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In episode 78, Dean James Shanahan speaks to Professor of Law Steve Sanders about Masterpiece Cakeshop v. Colorado Civil Rights Commission—a case in which the Supreme Court will determine whether the application of Colorado's public accommodations law to compel a cake maker to design and make a cake that violates his sincerely held religious beliefs about marriage violates the Free Speech or Free Exercise Clauses of the First Amendment.
At times more complex data visualizations are necessary to communicate your argument and explore the multiple dimensions of your dataset. This hands-on session will start you down the path towards employing statistical methods to communicate your argument, and will give you a chance to bring your own data and work through options for visualizations. During the workshop we will use two sample datasets to discuss how they were prepared and structured to enable comparison with regression analysis. We'll discuss regression analysis and how you can compare two datasets in a way that ensures you're getting useful information.
“You don’t have the right to deny them the opportunity to try this.” Mary Lou Melloy's daughter, Cindy, was born in 1958. Doctors told the family they should put Cindy in a residential facility. Mary Lou and her husband, Don, had other plans for their daughter. In this clip, Mary Lou discusses the work it took to get Cindy accepted into public school. After completing school in Indianapolis, Cindy went to a workshop for a while until she landed a community job. Although Mary Lou was initially hesitant about a community job, in the end she said it was a wonderful opportunity for her daughter. Mary Lou started encouraging other parents to let go of their fears and give their children the opportunity to find a job in the community. She was interviewed in 2017.
This talk will present a set of standards for the replication documentation (data, code, and supporting information) that authors should assemble and make public when they release studies reporting the results of research based on analysis of statistical data. We will begin from first principles: What purposes is replication documentation intended to serve? And what must be true of the contents and organization of the documentation for a study if it is to fulfill those purposes? We will then describe how these general principles are embodied in the particular documentation standards we propose. Further discussion will include: (i) a comparison of our proposed standards with existing guidelines, such as TOPS, DA-RT, the BITSS Manual, and the "data policies" that have been adopted by a number of prominent journals, (ii) using the Open Science Framework (OSF), an on-line file management platform, for assembling and sharing replication documentation, and (iii) the curricular resources that are being produced by Project TIER for teaching and learning reproducible research methods.
In episode 77, Janae Cummings speaks to Dan Calarco, chief of staff for IU's vice president for information technology, and Von Welch, director of IU's Center for Applied Cybersecurity Research. The trio discuss cybersecurity, two-factor login, and the challenges of staying safe online.
Indiana University's Lilly Library acquired a large collection of the papers of Orson Welles in the late 1970s, and with it nearly six hundred recordings of his iconic series First Person Singular, Mercury Theatre on the Air, and Campbell Playhouse, as well as more obscure gems, mostly originals cut directly from the broadcasts as they aired. And yet the collection guide listed only "tapes," reformatted from the unmentioned originals. The presentation will discuss how the discs were 'rediscovered,' the problem of multiple formats in traditional archival descriptive practices, and IU's project to digitize and make publicly available the original disc recordings.
The Orson Welles on the Air project has digitized the discs and associated scripts. In creating the publicly available web site, the project team used Omeka, an application that the group had a lot of experience with, but this time faced a new use case that required the integration of audio and image interfaces. Omeka has a plugin that works with the audio in Media Collections Online (Avalon Media Systems), but how to integrate the scripts? And how to handle playback of radio programs spread across multiple files/disc sides?
Using standard plugins for Omeka, we were able to create a web site that would allow audio playback while simultaneously allowing the user to page through images of the script. In this presentation, we will demo the new site and show how we added the linked audio and print pages.
There are many tools and platforms for creating data visualizations, but in order to ensure they communicate in an effective way, your visualizations must be grounded in the appropriate quantitative methods. In this workshop, we will present some problematic humanities datasets and case studies, and use them to walk through the structure and assumptions your data will need to meet in order to create effective data visualizations. Introductory quantitative methods and vocabularies will be presented.
