201. Interview with Mercedes Mendive, Elko, Nevada (06:14)

Date:
2020-10-07
Main contributors:
Mercedes Mendive
Summary:
Mercedes Mendive (Elko, Nevada) Accordionist Mercedes Mendive is the daughter of Joe and Veronica Mendive. She attended schools in Elko and has lived in Reno, as well as eleven years in Miami, Florida. Her father was one of her greatest influences beginning at a very young age, when the sound of the accordion was constantly present in her world. Mercedes' musical journey has taken her to prestigious accordion festivals in Texas, Orlando, Florida, Miami, as well as festivals in California, Idaho, Utah, Wyoming, and all over the state of Nevada. Mercedes was invited to perform in July 2016 for the Smithsonian Folklife Festival while accompanying the Elko Ariñak Basque Dancers (Basque Dancers of the Great Basin). One of Mercedes' latest endeavors is the Ariñak Project that she co-founded during the summer of 2016 with lifelong friend and fellow dancer/musician Janet Iribarne. Their focus is to elaborate on the Basque culture not only with traditional dances, but with new dances, new music, instruments, language, and songs. Most recently, Mercedes was a featured performing artist with her band, Melodikoa, who performed throughout the prestigious 2018 National Cowboy Gathering in late January/early February in Elko, Nevada, titled Basques and Buckaroos.  Interviewed by Raquel Paraíso, 10/07/2020.

202. Interview with Mary Flower, Portland, Oregon (05:04)

Date:
2020-10-12
Main contributors:
Mary Flower
Summary:
Mary Flower (Portland, Oregon) An internationally known and award-winning picker, singer/songwriter, and teacher, the Midwest native relocated from Denver to the vibrant Portland, Oregon, music scene in 2004. She continues to please crowds and critics at folk festivals, teaching seminars and concert stages domestically and abroad, that include Merlefest, Kerrville, King Biscuit, Prairie Home Companion, and the Vancouver Folk Festival, among many. A finalist in 2000 and 2002 at the National Finger Picking Guitar Championship; a nominee in 2008, 2012, and 2016 for a Blues Foundation Blues Music Award; and many times a Cascade Blues Assn. Muddy Award winner, Flower embodies a luscious and lusty mix of rootsy, acoustic blues guitar and vocal styles that span a number of idioms – from Piedmont to the Mississippi Delta, with stops in ragtime, swing, folk and hot jazz. Flower’s twelve recordings, including her four for Memphis’ famed Yellow Dog Records—Bywater Dance, Instrumental Breakdown, Bridges and Misery Loves Company—show a deep command of and love for folk and blues string music. For Flower, it’s never about re-creation. Her dedication to the art form is a vital contribution to America’s music. Interviewed by Raquel Paraíso, 10/12/2020.

203. Interview with Luis Herrera, Fillmore, California (06:12)

Date:
2020-09-08
Main contributors:
Luis Herrera
Summary:
Luis Herrera (Fillmore, California) Luis Herrera is brother number two in his family band, Hermanos Herrera, a musical group consisting of five brothers and their younger sister. The group plays various styles of traditional Mexican music such as son huasteco, son jarocho, and norteña music. They have shared their music with a wide audience, performing throughout the U.S. and Mexico at world-renowned venues, and shared the stage with Los Tigres del Norte, Mariachi Los Camperos de Nati Cano, Linda Ronstadt, Los Lobos, Intocable, Julieta Venegas, and Banda el Recodo, to name a few. In 2015, Hermanos Herrera joined the nationwide campaign to encourage Latinos in the United States to attend and graduate from college. Through their music they have raised over $100,000 for the community and have assisted in countless fundraising and community service events, educating children and assisting those in need. Hermanos Herrera continue to promote cultural awareness and appreciation of their Mexican heritage with musical presentations and workshops at both the elementary school and collegiate levels. They released their ninth recording, Ayer, Hoy y Para Siempre in April 2020. Interviewed by Raquel Paraíso, 09/08/2020.

