award from the New England Museum Association. Chris serves as Executive Director and Senior Partner to Wabanaki Nations in the Abbe Museum in Bar Harbor, Maine.
Interviewed by Tamar Sella, 10/23/20.
The HathiTrust Digital Library (HTDL) was founded in 2008 with just over 2 million volumes in the collection. Today there are over 17 million volumes ranging from 6th-century psalters to 21st-century academic texts. The diverse contents of the HTDL include government documents, academic journal articles, and monographs from all the disciplines one would find represented in a typical academic research library. While the majority of materials are in English, there are many volumes in German, French, Spanish, Italian, Arabic, Chinese, Russian, and Latin. Researchers may perform text analysis on the contents of HTDL by utilizing the many text analysis tools and data sets provided by the HathiTrust Research Center (HTRC).
The HathiTrust Research Center (HTRC), based at IU Bloomington, develops infrastructure, tools, and services to support Text Data Mining of the HTDL corpus. These include off-the-shelf web-based text analysis tools, a secure data capsule computing environment for analysis of rights-restricted content, and the HTRC Extracted Features Data Set, which provides volume-level and page-level word counts and other metadata for the entire corpus.
This presentation will discuss the current contents of the HTDL collection and its benefits as a data source and provide examples of existing research facilitated by HTDL collections and HTRC resources. In addition, this presentation will give an overview of the various HTRC text analysis tools and the different options for analyzing public domain and copyrighted material.
Christy Hyman, University of Nebraska Lincoln, Erik Nelson, Indiana University Bloomington, Arrianna Planey, University of North Carolina at Chapel Hill , Heidi Rae Cooley, University of Texas at Dallas, Girmaye Misgna, University of Pennsylvania
Summary:
Experts explore the disenfranchisement and disruptions of 2020, and examine how mapping can help us make sense of crucial issues both during this historic year and beyond. Five guests across a range of disciplines—including public health, media studies, digital humanities, and library science—came together for a moderated panel discussion to discuss issues related to political ecologies of health and disease, relationships between bodies and technology, data access and geospatial methodology as applied to humanities and social sciences.
This study takes a closer look at gender representation in the 150 top grossing animated films from 1990 to 2019. We examine the gap between representation, and male and female characters in lead characters, speaking roles, if speakers are male or female, unrealistic bodies, if female-led movies passed the Bechdel test and if animated films were likely going to fail the Bechdel test. Our results found that male characters have significantly more speaking roles than female characters and are overall more important in animated films than females. These results have confirmed to negatively impact the way children are socialized.
Corey Ledet (Parks, Louisiana)
Zydeco artist Corey Ledet was born and raised in Houston, Texas, but spent his summers with family in the small town of Parks, Louisiana, immersed in Creole culture and music. An accordion player by training, he studied with many of the originators of zydeco, including Clifton Chenier, John Delafose, and Boozoo Chavis. His performing career began early at the age of ten, playing drums for the Houston-based band Wilbert Thibodeaux and the Zydeco Rascals before picking up the accordion. Ledet relocated to Louisiana and has performed there for years, infusing old and new styles of zydeco into his own unique sound.
Interviewed by Holly Hobbs, 09/17/2020.
This brown bag documents the early stages of a community-engagement project with digital foundations. Our “History Harvest” is an ongoing invitation to community members to help shape an archive about identity and material culture at IUB. We’ll talk about the teaching, research, and ethical considerations that framed partnerships between IUB community members, two research centers, the libraries, and an undergraduate and graduate course and walk through some practical responses to those considerations that will shape the History Harvest as it moves forward.
Rachel and Zach Schrank interview Claire Cwidak, an undergraduate student in the School of Nursing at Indiana University South Bend and Patient Care Assistant at Memorial Hospital (South Bend) working with patients with COVID-19.
This oral history was conducted through COVID-19 Stories, an oral history project seeking to document the experiences of members of the Indiana University South Bend community and residents of the River Park neighborhood (where the majority of the IU South Bend campus is located). Oral history narrators were asked to talk about their lives during the COVID-19 pandemic starting in the spring of 2020, including the pandemic's impact on their home and work lives. They were also welcome to talk about their relationship to social and racial justice protest movements in the wake of the death of George Floyd in May 2020.
