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Chinese Narratives and the Power of Propaganda
The goal of the research was to understand the Chinese government through its propaganda process after the 2008 Sichuan earthquake and the sort of narratives it told to maintain legitimacy.
A.The Premier at the time, Wen Jiaobao, drew strength from Confucianism and Marxism for his public relations success.
B. More broadly, the Communist Party did the same through party slogans, poetry and photography.
Due to the nature of a disaster, the earthquake could not be as orchestrated or controlled as the Beijing Olympics, but it was, nevertheless, a political event with critical performances which ultimately worked out in the government’s favor.
Gregory Hodges (Spartanburg, South Carolina)
South Carolina-based blues musician Gregory Hodges has spent years touring with and performing with a number of different acts, including Col. Bruce Hampton and the Code Talkers. He relocated to New Orleans for a number of years and got a chance to perform with a number of his musical heroes, including George Porter, Art Neville, Hubert Sumlin, Aaron Neville, Lenny Kravitz, Charlie Musselwhite, Dr. John, Tom Jones, and more. After more than half a decade in New Orleans, Hodges relocated back to South Carolina, where he is the front man for the Gregory Hodges Band, which features Tez Sherard on drums, Frank Willkie on bass, and Aaron Bowen on keys.
Interviewed by Holly Hobbs, 10/01/2020.
Dr. Kirsten Grønbjerg, of the O’Neill School of Public and Environmental Affairs joins us to talk about an important sector of the economy. Grønbjerg is the director of the Indiana Nonprofits Project, which has just released an important study on the health of that part of the economy. She says not-for-profits have been hit by a triple whammy and talks about the biggest needs not-for-profits are facing right now.
The Bateman Case Study Competition is a public relations competition for students nationwide to gain experience in public relations. IU has its own class devoted to this competition in which 4 students and a faculty advisor work together to implement a campaign for the chosen client. This year's client: The 2020 US Census. In this week's episode you'll hear from faculty advisor Dave Groobert and students Adara Donald and Abigail Bainbridge about what it's like to work on this case study and what exactly the US Census is.
Dr. Richard Gunderman, MD, PhD, is a professor of radiology, pediatrics, medical education, philosophy, liberal arts, philanthropy, and medical humanities and health studies at Indiana University. He joined us to examine some of the similarities and differences between a pandemic a century ago, compared to what we're living through today.
Zach and Rachel Schrank interview Susan Haithcox, an Assistant Clinical Professor with the Vera Z. Dwyer College School of Nursing at Indiana University South Bend.
The following information was excerpted from Haithcox's bio on the IU South Bend website: "Haithcox completed her Masters of Science in Nursing with a focus on education. Her teaching interests include Fundamentals in Nursing, Alterations in Health Clinical, and Lab. She strives to provide skills to students which allow them to provide holistic nursing care to the adult population."
This oral history was conducted through COVID-19 Stories, an oral history project seeking to document the experiences of members of the Indiana University South Bend community and residents of the River Park neighborhood (where the majority of the IU South Bend campus is located). Oral history narrators were asked to talk about their lives during the COVID-19 pandemic starting in the spring of 2020, including the pandemic's impact on their home and work lives. They were also welcome to talk about their relationship to social and racial justice protest movements in the wake of the death of George Floyd in May 2020.
Hal Ide (Iowa City, Iowa)
Born in Cleveland, Ohio, in 1954, flutist Hal Ide grew up in a northern suburb of Detroit. He completed an undergraduate degree in Music Theory and Composition at Central Michigan University as well as a Master in Composition and a Master of Fine Arts in Arts Administration from the University of Iowa. Upon graduation, he served as Assistant Director of Operations for the American Institute of Musical Studies in Graz, Austria, where he would continue to work during summers for the next two decades. During the academic year, he worked as an administrator at Hancher Auditorium on the University of Iowa campus. He has played with many local music groups over the years and has eight records of mostly original compositions.
Since retirement, Hal Ide has become a watercolor artist, and served as an Artist in Residence for the National Parks.
Interviewed by Holly Hobbs, 09/22/2020.
This fall, the IU Libraries is launching two exciting new services: IU DataCORE, for storage and access of IU research data, and Digital Collections, for managing and delivering digitized images, books, newspapers, sheet music, and archival collections . These IU-wide services were conceived as part of the Enterprise Scholarly Systems (ESS) initiative, a partnership between the IU Libraries, IUPUI University Library, and UITS. Both services are built using the Samvera Community’s open source Hyrax repository platform. They represent a new, modern way of managing and proving access to our unique digital collections using software collaboratively developed by several partner institutions including IU. This talk will provide an overview of both services, providing insight into their history, technologies, and plans for the future.
