Could not complete log in. Possible causes and solutions are:
Cookies are not set, which might happen if you've never visited this website before.
Please open https://media.dlib.indiana.edu/ in a new window, then come back and refresh this page.
An ad blocker is preventing successful login.
Please disable ad blockers for this site then refresh this page.
Colorful and vibrant language distinguishes the oeuvre of Nikolai Leskov, “the most Russian of Russian writers” in the assessment of D. S. Mirsky and many others. This presentation addresses the language of Leskov’s oeuvre from various perspectives: connections with Leskov’s biography, critical reception, and, with reference to Leskov’s“The Sealed Angel,” its principal features and dialectical inconsistencies.
Ani Abrahamyan is a PhD student in Russian Literature at the Department of Slavic and East European Languages and Cultures. Her research focuses on nineteenth-century Russian literature and the work of Nikolai Leskov, especially the strengths and limitations in his embodiment of underrepresented and marginalized groups.
Dr. Vera Kuklina, Research Professor, Department of Geography, George Washington University
While the impact of large infrastructural projects on Siberia’s people and environment has increasingly been gaining attention, important issues related to local infrastructures are less known. Taking the Evenki village Vershina Khandy as an example, Vera Kuklina’s research explores the relationship between different scales of local indigenous communities, extractive industries, and the state. With the introduction of infrastructural development and new transportation technologies, some traditional routes are being used as a base for public road construction, while others are being replaced by new elements: geological clear-cuts, forestry roads, and service roads, and as such, are informally used by motorized vehicles. These informal roads continue to serve as mediators between the village and large-scale infrastructural projects (e.g., the Baikal-Amur Mainline during the Soviet period, and more recently the Power of Siberia gas pipeline construction). The analysis and observations in this talk are based on materials gathered during summer 2019 field work, which included interviews with local leaders, hunters, and fishermen; travelling by different transportation modes; and participation in local subsistence activities.
Besides her post at GWU, Vera Kuklina is also Senior Research Associate at the V.B. Sochava Institute of Geography of the Siberian Branch of Russian Academy of Sciences. Her research interests include urbanization of indigenous people, traditional land use, socio-ecological systems, cultural geographies of infrastructure and remoteness.
Visiting environmental journalist Angelina Davydova speaks about environmental problems and challenges in Russia, the policies to tackle them, and the civil society initiatives and movements that have grown to face them.
Davydova is currently based at UC Davis as a Humphrey Fellow. She was a past Reuters Foundation fellow at the Reuters Institute for the Study of Journalism, Oxford University (2006) and head of the German-Russian Office of Environmental Information (www.rnei.de). Since 2008 Davydova has been an observer of the UN Climate negotiation process (UNFCCC) and regularly publishes her work in Russian and international media (including the Thomson Reuters Foundation, The Conversation, Open Democracy, and Science Magazine). Davydova is also the curator of a two-year media training program, “Water Stories,” which features stories dedicated to water issues in Central Asia.
Stephen F. Cohen and Alexander Rabinowitch Reflect on Six (plus!) Decades of Scholarly and Personal Engagement with Russia
Open Panel Discussion. Stephen Cohen and Alexander Rabinowitch interviewed by their wives: Katrina vanden Heuvel and Janet Rabinowitch.
Stephen F. Cohen and Alexander Rabinowitch Reflect on Six (plus!) Decades of Scholarly and Personal Engagement with Russia
Open Panel Discussion. Stephen Cohen and Alexander Rabinowitch interviewed by their wives: Katrina vanden Heuvel and Janet Rabinowitch.
Show or Tell? Improving Agent Decision Making in a Tanzanian Mobile Money Field Experiment:
When workers make operational decisions, the firm's global knowledge and the worker's domain-specific knowledge complement each other. Oftentimes workers have the final decision-making power. Two key decisions a firm makes when designing systems to support these workers are: 1) what guidance to deliver, and 2) what kind of training (if any) to provide. We examine these choices in the context of mobile money platforms?systems that allow users in developing economies to deposit, transfer, and withdraw money using their mobile phones. Mobile money has grown quickly, but high stockout rates of currency persist due to sub-optimal inventory decisions made by contracted employees (called agents). In partnership with a Tanzanian mobile money operator, we perform a randomized controlled trial with 4,771 agents over eight weeks to examine how differing types of guidance and training impact the agents' inventory management. We find agents who are trained in person and receive an explicit, personalized, daily text message recommendation of how much electronic currency to stock are less likely to stock out. These agents are more likely to alter their electronic currency balance on a day (rebalance). In contrast, agents trained in person but who receive summary statistics of transaction volumes or agents who are notified about the program and not offered in-person training do not experience changes in stockouts or rebalances. We observe no evidence of learning or fatigue. Agent-level heterogeneity in the treatment effects shows that the agents who handle substantially more customer deposits than withdrawals benefit most from the intervention.
|| When Transparency Fails: Bias and Financial Incentives in Ridesharing Platforms:
Passenger discrimination in transportation systems is a well-documented phenomenon. With the advent and success of ridesharing platforms, such as Lyft, Uber and Via, there has been hope that discrimination against under-represented minorities may be reduced. However, early evidence has suggested the existance of bias in ridesharing platforms. Several platforms responded by reducing operational transparency through the removal of information about the rider's gender and race from the ride request presented to drivers. However, following this change, bias may still manifest after a request is accepted, at which point the rider's picture is displayed, through driver cancelation. Our primary research question is to what extent a rider's gender, race, and perception of support for lesbian, gay, bisexual, and transgender (LGBT) rights impact cancelation rates on ridesharing platforms. We investigate this through a large field experiment using a major ridesharing platform in North America. By manipulating rider names and profile pictures, we observe drivers' patterns of behavior in accepting and canceling rides. Our results confirm that bias at the ride request stage has been eliminated. However, at the cancelation stage, racial and LGBT biases are persistent, while biases related to gender appear to have been eliminated. We also explore whether dynamic pricing moderates (through increased pay to drivers) or exacerbates (by signaling that there are many riders, allowing drivers to be more selective) these biases. We find a moderating effect of peak pricing, with consistently lower biased behavior.
Craig Campbell, Associate Professor, Department of Anthropology, University of Texas at Austin.The Lower Tunguska—a tributary in Siberia that flows into the great Yenisei river—was identified several decades ago as a potential site for a massive hydroelectric dam. If the dam were to be built, it would dramatically transform the river and dislocate thousands of people who live in the flood zone. To this day the dam has not been built, as a result, an entire generation of villagers has had to learn to dwell in the suspended temporality of a deferred catastrophe. Regardless of the construction, drift, and crash of industrial projects, indigenous Evenkis in the area have maintained and adapted their traditional lifeways under dramatically different forms of government and social life. The indeterminacies of future of events—especially catastrophe and planned landscape transformation on grand industrial scales—challenge Evenkis to adapt in a chaotic world and call upon scholars to attend to the entanglements of hope, dread, and anticipation.Craig Campbell’s second book, Agitating Images: Photography Against History in Indigenous Siberiawas published by the University of Minnesota Press in the fall of 2014. He is currently working on the cultural history of an unbuilt hydro-electric dam in Central Siberia, the weird time of a shadow, re-mediations of socialist encounters, and the aesthetics of damaged, degraded, and manipulated photographs. Craig is a member several curatorial groups including Ethnographic Terminalia and Writing with Light, the later explores the persistent mattering of photography and photo-essays to cultural anthropology.