Through the Gates host Janae Cummings opens season 3 with W. Kamau Bell—sociopolitical comedian, podcaster, author, and Emmy Award-winning host of the CNN docu-series United Shades of America. Bell visited the Indiana University Bloomington campus to speak at the university's annual Martin Luther King Jr. Celebration Leadership Breakfast.
Digital tools for mapping, data visualization, and network analysis offer opportunities to discover, answer, and present research for scholars working in the arts and humanities. But these methods require moving your evidence and research into a data structure appropriate for your chosen tool. In this workshop, we'll discuss the types of decisions you'll encounter when representing your humanities evidence in a digital environment and best practices for structuring your research data for use in a number of digital tools.
Presentation about the İlhan Başgöz collection (ATM accession number 93-114-F) which contains Turkish folk music, Alevi music, riddles, and folk stories. The moderated discussion is focused on Başgöz's fieldwork experiences and memories with his interlocutors, and Başgöz discusses interesting examples that shows how he navigated fieldwork projects during the early years of his career.
Video bio of Al Hobbs, inducted to Indiana Broadcast Pioneers Hall of Fame in 2018;
After attending high school in Louisville, Kentucky, alongside Muhammad Ali, Al Hobbs moved in 1960 to Indianapolis with the intentions of continuing his education at Butler University. However, due to lack of tuition money, Hobbs instead got a job at a local grocery store. It was from here that he made his way into radio and the rest is history. Hobbs spent more than 20 years at WTLC-FM where he became popular from hosting a gospel music program. Right as he was beginning to retire from radio, he founded the Aleho gospel recording label and issued dozens of albums within a decade. Hobbs was also responsible for founding the Indiana Black Expo’s StarQuest talent search.
--Information from the Indianapolis Star
Video bio of Bernie Eagan, inducted to Indiana Broadcast Pioneers Hall of Fame in 2018;
This Beech Grove, Indiana, native was born blind, but he didn’t let that stop him from pursuing a love of music and entertainment. After graduating from the Indiana School for the Blind in 1975, Bernie Eagan went on to Ball State University where he graduated with a degree in Radio and Television Communications. He then accepted a position as a programming consultant at WWHC-FM (now WMXQ-FM) and was hired part-time at WERK-AM. Eagan began working at Emmis Communications’s WENS-FM in Indianapolis, becoming music director and assistant program director while hosting afternoon drive from 1984 to 2002 and a Friday night retro show 1999-2002. Eagan later hosted mornings and afternoons on WXYB-FM, Indianapolis.
--Words from the Indiana Broadcast Pioneers
We asked five questions (and a little more) to Indiana University professor and poet-in-residence Adrian Matejka. The award-winning poet is author of The Devil’s Garden, Mixology, and The Big Smoke—a finalist for the 2013 National Book Award and the 2014 Pulitzer Prize in Poetry. His upcoming collection of poems, Map to the Stars, will be released in March 2017.
Journalism is innate in Craig Klugman, longtime editor of the Fort Wayne (Indiana) Journal Gazette.
“In my life, about the only thing that came easily to me was newspaper journalism,” he said of his career.
Born in 1945 in Fargo, North Dakota, well before the middle-of-nowhere town had any weight to its name, Klugman graduated from IU in 1967 with a Bachelor of Arts in journalism and political science.
He was hired as a copy editor at the Chicago Sun-Times after graduation, and later went on to serve as telegraph editor, news editor, city editor and assistant managing editor for features.
He left the Sun-Times for Northwestern University’s Medill School of Journalism, where he taught as an assistant professor from 1978-79. He went on to serve as director of undergraduate studies from 1979-82.
After leaving Medill in 1982, Klugman returned to the state of his alma mater, where he would dedicate the next decades of his life not only to local communities, but to the benefit of Indiana journalism as a whole. He stepped onto the Fort Wayne Journal Gazette as editor in 1982, where he worked for 33 years before his retirement from the paper in late 2015. Under his leadership, the paper won numerous state and national awards, which include the Hoosier State Press Association’s Blue Ribbon Newspaper of the Year award.
Journal Gazette publisher Julie Inskeep once wrote that Klugman has remained dedicated through his career to embracing the growth of media, and even to following its growth into uncharted territory.