Dakota Karper (Capon Bridge, West Virginia)
Dakota Karper is an Appalachian fiddler, vocalist and storyteller based in Capon Bridge, West Virginia. Born and raised in rural West Virginia, Dakota grew up surrounded by old-time Appalachian string band music and began studying the music at a young age. Absorbing as much as possible, she apprenticed under fiddler Joe Herrmann, spent weeks at Augusta Heritage Center, played various music festivals in and around West Virginia, and studied classical violin at the Shenandoah Arts Academy in Winchester, Virginia. After living in Baltimore, Maryland, for seven years, Dakota moved back to her roots in Capon Bridge, West Virginia, where she teaches Appalachian fiddle, as well as performs in the surrounding areas. Dakota was a founding member of the Short Mountain String Band and Hay Fever. In 2019 Dakota opened her own traditional roots music school called The Cat and The Fiddle.
Interviewed by Tamar Sella, 10/29/2020.
Students are at the heart of a university campus. How students respond to local, national, and international events provides insight into student life and their socio-historical contexts that define a campus and that campus’ unique history. The Bicentennial Student Newspapers Project aims to digitize student newspapers across five IU campuses: IU East, IUPUI, IU Kokomo, IU Northwest and IU South Bend. Those papers will join the IU Southeast student newspapers already digitized to create a rich corpus of IU-wide student newspapers ripe for research. Once digitized, over 50,000 pages of student newspapers spanning the 1930s to the 2010s will be available for discovery in Pages Online by Summer 2020.
Damein Wash (Oxford, Mississippi)
Hailing from Oxford, Mississippi, musician, composer and filmmaker Damein Wash has spent a lifetime pursuing music in the Southern gospel tradition. With the addition of classical training (a BM in Choral Music Education and an MM in Music Theory from the University of Mississippi), he is also well versed in choral, gospel, blues, jazz, rock, soul, and funk. Wash is the front man for the Oxford-based party band the Soul Tones. He is also a member of Three Grand, a trio of performers who perform across the United States and Canada, primarily for large corporate events. Wash’s recordings and original scores have made their way into Hallmark films and the long-time running daytime drama The Young and the Restless. Wash also arranged and conducted Deep South Gospel for the Moonshine Music Co., a Sony subsidiary, which was featured on STARZ’s American Gods and in USA Network’s Queen of the South.
Interviewed by Holly Hobbs, 09/25/2020.
Damyon Jolley (Florence, Alabama)
Originally from Huntsville, Alabama, Damyon Jolley has been playing bass since 2012. He relocated to Muscle Shoals for school in the early 2010s, and starting in 2017, has worked as an engineer, producer, and bassist based in Florence, Alabama. Damyon Jolley is also the band manager for the Muscle Shoals-based band, Coffee Black. Founded by lead vocalist and pianist CJ Anderson, Coffee Black is a retro funk and soul band. Their sound is driven by the rhythm section of Damyon Jolley, Matt Pettie, Michael Rogers, Angelo Sandoval, and Taylor Edwards, and horn section of Nick Watford, Jaimy Murff, Eli Hart, and Chase Fowler. The Black EP, a solo project released by CJ Anderson in 2017, laid the foundation for Coffee Black’s sound and was further expanded with the release of their self-titled debut album in the fall of 2019.
Interviewed by Holly Hobbs, 09/24/2020.
Dan Ansotegui (Boise, Idaho)
Dan Ansotegui was raised by the scents and tastes of his mother’s cooking and the sound of his father’s music. The music came from the accordion and the aromas that filled the house were brought to this country by his grandmother Epi. His exposure to the traditions of the Basque Country prepared him for a life of immersive study, commitment to preservation, and a talent for performance. Through his role as master, mentor, and entrepreneur, Dan is a bearer of Basque music, dance, and foodways traditions that contribute to the creative growth and sustainability of his cultural community. Dan is a National Heritage Award recipient (2019), performs traditional Basque dance music, and plays in a fusion Basque pop band called Amuma Says No. He is also one of the primary teachers in the Boise trikitixa and pandero teaching program, training new players of Basque music on diatonic accordion and tambourine.
Interviewed by Raquel Paraíso, 06/10/2020.
Daniel Christian (Tecumseh, Nebraska)
For more than a decade, Nebraska singer-songwriter Daniel Christian has been sharing his songs and stories with audiences nationwide, including at the Bluebird Café in Nashville, the SXSW Festival in Austin, and a coast-to-coast tour of the United States. Daniel has released eight studio albums, a Christmas single, and a live recording. His Coffee & Toast project was released on the South Carolina label, Tremulant Records. He has also collaborated on eight albums of children’s music as a member of the band, the String Beans. During the COVID-19 pandemic, Daniel created the “Empty Spaces Series,” playing online concerts from “empty rooms that shouldn’t be empty,” including opera houses, churches, schools, and more.