In the throes of awards season, commentary on celebrity fashion choices runs rampant. This week, Professor Linda Pisano, chair of the Theatre, Drama, and Contemporary Dance department, talks costume design, style trends, and how we can contextualize red carpet fashion.
This talk will focus on the scholarly activities of Julia Averkieva and Archie Phinney, anthropologists mentored by Franz Boas, the “father of modern anthropology” and a seminal figure in 20th century North American anthropology. While a Soviet exchange student at Columbia University in 1929-1931, Averkieva accompanied Boas in fieldwork among the Kwakiutl people of British Columbia. Phinney, a Nez Perce Indian, taught and conducted research at the Leningrad Academy of Sciences from 1932 to 1937, serving for many years as a field agent in the Bureau of Indian Affairs upon his return to the United States.
Folklorists and anthropologists have explored children's preoccupation with supernatural entities for decades, and the development of the internet has given rise to online video formats for supernatural practices that are popular among children in Russia and beyond. Drawing on ethnographic research in Russian children's summer camps and online digital ethnography, this talk addresses children's supernatural beliefs, play, and imagination.
A doctoral candidate in anthropology at the European University in Saint Petersburg, Russia, Angelina Kozlovskaia has presented her research at conferences in Russia as well as India, Australia, Finland, Belgium, and Estonia. During Spring 2019 she is a visiting scholar with the Russian and East European Institute and the Russian Studies Workshop.
The current paradigm of political science suggests that authoritarian regimes suppress freedoms of speech and press as significant threats to autocratic survival. However, evidence now suggests that autocratic
governments can exploit such ostensibly democratic institutions in new and surprising ways. Among the most salient examples are Russia and China where media outlets (even the freest ones) figure in the autocratic toolbox, a phenomenon that lends credence to the idea of self-development of non-democratic regimes.
Valerii Nechai is a doctoral candidate in the Department of Applied Political Science at the Higher School of
Economics in Moscow. His research addresses the interaction of media and politics.
Technological, communicative, political, and commercial challenges in the contemporary media sphere are
transforming journalism. This talk addresses the impact of those challenges on perceptions of the journalistic
profession among Russian journalists themselves.
Marina Berezhnaia chairs the Department of TV and Radio Journalism in the School of Journalism and Mass
Communications at Saint Petersburg State University (SPbSU). She has published textbooks in journalism and scholarly articles on journalistic ethics and the treatment of social issues in the media. Prior to joining the
SPbSU, she pursued an active career in publishing and telejournalism.
Institute for Digital Arts and Humanities, John Bodnar
Summary:
This paper will explore the way American soldiers from three different wars wrote about their experiences. It will attempt to unravel the fragile relationship between patriotic accounts of war that tended to uphold noble ideals validating the nation's war effort and thepossibility that war could actually produce laudable traits andmore tragic stories that refused to efface the confusion and pain military conflict imposed upon individuals. As such, it will explore the problem of memory and trauma and the significant tension soldiers faced when they attempted to recreate their experience for a public audience that could not know what it had been like.
The part of the paper devoted to World War II will focus on the fiction of Norman Maile and the autobiography of William Manchester--both combat vets. Mailer's renowned novel, The Naked and the Dead, recast the "Good War" in a highly critical light that exposed the deep strain of violence that he felt marked American society and explained why it spared no expense in bringing ruin to the Japanese. Manchester acknowledged the violence and carnage but sought to extract from it tales of heroic men and who cared deeply for each other. Such narratives contrast sharply with those coming from the experience of Vietnam. Vets like Ron Kovic, Tim O'Brien and others mounted withering attacks on any notion that patriotic service could result in anything positive or nurture admirable character traits. In some ways the World War II stories were actually more conflicted than those formed in Southeast Asia in the 1960s.
The final part of this brief paper will explore the outpouring of literature produced by men who served in Afghanistan and Iraq. Again, significant differences are evident among the fighters themselves. A greater effort is made in this most recent contest to restore some faith in traditional patriotic ideals. This effort has had some success but has been hotly contested by tales that absolutely reject any attempt to use patriotic honor to wipe out the memory of pain and loss.
Institute for Digital Arts and Humanities, Rebecca Wingo
Summary:
The History Harvest is a community-centered, student-driven archival project that empowers community voices through material-based oral histories. Over the course of a semester, History Harvest students partner with a community to run an event in which community members bring artifacts of significance. Students record community members as they tell stories about their objects and digitize the artifacts for a shared online archive. The community members then take their items back home; there is no acquisition. This one-day event is a bit like Antiques Roadshow, except everything is valuable. More than a singular event, however, the History Harvest can be a litmus test for the success of a community partnership.
Institute for Digital Arts and Humanities, David S. Ferriero
Summary:
Ferriero will discuss the planning process for a major exhibit on the Vietnam War within the context of the mission of the National Archives. Particular focus will be on how the principles of Open Government—transparency, collaboration, and participation—impacted that process. Building on the success of the National Archives Citizen Archivist Project, Ferriero will share how the lessons learned have influenced his agency’s approach to exhibit and education planning, with an emphasis on the exhibit commemorating the Vietnam War.
Remembering Vietnam is a media-rich exploration the Vietnam War, featuring interviews with Americans and Vietnamese veterans and civilians with firsthand experience of the war’s events as well as historic analysis. It is a fascinating collection of newly discovered and iconic original documents, images, film footage, and artifacts that illuminate 12 critical episodes in the war that divided the peoples of both the United States and Vietnam, covering the period 1946 to 1975.
The exhibit encourages visitors to answer these questions: Why did the United States become involved in Vietnam? Why was the war so long? Why was it so controversial? The sacrifices made by veterans and their families, the magnitude of death and destruction, and the war’s lasting effects require no less. Remembering Vietnam is a resource for refreshing our collective memory. National Archives records trace the policies and decisions made by the architects of the conflict. Its collection of evidence provides an opportunity for new insight and greater understanding of one of the most consequential wars in American history.
