171. Interview with Miss Kam, Baltimore, Maryland (05:41)

Date:
2020-10-08
Main contributors:
Miss Kam
Summary:
Miss Kam (Baltimore, Maryland) Miss Kam, born Kamaria Alexis, is a West Baltimore emcee. Miss Kam’s work moves between viral appeal on social media, freestyle series, and prolific collaborative efforts in and out of her community. Miss Kam has collaborated with multiple artists in the DMV region, including Chris Cassius, Baby Kahlo, and Kam’s collective group People Like Us Global. She has gained placements on The Demo Tape’s 2018 playlist and performed with renown acts like JPEGMAFIA. Her performances include cyphers, The Boiler Room, and Red Bull Miss Kam. Beyond live shows, Miss Kam has released multiple singles, including a number produced by producer Doowy Lloh. Her debut EP Birthday Pack was released in 2020. Miss Kam’s music videos, such as “We Are The World, ft. Zadia” seek to feature strong visuals of Baltimore in order to capture the city’s essence. Interviewed by Tamar Sella, 10/08/2020.

172. Interview with Pablo Batista, Bala Cynwyd, Pennsylvania (05:57)

Date:
2020-10-08
Main contributors:
Pablo Batista
Summary:
Pablo Batista (Bala Cynwyd, Pennsylvania) Pablo Batista is a master percussionist based in Bala Cynwyd, Pennsylvania. He has performed, recorded and toured internationally since the 1980s with renowned musicians across genres, receiving the rare distinction of having performed on Grammy-winning releases in jazz, R&B and gospel. Pablo worked with Grover Washington, Jr. since 1985, and served as his touring percussionist 1991-1999. Between 2000-2012, Pablo recorded and toured with Alicia Keys, performing alongside her at such venues as the 2010 World Cup ceremonies in South Africa for an estimated audience of over one billion viewers. Pablo has received grants for research on Afro-Cuban percussion and composer commissions from organizations including the Pennsylvania Council on the Arts and the Pew Center for Arts and Heritage. Pablo leads his own ten-piece Mambo Syndicate salsa conjunto. As an instructor, he has taught at the Curtis Institute of Music, as well as taught low-income students at schools and community centers in North Philadelphia. Interviewed by Tamar Sella, 10/08/2020.

173. IU NewsNet (19:55)

Date:
2020-10-08
Main contributors:
Ryder, Anne
Summary:
IU NewsNet weekly newscasts

174. AMPPD Project Update (55:34)

Date:
2020-10-07
Main contributors:
Dunn, Jon, Hardesty, Juliet L., Whitaker, Maria
Summary:
Academic libraries and archives are dealing with increasing numbers of digital audio and video (AV) files, acquired through both digitization of analog collections and acquisition of born-digital AV resources. While the emergence of low-cost storage options and maturity of streaming platforms has made it easier to store and deliver AV, these collections often lack metadata needed in order to make them discoverable and usable by researchers and other users. Since late 2018, the Indiana University Libraries have been working with partners at the University of Texas at Austin, New York Public Library, and digital consultant AVP to develop an open source software platform, known as AMP (Audiovisual Metadata Platform), that leverages automated machine learning-based tools together with human expertise to build workflows to create and augment metadata for AV resources to improve discovery, rights determination, and use. We will present an update on progress of the AMP project and its successes and challenges to date, including a demonstration of the AMP system and discussion of issues in system design, workflows, and the use of open source and commercial cloud-based machine learning tools. We will also discuss results to date of testing the AMP system using collections from the Cook Music Library and University Archives at IU and from the New York Public Library. This work is generously supported by a grant to IU from the Andrew W. Mellon Foundation.

175. Interview with Arnaldo! Drag Chanteuse, Seattle, Washington (06:34)

Date:
2020-10-07
Main contributors:
Arnaldo! Drag Chanteuse
Summary:
Arnaldo! Drag Chanteuse (Seattle, Washington) Arnaldo started as a soloist with Seattle Men’s Chorus (SMC) and has performed with SMC in some of the major concert halls in the US, Europe, New Zealand, and Australia. In 1995, he started a group called Cabaret Q, where the “drag chanteuse” persona began. In 1999, Arnaldo began his solo cabaret shows in Seattle’s Capitol Hill and has since performed his one-person cabaret in Portland, Las Vegas, Palm Springs, Puerto Vallarta, New York, and Manila. Arnaldo has also collaborated with various directors, choreographers, and songwriters in the Seattle area. In 2005, he completed the Cabaret Summer Conference Workshop at Yale University. In 2006, Arnaldo started the Pacific Northwest Cabaret Association and continues to organize Seattle’s March is Cabaret Month featuring local and visiting artists. 2007 marked Arnaldo’s New York cabaret debut, and in 2008, Arnaldo was honored with a New York Backstage Bistro Award. 2014 was Arnaldo's Manila debut, where he received Most Innovative Concert Artist in Manila Gawad Musika award. In 2016, Arnaldo was presented by the Filipino Community of Seattle with a Lifetime Achievement Award for promoting culture and the arts. Interviewed by Raquel Paraíso, 10/07/2020.

