151. Interview with Martha Redbone, Harlan County, Kentucky (05:54)

Date:
2020-10-06
Main contributors:
Martha Redbone
Summary:
Martha Redbone (Harlan County, Kentucky) Martha Redbone is a Native and African American vocalist, songwriter, composer, and educator. Drawing on the tradition of her gospel-singing African American father and the spirit of her mother’s Cherokee/Shawnee/Choctaw culture, Redbone explores the boundaries of American Roots music and gives voice to issues of social justice. She draws from a number of genres, including folk, blues, and gospel. She has recorded numerous albums, including The Garden of Love: Songs of William Blake (2012), a collection of William Blake poems set to the music of Appalachia. In her work in theatre, Redbone composed original music for the 2019 revival of For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, the choreopoem by Ntozake Shange. Redbone’s own musical Black Mountain Women for The Public Theater addresses the ongoing environmental destruction of her ancestral homeland in Appalachia told through the lives of four generations of women in her matriarchal Cherokee family. Interviewed by Tamar Sella, 10/06/2020.

152. Interview with Lu Fuki and Tazeen Ayub, Detroit, Michigan (05:57)

Date:
2020-09-15
Main contributors:
Lu Fuki
Summary:
Lu Fuki and Tazeen Ayub (Detroit, Michigan) Lu Fuki and Tazeen Ayub are performing artists and community organizers based in Detroit, Michigan. Lu Fuki is a guitar player and composer, as well as a director at Dream of Detroit, a nonprofit organization in the Westside of Detroit that focuses on fairness and equity in economics and housing. Tazeen is a composer, instrumentalist, and vocalist, as well a professor of Arabic. They have performed in a wide range of venues including the St. John Coltrane Church in San Francisco and the Burning Man festival in Black Rock City, Nevada. Together, they are founders and members of the collective Lu Fuki & Divine Providence, which comprises dancers, visual artists, and poets, as well as an Afro-Jazz Spirit band. They are also co-directors of GAMA Detroit, the local chapter for Gather All Muslim Artists, a national non-profit organization that seeks to create a platform that nurtures Muslim artists in the United States. Interviewed by Tamar Sella, 09/15/2020.

153. Interview with Marlysse Simmons, Richmond, Virginia (06:01)

Date:
2020-10-14
Main contributors:
Marlysse Simmons
Summary:
Marlysse Simmons (Richmond, Virginia) Marlysse Rose Simmons-Argandoña is a first-generation Chilean-American pianist, composer and educator based in Richmond, Virginia. She is the band leader, arranger and pianist for the globally renowned indie-salsa band Bio Ritmo and the bolero-inspired project Miramar. With her projects she has toured North America, Europe, Russia, and Georgia. She is a recipient of the Mid-Atlantic Touring Arts grant, recorded for Brooklyn’s Daptone, Barbès, and Spain’s Vampisoul Records. She studied composition under Grammy Award-winning artist Arturo O’Farrill and has traveled the world to make independent studies of various musical traditions including Brazil, Cuba, Chile, Puerto Rico and country of Georgia. Simmons also works as a commissioned arranger, educator and lecturer. Interviewed by Tamar Sella, 10/14/2020.

154. Interview with Sandhya Sridhar, Nashua, New Hampshire (06:14)

Date:
2020-10-23
Main contributors:
Sandhya Sridhar
Summary:
Sandhya Sridhar (Nashua, New Hampshire) Sandhya Sridhar is a teacher and performer of Carnatic music based in Nashua, New Hampshire. Growing up in Matunga, Bombay, she studied at the Shanmukhananda Sabha arts center and under the tutelage of Smt.Alamelu mani. In New Hampshire, she founded the Aradhana School, a studio devoted to preserving, propagating, and increasing awareness of Carnatic music. In addition to music lessons and interactive lecture-demonstrations, the studio also sponsors performances at community events. Sandhya has taught students who have performed in several premiere venues of the Greater New England area and have won many prestigious prizes. Sandhya has been a grantee of the Traditional Arts Apprenticeship program at the New Hampshire State Council of the Arts, and has been inducted into the Council’s Board. She also serves on the board of directors of MIT’s MITHAS, an organization that hosts Hindustani and Carnatic Classical music concerts in the Greater Boston area. Interviewed by Tamar Sella, 10/23/2020.

155. Interview with Shin-Yi Yang, Cambridge, Massachusetts (05:58)

Date:
2020-10-26
Main contributors:
Shin-Yi Yang
Summary:
Shin-Yi Yang (Cambridge, Massachusetts) Shin-Yi Yang is a musician and educator based in Cambridge, Massachusetts. She plays both guqin and guzheng, and is the founder of the Boston Guzheng Ensemble and Boston Qin Society. She is a two-time winner of the Traditional Arts Apprenticeship given by the Massachusetts Cultural Council’s Folk Arts and Heritage Program, and recipient of the 2008 Chinese Culture Connection Award. She has performed in the greater Boston area, and given performances and lecture demonstrations in venues including Yale University, New England Conservatory, and multiple museums. As a contemporary musician, she has premiered compositions and performed with ensembles such as IIIZ+ in venues including the 38e Rugissants Festival. A native of Taiwan, Shin-Yi has studied guzheng and guqin with teachers including Wang Ruey-Yuh, Tzay-Pyng, and See-Wah, and is a graduate of the National Taiwan Academy of Arts and the Hong Kong Academy for Performing Arts. Interviewed by Tamar Sella, 10/26/2020.