Institute for Digital Arts and Humanities, Kurt Luther
Summary:
Stories of war are complex, varied, powerful, and fundamentally human. Thus, crowdsourcing can be a natural fit for deepening our understanding of war, both by scaling up research efforts and by providing compelling learning experiences. Yet, few crowdsourced history projects help the public to do more than read, collect, or transcribe primary sources. In this talk, I present three examples of augmenting crowdsourcing efforts with computational techniques to enable deeper public engagement and more advanced historical analysis around stories of war. In “Mapping the Fourth of July in the Civil War Era,” funded by the NHPRC, we explore how crowdsourcing and natural language processing (NLP) tools help participants learn historical thinking skills while connecting American Civil War-era documents to scholarly topics of interest. In “Civil War Photo Sleuth,” funded by the NSF, we combine crowdsourcing with face recognition technology to help participants rediscover the lost identities of photographs of American Civil War soldiers and sailors. And in “The American Soldier in World War II,” funded by the NEH, we bring together crowdsourcing, NLP, and visualization to help participants explore the attitudes of American GIs in their own words. Across all three projects, I discuss broader principles for designing tools, interfaces, and online communities to support more meaningful and valuable crowdsourced contributions to scholarship about war and conflict.
Institute for Digital Arts and Humanities, Heather Stur
Summary:
For as much as has been written and produced about the Vietnam War, the voices telling the story have remained much the same. Historians and journalists have privileged American male combat veterans of the war and high-ranking U.S. policymakers, while in Vietnam, the official state story is one of U.S. imperialists versus Vietnamese freedom fighters. Lost in these tellings of the story was South Vietnamese veterans and their families, anticommunist Vietnamese citizens, political activists of all stripes in South Vietnam, American women who served in the war, U.S. support or rear echelon troops, U.S. Embassy employees, and troops of the "free world" forces in Vietnam. These voices are crucial for understanding how the conflict developed and played out, what its consequences were, and what its legacies are.
Institute for Digital Arts and Humanities, Edward Linenthal
Summary:
The mass slaughter of 1864-1865 in the American Civil War eroded traditional belief in martial sacrifice as redemptive, blood shed for the new birth of the nation. Narratives in tension continued through both World Wars and the Korean War and gained intensity with the erosion of popular support for the war in Vietnam. The “dope and dementia,” “quagmire,” and “atrocity producing context” narrative templates clashed with traditional patriotic narratives of America at war.
Institute for Digital Arts and Humanities, Larry Berman
Summary:
I have been writing about Vietnam since 1982 and learned much about the war and peace from participants on both sides of the brutal conflict. In my presentation, I want to share how participants in the war from the so-called “winning side” have helped me to better understand not just the war, but also the sense of loss that is often shared with those on the “losing side”. This despair for “what might have been” or “hope and vanquished reality” unites both sides. I am especially interested in participants’ stories as told in memoirs, oral histories and personal interviews. For this presentation, I will focus on those individuals with whom I have engaged in extensive and multiple interviews/discussions and who, with one exception, have also produced memoirs from their experiences in war. The one exception is Pham Xuan An, whose memories and stories are recorded in my book Perfect Spy. Each of these participants helped me understand the war through the eyes of a Vietnamese and altered my own narrative for how I speak and write about the war.
Institute for Digital Arts and Humanities, Lisa Silvestri
Summary:
With support from the National Endowment for the Humanities, Telling War, a veteran based initiative, explores manifestations of the veteran voice through a variety of story forms such as papermaking, six word war stories, podcasting, and documentary film. Telling War’s mission is to cultivate creative opportunities for veterans to tell their story. This presentation will review some of the project’s initial outcomes. For example, when participating veterans used the ancient art of papermaking to transform their uniforms into paper then bind into book form, they were able to access stories often untold in the public sphere. The books they created held personal imagery and artifacts from their time in the service. The papermaking process allowed them to metabolize and story their experiences. In other cases, veterans wrote six word war stories following in the legacy of Hemmingway’s famous six word short story, “For sale: baby shoes, never worn.” Although brief, these first-person memoirs captured aspects of deployment–from the everyday to the extreme–that shifted the communicative priority from eloquence to essence. By sharing these examples and others, this presentation argues that in order to enrich collective knowledge and memory of war, the stories told and heard about war must be expanded and diversified.
Alisa Clapp-Itnyre, Jessica Raposo, Chris Robinson, Madeleine Demetriades
Summary:
Bands of Mercy songs: songs for animal-welfare children’s organizations of the late 19th century in America and England.
2019 Victorian Song-Camp Singers (all children’s voices used with parental permission):
Caleigh Koechlein
Grace Stewart**
Melody Stewart
Mikayla Petersheim*
Caleigh Collins*
Molly Fuller
Matilda Fuller
Cecelia Hargrove
Topanga Stingley
Lea Ramsey
Hailey Day
Taytem Rivera
Harleigh Raduenz
Karaline Byers #
Alice Couch
Lucy Couch
*member of 2015 and/or 2017 Victorian camps!
Co-Directors: Alisa Clapp-Itnyre, Jessica Raposo
Pianist: Madeleine Demetriades
Sound Engineer: Chris Robinson
Costumer: Sharon Walker
Location: Central United Methodist Church, Richmond, IN
Ellsworth Christmas (Master), Jon Kay (Director), Traditional Arts Indiana
Summary:
For nearly 45 years, Ellsworth Christmas has volunteered at the Indiana State Fair’s Pioneer Village to teach fairgoers about Indiana’s traditional crafts and agricultural practices. He grew up on a farm in rural Warrick County, Indiana at a time when farming with a mule and plough was slowly giving way to tractors.
In 1975, Maurie Williamson* at the Purdue Ag Alumni Association invited the young extension specialist to demonstrate chair caning at the Pioneer Village. In subsequent years, Ellsworth constructed a smoke house and built the pin-framed barn that serves as the backdrop for the Pioneer Village stage. He worked with other From splitting shingles and smoking hams to building wooden wheels and making an ox yoke at the fair, Ellsworth Christmas has worked to preserve Indiana’s farming heritage through his contributions and demonstrations at the Pioneer Village.
volunteer artisans to build the “Johnson Cabin,” a replica of the 1822 cabin that once stood on the fairgrounds. While he continues to demonstrate during the fair each year, Ellsworth works with a team of volunteers to restore the village’s collection of antique farming equipment and wagons.
This is a documentary short about a rice basketmaker in Nandan County in Guangxi, China. Born in 1957, Li Guicai makes baskets in Huaili Village, a Baiku Yao community. As a teen, he split bamboo for a local basketmaker and learned the trade through watching the older artisan work. Mr. Li now weaves for family and friends and to sell in the village. He specializes in making baskets to hold sticky rice. The documentary was shot and edited by Jon Kay, with a Canon 90D DSLR Camera and a Rode stereo microphone.
