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Celebrating the 10 year anniversary of being the Red Wolves. A brief history of campus life and culture when the IU East mascot was the Pioneers and the reason we changed to the Red Wolves and the introduction of Rufus, the Red Wolf. Being interviewed is the Director of Campus Life Rebekah Hester and NSM faculty member Neil Sabine.
This interview "Stephen Porges: Resilience" is part of the series "Hardwiring Happiness: The 7 Essential Strengths with Rick Hanson," originally hosted by en*theos.
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https://www.rickhanson.net/writings/just-one-thing/
Original publication: https://www.youtube.com/watch?v=UeN4mWATl9g
Institute for Digital Arts and Humanities, Kathryn Tomasek
Summary:
When students transcribe and mark up primary sources, they learn the kind of close reading that is necessary for historical interpretation. When their professors teach transcription and markup, they can discover new research projects and make an impact on their fields. In 2004, Tomasek began to work with colleagues in the Wheaton College Archives and in Library and Information Services to build transcription and markup into an undergraduate course in nineteenth-century U.S. Women’s History. They used a scaffolded assignment that allowed students to build on skills developed throughout the semester, and students reported real investment in the life of the daughter of a Baptist minister whose journal they transcribed and marked up. Summer interns who did similar work with the pocket diaries and travel journal of Eliza Baylies Wheaton, a member of the institution’s founding family, did extra unassigned work tracking down the graves of people mentioned in the documents in town cemeteries.
By 2009, the Wheaton team had developed a successful model for teaching students close reading, but they had run out of “easy” documents like journals and pocket diaries. So Tomasek and her colleagues turned to the daybook kept by a member of the institution’s founding family. A student research assistant who attended DHSI and took the Introduction to TEI course with Tomasek became the local expert and assisted in teaching a module focused on transcription and markup of the daybook. As is always the case, some students took to the assignment more readily than others. Pairing students to work on a page spread worked better than asking individual students to take on the work themselves. Successful students found stories in their page spreads and wrote real historical depictions of the facts and their significance. Tomasek, her library partners, and the student assistant taught the module for two years before receiving a Start-Up award for further investigation of markup for account books from the Office of Digital Humanities at the National Endowment for the Humanities in 2011.
This award marked a transition in Tomasek’s research agenda to a focus on account books as humanities sources and the value of digital scholarly editions for reuse by other researchers. The small community of practice that began in summer 2011 expanded with the help of a Bilateral Digital Humanities award from the German Research Foundation and the NEH in 2015. Tomasek found the use of the classroom module to be slower than ideal for producing a full edition of the day book, and she transitioned to more intensive work with summer interns in 2015. A group of those interns completed a first-run transcription and markup of the daybook in 2016, and an alpha version is part of a data set that includes excerpts from the Financial Papers of George Washington, accounts from the Stagville plantation in North Carolina, Matthew Carey’s Printers File, and accounts of the Uihlein family, founders of the Schlitz brewing company.
This collection of videos to accompany the book, Styling Blackness in Chile: Music and Dance in the African Diaspora, provides examples of the different ways of styling Blackness as described in the book. Styling Blackness as Afro-descendant appears in a 2009 Pascua de los Negros performance; styling Blackness as Criollo appears during Lumbanga's celebration of the 2009 Dia de la Mujer Afro as well as Oro Negro's performance of the baile de tierra during a Chilean Independence parade; styling Blackness as Moreno appears in a presentation by the Hijos de Azapa during the 2008 Fiesta Chica of the Virgen de las Peñas; styling Blackness as Indigenous appears during the 2009 Carnaval Andino with morenada and caporales performances.
Brian M. Watson and Michael Morrone of Kelly Business School discuss the Journal of the Scholarship of Teaching and Learning and Open Access and its implications.
Institute for Digital Arts and Humanities, Lisa Silvestri
Summary:
With support from the National Endowment for the Humanities, Telling War, a veteran based initiative, explores manifestations of the veteran voice through a variety of story forms such as papermaking, six word war stories, podcasting, and documentary film. Telling War’s mission is to cultivate creative opportunities for veterans to tell their story. This presentation will review some of the project’s initial outcomes. For example, when participating veterans used the ancient art of papermaking to transform their uniforms into paper then bind into book form, they were able to access stories often untold in the public sphere. The books they created held personal imagery and artifacts from their time in the service. The papermaking process allowed them to metabolize and story their experiences. In other cases, veterans wrote six word war stories following in the legacy of Hemmingway’s famous six word short story, “For sale: baby shoes, never worn.” Although brief, these first-person memoirs captured aspects of deployment–from the everyday to the extreme–that shifted the communicative priority from eloquence to essence. By sharing these examples and others, this presentation argues that in order to enrich collective knowledge and memory of war, the stories told and heard about war must be expanded and diversified.