156. Interview with Sasha Renee, Louisville, Kentucky (06:01)

Date:
2020-11-30
Main contributors:
Sasha Renee
Summary:
Sasha Renee (Louisville, Kentucky) Sasha Renee is a rapper based in Louisville, Kentucky. Sasha Renee recorded her first song in 2010. By 2011, she was under the management of Double A Entertainment and released two underground mixtapes. A Proper Introduction and the Yearned Presence mixtapes were both released before 2012 and hosted by DJ Genius. Sasha Renee was nominated for #1 Female Hip-Hop Artist at the Kymp Kamp awards in Kentucky in 2013 and 2014. “Love Lost” was released as her first official single. She continued to record and release new music including a compilation album. She launched her weekly soul based open mic event The Vibe, which became a staple in the Louisville music scene, with artists, poets, and creatives traveling from surrounding cities to be heard. Sasha Renee released the EP I Am Sasha Renee in 2017 and won the KUEA award for Best Female Hip-Hop artist in Kentucky in both 2017 and 2018.  Interviewed by Tamar Sella, 11/30/2020.

157. Interview with Rabbi Sandra Lawson, Elon, North Carolina (05:59)

Date:
2020-10-23
Main contributors:
Rabbi Sandra Lawson
Summary:
Rabbi Sandra Lawson (Elon, North Carolina) Rabbi Sandra Lawson is a rabbi, activist, public speaker, and musician based in Elon, North Carolina. Known for teaching Judaism in unique ways, Rabbi Sandra is known as the Snapchat Rabbi, and she has been featured in the Jewish Telegraph Agency as one of 10 Jews you should follow on Snapchat” and “The 50 Jews everyone should follow on Twitter.” She was ordained as a rabbi by the Reconstructionist Rabbinical College. Rabbi Sandra is a guitar player and singer. Her musical projects include the Barefoot, Bluegrass and Blues on the Porch virtual series, and The Torah of the Blues, which explores connections between Judaism and the Blues in relation to her perspective as a Black rabbi with southern roots. Rabbi Sandra serves as Associate Chaplain for Jewish Life at Elon University. Interviewed by Tamar Sella, 10/23/2020.

158. Interview with Tarik Shah, Delmar, New York (05:58)

Date:
2020-09-29
Main contributors:
Tarik Shah
Summary:
Tarik Shah (Delmar, New York) Tarik Shah is a musician, bassist, music teacher, professor level martial artist, practicing Muslim, and student of knowledge. Born and raised in New York City, Shah began playing the upright bass at age twelve and was a student of Slam Stewart. He has performed and recorded with jazz legends such as Ahmad Jamal, Dakota Staton, Vanessa Rubin, Ellis Marsalis, Barry Harris, Pharaoh Sanders and the late great songstress Betty Carter. Additionally, Shah performed with big bands such as the Duke Ellington Orchestra, and in small groups led by Red Rodney, Sir Roland Hanna, Abbey Lincoln, Harold Vick, Dr. Lonnie Smith and others. He has toured extensively nationally and internationally, including performing at the inaugural ball of President Bill Clinton in 1992. In 2018, he began rebuilding a career as a musician after wrongful conviction by the FBI in 2006. His group the Tarik Shah Quintet has performed in venues including New York City staples Smalls and Mezzrow. Interviewed by Tamar Sella, 09/29/2020.

159. Interview with Sugar Vendil, New York City, New York (05:59)

Date:
2020-09-24
Main contributors:
Sugar Vendil
Summary:
Sugar Vendil (New York City, New York) Sugar Vendil is a composer, pianist, and interdisciplinary artist based in Lenapehoking/New York City, on stolen land of the Lenape people. She is a proud second generation Filipinx American. Vendil has been awarded multiple commissions to write works, including the ACF | Create commission to write a work for Boston-based duo Box Not Found (May 2020), and the 2019 Chamber Music America commission to write a new work for her ensemble, The Nouveau Classical Project, which she founded in 2008. She has held numerous artist residencies in institutions including the High Concept Labs in Chicago, Mabou Mines, the Target Margin Theater, and the Marble House Project. She holds a Master of Music degree in piano performance. Vendil has collaborated with many artists including choreographer Emily Johnson and composer-saxophonist Darius Jones. She has performed at a variety of venues, including BAM Fisher, MoMa PS1, National Sawdust, and The Stone. Interviewed by Tamar Sella, 09/24/2020.