204. Interview with Queen Quet, Georgia Sea Islands (05:52)

Date:
2020-10-14
Main contributors:
Queen Quet
Summary:
Queen Quet (Georgia Sea Islands) Queen Quet Marquetta L. Goodwine is a singer/vocalist, author, computer scientist, lecturer, and cultural historian. She is the founder of the premiere advocacy organization for the continuation of Gullah/Geechee culture, the Gullah/Geechee Sea Island Coalition. Queen Quet was the first Gullah/Geechee person to speak on behalf of her people before the United Nations in Geneva, Switzerland and was also one of the first of seven inductees in the Gullah/Geechee Nation Hall of Fame. In 2008, she was recorded at UNESCO Headquarters in Paris, France, at a United Nations Conference in order to have the human rights story of the Gullah/Geechee people archived for the United Nations. She worked with US Congressman James Clyburn to ensure that the United States Congress would work to assist the Gullah/Geechees. Queen Quet then acted as the community leader to work with the United States National Park Service to conduct several meetings throughout the Gullah/Geechee Nation for the Special Resource Study of Lowcountry Gullah Culture. Due to the fact that Gullah/Geechees worked to become recognized as one people, Queen Quet wanted to ensure that the future congressional act would reflect this in its name and form. As a result in 2006 the “Gullah/Geechee Cultural Heritage Act” was passed by the United States Congress and signed into law by the president. Queen Quet has appeared in numerous documentaries and films, and in print and other media. She uses her voice and vocal performances as healing arts. Interviewed by Holly Hobbs, 10/14/2020.

205. Interview with Rachel Reynolds, Fox, Arkansas (05:54)

Date:
2020-09-11
Main contributors:
Rachel Reynolds
Summary:
Rachel Reynolds (Fox, Arkansas) Rachel is an artist and folklorist with a background in art and cultural policy and arts-focused grassroots organizing in underserved communities. Reynolds received a B.A. in American studies from the University of Arkansas and M.A. degrees in public history and heritage studies from Arkansas State University. She received a fellowship from the Southern Foodways Alliance to document Arkansas barbecue and was in the first cohort of Creative Community Fellows through National Arts Strategies. Her arts- and food-focused project, the Oregon County Food Producers and Artisans Co-Op, has been featured in Mother Earth News, Rural Missouri, Acres U.S.A. and others. In 2015, she founded the #NotMyOzarks campaign to counter anti-racial sentiment in the Ozarks region. Rachel is the Head Project Steward of Meadowcreek, Inc., a land- and art-based incubator in the Arkansas Ozarks, co-founder of the People's Library Project, and the Executive Director of the Arkansas Craft School. Interviewed by Holly Hobbs, 09/11/2020.

206. Interview with Randy Sabien, St. Paul, Minnesota (05:53)

Date:
2020-09-27
Main contributors:
Randy Sabien
Summary:
Randy Sabien (St. Paul, Minnesota) Randy Sabien has over forty years of performing experience as a contemporary violinist. He also has extensive touring and guesting experience, having toured as singer/songwriter Jim Post’s sideman, doing recordings with Greg Brown, appearing on Austin City Limits with Kate Wolf, guesting on Prairie Home Companion, and doing shows with Corky Siegel. Over the years, he has led his own bands as well, often featuring triple fiddles. Randy founded the string department at the Berklee College of Music in Boston in 1978, and then thirty years later, headed the string department at McNally Smith College of Music in St. Paul. He is the author of the ground-breaking jazz method for strings, Jazz Philharmonic, published by Alfred Music. He has recorded a dozen albums to date. Interviewed by Holly Hobbs, 09/27/2020.

207. Interview with Rickie Monie, New Orleans, Louisiana (05:54)

Date:
2020-09-24
Main contributors:
Rickie Monie
Summary:
Rickie Monie (New Orleans, Louisiana) Preservation Hall pianist Rickie Monie was raised in New Orleans’s Ninth Ward. Monie’s parents played piano in church, and at home they would spin records by Art Tatum, Oscar Peterson, Teddy Wilson, and other pianists. Monie’s father began teaching him at the age of eight, and he eventually played piano and organ in church. In 1982, Rickie Monie began to perform at Preservation Hall, where he has remained since. In addition to piano, Monie is also an accomplished clarinetist and regularly plays the organ in churches around New Orleans. As an ambassador of music for New Orleans and the United States, Rickie continues to share his love of music with students of all ages. Interviewed by Holly Hobbs, 09/24/2020.