Rebecca Wingo, Institute for Digital Arts and Humanities
Summary:
Community engagement in the digital realm is always a careful balance between giving community members control of their own history and bringing academic expertise into the community. That balance isn't always the same from project to project. Dr. Wingo will draw on her experiences with two similar projects that had very different outcomes: an amazing community-led project to build the history of Rondo with the African American community in St. Paul Minnesota, and a community history project with the Crow tribe in Montana that has so far failed to get off the ground. She'll then walk the audience through best practices for thoughtful, considerate digital community engagement that acknowledge and privilege local community goals.
Institute for Digital Arts & Humanities, Kathleen Fitzpatrick
Summary:
Working in public, and with the public, can enable scholars to build vital, sustainable research communities, both within their fields, with other scholars in different fields, and with folks off-campus who care about the kinds of work that we do. By finding ways to connect with a broad range of publics, in a range of different registers, and in ways that allow for meaningful response, we can create the possibilities for far more substantial public participation in and engagement with the humanities, and with the academy more broadly. This workshop will focus on ways of envisioning the publics with whom we work and the questions that public engagement surfaces.
This interactive workshop will consider how Open Educational Resources (OER) can alleviate the high cost Indiana University Bloomington undergraduate students pay for course materials (an estimated $1,034 each academic year). Data suggests that students will forgo purchasing expensive course materials, even when they know it will impact their success in the classroom. This session will introduce OER and discuss its benefits, critically think about challenges to OER adoption, and formulate strategies to support IU instructors in finding high-quality OER, adapting them to fit students’ needs, and creating (even in collaboration with students) customized course materials. Please bring a laptop or similar device.
“Born digital” content refers to files that were originally created in a digital format, as opposed to “digitized” materials that have been converted from original analog and physical items. As the Indiana University Libraries acquire more born-digital collections, new workflows and procedures are required to address the challenges they pose for long-term preservation and access. The Born Digital Preservation Lab (BDPL) provides equipment and workflows to ensure that such content retains its authenticity and integrity for future use by the university community and researchers at large. This presentation will highlight key considerations and principles for preserving born-digital materials and introduce attendees to current procedures in the BDPL.
This short webinar provides an overview of the Summary Tables page of the NSSE website. The various types of tables (frequencies, means, Engagement Indicator, and HIP) are explained, as well as the selected subgroups (sex, related-major category, and Carnegie classification). Additional information on Topical Modules, profiles, Canadian results, and archived information is also presented.
Video bio of Ann Craig-Cinnamon, inducted to Indiana Broadcast Pioneers Hall of Fame in 2019;
After beginning her radio career at WIFE-AM in Indianapolis, Ann Craig-Cinnamon quickly moved to WNAP-FM, becoming the first woman to be a major part of a radio morning show in Indianapolis when she joined the morning team in the late ‘70s. In the 1980s, she served as the news director for Network Indiana, the statewide news-gathering and reporting radio network. In a broadcasting career that spanned nearly 30 years on radio and TV in Indianapolis, Craig-Cinnamon would go on to make a name for herself as the host of successful radio morning shows on WZPL-FM, WENS-FM, WYJZ-FM and WHHH-FM. She was instrumental in putting WPDS-TV (now WXIN-TV) on the air in 1983 as one of its original reporters and serving as the station’s public affairs director.
--Words from the Indiana Broadcast Pioneers
Institute for Digital Arts & Humanities , Sylvia Fernandez
Summary:
Toxic discourses towards the Mexico-United States borderland and its communities have continuously altered history, social dynamics, culture, among other things that are part of this region. Meanwhile, by utilizing digital companions such as digital maps, it is possible to contest to these kind of narratives that invisibilized borderlands’ dynamics. According to Annita Lucchesi, “The power of mapping is that there is so much power in it. It doesn’t necessarily have to be oppressive…It can be liberating. It can be healing. It can be empowering, especially when it’s being used by people who have been historically oppressed” (“Mapping MMIWG” 2019). By taking into consideration Lucchesi’s argument, this workshop will work in a hands-on experience with archival material and public data to create maps that challenge toxic discourses and colonial cultural records. Taking into consideration projects such as Borderlands Archives Cartography and Torn Apart / Separados, this workshop will go over the creation process of activism projects through the use of mapping technology. Participants will work with archival material and public data, will gain ethical and critical skills to the incorporation of humanities studies with digital companions, as well as collaborative and interdisciplinary approaches to create activism mapping resources.
The Sample: On April Fools' Day 1975, IU grad Leon Varjian held the first annual Banana Olympics in Dunn Meadow. To honor the original event's spirit of absurdity and fun, the producers of The Sample held their own version of the games 44 years later.
Bass, Jennifer, Sanders, Stephanie, Shanahan, James
Summary:
Hundreds of same-sex couples throughout the state share one of two anniversaries: June 25 and 26, 2014. In this episode, makers of IU's "Just Married" podcast, Jennifer Bass and Stephanie Sanders, talk about why these two days in June matter, the history and laws surrounding marriage equality in the U.S., and how they're sharing the love stories of same-sex Hoosiers on their journeys into marriage.
"They was mean to me. And I'm glad I'm not in an institution no more.” Beth was sent to an Indiana institution when she was young. She didn’t have the opportunity to go to school but states she learned to write and do math. After leaving Muscatatuck State Developmental Center, Beth also spent part of her life at Madison State Hospital. Beth is happy she doesn’t live in an institution anymore. Today, she lives in a house with roommates and enjoys spending time at Stone Belt Arc in Bloomington during the day. Beth says of the staff, “They don't treat me mean. They're good. I care about all of them.” Beth was interviewed in 2019.
This presentation is a step toward understanding the problem of bias in metadata and how that impacts inclusivity in the research process. Original description provided for digital collection discovery and access as well as controlled vocabularies commonly used for subject headings (such as Library of Congress Subject Headings) have inherent biases which present challenges for researchers discovering and engaging with these collections, particularly researchers from underrepresented or historically marginalized populations. We’ll review work in this area to date and discuss possible approaches for where to go next to improve description and the academic research experience.
Seven performance scenes with commentary documenting how David DeBoor Canfield’s “Concerto after Mendelssohn” for trombone and orchestra was ideated, composed and entered into the repertoire. Peripheral information includes interviews with the composer and collaborators.
“It was the hardest thing I’ve done in my life.” In the 1970s, Bonnie Smith was having difficulties providing care at home for her adolescent son Brooks. After seeking assistance, it was determined Brooks would go to Indiana's Madison State Hospital. Hospital staff told Bonnie her son needed time to adjust to his new living situation and could not receive visitors for a few months. When Bonnie and her husband went to visit Brooks at Thanksgiving, Bonnie found Brooks wearing clothes that did not belong to him. Bonnie was informed his clothes had been stolen. “It was a terrible, terrible experience. I mean the hospital is a terrible place.” Bonnie was interviewed in 2013.