In 1998, Klugman helped produce and distribute a revolutionary seven-newspaper investigative series on abuses of Indiana’s public access laws. The series, called “The State of Secrecy,” ran simultaneously in all seven of the participating papers and ultimately resulted in the creation of the Indiana Public Access Counselor’s Office.
The format has since been used by newspapers in more than 20 states.
Klugman serves on the IU Publications Board, which selects editors for IU student media publications. He chaired the Freedom of Information, International and Content committees for the American Society of Newspaper Editors, and even served a year as the editor of the society’s magazine.
In 2001, he joined other distinguished journalists and public officials for “Getting it Right,” a Franklin College symposium on accuracy in the media. In 2004, he was awarded the Hoosier Intellectual Freedom Award from the Indiana Library Federation for challenging censorship throughout his career.
He also received a Distinguished Service Award from the Hoosier State Press Association, which recognized his work on more than 20 years of service with HSPA committees. Those included the Newsroom Seminar and Freedom of Information committees.
He was inducted into the Indiana Journalism Hall of Fame in 2009.
Throughout his career, Klugman has remained dedicated not only to contributing to his field, but also to bettering it. His work on freedom of the press and freedom of information advocacy exemplifies his career-long affinity for journalism and his will to advance it for all.
“So what have newspapers meant to me?” he asked. “My life, probably.”
Diana Hadley has dedicated her career to educating and advocating for new generations of journalists.
After earning a bachelor’s degree from Purdue in 1971, Hadley took a job at Mooresville High School, where she taught English, speech and journalism for more than 30 years. Despite having no journalism experience, she was assigned to advise the school’s newspaper and teach a journalism course. Incidentally, that was perhaps the single most significant assignment of her life.
“It was the best thing I did, and it was a happy accident,” she said.
Through teaching and advising, she developed an admiration for journalism, which inspired her to pursue a master’s degree in journalism from Indiana University. It took eight years to complete. Although it was challenging to continue to teach, advise publications and earn a master’s degree, dean Richard Gray and advisor Mary Benedict scheduled classes after 4 p.m. and during the summer, allowing Hadley to attend. The rich experience forged a loyalty to IU and the High School Journalism Institute she maintained for the rest of her career.
Hadley spent 10 years advising Mooresville’s television news outlet, 23 advising the school’s yearbook staff and all 33 advising its newspaper staff.
Hadley established the school’s television news outlet when the school received a gift of free broadcast equipment. She developed a broadcast class in which students produced the morning and afternoon announcements. She came to school at 6:30 a.m. every day to supervise her students.
In 1986, Hadley received the Indiana High School Press Association’s Ella Sengenberger Adviser of the Year award. In 1996, she was named Distinguished Adviser of the Year by the Dow Jones News Fund. In 2000, she was a finalist for the Indiana Department of Education’s Teacher of the Year award.
In 2004, after retiring from Mooresville, Hadley began a part-time job at Franklin College as assistant director of IHSPA and part-time instructor in Franklin’s journalism school. She eventually became director of IHSPA and served in that role for 13 years.
Though she didn’t directly advise a high school newspaper or yearbook staff, Hadley continued to dedicate herself to improving the field of high school journalism. She corresponded with high school journalism advisors seeking advice and trekked across Indiana to assist teachers and advisors as they struggled through administrative hassles, freedom of press issues and any other problem that might plague a high school newspaper.
Hadley also started a First Amendment Day at the Statehouse each March — giving up to 400 high school students the opportunity to observe the legislative process — and coordinated the evaluation of hundreds of newspapers and yearbooks to create an annual statewide awards program. She also taught at IU’s High School Journalism Institute for more than 30 summers.
Hadley retired from IHSPA in 2017.
Hadley has received honors and recognition from the Indiana Journalism Hall of Fame, the Indiana State Teachers Association, the Association for Education in Journalism and Mass Communication, the Indiana Department of Education, the Independent Colleges of Indiana and the Woman’s Press Club of Indiana/National Federation of Press Women. In 2017, she received a Sagamore of the Wabash.