Join to hear an update on the new Archives Online service from Indiana University. With support from the Indiana University Office of the Bicentennial and in close collaboration with the Archives Online Working Group, made up of representatives across the IU campuses, Indiana University Libraries is working to decrease barriers for description and digitization of archival and special collections for all IU campuses and increase access to these same collections for our students and scholars. This talk will focus on Indiana University’s implementation of ArcLight, an open source Blacklight-based application for indexing and accessing EAD-encoded finding aids, initiated by Stanford University Libraries and collaboratively developed with IU and several other universities.
Indiana University Libraries are home to rich and unique collections, ranging from the Calumet Regional Archives at Northwest, to the University Archives at Bloomington, to the William L. Simon Sheet Music Collection at Southeast. To date, the description and discovery of these materials have been facilitated by disparate systems, formats, and practices. This fractured ecosystem has challenged the exploration of materials meaningful to Hoosiers and those in the national and international communities. Library Technologies and Digital Collections Services have partnered with archivists across IU in a project called Next Generation Archives Online. In celebration of IU’s 200th anniversary and with funding from the Office of the Bicentennial, this project is laying the groundwork for a unified description and discovery infrastructure and coordinated processes governing contributions to that infrastructure. This new ecosystem includes ArchivesSpace for creating collection description and ArcLight for end user search and discovery. This talk will share progress to date in implementing and moving from the current generation’s disparate technologies and practices to the unified approach of the next generation.
Part 1
Long-time residents of higher-elevation Miami neighborhoods have anticipated for decades an influx of wealthy people retreating from flood-prone areas. Then, as it finally began to happen, as households and businesses began to face displacement, as public understanding of climate change swelled, the long-time residents received little assistance. Despite the late 2018 adoption of a City resolution to study climate gentrification—the first of its kind in the U.S.—community activists continue to push the city for substantive action.
In our first episode on climate gentrification, we look at the case of Miami-Dade County, including the history that got us to this point and potential solutions moving forward.
In this episode:
Alex Harris, Miami Herald climate change reporter
Jesse Keenan, professor in the Graduate School of Design at Harvard University, with a joint appointment at the John F. Kennedy School of Government in Science, Technology and Public Policy
Part 2
Millions of gallons of oil leaked into the ground under Greenpoint, adding a sheen to Newtown Creek and a substance like "black mayonnaise" to the yards of the neighborhood's working class residents. More than 20 years later, the Coast Guard officially discovered the spill. The chain of events that followed prompted the Just Green Enough strategy, which uncouples remediation and resilience from luxury development and contests the inevitability of displacement in green gentrification scenarios.
In our second episode on climate gentrification, we look at the case of the Greenpoint neighborhood in Brooklyn, including the history that got us to this point and what we can learn from the people there.
In this episode:
Winifred Curran, DePaul University
Trina Hamilton, University at Buffalo
Hasan Khalil (Lincoln, Nebraska)
Hasan Khalil is a Yazidi Syrian immigrant who spent years in a refugee camp in Syria before relocating to Lincoln, Nebraska’s sizeable Yazidi community. Hasan is a multi-instrumentalist who performs throughout the area with his band, the Golden Studio, which performs primarily Arabic, Turkish, and Armenian traditional musics. The Golden Studio are fluent in many styles, including Arabic, Turkish, Kurdish, Persian, and traditional Syrian music, and are much in demand for weddings and other community celebrations in and around Lincoln. Khalil is also the owner of the Lincoln-based barbershop, The Golden Scissor.
Interviewed by Holly Hobbs, 09/30/2020.
When IDS reporter Lexi Haskell came back to campus after a summer of strict quarantine with her family, she knew there was some level of risk. But when she caught COVID and quarantined in her dorm, she got to thinking: am I just another dumb college kid who got infected, or is there something more going on here?
This question was at the heart of her popular column for the IDS this fall, and it got a lot of buzz around IU and beyond it. Elaine Monaghan and Violet Baron speak with Lexi about the column, her experience, and her feelings now that she’s on the other side.