Interviewed by Holly Hobbs, 10/01/2020.
Daniel de Jesús (Philadelphia, Pennsylvania)
Daniel de Jesús is a painter, composer, and songwriter versed in the worlds of visual and sonic tapestries. They hold a degree in fine art form the University of the Arts in Philadelphia, and have exhibited their work throughout the Mid-Atlantic region. Their musical practice includes building beats, ambient sonic spaces, and string arrangements with vocals, and their work has been described as Baroque pop and Neo-Goth, filled with dramatic themes based on mysticism, the occult, and Latin American lore. Daniel de Jesús has nine studio recordings of their original music and performs with orchestras and rock bands in the region and around the world. Their projects include collaborations with painter and performance artist David Antonio Cruz, singer songwriter Courtlyn Carr, and the Bearded Ladies Cabaret. They have performed at venues across the world including the Park Ave. Armory, Millennium Park Theater, and World Café Live.
Interviewed by Tamar Sella, 09/24/2020
Daniel de los Reyes (Fayetteville, Georgia)
Born into a musical family, Daniel de los Reyes’ grandfather co-founded the Cuban orchestra Casino de la Playa. His father, Walfredo de los Reyes III, went on to become one of Cuba’s most successful drummers/percussionists prior to moving to Puerto Rico and then to the United States. Daniel de los Reyes himself is a multi-faceted percussionist who has been on tour with the modern country outfit, the Zac Brown Band, for many years. Prior to his touring with the Zac Brown Band, de los Reyes has performed with a long list of major recording artists, including Don Henley, Earth Wind and Fire, Sting, The Killers, Sheryl Crow, Patti LaBelle, Peter Frampton, Jennifer Lopez, Stevie Nicks, and more.
Interviewed by Holly Hobbs, 09/30/2020.
Daniel Ho (Los Angeles, California/Honolulu, Hawaii)
Daniel Ho is an ‘ukulele virtuoso, slack key guitarist, multi-instrumentalist, composer, arranger, singer-songwriter, producer, audio engineer, and record company owner. Daniel’s collaborations transcend genres, from Hawaiian regional roots to world music with Mongolian nomads, to duets with Pepe Romero, the maestro of classical guitar, to jazz and rock with Tak Matsumoto of the Japanese supergroup, B’z. Daniel is a six-time GRAMMY Award winner, eleven-time GRAMMY Award nominee, six-time Taiwanese Golden Melody Award winner, and recipient of multiple Hawaiian Music awards. Always on the move, Daniel is an American cultural ambassador, with tours completed to Japan, Thailand, Brunei, and Australia. In infinite pursuit of new musical adventures, he is also the designer of the Romero Creations Tiny Tenor ‘ukulele, Ohana Bongolele, and Shakerlele. His custom-designed six-string ‘ukulele is on exhibit at the GRAMMY Museum in Los Angeles.
Interviewed by Raquel Paraíso, 09/24/2020.
Danielle “Sug” Johnson (Wilmington, Delaware)
Danielle “Sug” Johnson is a singer and bandleader based in Wilmington, Delaware. She is the frontwoman of the Wilmington based funk-soul-blues band Hoochi Coochi. With Hoochi Coochi, Johnson has performed locally at venues ranging from the Gild Hall show, The Rusty Rudder in Dewey Beach, and the Delaware Music Festival. Beyond Delaware, the band has toured in venues and festivals across the Mid-Atlantic Region. Hoochi Coochi has also produced music videos which have received critical acclaim, including the song “Walkin,’” which features Wilmington Black-owned businesses, and addresses the Black Lives Matter Movement in relation to legacies of Black liberation struggles. Johnson is also a published writer, photographer, and guitar player.
Interviewed by Tamar Sella, 09/15/2020.
Interview of Cozart-Steele on the Transgender Singing Voice Conference which started at Earlham College in Richmond, IN in 2017 and the success with helping a transgender student in the process. It is now a biannual conference.
Danielle Ponder (Rochester, New York)
Danielle Ponder is a singer and bandleader based in Rochester, New York. Her group was named one of the Top Ten Bands to watch by CityPaper and was a winner of the 2015 and 2016 Roc Awards for Best Band. Danielle has performed opening shows for musicians including George Clinton, Ledisi, and the Roots, and has toured nationally and internationally. Her recorded releases include the EP Blow Out The Sun (2016) and the single “Holding Me Down” (2019). Beyond music, Danielle is a former Public Defender and TEDx speaker, and has organized around issues such as education funding, women’s rights, and criminal justice reform. She has been highlighted by the American Bar Association and has been awarded the Public Interest Law scholarship at Northeastern University, the Teen Empowerment’s PeaceMaker in Action Award, and the Jessica Bain Community Excellence Award. In 2017, she created the multimedia show For the Love of Justice, where she examines the U.S. criminal justice system.