Ed Spray’s legacy in the world of television includes dozens of industry awards, the programming of five CBS television stations and the creation of three cable networks. It culminates in his tenure as president of Scripps Networks, home of HGTV and the Food Network. But it begins in IU’s Radio-Television Building.
Spray left his hometown of Seymour, Indiana, to major in radio and television with a minor in journalism at IU. He served as president of Sigma Delta Chi Journalism Society, vice president of his fraternity Kappa Delta Rho and member of the IU Student Foundation. He also earned spare change by shooting film of campus activities for Indianapolis TV stations. Upon graduating in 1963, he married Donna Cornwell, a fellow IU student pursuing a bachelor’s and master’s degree in elementary education.
As he worked toward his master’s degree in communications at IU, Spray served as a part-time producer/director for IU Radio and Television Services. He graduated in 1969 and landed his first job as a film editor at WISH-TV Indianapolis, eventually moving on to WMAQ-TV Chicago, an NBC-owned television station. There, Spray gradually rose to producer/director and won five Chicago Emmy Awards during his next nine years of work.
Spray left WMAQ but stayed in Chicago, taking a job as director of broadcasting at CBS-owned station WBBM-TV. There, he led one of the most prolific and celebrated programming operations in commercial television, earning nearly all of the industry’s most iconic and coveted awards, including two national Emmys, two Peabodys, several DuPont Columbia Awards, Edward R. Murrow documentary awards and more than 75 local Emmys.
In 1986, Spray transferred to Los Angeles CBS-owned station KCBS, where he served as station manager. He was eventually promoted to a CBS corporate vice president position, which put him in charge of developing national programming for the CBS Television Stations group.
Spray left Los Angeles six years later, in 1992, opting to transition to higher education full-time. He taught as an associate professor at Syracuse University’s S.I. Newhouse School of Communications.
In 1994, he was hired by the E.W. Scripps Company to launch a home and garden cable television network, better known now as HGTV. He co-founded the network and was initially responsible for producing, scheduling and promoting HGTV content. Two years later, the company acquired the Food Network and assigned Spray to lead the relaunch of the network with the new highly successful format it uses today. In 1999, the company started its third network — DIY — and established Scripps Networks, naming Spray president. In his time as president, the company launched a fourth network — now called the Cooking Channel, launched HGTV Canada and acquired two more existing cable networks.
Spray retired in 2005 and was named a distinguished professor of journalism and communications at the University of Tennessee-Knoxville, where he taught for four years. He was inducted into the Indiana Journalism Hall of Fame in 2004. In 2012, the Chicago Chapter of the National Academy of Television Arts and Sciences honored him with membership in the Chicago Silver Circle, an award that recognized his outstanding contributions to Chicago television.
Short promotional video highlighting the various attributes of IU Libraries Moving Image Archive (IULMIA). To learn more about IULMIA, check out our website: https://libraries.indiana.edu/moving-image-archive
Hoosier Five host Janae Cummings talks about the Indiana University Sleep Walk and the Sleep Great IU! Challenge with Carrie Docherty from the IU School of Public Health and Steven Lalevich from Healthy IU.
Since 1968, John Rappaport has brought laughter, fun and drama into the lives of the American public as a writer and producer of such all-time television classics as Laugh-In, All in the Family and M*A*S*H.
Born in Chicago and raised in Highland Park, Illinois, Rappaport enrolled at IU in fall 1958. He began as a business major, but switched to radio and television/psychology midway through his sophomore year after joining the Indiana Memorial Union Radio Club and hosting a Sunday night jazz record show on WTTS-AM.
As a junior, Rappaport continued his jazzy ways on the powerful WFIU-FM from IU’s Radio-TV Quonset hut. There, he hosted a daily afternoon show of jazz albums and improvised chatter. Rappaport also dabbled in standup comedy, performing at the “Freshman Tyrolean” dance and “Spring Fling” and serving as emcee during the two-day IU Sing competition at the IU Auditorium.