160. Interview with Aurélien Barnes, New Orleans, Louisiana (05:42)

Date:
2020-10-14
Main contributors:
Aurélien Barnes
Summary:
Aurélien Barnes (New Orleans, Louisiana) Aurélien Barnes is a New Orleans trumpet player steeped in the tradition of the city. Born in 1995, he is part of the young generation of musicians carrying on the legacy of the trumpet and the blues in New Orleans. From an early age, he learned from some of the best musicians and teachers in the city, including the Tremé Brass Band, Leroy Jones, Gregg Stafford, Kent Jordan, and many others. He is the son of Bruce “Sunpie” Barnes, a multi-instrumentalist and specialist in blues, zydeco, and Afro-Caribbean musics. Aurélien performs with several brass bands in New Orleans and around the world, including Grammy-nominated Cha Wa, Kings of Brass, the Palmetto Bug Stompers, and more. He has performed with a wide range of artists across several genres, such as Marcus King, Nicholas Payton, Solange, Dr. John, and Carlos Vives. In addition to his musical diversity, Aurélien is a French citizen and speaks French, Spanish, and Portuguese fluently. Interviewed by Holly Hobbs, 10/14/2020.

161. Interview with Zion Charity, Surry County, Virginia (05:57)

Date:
2020-10-02
Main contributors:
Zion Charity
Summary:
Zion Charity (Surry County, Virginia) Zion S. Charity is a bass guitarist and native of Surry County, Virginia. Inspired by his uncle, bassist Alvin Parker, Zion picked up the instrument and later studied with jazz and gospel musicians Alvin “Web” Wilson and Randolph “Randy” Ellis. In college, Zion studied with James Holden, Jr., Harold Houghton, Sr., and Mark Johnson. Zion has toured internationally and performed alongside artist such as Earl Bynum, Cora Armstrong, and DeeDee Bridgewater. As a recording artist, Zion plays bass for artists worldwide, as well as produces his own solo work. He has performed with many groups in the Virginia area, including the Carl Waterford Band and the KGExperience (Detroit, Michigan), and served as music director for Damon Little (Baltimore , Maryland). As an educator, he is the CEO of Zionite Bass University, a privately-run bass guitar school for students of all ages. Beyond music, Zion is involved in community service both locally and nationally. Interviewed by Tamar Sella, 10/02/2020.

162. Interview with Trina Basu, New York City, New York (05:58)

Date:
2020-10-07
Main contributors:
Trina Basu
Summary:
Trina Basu (New York City, New York) Trina Basu is a violinist, improviser, and educator based in Brooklyn, New York. Trina is trained in Western Classical music, later studying jazz and Carnatic music. Her path as a violinist is influenced by her South Asian and North American roots and her experience working with musicians across genres and disciplines. Trina co-leads raga chamber folk ensemble Karavika as well as Nakshatra, a violin duo with Arun Ramamurthy. She is co-founder of the collective Brooklyn Raga Massive and founder/curator of Out of the Woods, a NYC festival focusing on women led projects working in South Asian music. Trina has appeared in venues including Carnegie Hall, Kennedy Center, and Raga Sudha Hall, performing with artists such as Urban Bush Women, Mos Def, and Imani Uzuri. She is a trained Suzuki teacher (School for Strings in NYC), holds a BM in Music Therapy from Florida State University, and is a 2007 recipient of the Shastri Indo-Canadian Institute Artist Fellowship. Interviewed by Tamar Sella, 10/07/2020.

163. Interview with Sophiyah E., Detroit, Michigan (05:44)

Date:
2020-10-06
Main contributors:
Sophiyah E.
Summary:
Sophiyah E. (Detroit, Michigan) Sophiyah E. is a producer, singer, and songwriter based in Detroit, Michigan. Her work with piano and technology explores genres that include house, electronic music, and jazz. In the fall of 2017, she began an ongoing multi-media social awareness exhibition highlighting artists and Black culture, which gave birth to her first musical production series Alignment, an introspective narrative comprised of interviews and musical arrangements. She has performed in venues such as Detroit’s Music Hall Jazz Café, Cultivate Coffee and Tap House, and the SXSW music festival. Additionally, she does music production and film scoring. Sophiyah E. is founder of Afro Moone, a Detroit-based resource furnishing event production services, content strategy, and accessible aid for healthy living. Sophiyha E. is also the Director of Artist Relations and Chief Strategist/Curator of DCIPHER, a Detroit based organization dedicated to advancing the community and music economy. Interviewed by Tamar Sella, 10/06/2020.