176. Interview with Dwynell Roland, Minneapolis, Minnesota (05:35)

Date:
2020-10-07
Main contributors:
Dwynell Roland
Summary:
Dwynell Roland (Minneapolis, Minnesota) Dwynell was born and raised in North Minneapolis and has been rapping since the age of 13. During that time when he first started writing, he was part of a collective called TCB (Twin City Boyz). His time with the TCB was spent largely perfecting his craft of freestyling. Dwynell’s first mixtape, Upside, showed his burgeoning songwriting talent. His album 92 and Roland showed ongoing growth as a songwriter, taking on topics of partying and reflection, as well as feel-good jams and deep lyrics. With the release of his Factors EP in 2014, Dwynell started to explore more serious subject matter, such as the track “She” about the quest for love gone awry, and that led him to new territory, such as garnering an opening spot on Prof Outdoors in 2016. Shortly after his performance, he released a project called The Popular Nobody, a project that allowed Dwynell to show why he is one of the standouts of the young new rappers hailing from Minneapolis. Interviewed by Holly Hobbs, 10/07/2020.

177. Interview with Germán Marcano, Miami, Florida (06:01)

Date:
2020-10-07
Main contributors:
Germán Marcano
Summary:
Germán Marcano (Miami, Florida) Venezuelan cellist Germán Marcano lives in Miami, Florida, with his wife. Marcano has had many roles over the years, including as principal cello with the Simón Bolívar Symphony. He was also a regular guest soloist and conductor with Venezuela’s main orchestras. Marcano has held teaching positions at the Simón Bolívar Conservatory (El Sistema), Emil Friedman School, the Simón Bolívar University, and the Mozarteum School in Caracas. He has given masterclasses at Grand Valley State, Andrews University, the San Diego Youth Orchestra, the University of Iowa, Louisiana State University and the Madison Cello Institute in Wisconsin, Colombia, and Ecuador. He has premiered works from renowned Latin American composers. Among his publications we can count editions of important Venezuelan cello works and three commercial recordings, two of them devoted to folk Venezuelan music. Marcano holds degrees from the University of Surrey and the Guildhall School of Music (England), and a master’s and DMA from the UW-Madison. Interviewed by Holly Hobbs, 10/07/2020.

178. Interview with Marika Hughes, New York City, New York (06:06)

Date:
2020-10-07
Main contributors:
Marika Hughes
Summary:
Marika Hughes (New York City, New York) Marika Hughes is a cellist based in Brooklyn, New York. Although trained in Western classical music, Marika has worked with a wide range of artists and musical genres including Whitney Houston, Lou Reed, Anthony Braxton, Adele, Henry Threadgill, D’Angelo, and Idina Menzel. She was a founding member of the Bay Area-based bands 2 Foot Yard and Red Pocket. She is a teacher and director for Young Arts, a teacher at the Heifetz Institute, and a teaching artist at Carnegie Hall’s Lullaby Project. Marika has released a number of albums, including The Simplest Thing (2011), Afterlife Music Radio (2011) and New York Nostalgia (2016). She has led her own bands Bottom Heavy and the New String Quartet and played as a cellist in the Tony award-winning show Hadestown on Broadway. Beyond playing music, Marika has been a guest host for All Ears on WQXR and is a featured storyteller on The Moth. Interviewed by Tamar Sella, 10/07/2020.

179. Interview with Mercedes Mendive, Elko, Nevada (06:14)

Date:
2020-10-07
Main contributors:
Mercedes Mendive
Summary:
Mercedes Mendive (Elko, Nevada) Accordionist Mercedes Mendive is the daughter of Joe and Veronica Mendive. She attended schools in Elko and has lived in Reno, as well as eleven years in Miami, Florida. Her father was one of her greatest influences beginning at a very young age, when the sound of the accordion was constantly present in her world. Mercedes' musical journey has taken her to prestigious accordion festivals in Texas, Orlando, Florida, Miami, as well as festivals in California, Idaho, Utah, Wyoming, and all over the state of Nevada. Mercedes was invited to perform in July 2016 for the Smithsonian Folklife Festival while accompanying the Elko Ariñak Basque Dancers (Basque Dancers of the Great Basin). One of Mercedes' latest endeavors is the Ariñak Project that she co-founded during the summer of 2016 with lifelong friend and fellow dancer/musician Janet Iribarne. Their focus is to elaborate on the Basque culture not only with traditional dances, but with new dances, new music, instruments, language, and songs. Most recently, Mercedes was a featured performing artist with her band, Melodikoa, who performed throughout the prestigious 2018 National Cowboy Gathering in late January/early February in Elko, Nevada, titled Basques and Buckaroos.  Interviewed by Raquel Paraíso, 10/07/2020.

180. Interview with Trina Basu, New York City, New York (05:58)

Date:
2020-10-07
Main contributors:
Trina Basu
Summary:
Trina Basu (New York City, New York) Trina Basu is a violinist, improviser, and educator based in Brooklyn, New York. Trina is trained in Western Classical music, later studying jazz and Carnatic music. Her path as a violinist is influenced by her South Asian and North American roots and her experience working with musicians across genres and disciplines. Trina co-leads raga chamber folk ensemble Karavika as well as Nakshatra, a violin duo with Arun Ramamurthy. She is co-founder of the collective Brooklyn Raga Massive and founder/curator of Out of the Woods, a NYC festival focusing on women led projects working in South Asian music. Trina has appeared in venues including Carnegie Hall, Kennedy Center, and Raga Sudha Hall, performing with artists such as Urban Bush Women, Mos Def, and Imani Uzuri. She is a trained Suzuki teacher (School for Strings in NYC), holds a BM in Music Therapy from Florida State University, and is a 2007 recipient of the Shastri Indo-Canadian Institute Artist Fellowship. Interviewed by Tamar Sella, 10/07/2020.