Rappaport had a pattern of making spontaneous life-altering decisions. After leaving IU in January 1963, he moved back to the Chicago area, where he worked as a pop — but not rock — DJ. Nine months later, at 3 a.m. after a New Year’s Eve party during a major snowstorm, he blew a tire on Chicago’s tri-state tollway and had to change it in a suit and no coat.
The next day, he quit his job and moved to California, hoping to be a DJ in a more agreeable climate.
Initially, only the climate was agreeable. After stints as an ad agency copywriter, radio station promotion manager, DJ’s comedy sidekick and syndicated radio comedy writer, Rappaport launched his new career in 1969 when his spec material landed him a staff writing gig on the No. 1 TV show Rowan & Martin’s Laugh-In. He wrote for the show until its cancellation in 1973. During his four years there, he penned 100 episodes and also wrote two comedy specials, including the Emmy-nominated first Lily Tomlin Special.
Itching to break out of the sketch comedy mold, he landed a pitch meeting and then a script assignment at another No. 1-rated show, All in the Family. The script was a hit, and he was hired by Norman Lear as a staff story editor, splitting time between All in the Family and its sizzling spinoff, Maude.
He next moved to The Odd Couple and eventually the legendary war dramedy, M*A*S*H, where he served as head writer and supervising producer for its final four years, topped off with the two-and-a-half hour finale, which was the most viewed episode in television history.
Rappaport also wrote and produced seven pilots for his company, Leeway Productions (named after his wife, Lee) and worked on films featuring screen legends Jane Fonda, Richard Dreyfuss and Burt Reynolds, and The Godfather producer Al Ruddy. He also spent a season on Night Court and was the executive producer of Gung Ho.
Along the way, Rappaport garnered eight primetime Emmy nominations, four People’s Choice Awards, five Writers Guild Best Script award nominations, three Humanitas Prizes and a Golden Globe. He also served on the Producers Guild of America Board of Directors for 14 years and is in the National Association of Broadcasters and the Producers Guild of America halls of fame.
To top it all off, two of his three L.A.-born and -raised children are graduates and devoted lovers of IU.
Limited to a Bolex, a tripod, a light meter, and 100 feet of Kodak 16mm B&W reversal film, we captured the film digitization phase of the Media Digitization and Preservation Initiative (MDPI) at Indiana University in Bloomington, IN. The film was shot in chronological order of the MDPI film digitization process and all editing was done in camera.
Video bio of Norman Cox, inducted to Indiana Broadcast Pioneers Hall of Fame in 2018;
Norman Cox began as the Indiana Statehouse reporter in 1976 in Indianapolis for WRTV-TV. He covered seven governors from Otis Bowen to Mike Pence before retiring in November 2013. A two-time Emmy award winner, Cox also received awards for excellence from the Associated Press, United Press International, Society of Professional Journalists and the Indianapolis Press Club. He graduated from The Ohio State University with bachelor’s and master’s degrees in journalism. Before coming to Indianapolis, Cox worked for WTOL-TV in Toledo, Ohio.
--Words from the Indiana Broadcast Pioneers
Richard Horwitz’s photojournalism career was born of a series of right decisions made at the right time.
It was a career that took him to all 50 states and 76 countries, that traversed multiple technological paradigm shifts in the photography and media worlds, and that supplied him more than an ordinary lifetime’s worth of adventures.
Horwitz, who grew up in Illinois, planned to study astronomy in college. A high school advisor suggested he consider Indiana University. That’s when he made what he considers to be the first of his right decisions: He visited, fell in love immediately and ultimately enrolled.
Having learned to shoot photos in high school, Horwitz joined the Arbutusyearbook as a staff photographer and quickly began to dedicate more time to his work there than to his regular classes. Concurrently, he found his dreams of pursuing astronomy soured by required math courses.
His next major decision came: During his sophomore year, Horwitz spoke to department chairman John Stempel about changing his major from astronomy to journalism. It would require extra work, but it was worth it.
“I don’t know where I would be today if I had stayed in astronomy,” Horwitz said.
