Could not complete log in. Possible causes and solutions are:
Cookies are not set, which might happen if you've never visited this website before.
Please open https://media.dlib.indiana.edu/ in a new window, then come back and refresh this page.
An ad blocker is preventing successful login.
Please disable ad blockers for this site then refresh this page.
As we head into the election in a rapidly changing country, we can see the ways that liberal politics are giving way to more radical policies around the world. Dean Shanahan and Professor of Practice Elaine Monaghan speak with Michael Weinman, Professor of Philosophy at Bard College Berlin, about his new coedited volume, “The Emergence of Illiberalism: Understanding a Global Phenomenon.” The trio discuss how we can understand trends away from liberal policies and politics, and what we might expect to replace them.
Newcomer, Carrie, Schricker, George, Dirksen, Rebecca, Miles, Emily, Shanahan, James
Summary:
Part 1
For thousands of generations, people have connected with their environments through music. They've developed ecological empathy, communicated with the divine, and passed their understandings through space and time.
Today, from Frank Waln's "Oil 4 Blood" to Billie Eilish's climate-tinged "All the Good Girls Go to Hell," popular artists continue to weave environmental activism into their art. Simultaneously, local artists foster space where people can engage collectively in the tradition of environmental music. In this episode, we begin to explore what all of that means, from Northern Indiana to rural Haiti.
3:15 - Carrie Newcomer, American folk musician
8:45 - George Schricker, long-time music educator
15:30 - Rebecca Dirksen, ethnomusicologist
Part 2
For thousands of generations, people have connected with their environments through music. They've developed ecological empathy, communicated with the divine, and passed their understandings through space and time.
Today, from Frank Waln's "Oil 4 Blood" to Billie Eilish's climate-tinged "All the Good Girls Go to Hell," popular artists continue to weave environmental activism into their art. Simultaneously, local artists foster space where people can engage collectively in the tradition of environmental music. In this episode, we continue to explore what all of that means, from Northern Indiana to rural Haiti.
2:00 - George Schricker, long-time music educator
Observing art can help us relate to environmental issues and move us emotionally, but what happens when we take the next step and begin creating art? In this episode, we look at the multi-level potential for art to help us engage in climate commitment.