Hasu Patel (Cleveland, Ohio)
Hasu Patel is a composer, performer, and educator based in Cleveland, Ohio. Born in Baroda, India, Hasu plays sitar in a style known as Gayaki Ang (vocal style), and has studied with teachers including Prof. N.B. Kikani, and Ustad Anwar Khan Sahib. She has performed nationally and internationally at venues including the Beijing International Congress on Women in Music at the China Conservatory of Music. She has been honored for her achievements in music and public service with awards including the International Peace Ambassadors from the United Nations and the Ohio Heritage Fellowship Award from the Ohio Arts Council. Hasu has recorded and released multiple albums and has composed dozens of compositions in both Indian and Western Classical contexts. She served as a faculty member at the Oberlin Conservatory of Music for over twenty years, teaching students who went on to play professionally across genres.
Interviewed by Tamar Sella, 10/20/2020.
We live in an age when mobile touchscreen devices are customarily “on” and in-hand. As a consequence, we frequently engage in practices that involve documenting the self in motion, our geolocational beads (or arrows) locating us and guiding us to destinations of interest (e.g., ATMs, gas stations, restaurants, friend’s houses). These are the sorts of habits our technologies engender. And I contend that, in doing so, they help form and regulate conduct in a nonconscious, habitual—even neurophysiological—manner. In which case, it is at the nonconscious level of existence that habit change needs to work. In this talk, I will draw on American pragmatist Charles Sanders Pierce’s account of habit change to discuss how our geolocative devices might orient us differently in relation to the landscapes and urban terrains we traverse. To provide example of what habit change might look like in the mobile, connected present, I discuss three collaborative mapping projects in whose design and development I have participated. These projects—Augusta App, Ghosts of the Horseshoe, and Ward One App—have afforded me opportunities to explore how the very mechanisms through which technologies of connectivity and location awareness shape habit might also serve as vehicles for re-appropriating social, political histories and practices in the service of habit change.
Textual data are central to the social sciences. However, they often require several pre-processing steps before they can be utilized for statistical analyses. This workshop introduces a range of Python tools to clean, organize, and analyze textual data. It is intended for researchers who are new to working with textual data, but are familiar with Python or have completed the Introduction to Python workshop. Computers with Python pre-loaded are available in the SSRC on a first-come, first-served basis.
Textual data are central to the social sciences. However, they often require several pre-processing steps before they can be utilized for statistical analyses. This workshop introduces a range of Python tools to clean, organize, and analyze textual data. It is intended for researchers who are new to working with textual data, but are familiar with Python or have completed the Introduction to Python workshop. Python is best learned hands-on. Python packages: nltk, fuzzywuzzy, re, glob, sklearn, pandas, numpy, matplotlib
Python has become the lead instrument for data scientists to collect, clean, and analyze data. As a general-purpose programming language, Python is flexible and well-suited to handle large datasets. This workshop is designed for social scientists, who are interested in using Python but have no idea where to start. Our goal is to “demystify” Python and to teach social scientists how to manipulate and examine data that deviate from the clean, rectangular survey format. This workshop is intended for social scientists who are new to programming. No experience required.
In recent years, social scientists have increased their efforts to access new datasets from the web or from large databases. An easy way to access such data are Application Programming Interfaces (APIs). This workshop introduces techniques for working with APIs in Python to retrieve data from sources such as Wikipedia or The New York Times. It is intended for researchers who are new to working with APIs, but are familiar with Python or have completed the Introduction to Python workshop. Python is best learned hands-on. To side step any issues with installation, we will be coding on Jupyter Notebooks with Binder. This means that participants will be able to follow along on their machines without needing to download any packages or programs in advance. We do recommend requesting a ProPublica Congress API key in advance (https://www.propublica.org/datastore/api/propublica-congress-api). This allows participants to run the API script on their own machines.
Helge-Johannes Marahrens is a doctoral student in the department of Sociology at Indiana University. He recently earned an MS in Applied Statistics and is currently working toward a PhD in Sociology. His research interests include cultural consumption, stratification, and computational social science with a particular focus on Natural Language Processing (NLP). Anne Kavalerchik is a doctoral student in the departments of Sociology and Informatics at Indiana University. Her research interests are broadly related to inequality, social change, and technology.
In this series, we ask, how can spiritual connection with our environment help us enter into right and restorative relationship with the earth, including human and nonhuman inhabitants?
By talking with folks from different faith traditions, we investigate what spiritual connection is and how it happens, the composition of the environment, and the potential for spiritual connection to meaningfully affect the destructive human systems responsible for climate change.
In this episode, the Rev. Mitch Hescox discusses his work with the Evangelical Environmental Network, understandings of creation care, and so much more.
Dr. Douglas Hofstadter has researched, written, discovered and created many things - his expertise runs from cognitive science to literature, to language, and to art.