The Sample: In this episode, Abbie takes us back to the 1920s, and we hunker down in the Book Nook, "a randy temple smelling of socks, wet slickers, vanilla flavoring, face powder, and unread books," as described by Hoagy Carmichael.
Cover photo: “Book Nook Commencement,” Indiana University Archives Exhibits, accessed February 15, 2019, collections.libraries.indiana.edu/iubarchi…show/627.
Brian M. Watson and Michael Morrone of Kelly Business School discuss the Journal of the Scholarship of Teaching and Learning and Open Access and its implications.
This week on Through The Gates, Elaine sits down to discuss how to combat the stigma of mental health on IU's campus with professor Bernice Pescosolido. Professor Pescosolido leads the on-campus initiative called You Bring Change to Mind at IU.
The Amazon catches fire every year, but 2019 is different. Eduardo Brondizio, an expert on rural and urban populations and landscapes in the Amazon, knows why. In this bonus episode, he explains the political trajectory that brought a group of land-grabbers and farmers to coordinate a day of coordinated fires — the same trajectory that's now bringing indigenous groups, researchers and people across the globe to push back.
Observational data often have issues which present challenges for the data analyst. The treatment status or exposure of interest is often not assigned randomly. Data are sometimes missing not at random (MNAR) which can lead to sample selection bias. And many statistical models for these data must account for unobserved confounding. This talk will demonstrate how to use standard maximum likelihood estimation to fit extended regression models (ERMs) that deal with all of these common issues alone or simultaneously.
Emmy-winning environmental photographer James Balog shares with Dean Shanahan harrowing stories of mountaineering and the keys to creating new narratives about the environment. Balog is the founder of the Extreme Ice Survey and the Earth Vision Institute, and his latest film, "The Human Element," explores how humanity affects and is affected by earth, air, fire and water. He has spoken at the White House, in the U.S. Congress, at NASA, and is widely known for his popular TED talk "Time-Lapse Proof of Extreme Ice Loss."
Joanna Chromik, Institute for Digital Arts & Humanities
Summary:
This project examines publicly available statements about sex and sex work in light of the #MeToo movement and in response to the passing of the FOSTA-SESTA. It focuses on the online efforts of sex-work advocates against the passing of the SESTA, and how those efforts affect the public deliberative democratic process, especially with the rise of Democratic Socialist candidates, such as Alexandria Ocasio-Cortez, who oppose the legislation. I want to consider how coalition building between different activist groups online contributes to new methods of rhetorical invention that can push outward to influence the public process of deliberation.
In response to federally-funded “Always Already Computational: Collections as Data” movement (https://collectionsasdata.github.io), the Indiana University Libraries are both exploring ways to provide access to our own digitized special collections for teaching and research and helping others discover non-IU collections for the same purposes. Those teaching or conducting research or creative pursuits in the arts and humanities have much to gain from interacting with digital collections as data. This brownbag will constructively a) critique ways in which cultural heritage organizations historically have made digital content available for sharing that are not quite conducive for re-use/re-mixing by scholars and students, b) explore how collections, including Indiana University collections, are currently made discoverable and portable, and c) identify the myriad of ways we can improve full access to these collections to advance cultural scholarship. Part of this brown bag will include hearing from you – how you currently use or would like to use existing digital collections in your teaching and research and your ideas about how we can facilitate those use cases.
Are you ready to audition? Voice faculty from the Indiana University Jacobs School of Music’s College Audition Preparation program, both past and present, provide guidance on what to anticipate when preparing for a college audition. While using “Twenty-Four Italian Songs and Arias” as a platform, we discuss topics including audition attire, music preparation, repertoire choices, translations, subtext, and vocal health, and then provide an explanation and examples of a traditional audition experience. While these videos are set for the prospective undergraduate vocal performer, their message is useful across a wide range of performance audition areas.
Seth Adam Cook, Institute for Digital Arts & Humanities
Summary:
Between 1880-1920s, the United States experienced the most significant relocation of Italian immigrants - over 4 million. Known today as the 'Great Arrival,' this dramatic surge was the result of decades of internal strife happening across the country, which left society rife with violent uprisings, widespread poverty, and soon the rise of Mussolini. For the following decades, Italian immigrants faced unforeseen hardships dealing with a landscape and culture that was unknown to them and discrimination from those who did not approve of their arrival.
For this body of work, archives from the Terracina family were selected starting after their migration from Italy to the United States (1910) up until they assimilated into the Cajun culture in Bayou Teche Louisiana (the 1950s). Photo's in this particular time frame were chosen because of the striking discrepancies between what the photographs depict on the surface–images of family bliss and cultural representation, and the conflicts they faced being immigrants. What these petals represent is the cultural displacement a migrant family faces when adopted by a land and culture that is not their own, and the frailty of maintaining their original customs during a time of cultural assimilation.
Process
These portraits were created using a combination of cut fabric and laser engraving. The material was torn and warped to represent the southern magnolia petal. Each picture selected was meticulously chosen based on the family's immigrant generation: first and second generation Italian immigrants. The memorial box was created to contain the petals; acting as a portfolio, archive box, and interactive installation piece.
The Sample: Costume design is an important element to bringing a story to life. It brings out the personality of characters and lets the audience immerse themselves into a whole new world. This week we had the chance to explore the process of designing a costume, from a sketch to a final wearable garment for the stage.
In a career spanning four decades, Craig Van Sickle has written, produced and directed more than 200 hours of prime-time television, including scripts for “Murder, She Wrote,” “NCIS,” “24” and George Lucas’s “The Clone Wars.”
Van Sickle graduated from IU in 1979 with a degree in telecommunications and soon moved to Los Angeles, where he eventually met up with his writing partner of 30-plus years, Steve Mitchell.
In 1985, after nearly six years in Hollywood, Van Sickle sold his first script to “The Love Boat.” Two years later, he landed his first staff writing job at the “Murder She Wrote” spinoff “The Law & Harry McGraw.” In the years following, Van Sickle moved up the ranks from story editor to executive producer/showrunner under the guidance of mentors Peter S. Fischer (“Murder, She Wrote”), Kenneth Johnson (“Alien Nation”) and the late Stephen J. Cannell (“Rockford Files,” “Wiseguy”) as he continued writing scripts for all three TV giants.
In 1996, Van Sickle achieved his lifelong dream when his original series, “The Pretender,” was picked up by NBC.
“That was my big leap,” Van Sickle recalled. “Ever since fifth grade when I decided to become a writer, my career goal was to get my own series on television.”
“The Pretender,” written and created by Van Sickle and Mitchell, ran for four seasons and launched two feature-length films. They recently published two novels set in the “Pretender” universe: “Rebirth” and “Saving Luke.”
Since “The Pretender,” Van Sickle created the series “She Spies,” became showrunner for NBC’s “Medical Investigations” in 2005 and wrote about 30 television pilot scripts.