164. Interview with Thea Hopkins, Massachusetts (05:53)

Date:
2020-10-22
Main contributors:
Thea Hopkins
Summary:
Thea Hopkins (Massachusetts) A member of the Aquinnah Wampanoag tribe of Martha’s Vineyard, Massachusetts, performing songwriter Thea Hopkins calls her music Red Roots Americana. Thea has recorded multiple albums, and her EP Love Come Down was nominated for a 2019 Indigenous Music Award in the folk category. He song “Jesus Is On The Wire” was recorded by Peter, Paul & Mary in 2004 and 2010. She has performed internationally in venues including the Kennedy Center, LaMama Experimental Theatre in New York, the Tomaquag Museum in Rhode Island, and the Summertyne Americana Festival in the UK. Thea was a 2019 Native Launchpad Artist at the Western Arts Alliance and was a fellowship recipient from the Native Arts and Cultures Foundation. She was an artist at the Wichoie Ahiya Indigenous Singer Songwriter Intensive at the Banff Arts Centre. Thea has opened for musicians including David Bromberg, Larry Campbell, Ramblin’ Jack Elliott, Amy Helm and John Lodge of the Moody Blues. Interviewed by Tamar Sella, 10/22/2020.

165. Interview with Theresa May, Cleveland, Ohio (06:03)

Date:
2020-10-22
Main contributors:
Theresa May
Summary:
Theresa May (Cleveland, Ohio) Theresa J. May is a trumpet player and educator based in Cleveland, Ohio. She received her master’s degree in trumpet performance from the Cincinnati College Conservatory of Music and her Bachelor of Music from the University of Dayton. Theresa has taught music at Cuyahoga Community College and John Carroll University, as well as privately at Academy Music and Olmsted Falls schools. May has performed regularly with Gabriel’s Horns, Cleveland Jazz Orchestra, Mourning [A] BLKstar, and the Cleveland Brassworks. She has performed in the Colour of Music Festival, a festival for Black classical musicians, as well as with Kyle Kidd & Company. Other performance experience includes Cleveland Opera Theater Orchestra and DIVA Jazz Orchestra, under the direction of Sherrie Maricle, in a production of Maurice Hines’ Tappin’ Thru Life at the Cleveland Playhouse. She has also been featured as a guest artist in the Alumni Recital Series at the University of Dayton. Interviewed by Tamar Sella, 10/22/2020.

166. Interview with Tchin, New Jersey (05:54)

Date:
2020-10-19
Main contributors:
Tchin
Summary:
Tchin (New Jersey) Tchin (pronounced ‘chin) is a nationally known, multi-award-winning artist. He was born in Norfolk, Virginia and lived in rural Virginia and Rhode Island where he received his early schooling. He attended the Institute of American Indian Arts in Santa Fe, New Mexico, and graduated from Rhode Island School of Design with a Bachelor of Fine Arts Degree. He is an accomplished metalsmith, author, flutemaker, educator, lecturer, folklorist, musician, entertainer, and clothes maker. His awards for performance and cultural work include Best of Show in Schemitzun, Connecticut, and Kituwah, North Carolina; Best of Division in the Southwest Museum, California, and Red Earth, Oklahoma; and first prize in the National American Cultural Art Festival, Maryland, as well as the SWAIA Indian Market, New Mexico (6). He lives with his wife and looks forward to many visits from his four daughters and nine grandchildren. Interviewed by Tamar Sella, 10/19/2020.

167. Interview with Vince Reyes, Malesso', Guam (05:52)

Date:
2020-09-16
Main contributors:
Vince Reyes
Summary:
Vince Reyes (Malesso’, Guam) Vincent J. C. Reyes is a Master of CHamoru dance based in Malesso’, Guam. Vince serves as Director of the Inetnon Gefpå’go Cultural Arts Program for middle school students. The group promotes CHamoru Culture through music, song ,and dance, and performs regularly in Guam’s tourist industry as well as in festivals and competitions internationally, winning various awards and honors. They have performed in twenty-seven countries, including Turkey, Romania, Korea, and Oman. As a teacher and group leader, Reyes was awarded the Traditional Teacher of the Year Award from the Guam Humanities Council (2004). In 2012, the CHamoru Cultural Dance Curriculum he authored was approved by the Guam Education Policy Board and became the official curriculum for all middle schools on the island. That same year, Reyes was also recognized as the A’adahen Kultura-ta (Protector of our Culture) KUAM Careforce Honoree. In addition to his work with the group, Reyes is also a music composer and producer. Interviewed by Tamar Sella, 09/16/2020.

168. Interview with Va-et-vient, Addison County, Vermont (05:58)

Date:
2020-10-01
Main contributors:
Carol Reed
Summary:
Va-et-vient (Addison County, Vermont) Vermont’s Addison County group Va-et-vient (“Come and Go”) celebrates the many colors found in music from several French cultures. They play repertoires from across different centuries ranging from France to Québec and New Orleans. They perform dance numbers, love songs, Cajun and Créole tunes, and traditional Québecois tunes. From their neighbors to the north, they bring back traditional tunes learned from Québecois elders, reweave them into their own arrangements, and have been spreading them throughout New England and Québec since 2001. The group includes Carol Reed from Leicester (voice, guitar, & mandolin), Suzanne Germain from Lincoln (voice and percussion), and Lausanne Allen from South Starksboro (voice, fiddles, flute, penny whistles, harmonica, & mandolins). All three have backgrounds rich in French cultures and language, and lifelong experiences living and traveling in French-speaking lands. Interviewed by Tamar Sella, 10/01/2020.