Interviewed by Tamar Sella, 10/09/2020.
Dave Robinson (Phoenix, Arizona)
Dave Robinson is a Phoenix-based classical musician and jazz guitarist who plays everything from classical to contemporary music. He has performed with Stevie Nicks, the Four Tops, Sam Moore, Joni Sledge, the Phoenix Symphony, and many others. He is a National Endowment for the Arts grant recipient and is in demand as a studio and performing guitarist. He has recorded with the Four Tops and appeared with Sam “Soul Man” Moore on the Motown Live TV show. He studied classical guitar and harmony at Arizona State University, as well as getting private instruction from Ted Greene, Joe Diorio, and Chuck Marohnic. He has also produced recordings for the Multimedia Library in NYC.
Interviewed by Raquel Paraíso, 10/21/2020.
David Fulton (Chancellor from 1995-2007), the Director of Planning and Budget at the time this video was shot, gives a tour of campus as a goodbye gift to IU East Chancellor Glenn Goerke (1981-1986).
David García (San Antonio del Guache, New Mexico)
Lifelong musician and cultural anthropologist David García works at the Center for Regional Studies-University of New Mexico. He calls himself a community musician since he is a multi-instrumentalist who plays in different community settings and in various community ensembles as well as professional ones. He plays violin for the Danza de Matachines, a dance that takes place during a particular festivity on December 27 in northern New Mexico. He plays also in religious settings and funerals.
Interviewed by Raquel Paraíso, 09/21/2020.
From a Bayesian point of view, the selection of a particular model from a universe of possible models can be characterized as a problem of uncertainty. The method of Bayesian model averaging quantifies model uncertainty by recognizing that not all models are equally good from a predictive point of view. Rather than choosing one model and assuming that the chosen model is the one that generated the data Bayesian model averaging obtains a weighted combination of the parameters of a subset of possible models, weighted by each models’ posterior model probability. This workshop provides an overview of Bayesian model averaging with a focus on recent developments and applications to propensity score analysis, missing data, and probabilistic forecasting of relevance to social science research.
David Reihs (Portland, Oregon)
Playing Arabic keyboard and accordion, Middle Eastern percussion, ud, and elektro-saz, David Reihs is a multi-instrumentalist turned producer and educator who currently focuses on music of Turkish and Arabic cultures. He has been studying a wide variety of Middle Eastern genres and instruments since 2001, including four years living in Istanbul, Turkey, where he learned and spent time with many of the country’s finest musicians. Aside from his work with Ritim Egzotik, David’s company produces concerts, workshops and instructional DVDs for Middle Eastern music and dance. He is the artistic director for Ritim Egzotik, a modern Turkish and Arabic music ensemble that respectfully plays classic and popular Arabic and Turkish compositions and tosses in prog rock and psychedelic spices to add their own twist and modernize the songs they love. Added to this feast of sounds are Greek and Turkish Roman favorites.
Interviewed by Raquel Paraíso, 10/14/2020.
David Romtvedt (Buffalo, Wyoming)
David Romtvedt was born in Portland, Oregon, and raised in southern Arizona. He is a writer and a musician. A recipient of two NEA fellowships, the Pushcart Prize, and the Wyoming Governor's Arts Award, David served as the poet laureate of the state of Wyoming from 2003 to 2011, his work has appeared in numerous magazines, and he has published books of fiction, poetry, and essays including Gernikako Arbola, translations of the nineteenth century songwriter and poet Joxe Mari Iparragirre, and the 2021 poetry collection No Way, an American Tao Te Ching. He is a multi-instrumentalist and for many years played dance music of the Americas with the Wyoming-based band the Fireants. He is an ambassador of Basque culture and plays trikitixa, a two-row accordion designed specifically for Basque music. Romtvedt served as the program manager for the Centrum Foundation's Festival of American Fiddle Tunes and International Folk Dance and Music Festival and continues to work with the Children's Band Lab program at Fiddle Tunes. He lives in Buffalo, Wyoming, with his wife, the potter Margo Brown.
Interviewed by Raquel Paraíso, 09/10/2020.