In 2008, Van Sickle saw another dream project come to life when he wrote and produced his reimagining of “The Wizard of Oz” titled, “Tin Man,” which aired on The SyFy Channel. To this day, “Tin Man” remains the network’s highest-rated mini-series of all time and garnered nine Emmy nominations, winning multiple awards that year.
In addition to his mentors, Van Sickle credits his family, who he said made it all worthwhile.
“My wife Wendy was there for me from the very beginning, before success. Along with our two great children, Aridae and Wills, family love kept me very grounded,” he said.
In 2017, Van Sickle launched scripTVisions.com, a script mentoring site that helps unproduced writers improve their scripts and launch their professional careers in Hollywood. Each year, he selects one protégé’s work to submit to his agents and take out into the marketplace to get the show on the air.
“Ninety percent of my clients are pro bono,” he said. “In an era where novice writers are being taken advantage of by fly-by-night script services, I just felt they deserved legitimate feedback from a professional – the kind of notes that will truly help them break into the TV business.”
Since 1985, Van Sickle has been an active member of the Writers Guild of America West, for which he has participated in numerous panels and workshops throughout the years.
He is working on a new series called “Veil” for Starling Entertainment, which he hopes will premiere next year.
For some undergraduate students, it can be increasingly difficult to distinguish fact from fiction in an online environment. On top of this, students can be so overwhelmed by the massive amount of information that they have problems finding and identifying accurate information for their research. Enter the Critical Thinking Online Toolkit.
As a series of assignments and modules in Canvas, this Toolkit provides materials for instructors across all IU campuses to help students hone their information literacy skills: identify and evaluate valid sources of information, synthesize that information, and construct and communicate knowledge for their academic work and everyday lives.
Come learn about more about the Toolkit: what it is, where it is, and how it’s helping instructors across IU campuses engage their students to navigate and critically assess information in an online environment.
This interactive webinar will provide an introduction to the Beginning College Survey of Student Engagement (BCSSE). The webinar will describe options for survey administration, data use, and reporting. Participants will also have the opportunity to ask questions, as well hear how their colleagues at other CSU campuses plan on using BCSSE.
Institute for Digital Arts and Humanities, Sara Duke, Michelle Dalmau
Summary:
Digital methods such as mapping, data visualization and network analysis offer opportunities to interrogate, explore, and answer research questions. What underlies each of these digital methods are data and the processes required to translate arts and humanities evidence into manipulatable data structures. In this workshop, we will explore the concept of “collections as data” and the implications of data normalization to facilitate computational based research or creative outputs. We will discuss the types of decisions you'll encounter when representing your humanities evidence in a digital environment and best practices for structuring your research data for use in a number of digital tools.
Jan Matti Dollbaum, PhD student at the Research Centre for East European Studies at the University of Bremen, Germany.
Alexey Navalny is the most prominent opposition figure in Russia today. By combining street actions with digital technologies, he challenged regime advantages and attracted significant support, especially among young people. During his 2017/18 presidential campaign, Navalny’s team built a country-wide organization to strengthen local civil society and support further opposition action. I will present original survey and interview data that paint a comprehensive picture of his supporters. These data provide a new way to address the implications of Navalny’s actions for the future.
Jan Matti Dollbaum is currently finalizing his PhD thesis at the Research Centre for East European Studies at the University of Bremen, Germany. His dissertation compares trajectories of protest institutionalization in four Russian regions. Jan’s work has appeared in Communist and Post-Communist Studies and Social Movement Studies, among others.
For the great many of us confounded by issues of cybersecurity, Dean Shanahan and founder of the Library Freedom Project Alison Macrina work through everything from Facebook to the NSA and web browsing to texting. Macrina is set to visit IU Feb. 14 as part of the Center for Applied Cybersecurity Research speaker series, co-hosted with the Center of Excellence for Women in Technology.
This week, Dean Shanahan talks with Nancy Lipschultz, Associate Professor of Voice and Speech in the Department of Theatre, Drama, and Contemporary Dance. Lipschultz shares insight into regional dialects, how she coaches professionals, and gives the dean a quick lesson on Cockney English.
Dunn, Jon, Halliday, Jim, Knox, Eric, Laherty, Jennifer
Summary:
Cyberinfrastructure finally caught up with the vision for biodiversity ‘big data’ online. Species are populations, and our knowledge of species is documented by preserved specimens. The IU Herbarium has 161,000+ specimens. Symbiota is a multi-institutional platform that accommodates specimen- and species-level images and information, and our regional instance for vascular plants is the Consortium of Midwest Herbaria data portal (http://midwestherbaria.org). To efficiently digitize the specimens, each was barcoded and photographed, with each image renamed as the barcode, and a skeletal database record created with the barcode, species name, and provenance (down to the level of U.S. counties). IU Libraries built the Imago digital repository (https://imago.indiana.edu), based on technology from the Samvera open source community, and quality-control pipelines to manage the digital resources being created by the IU Herbarium and other biological research collections. The high-resolution .tif images are stored in the Scholarly Data Archive, and equally good .jpg derivatives are married with the skeletal record information as they are ingested in Imago. Optical character recognition was used to capture specimen label information as .txt files, which were uploaded into Symbiota along with the Imago persistent URLs. The downstream workflow of label transcription and georeferencing was organized by the skeletal record information and conducted by a small army of student workers who simply needed access to the internet. The Imago pURLs also link DNA sequences in GenBank to the corresponding voucher specimens, and can be used in future digital publishing. IU hosts specimen images from other Indiana herbaria, and is providing technology transfer assistance to the University of Cape Town.
Rafat Ali came to study new media at IU in the heat of the dot-com boom. By the time he graduated, the bubble had burst. Yet, Ali managed to enter and excel in digital media, founding paidContent, ContentNext and Skift. In this episode, he talks with Dean Shanahan about how he did it.
Institute for Digital Arts & Humanities, Sylvia Fernandez
Summary:
While cartography is a colonialist product when unrepresented individuals or communities utilize and recreate these tools they serve to contest a colonial cultural record. With respect to U.S.-Mexico borderlands, toxic discourses have continuously altered its history, social dynamics, culture, local and binational relationships. This presentation brings to the forefront initiatives that create alternative cartographies that challenge colonialist impositions such as: Borderlands Archives Cartography (BAC), a transborderlands project dedicated to locate, map and facilitate access to nineteenth and mid-twentieth century U.S.-Mexico borderlands newspapers; and Torn Apart / Separados, a mobilized humanities project that intervenes in the United States’ immigration debates with data narratives illuminating the effects of the government’s policy of separating families and the infrastructure subtending immigration enforcement. These initiatives use GIS tools to interpret data and archival material in new ways, enabling to see patterns otherwise invisible in static maps. BAC and Torn Apart digital maps and visualizations pose new questions contest established narratives, creates alternative forms of mapping and activate a knowledge production shaped from the ground-up. With this in mind, these alternative cartographies function as a historical and cultural record of the present and become resources to resist impositions in the future.