His 1979 book Goedel, Escher, Bach became a classic in the popular understanding of the workings of our brain. Professor Hofstadter has since written many things - some playful inquiries, some piercing meditations, some all at once. Since 1977, he has held a professorship at IU that started in computer science and has spanned many departments.
Dean Shanahan, Professor Elaine Monaghan and Producer Violet Baron sat down with Professor Hofstadter to hear his take on his writings, and on using musings on language to take on life.
The Sample: This week, Tiny Dorm Concert directors Linnea Holt, Natalie Almanza, and Eric Ashby chat about the start of the brand, all the work that goes into their videos, and the skills they've learned along the way.
Check out one of TDC's nearly 20 videos at www.youtube.com/channel/UCda2MNtPEquk1KRZ4ZlZ6Fg
Special thanks to Matixando for letting us record their warmup and pre-show conversation--stay tuned for their Tiny Dorm Concert!
Hong Wang (Las Vegas, Nevada)
Hong Wang is an internationally touring multi-instrumentalist. He graduated from Nanjing Normal University’s Music Department, where he mainly studied the erhu (two-string bowed instrument) and composition. He studied oboe at Nanjing Arts Academy, and after graduation, he taught songwriting and oboe at the music department for about five years. Later, he changed his career to music editor at Jiangsu Province Institute of Arts. Hong has been living in the United States since the early 1990s. He has composed several pieces for the Chinese ensembles and contemporary mixed bands, earning him a number of awards. He has recorded for several recording companies, including Sony Classical, Sega, TDK, Sound World, and Water Baby Records. He is also a zhonghu soloist for the album Monk's Moods, which was nominated for a Grammy Award. Hong has performed extensively at many international festivals and with several renowned musicians. As a leading contemporary musician, he has played several concerts in the San Francisco Bay Area, such as Thundering Across the Sky; A Musical Dialogue with Dancing Lions; New Music Concert with the Citywinds; and Three Sound, an experimental music series by composer Carl Stone, sheng master Wu Wei, matouqin master Li Bo, and bass clarinetist and composer Gene Coleman.
Interviewed by Raquel Paraíso, 10/22/2020.
This February was the third year anniversary of the Open Access Policy, authored to ensure the accessibility and availability of university scholarship to the public for future generations. When the policy was passed, the Scholarly Communication Department was tasked with encouraging several thousand faculty to annually deposit their work into a new institutional repository, IUScholarWorks Open. To facilitate the deposit process, developers in Library Technologies developed the Bloomington Research Information Tracking Engine, also known as BRITE. The BRITE application is able to check the open access and copyright status of articles, compile emails to faculty, and prepare metadata for batch deposit into IUScholarWorks Open. While some manual intervention is still necessary, BRITE has helped our team automate a normally extensive and time-consuming process. This session will walk through the process of development for the BRITE application, as well as the documentation that allows users and employees with little to no subject knowledge on copyright, metadata, or automation to successfully navigate the application. We will also discuss some of our plans for the BRITE application in the future, and look for insight into what development our users may need moving forward.
Positioned in the driest desert in the United States, Las Vegas is one of the nation's fastest-warming cities. In our third episode on its past and future, we focus on the time from 2000 to present, paying close attention to the ways its extractive industries have intersected with each other and examining the possibility of shrinking the city.
In this episode:
Nicole Huber and Ralph Stern, authors of Urbanizing the Mojave Desert: Las Vegas
Representation is one of the most powerful impacts that archives can make on communities. Ensuring that all people’s works, lives, and information is being preserved in an archive is what fuels a many modern day archivist. However, establishing equal representation of minorities and underrepresented groups is not enough to create a more inclusive world, archivists must also create ways for people to access that information. The creation of digital libraries and other online resources, allows for more people to use the resources collected, see themselves and their work represented, and gain an understanding of the artists who have come before them. The Ars Femina Archive (AFA), is housed at Indiana University Southeast, and is a collection of music composed by women from before the 1500s to the 1800s. This archive preserves and celebrates the impact that women in history have had on music. Women are largely underrepresented in the arts and especially in music, the AFA allows for people from around the world to research and access this collection of musical compositions created by women. This presentation will focus on the history of the collection, what is contained in the archive, its mission and how that mission is furthered by digitization, and the impact it has on scholarship and performance.
This study examines the 150 top-grossing animated films (1990-2019) and the discerning trends on how females are grossly underrepresented. The results concluded that when women do appear, they are seen and heard far less than their male counterparts. The gender inequality represented on screen is important and should be talked about more openly since it contributes to how society teaches children about socialization.