170. An Introduction to the IU Digital Preservation Service Planning Project (42:04)

Date:
2020-09-16
Main contributors:
Shallcross, Mike
Summary:
The Indiana University Digital Preservation Service Planning Project, a collaborative effort involving the IU Bloomington Libraries, the IUPUI University Library, and UITS, and was launched on July 24, 2020 to address two significant needs. First, as a growing number of campus units acquire and create digital collections, there are increased opportunities for variations in practice and the duplication of resources and effort to maintain these materials. Second, while IU has successfully preserved digital collections for decades, current solutions do not always align with emerging professional best practices. The project will respond to these issues by documenting functional and technical requirements appropriate to the IU community as well as exploring funding and governance models that would support a university-wide service. Upon completion of the project in January 2021, the team plans to seek approval to move forward with the implementation of their recommendations. This presentation will provide an overview of the project goals and deliverables as well as updates on current work. Attendees are encouraged to bring questions and provide feedback.

171. Archives Online Update (35:08)

Date:
2020-12-02
Main contributors:
Hardesty, Juliet
Summary:
Join to hear an update on the new Archives Online service from Indiana University. With support from the Indiana University Office of the Bicentennial and in close collaboration with the Archives Online Working Group, made up of representatives across the IU campuses, Indiana University Libraries is working to decrease barriers for description and digitization of archival and special collections for all IU campuses and increase access to these same collections for our students and scholars. This talk will focus on Indiana University’s implementation of ArcLight, an open source Blacklight-based application for indexing and accessing EAD-encoded finding aids, initiated by Stanford University Libraries and collaboratively developed with IU and several other universities.

172. The HathiTrust Research Center (HTRC): Mining the 17 Million Volumes of the HathiTrust Digital Li... (56:58)

Date:
2020-11-04
Main contributors:
Christie, Jennifer, Kloster, David, Walsh, John
Summary:
The HathiTrust Digital Library (HTDL) was founded in 2008 with just over 2 million volumes in the collection. Today there are over 17 million volumes ranging from 6th-century psalters to 21st-century academic texts. The diverse contents of the HTDL include government documents, academic journal articles, and monographs from all the disciplines one would find represented in a typical academic research library. While the majority of materials are in English, there are many volumes in German, French, Spanish, Italian, Arabic, Chinese, Russian, and Latin. Researchers may perform text analysis on the contents of HTDL by utilizing the many text analysis tools and data sets provided by the HathiTrust Research Center (HTRC). The HathiTrust Research Center (HTRC), based at IU Bloomington, develops infrastructure, tools, and services to support Text Data Mining of the HTDL corpus. These include off-the-shelf web-based text analysis tools, a secure data capsule computing environment for analysis of rights-restricted content, and the HTRC Extracted Features Data Set, which provides volume-level and page-level word counts and other metadata for the entire corpus. This presentation will discuss the current contents of the HTDL collection and its benefits as a data source and provide examples of existing research facilitated by HTDL collections and HTRC resources. In addition, this presentation will give an overview of the various HTRC text analysis tools and the different options for analyzing public domain and copyrighted material.

173. The Digitization of the IU Bicentennial Student Newspapers (43:18)

Date:
2020-03-04
Main contributors:
Dalmau, Michelle, Watkins, Jennifer
Summary:
Students are at the heart of a university campus. How students respond to local, national, and international events provides insight into student life and their socio-historical contexts that define a campus and that campus’ unique history. The Bicentennial Student Newspapers Project aims to digitize student newspapers across five IU campuses: IU East, IUPUI, IU Kokomo, IU Northwest and IU South Bend. Those papers will join the IU Southeast student newspapers already digitized to create a rich corpus of IU-wide student newspapers ripe for research. Once digitized, over 50,000 pages of student newspapers spanning the 1930s to the 2010s will be available for discovery in Pages Online by Summer 2020.

174. Making History in the Midwest: A Tale of Two History Harvests (43:58)

Date:
2020-01-29
Main contributors:
Craig, Kalani, Moyd, Michelle
Summary:
This brown bag documents the early stages of a community-engagement project with digital foundations. Our “History Harvest” is an ongoing invitation to community members to help shape an archive about identity and material culture at IUB. We’ll talk about the teaching, research, and ethical considerations that framed partnerships between IUB community members, two research centers, the libraries, and an undergraduate and graduate course and walk through some practical responses to those considerations that will shape the History Harvest as it moves forward.