208. Interview with Paul Anastasio, Richard, Louisiana (05:53)

Date:
2020-09-04
Main contributors:
Paul Anastasio
Summary:
Paul Anastasio (Richard, Louisiana) Paul Anastasio began studying violin at age nine and soon gravitated to popular and folk music. By his mid-twenties, he had studied with jazz violin pioneer Joe Venuti and had begun performing in Merle Haggard’s band, the Strangers. Later he served four years in the western swing band Asleep at the Wheel and worked for three years with Larry Gatlin and two years with Loretta Lynn. From 1997 to 2006, he traveled to Mexico to study and archived the folk fiddling of southwestern Mexico’s Tierra Caliente, transcribing over 1,000 tunes, which became an ongoing project. Paul has been teaching vintage jazz, swing, western swing, improvisation, traditional country, and Mexican fiddling annually at music camps and workshops across the U.S. He is a musician in Lafayette, Louisiana-based bands including Stop the Clock Western Swing and Runaway Fiddle. Interviewed by Holly Hobbs, 09/04/2020.

209. Interview with Arturo Rodriguez, Seattle, Washington (05:59)

Date:
2020-10-06
Main contributors:
Arturo Rodriguez
Summary:
Arturo Rodriguez (Seattle, Washington) An accomplished musician, author, teacher, and DJ, Arturo Rodriguez has performed worldwide, sharing the stage with such music legends as Tito Puente; Dave Valentin; Paul Horn; Pete Escovedo; Brandi Carlile; Crosby, Stills and Nash, and many more. Never one to stand still for very long, Arturo is both a familiar face and a powerful force on the local Seattle music scene. While moving through the musical boundaries of salsa, rumba, jazz, pop, rock, and even Afro Cuban ritual music, Arturo has an amazing talent for bringing people together. He currently performs with the Rumba Kings and is working on a new album with his new trio, Weave Poetic, a phenomenal performance group fusing Latin and jazz music together with incredible vocal harmonies. All members in the group sing and write original music. Arturo teaches Latin percussion and drum set and helps salsa dancers with their musicality both virtually and live. Interviewed by Raquel Paraíso, 10/06/2020.

210. Interview with Jeanie McLerie and Ken Keppeler, Silver City, New Mexico (09:42)

Date:
2020-09-22
Main contributors:
Jeanie McLerie
Summary:
Jeanie McLerie and Ken Keppeler (Silver City, New Mexico) Bayou Seco plays music from the Southwest. Jeanie and Ken have collected music from older traditional American musicians for most of their lives and have learned to play many of their tunes and songs. They especially focus on Cajun music in southwestern Louisiana and, since 1980, have learned from traditional Hispanic, Cowboy, and Tohono O’odham musicians in New Mexico and Arizona. Both of them play fiddle and guitar and sing. Ken also plays one- and three-row diatonic accordions, five-string banjo (fretless), harmonica, and mandolin. They play at concerts, dances (where they can teach Spanish colonial dances from New Mexico and other dances), art centers, schools, museums, folk clubs, weddings, wakes, state fairs, and other types of events. They help run the radio station Gila Mimbres Community Radio (GMCR.org) in Silver City and their radio show, Roots and Branches, airs on Saturday (8-10 a.m. MST) with a jam-along with Ken and Jeanie from 9 to 9:30 a.m. Interviewed by Raquel Paraíso, 09/22/2020.

211. Interview with Belén Escobedo, San Antonio, Texas (06:06)

Date:
2020-09-16
Main contributors:
Belén Escobedo
Summary:
Belén Escobedo (San Antonio, Texas) Belén Escobedo plays rare and beautiful fiddle tunes in the South Texas-Mexican grass roots Tejano Conjunto tradition. Growing up on the south side of San Antonio and working as a professional fiddler since she was a teenager, Belén has preserved a unique style of fiddling that has all but disappeared from the Texas borderlands. Belén has a vast and unique repertoire, including tunes she learned from her grandfather’s whistling and a huge range of borderlands tunes from both sides of the border. The name of her trio, Panfilo’s Güera, honors her grandfather’s influence on her, the grandchild he called his güera, or “blondie.” Panfilo’s Güera is Belén, her husband Ramón Gutierrez (tololoche or double bass), and Stevie R. Vaveges (bajo sexto). Interviewed by Raquel Paraíso, 09/16/2020.