Horwitz also freelanced for the Associated Press, photographing sports and other assignments. After earning his bachelor’s degree in journalism in 1963 and his master’s degree in education with an audiovisual communication specialization in 1964, he took a full-time job with the AP in New York City. But the big city lifestyle wasn’t for him, so when a position on the Washington photo desk opened up, he applied for it — just in time for the Watergate scandal.
In 1989, after decades of work in New York, Washington, Boston and Chicago, he became the AP’s European photo network director, a position that took him to London.
The photojournalism profession evolved significantly during Horwitz’s 27-year career. As a college student and young AP photographer, Horwitz shot his work on film and transmitted photos via wire. His final assignment with the AP was to establish a commercial picture agency using the AP satellite to deliver digital pictures to newsrooms.
Most of the job of picture editor is behind the scenes: assigning photographers, coordinating with stories, choosing pictures, writing captions and transmitting photos. Sometimes he also picked up a camera.
Horwitz said the most rewarding part of his career was always the adventures. In 1976, a cargo tanker ship broke in half and sank off Nantucket. His aerial view was nominated for a Pulitzer Prize.
In the midst of it all, his passion for astronomy found its place. He’s traveled to photograph a total of 15 eclipses, most notably a 1972 eclipse off the African coast and a 1979 eclipse in Canada. Both were used on the front page of The New York Times. He witnessed Apollo 11’s takeoff for the first moon landing.
And there wasn’t a mite of math involved.
Sage Steele is one of ESPN’s most popular and respected commentators, currently serving as the anchor for the 6 p.m. SportsCenter with co-anchor Kevin Negandhi and as lead host for SportsCenter on the Road.
Her lead role for SportsCenter on the Road, which she’s held since September 2016, includes on-site, day-long and pre-event coverage for the biggest sports events of the year, including the NBA Finals, the Super Bowl, the World Series, the Masters, the College Football National Championship and many more.
She’s anchored the 6 p.m. SportsCenter since May 2018. Previously, she anchored SportsCenter:AM, and she hosted NBA Countdown on ESPN and ABC from 2013-17.
Steele joined ESPN in 2007, serving as a regular SportsCenter anchor until 2013. In addition to SportsCenter, she also has contributed to First Take and Mike & Mike, and has been a guest co-host of ESPN2’s SportsNation. She hosted ABC and ESPN’s New Year’s Rockin’ Eve during the inaugural College Football Playoff.
Beyond her work for ESPN, Steele has co-hosted ABC’s telecast of the Miss America pageant since 2016 and has been a featured guest host on ABC’s The View. She also hosted the Scripps National Spelling Bee from 2010-13.
In 2015, Steele added “mommy blogger” to her job portfolio, contributing several stories to Disney-owned Babble. She has also been a guest on Jimmy Kimmel Live! and has been profiled by Rolling Stone, the Wall Street Journal, Vibe and Huffington Post, to name a few.
In 2013, Steele had the honor of driving the pace car for the NASCAR Sprint Cup Series Brickyard 400 at the famed Indianapolis Motor Speedway.
Steele began her television career at WSBT-TV in South Bend, working as a producer and reporter from 1995-97. She then moved to WISH-TV in Indianapolis, where she was the beat reporter for the Indianapolis Colts, in addition to covering the 1997 NCAA men’s Final Four, NASCAR and the IndyCar Series.
In August 1998, Steele moved to Tampa and worked as a reporter, anchor and host for WFTS-TV. She was the beat reporter for the Tampa Bay Buccaneers from 1998-2001 and covered the 1999 NCAA men’s Final Four. In 2000, she joined Fox Sports Net in Tampa as a reporter and covered Super Bowl XXXV for the 2000-01 NFL season.
In April 2001, Steele became the anchor for the debut of Comcast SportsNet, serving the Washington, D.C./Baltimore region. She anchored the flagship show SportsNite for six years and was also a beat reporter for the Baltimore Ravens from 2001-05, hosting a magazine show for all five seasons.
Steele graduated from IU in 1995 with a B.S. in sport communication. In her spare time, she is a board member for the Pat Tillman Foundation and is passionate about working alongside military veterans. She enjoys horseback riding and spending time with her husband and three children.