It was an honor to have Dr Porges on the podcast. As you probably know, he is the creator of the Polyvagal Theory and author of "The Polyvagal Theory" and "The Pocket Guide to the Polyvagal Theory." I recommend both of these books, but the Pocket Guide is easier to take in, understand and apply.
Polyvagal Theory as the basis for understanding and human experience.
“Understanding comes from feeling safe with ideas and thoughts.”
“Polyvagal Theory enabled me to understand the portals we have to optimize the human experience.”
Before PVT, the focus was on events versus feelings
Feelings
Emotion versus bodily experience
Feelings sit on top of autonomic state
Inverted triangle, bottom point is the brainstem and wider point are the higher brain structures
“What higher brain structures can do are in part limited by the state that the brainstem is in.”
”Many of the observables in our human behavior are not intentional.”
“We have feelings and we respond to them.”
Empathy vs Compassion
Empathy - we feel other people's’ feelings
“Empathetic pain” - If another feels pain, we may not be in a good position to support
Evaluating pain, like “That’s horrible.”
Compassion - respectful and acknowledging of another’s pain, but there to witness and support
“People aren’t prepared to listen, to witness, in a compassionate way.”
“Healing” the Vagus Nerve?
Vagus nerve is a conduit
Vagus isn’t the concern, it’s the feedback loop between organ and brainstem that is the concern
Certain feedback loops or defense strategies can get stuck
Comorbidities come along with an ANS that is in a defensive state
Be careful of ‘hacking the system,’ there are more natural ways to perform neural exercises, like singing, socializing, rocking, pranayama yoga and playing
Extend the duration of the exhale
Other Fs…
The responses are adaptive, not bad
“Flop” is an adaptive response to death feign, part of the most ancient dorsal vagal circuit
“Shutting down” is literally passing out, but not everyone does that, but will have immobilization features
Hybrid and gradation of sympathetic along with immobilization
A body that goes into immobilization features may actually mobilize in an attempt to resist immobilization
Substance Use
Addictive behavior is a strategy to regulate state
True physical addiction is secondary to initial benefit of addictive behavior
The addictive behavior is protecting the individual from shutting down
Psychiatry
Child psychiatry is about pharmacological manipulation
Psychiatry is not looking at the social engagement system behaviors
“Psychiatry needs a reeducation.”
“The warmest home for the polyvagal theory… is in trauma.”
Polyvagal Theory provides a narrative consistent with client reports
“Drugs effect physiology,” they are looking to “down-regulate” arousal
“Some drugs will calm people down and they will be isolated in their calmness.” Calmed down doesn’t mean socially engaged
Vagal tone means the amount of information coming down the vagus.
Psychiatric medications may remove efficiency of regulating physiological state
Psychiatry needs to measure autonomic regulation of the individual on and off the drugs
Dominant State
Safe and social system needs to be accessible to reduce ambiguity of a cue
“Freeze” is the mix of dorsal vagal immobilization plus sympathetic arousal
“Shut down” is limp, “freeze” is rigid
Clinical Disorders as Adaptations
Adaptations are a shifting of the more global autonomic states
Clinical disorders are a compromise to the social engagement system
As a species, we evolved to co-regulate, if we take that out of the equation, you get self-regulatory behaviors that result in diagnoses
"I think what you would find is it really doesn't matter what the diagnosis is. That they share some common features. And the common features have to do with state regulation. And in fact the manifestations... has to do with the strategies that the higher brain structures developed to regulate their state. And in a sense the personal narrative that evolved from those psychological or mental experiences." -Dr. Stephen Porges
A disruptor (like abuse or traumatic event) occurs that disrupts opportunities to co-regulate with a safe other
Personal Narratives
PVT brings the narrative that there is a reason someone is feeling the way they feel
Higher brain structures (cognitive and sense of awareness) attuned body state, it will act as a container to the feelings
Narrative will change when people become attuned to their state
Narrative can be a container to physiological activity
Our body’s reactions were heroic attempts to save our lives
Dissociative Identity Disorder & Dissociation
Alters may be seen as a polyvagal state, they have autonomic components
Often, DID systems have no more than three alters
Dissociation can be understood as decreased blood flow to the brain
Dissociation is an adaptive feature in place of passing out; repeated passing out can result in injury or death
Dissociation is common and there are gradations
Polyvagal theory is an evolving theory that others are adding to, it’s a framework of thought.
Buy "The Polyvagal Theory" and the "Pocket Guide" at these Amazon links. Other recommended books are in my Amazon Influencer Store.
DR PORGES Website - https://www.stephenporges.com/
Music & Sounds by Benjo Beats - https://soundcloud.com/benjobeats
Text and Original Publication: https://www.justinlmft.com/post/episode15
This is one of a series of films from Rebel Wisdom on the science and psychology of polarisation. We recommend to start with the introduction film here: https://youtu.be/EUNHj5eh7BM
Dr Stephen Porges is a scientist, and creator of the hugely influential 'polyvagal theory'. Together with Peter Levine, he revolutionised the understanding of human connection, trauma and personal growth.
His work is also fundamentally important to understand how conversations break down, how we get psychological safety, and the roots of polarisation and division.
To get access to more exclusive content, become a Rebel Wisdom subscriber: https://www.rebelwisdom.co.uk/plans
We've also just launched the Rebel Wisdom store! Buy T Shirts and more on https://shop.rebelwisdom.co.uk
You can listen to a podcast versions of our films on Spotify or Apple Podcasts by searching 'Rebel Wisdom' or download episodes from our Podbean page: https://rebelwisdom.podbean.com/
(this one will be available in podcast format only on Future Thinkers for now)
We also have a Rebel Wisdom Discord discussion channel: https://discord.gg/RK4MeYW
Text and original publication: https://www.youtube.com/watch?v=vmkG5l7CaGw
Kolby Kail is the owner and lead speech-language pathologist at Kolby Kail Speech Therapy in San Diego, CA. She has been an avid proponent and an iLs provider since 2012. Kolby believes there is no better feeling than helping a child achieve his/her communicative goals while having fun. She integrates therapy goals into play activities that are fun and functional increasing carry-over into all environments. She easily establishes trust and connection with families to facilitate consistent progress. Connect with Kolby at:
Original text and publication: https://integratedlistening.com/blog/2019/09/24/dr-stephen-porges-interview-from-the-thriving-children-summit/
This is an interview of Dr. Stephen Porges by Dr. David Berceli discussing the concepts of "spirituality" from a Polyvagal perspective. It is divided into 18 subcategories in order to be inclusive of this topic from the perspectives of science, psychology and various systems of belief. https://www.stephenporges.com/
https://traumaprevention.com/
Sara Duke, Institute for Digital Arts & Humanities
Summary:
My research project topic models the letters of Alexander Hamilton. I will compare the results of a topic model of Hamilton's outgoing correspondence from his arrival in the American colonies (after October 1772) to his death (July 1804) with the lyrics from Hamilton: An American Musical. In doing so, I study the extent to which the vocabulary of Hamilton's letters shape the musical's lyrics,and how this shift reflects changes in perceptions of his place within eighteenth-century American political culture. This project serves as the foundation for my MLIS digital humanities capstone project.