181. “Sensing” Place: Habit Change in the Mobile, Connected Present (44:33)

Date:
2020-11-18
Main contributors:
Heidi Rae Cooley
Summary:
We live in an age when mobile touchscreen devices are customarily “on” and in-hand. As a consequence, we frequently engage in practices that involve documenting the self in motion, our geolocational beads (or arrows) locating us and guiding us to destinations of interest (e.g., ATMs, gas stations, restaurants, friend’s houses). These are the sorts of habits our technologies engender. And I contend that, in doing so, they help form and regulate conduct in a nonconscious, habitual—even neurophysiological—manner. In which case, it is at the nonconscious level of existence that habit change needs to work. In this talk, I will draw on American pragmatist Charles Sanders Pierce’s account of habit change to discuss how our geolocative devices might orient us differently in relation to the landscapes and urban terrains we traverse. To provide example of what habit change might look like in the mobile, connected present, I discuss three collaborative mapping projects in whose design and development I have participated. These projects—Augusta App, Ghosts of the Horseshoe, and Ward One App—have afforded me opportunities to explore how the very mechanisms through which technologies of connectivity and location awareness shape habit might also serve as vehicles for re-appropriating social, political histories and practices in the service of habit change.

182. Oral History excerpt: Creative placemaking and urban farming (02:31)

Date:
2020-01-14
Main contributors:
Ledbetter, Andrea (narrator)
Summary:
Andrea Ledbetter, co-founder of the Decay Devils, discusses the potential for urban farming around the Chase Street Spring. She says, "we're thinking about doing a lot of creative placemaking projects that deal with urban farming"; one such project being an apiary to bring more bees to the area and cultivate honey. This was one of a group of excerpts gathered under the subject heading of Use of the Spring Today for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.

183. Oral History excerpt: Sledding on Chase Street (00:27)

Date:
2020-01-14
Main contributors:
Ledbetter, Judy (narrator), Ledbetter, Andrea (narrator)
Summary:
Judy Ledbetter, who has lived north of the Chase St. spring for 54 years, describes the sandhills that used to exist in the area. "This was all like sand dunes. It looked just like the beach," her daughter Andrea says. Judy shares a memory of children sledding on the hills in the winter. This was one of a group of excerpts gathered under the subject heading of Growing Up in Small Farms for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.

184. Oral History with Alma Wilkes (33:45)

Date:
2020-01-10
Main contributors:
Wilkes, Alma (narrator)
Summary:
Kay Westhues interviews Alma Wilkes at her home in Gary, Indiana, on January 10, 2020. Wilkes is a retired high school teacher for the Gary School System. She taught Home Economics (Family and Consumer Sciences) and Nutrition & Wellness at Westside High School for 10 years, and Clothing & Textiles at Roosevelt High School for an additional 10 years. Her passion is nutrition, and she discusses the health benefits of spring water--in particular, sulfur. She describes why she gathers drinking water from the spring. She is also a member of the Gary Food Council and talks about their plans to improve the spring. Part of the Spring at Small Farms Oral History Project. See the full exhibit here: https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home

185. Oral History excerpt: Watercress in January (00:56)

Date:
2020-01-10
Main contributors:
Wilkes, Alma (narrator)
Summary:
Alma Wilkes, retired Gary School System teacher and nutritionist, discusses the vegetation around the Chase Street Spring. She notes that watercress grows around the well, and that it is still thriving in January. She says, "I think that's a treasure...Watercress is really, really healthy." This was one of a group of excerpts gathered under the subject heading of Water Quality and Taste for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.

186. USGS hydrologist camera logs the Chase St. Spring and measures its flow (06:32)

Date:
2020-06-18
Main contributors:
Westhues, Kay (cameraperson)
Summary:
To gain information for the spring remediation project, United States Geological Survey (USGS) fieldworker Harvie Pollard conducted fieldwork at the spring site. The video shows camera logging and measuring the spring’s flow in gallons per minute.

187. Oral History with Judy and Andrea Ledbetter (57:58)

Date:
2020-01-14
Main contributors:
Ledbetter, Judy (narrator), Ledbetter, Andrea (narrator)
Summary:
Kay Westhues interviews Judy and Andrea Ledbetter at their home on Chase St., Gary Indiana, on January 14, 2020. Judy Ledbetter is a community activist who has lived in her home on Chase St. for 54 years. Her daughter, Andrea, is a photographer, community activist, and historic conservationist who cofounded the Decay Devils, a Gary-based non-profit arts and preservationist collective. They describe how the neighborhood surrounding the spring has changed over the years they have lived there. They also discuss their activism in the city of Gary. Part of the Spring at Small Farms Oral History Project. See the full exhibit here: https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home

188. Oral History with Tyrell Anderson (Part 1) (09:28)

Date:
2020-01-22
Main contributors:
Anderson, Tyrell (narrator)
Summary:
Kay Westhues interviews Tyrell Anderson at Anna’s Kombucha Café in Gary, Indiana, on January 22, 2020. Anderson is a photographer, videographer, and historic conservationist who co-founded the Decay Devils, a Gary-based non-profit arts and preservationist collective. He describes his first visit to the spring with his father, and discusses the spring’s significance in his family’s history, as well as its role as a landmark in the city of Gary. He also talks about the impact of Lake Sandy Jo, an EPA Superfund Site, on the surrounding community. Part of the Spring at Small Farms Oral History Project. See the full exhibit here: https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home