212. Interview with Bertram Levy, Port Townsend, Washington (05:47)

Date:
2020-10-23
Main contributors:
Bertram Levy
Summary:
Bertram Levy (Port Townsend, Washington) Bertram Levy is one of the few accomplished bandoneonistas in North America. In 1989, Bertram first heard the instrument played live by Astor Piazzolla. He was so moved by Piazzolla’s music that he abandoned all his other musical endeavors to pursue the bandoneón. At that time Bertram was in his late forties and had achieved an international reputation as a banjo and concertina virtuoso. He had been featured on more than a dozen albums, including the Smithsonian CD compilation American Folk Music. He had also authored the definitive concertina tutor The Concertina Demystified, was chosen as banjo player of the year by Frets magazine, and was highlighted in several national broadcasts of The Prairie Home Companion with Garrison Keillor. In addition, he created and directed the most prestigious instrumental folk music festival in the United States: the Festival of American Fiddle Tunes. Bertram’s first bandoneón lessons were with Miguel Varvello in Buenos Aires in 1991 and later in Paris with Cesar Stroscio. In 2005, Bertram enrolled in the Conservatorio Manuel de Falla in Buenos Aires to study classical bandoneon with the great Rodolfo Daluisio. He founded Tangoheart in 1999 to introduce Pacific Northwest audiences to authentic Argentine tango. He currently lives both in Washington State and in Buenos Aires, where he continues his studies with Rodolfo Daluisio. Interviewed by Raquel Paraíso, 10/23/2020.

213. Interview with Bethany Highley, Bonners Ferry, Idaho (05:38)

Date:
2020-10-05
Main contributors:
Bethany Highley
Summary:
Bethany Highley (Bonners Ferry, Idaho) Bethany is a professional recording artist and session vocalist with classical vocal training, choir, musical theater, and worship leading experience. She can also dance, play piano/keyboard, and write song lyrics. Bethany just finished co-writing and recording vocals for a chill but dark electronic album written and produced by Yuri Kryzhanivskyy. She defines herself as pretty trance, chill, alternative, alt/dream pop/rock/punk-oriented, but has dynamic singing style abilities. Interviewed by Raquel Paraíso, 10/5/2020.

214. Interview with Carla Sciaky, Lakewood, Colorado (06:39)

Date:
2020-10-12
Main contributors:
Carla Sciaky
Summary:
Carla Sciaky (Lakewood, Colorado) Carla Sciaky is a multi-instrumentalist and folk singer-songwriter based in Lakewood, Colorado. As a soloist, she toured the US and Europe throughout the 1980s and 90s, recording first on her own Propinquity Records and later on Green Linnet and Alacazam Records. Her songwriting won her awards and/or recognition in such arenas as the Kerrville New Song Competition, the Louisville (Kentucky) songwriting competition, the Colorado Arts and Humanities Fellowship for Composition, the Billboard Songwriting Competition, and the Colorado, Utah, and Kansas Artist in Residence programs. As a member of the long-standing infamous Denver-area group the Mother Folkers, Carla was recently inducted into the Colorado Music Hall of Fame, and her solo Zoom series, Concept Concerts, has soothed fans worldwide during the sheltering time of COVID. In the classical/early music world, Carla performs on baroque violin with Sémplice, a Denver quartet specializing in baroque music on period/replica instruments, as well as being a member of the Baroque Chamber Orchestra of Colorado since their first season. Carla is also active in the holistic and energy healing world, helping people find greater well-being through her practice Doorway to Healing, and is working on two book projects. Interviewed by Raquel Paraíso, 10/12/2020.

215. Interview with Brian Walther, Bismarck, North Dakota (05:59)

Date:
2020-10-05
Main contributors:
Brian Walther
Summary:
Brian Walther (Bismarck, North Dakota) Brian Walther’s career in music goes all the way back to 1982 and he has played countless styles of music. Whether it be as a polka drummer, a bass player in a country punk band, a keyboard player in a blues rock outfit, or an acoustic solo artist, Brian has a lifetime of experience in the music industry. Brian has recorded two solo albums that are currently available and was a founding member of the seminal 1980s cult country punk band Eddie & The Shitheads. The Shitheads were at the forefront of the DIY independent music movement selling several thousand copies of their classic record Ignorant Prix. Brian is the lead vocalist and guitar player for the American Storytellers. He has also produced multiple independent artists and worked as a live sound engineer for many years. Interviewed by Raquel Paraíso, 10/05/2020.