Video bio of Ed Spray, inducted to Indiana Broadcast Pioneers Hall of Fame in 2019;
Seymour, Indiana, native Ed Spray earned his bachelor’s degree in radio-television with a minor in journalism from Indiana University. He worked as a producer-director for IU Radio and Television Services and then became a film editor and cameraman at WISH-TV in Indianapolis. In 1966, Spray became producer-director for WMAQ-TV in Chicago and won five Emmy Awards. In 1974, he moved across town to WBBM-TV, the CBS-owned station, where as program director he led one of commercial television’s most honored programming operations, winning nearly all of television’s best-known awards, including National Emmys, two Peabody Awards, and more than 75 local Emmys. Spray transferred to CBS-owned KCBS-TV in Los Angeles in 1986 and served as station manager before being promoted to vice president of programming and development for all CBS-owned stations. In 1994, he joined the E.W. Scripps Company where he was a co-founder of the Home and Garden Cable Television Network, HGTV. The company later acquired the Food Network and under Spray’s leadership launched two more cable networks: DIY and Fine Living. Spray retired as president of Scripps Networks in 2005.
--Words from the Indiana Broadcast Pioneers
Take Edna F. Einsiedel by the numbers, and one can see the impact she’s had on academia.
She has published nearly 70 journal articles, contributed to more than 30 books and taught thousands of students. Her curiosity and love of learning have led her to more than 40 countries, where she’s researched topics like communication, pornography, technology and the environment.
But Einsiedel has never allowed her work in academia to exist in a vacuum. First as a student and later as a journalist, researcher and professor, she has prioritized bridging gaps between university and town, government and citizen, and teacher and student.
By the time Einsiedel earned her doctorate from IU in 1975, she had already established her philosophy about academic writing – that it, like journalism, should be a communicative act.
“A lot of it had to do with being in journalism school, and that kind of training and background emphasized to me the importance of being clear and being accessible to readers,” Einsiedel said. “That training stuck with me.”
Einsiedel, who has a B.S. in zoology from the University of the Philippines and a master’s in political science from California State University, Chico, is the author of an inventive 1974 doctoral dissertation on attitudinal bias in journalistic interviewing, which was praised by IU professors for its accessible, easy-to-read style.
Upon graduating from IU, Einsiedel began to teach journalism as an assistant professor at Kent State University. At the same time, she took an evening job at the Kent Record-Courier in an effort to gain more practical journalism experience and make her skills useful in the community.
“I was in a journalism program, and a lot of the emphasis was on practical training,” Einsiedel recalled. “I felt my personal training wasn’t fully rounded. That was another way of getting some hands-on experience.”
In 1978, Einsiedel took an associate professorship at the Newhouse School of Public Communications at Syracuse University. There, she studied the impacts of agenda-setting in the media. She also studied pornography, a research interest that developed out of similar studies as a graduate student at IU. Her work in this field led to her appointment to the U.S. Attorney General’s Commission on Pornography, commonly known as the Meese Commission, during her last two years at Syracuse.
It was controversial work, she recalled, and gave her a taste of the issues raised by contentious science.
During this period, Einsiedel still fulfilled her faculty duties at Syracuse. In 1985, she was promoted to full professor. Around that time, she moved to the University of Calgary, where she has taught for 30 years, earning the distinguished rank of university professor.
There, she has studied the communication of science, technology and environmental and climate change, and focused on how publics can be more effectively engaged and participate in science and technology issues.
Today, Einsiedel credits her students with helping her maintain her curiosity and fervor for learning and research.
“My students have inspired me,” she said. “They push me to ask a wider variety of questions. I learn a lot from my students and I hope they learn just as much from me.”
Since 2014, partners from Indiana University Bloomington (IUB) and Indiana University Purdue University Indianapolis (IUPUI) Libraries have been collaboratively developing new Samvera (formerly Hydra) software to manage and deliver page turning digital objects. In 2018, conversations with Enterprise Scholarly Systems (ESS), a partnership between IUB Libraries, IUPUI Libraries, and University Information Technology Services (UITS), expanded our project's scope. This presentation will highlight our development efforts, now known as the ESS Images project or ESSI.
In the past year, the ESSI team has developed numerous improvements to the Hyrax digital repository software, one of the Samvera community's most commonly-used open source platforms. These improvements include the ability to order, structure, and label pages within an item, replicating features available in the Pages Online service launched in 2017. Additionally, the project has implemented optical character recognition search in a community-accepted way, building upon components of the IMLS-funded Samvera Newspaper Works application.
This presentation will also discuss in-development improvements for our existing image collections. The Hyrax repository by default assumes every item can be described by the same group of metadata fields and labels, but in actuality, collections of digital images often have wildly different metadata profiles from each other. Our recent work has aimed to incorporate a model for flexible metadata developed by the Samvera Machine-readable Metadata Modeling Specification (M3) Working Group within Hyrax. This work will help IU, IUPUI, and the Samvera community better adapt Hyrax to manage and deliver a wide variety of digital library collections in a standardized way.
The collection includes three kinds of material. There are original audio recordings of specific passages that demonstrate the ways of performing them discussed in Focal Impulse Theory. (There is also one brief excerpt from a commercial recording that is not widely available.) There are original video recordings; some have content similar to the audio recordings, and some demonstrate general ways of performing discussed in the text.
The In This Climate team is thankful for a lot this year. Since our first episode at the beginning of September, we've covered wildfires as they relate to the Arctic, air quality, and wine. We've explored birds and coffee and a little bit of the intersection. We've featured stories about communities standing up for their health and talked with experts about topics ranging from hurricane communications to environmentally sustainable beer brewing. In this episode, we walk back through it all. Enjoy the walk? Wish it were different? Please, let us know!
Studies of genes and social behavior, aided by new genomic resources, are coming of age. Here, I highlight three of the insights that have emerged from these studies that shed light on the evolution and mechanisms governing social life: 1) Nature builds diverse social brains from common genetic blocks in insects and vertebrates, including those related to metabolism and transcriptional regulation; 2) Changes in the wiring of gene regulatory networks are involved in the evolution of insect societies; and 3) The social brain is addicted to altruism.