189. Oral History with Tyrell Anderson (Part 2) (16:03)

Date:
2020-01-22
Main contributors:
Anderson, Tyrell (narrator)
Summary:
Kay Westhues interviews Tyrell Anderson at Anna’s Kombucha Café in Gary, Indiana, on January 22, 2020. Anderson is a photographer, videographer, and historic conservationist who co-founded the Decay Devils, a Gary-based non-profit arts and preservationist collective. He describes his first visit to the spring with his father, and discusses the spring’s significance in his family’s history, as well as its role as a landmark in the city of Gary. He also talks about the impact of Lake Sandy Jo, an EPA Superfund Site, on the surrounding community. Part of the Spring at Small Farms Oral History Project. See the full exhibit here: https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home

190. Oral History excerpt: "I kept asking: why isn't that area developed?" (01:36)

Date:
2020-01-22
Main contributors:
Anderson, Tyrell (narrator)
Summary:
Tyrell Anderson, a historic conservationist and co-founder of the Decay Devils, discusses when he first became aware of the Lake Sandy Jo/M&M Landfill Environmental Protection Agency Superfund Site. He states that it is important to have more conversations about the histories of areas like Lake Sandy Jo "so you don't find yourself in a similar situation in the future." This was one of a group of excerpts gathered under the subject heading of Environmental Impacts for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.

191. Oral History excerpt: "I'm gonna take you to the best water in Gary!" (01:04)

Date:
2020-01-22
Main contributors:
Anderson, Tyrell (narrator)
Summary:
Tyrell Anderson shares a memory of when his father took him to the spring for the first time, telling him "I'm gonna take you to the best water in Gary!” His father loved the taste of the spring water, but Anderson thought it had an "earthy" taste, explaining "If water could taste healthy, that's what it would taste like." This was one of a group of excerpts gathered under the subject heading of Water Quality and Taste for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.

192. Oral History excerpt: "It made me appreciate their upbringing and their struggle" (00:53)

Date:
2020-01-22
Main contributors:
Anderson, Tyrell (narrator)
Summary:
Tyrell Anderson, historic conservationist and co-founder of the Decay Devils, discusses how learning about his family's history has helped him to be more grateful. He says, "Seeing what they had to do to get drinking water, water for home, etc. It made me appreciate my upbringing a lot more...It made me appreciate their upbringing and their struggle." This was one of a group of excerpts gathered under the subject heading of Use of the Spring Today for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.

193. Oral History excerpt: "It's got a lot of minerals in it" (00:39)

Date:
2020-01-14
Main contributors:
Ledbetter, Andrea (narrator)
Summary:
Andrea Ledbetter, historic conservationist and co-founder of the Decay Devils, discusses the mineral content of the Chase Street spring water. "If you're a person who likes to have their bright pearly whites, you know you have to be a little careful with drinking a lot of it." She uses a filter to remove some of the minerals before drinking the water. This was one of a group of excerpts gathered under the subject heading of Water Quality and Taste for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.

194. Oral History excerpt: "So I started drinking the water and my ankle stopped swelling" (01:27)

Date:
2020-01-10
Main contributors:
Wilkes, Alma (narrator)
Summary:
Alma Wilkes, retired Gary School System teacher and nutritionist, discusses the healing properties of the sulfur in the Chase Street spring water. She drinks the spring water to alleviate water retention. She says, "I started drinking the water and my ankle stopped swelling." This was one of a group of excerpts gathered under the subject heading of Water Quality and Taste for a digital and in-person exhibit of the Spring at Small Farms Oral Histories. The digital exhibit can be seen at https://iusbarchives.omeka.net/exhibits/show/spring-at-small-farms/home.

195. Chancellor Glenn Goerke's Farewell Party (1:20:00)

Date:
2020-09-25
Main contributors:
Joyce Goerke
Summary:
Glenn Goerke was IU East's second chancellor from 1981-1986. Goerke was born and raised in Lincoln Park, Michigan. He earned his Bachelor of Arts degree in Education and Master of Arts in Administration at Eastern Michigan University. Goerke received his Ph.D. in Adult and Higher Education from Michigan State University. Before his appointment as chancellor, Goerke was the dean of the Division of University Extension at the University of Rhode Island. He was a finalist in 1978 for position of dean of the School of Continuing Studies at Indiana University. Goerke also was elected as a member of the Richmond Area Chamber of Commerce in 1982, serving as its president in 1985. He was also a member of the Reid Memorial Hospital Foundation Board of Directors, First National Bank Board of Directors, and he served on an advisory panel for the Indiana Arts Commission. Prior to 1978, Goerke was vice president for community affairs of Florida International University in Miami, Fla., where he also held positions as the associate vice president for academic affairs, dean of faculties and dean of university services and continuing education. While IU East’s chancellor, Goerke explored the possibility of baccalaureate degrees and received approval from the IU Board of Trustees for baccalaureate admission in1983. The first degree programs designed for the IU East campus were business, behavioral sciences and nursing. In 1986, the Indiana Commission for Higher Education approved four-year programs at IU East.