216. Interview with Brian Marshall, Humble, Texas (05:38)

Date:
2020-09-14
Main contributors:
Brian Marshall
Summary:
Brian Marshall (Humble, Texas) Brian Marshall is considered one of the keepers of the unique Texas Polish fiddle tradition. Performers like Brian Marshall have been responsible for a recent revitalization of the rich tradition of Polish fiddling from Texas that declined into obscurity until recent years. In the nineteenth century, Polish bands used fiddles to create a distinctly Texan sound. Brian and His Tex-Slavik Playboys bring back the old Polish Texan sound. A Houston native with Bremond roots, Marshall has a fiddle style redolent of the Old Country while containing elements of Western swing as well. Brian and his band have recorded several CDs including Texas Kapela and Texas Lowlands. Interviewed by Raquel Paraíso, 09/14/2020.

217. Interview with César "Jarochelo" Castro, Los Angeles, California (06:29)

Date:
2020-09-15
Main contributors:
César "Jarochelo" Castro
Summary:
César “Jarochelo” Castro (Los Angeles, California) A professional son jarocho musician, luthier, and instructor, César Castro has been an active liaison between communities in the US and Veracruz, Mexico, for over fifteen years through Radio Jarochelo, a community-based podcast series he started in 2010, as well as various cultural projects, artist residencies with musicians from Veracruz, and cultural events in local communities, cultural centers, schools, universities, and California state prisons. He is very active as a community activist working to promote community building through music and participatory projects, particularly traditional Mexican son jarocho music. He conveys vast knowledge and experience in son jarocho/fandango musical practices and engages disenfranchised communities in building self-sustaining projects that tap into and build upon cultural knowledge, embodied experience, and memory. He plays requinto, jarana, improvises lyrics, and dance son jarocho. Interviewed by Raquel Paraíso, 09/15/2020.

218. Interview with Dave Robinson, Phoenix, Arizona (05:20)

Date:
2020-10-21
Main contributors:
Dave Robinson
Summary:
Dave Robinson (Phoenix, Arizona) Dave Robinson is a Phoenix-based classical musician and jazz guitarist who plays everything from classical to contemporary music. He has performed with Stevie Nicks, the Four Tops, Sam Moore, Joni Sledge, the Phoenix Symphony, and many others. He is a National Endowment for the Arts grant recipient and is in demand as a studio and performing guitarist. He has recorded with the Four Tops and appeared with Sam “Soul Man” Moore on the Motown Live TV show. He studied classical guitar and harmony at Arizona State University, as well as getting private instruction from Ted Greene, Joe Diorio, and Chuck Marohnic. He has also produced recordings for the Multimedia Library in NYC. Interviewed by Raquel Paraíso, 10/21/2020.

219. Interview with David García, San Antonio del Guache, New Mexico (05:39)

Date:
2020-09-21
Main contributors:
David García
Summary:
David García (San Antonio del Guache, New Mexico) Lifelong musician and cultural anthropologist David García works at the Center for Regional Studies-University of New Mexico. He calls himself a community musician since he is a multi-instrumentalist who plays in different community settings and in various community ensembles as well as professional ones. He plays violin for the Danza de Matachines, a dance that takes place during a particular festivity on December 27 in northern New Mexico. He plays also in religious settings and funerals. Interviewed by Raquel Paraíso, 09/21/2020.

220. Interview with Daniel Ho, Los Angeles, California/Honolulu, Hawaii (06:34)

Date:
2020-09-24
Main contributors:
Daniel Ho
Summary:
Daniel Ho (Los Angeles, California/Honolulu, Hawaii) Daniel Ho is an ‘ukulele virtuoso, slack key guitarist, multi-instrumentalist, composer, arranger, singer-songwriter, producer, audio engineer, and record company owner. Daniel’s collaborations transcend genres, from Hawaiian regional roots to world music with Mongolian nomads, to duets with Pepe Romero, the maestro of classical guitar, to jazz and rock with Tak Matsumoto of the Japanese supergroup, B’z. Daniel is a six-time GRAMMY Award winner, eleven-time GRAMMY Award nominee, six-time Taiwanese Golden Melody Award winner, and recipient of multiple Hawaiian Music awards. Always on the move, Daniel is an American cultural ambassador, with tours completed to Japan, Thailand, Brunei, and Australia. In infinite pursuit of new musical adventures, he is also the designer of the Romero Creations Tiny Tenor ‘ukulele, Ohana Bongolele, and Shakerlele. His custom-designed six-string ‘ukulele is on exhibit at the GRAMMY Museum in Los Angeles. Interviewed by Raquel Paraíso, 09/24/2020.