196. Interview with Leroy Moore, Berkeley, California (05:58)

Date:
2020-09-24
Main contributors:
Leroy Moore
Summary:
Leroy Moore (Berkeley, California) Leroy F. Moore, Jr., founder of the Krip-Hop Nation, since the 1990s, has written the column “Illin-N-Chillin” for POOR Magazine. Moore is one of the founding members of the National Black Disability Coalition and activist around police brutality against people with disabilities. Leroy has started and helped start organizations like Disability Advocates of Minorities Organization, Sins Invalid, Krip-Hop Nation. His cultural work includes film documentary Where Is Hope, Police Brutality Against People with Disabilities, spoken-word CDs, poetry books, and children’s book Black Disabled Art History 101 published by Xochitl Justice Press. His graphic novel, Krip-Hop Graphic Novel Issue 1: Brown Disabled Young Woman Superhero Brings Disability Justice to Hip-Hop was published by Poor Press in 2019, and in 2020, Leroy also published Black Disabled Ancestors with Poor Press. Moore has traveled internationally, networking with other disabled activists and artists. Moore has written, sung, and collaborated on music videos on Black disabled men. Interviewed by Raquel Paraíso, 09/24/2020.

197. Farewell Tour of Campus for Glenn Goerke (29:16)

Date:
2020-09-25
Main contributors:
David Fulton
Summary:
David Fulton (Chancellor from 1995-2007), the Director of Planning and Budget at the time this video was shot, gives a tour of campus as a goodbye gift to IU East Chancellor Glenn Goerke (1981-1986).

198. Interview with Marv Hamilton, Salt Lake City, Utah (05:55)

Date:
2020-09-02
Main contributors:
Marv Hamilton
Summary:
Marv Hamilton (Salt Lake City, Utah) Marv Hamilton (guitar, vocals, harmonica), is an award-winning performing songwriter with two hard-won CDs to his credit. Hamilton’s folk and acoustic blues songs have earned him a reputation as one of Utah’s finest songwriters. Marv returned from Vietnam in 1970 and in his recovery efforts, he picked up his first guitar to play along with John Prine; Cat Stevens; James Taylor; the Beatles; the Byrds; the Doors; Dylan; and Crosby, Stills, Nash and Young. He says that his music is 100% organic, cage-free folk, roots and blues. Earth music, breakup songs, blues, and ballads. Slices of life in the hills and windblown ridges of the Wasatch mountains or Black Hills of Dakota, a plane load of “grunts” on their way to Vietnam, a Cadillac, train, old truck, a motorcycle. Portraits of characters: an eco-warrior, dogs, a 1960s stewardess, icons of rock ‘n roll, lovers. Emotional journeys: grief, anger, angst and sorrow, joy and hope. At present, he plays with the Hamilton Cantonwine Clark Trio, a unique blend of folk, roots, and blues, lots of Marv's originals and some not-so-often-covered tasty covers to round out the mix. Marv supports his guitar habit as a Licensed Clinical Social Worker in private practice in Salt Lake City. Interviewed by Raquel Paraíso, 09/02/2020.

199. Interview with Lyla June, Albuquerque, New Mexico (03:36)

Date:
2020-11-02
Main contributors:
Lyla June
Summary:
Lyla June (Albuquerque, New Mexico) Lyla June is an Indigenous environmental scientist, doctoral student, educator, community organizer, and musician of Diné (Navajo), Tsétsêhéstâhese (Cheyenne), and European lineages from Taos, NM. Her dynamic, multi-genre performance and speech style has invigorated and inspired audiences across the globe towards personal, collective, and ecological healing. Her messages focus on the climate crisis, Indigenous rights, supporting youth, inter-cultural healing, historical trauma, and traditional land stewardship practices. She blends her undergraduate studies in human ecology at Stanford University, her graduate work in Native American Pedagogy at the University of New Mexico, and the indigenous worldview she grew up with to inform her perspectives and solutions. Her internationally-acclaimed performances and speeches are conveyed through the medium of prayer, hip-hop, poetry, acoustic music, and speech. Her personal goal is to grow closer to Creator by learning how to love deeper. Interviewed by Raquel Paraíso, 11/02/2020.

200. Interview with Lesli Wood, Seattle, Washington (06:04)

Date:
2020-09-16
Main contributors:
Lesli Wood
Summary:
Lesli Wood (Seattle, Washington) Lesli Wood, front person, guitarist, and songwriter for Skates! (pop band, upbeat, energetic, with a lot of punk influence), also plays lead guitar in the punk band Trash Day and bass for Seattle songwriter Craig Jaffe. Skates! is an outlet for Wood's carefree pop songs and unforgettable melodies. Influences hint at Hüsker Dü, Talking Heads, and Best Coast. Skates! live shows are energetic and full of melodic goodness, beyond catchy melodies. Proficient Lesli Wood is passionate when talking about her band, their live shows, and the energy they get out of their audiences and vice-versa. She is grateful for her life, her music making, and her bandmates. Interviewed by Raquel Paraíso, 09/16/2020.