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In episode 81, Dean Shanahan speaks to Paula Apsell and Doug Hamilton—producers of PBS’s critically acclaimed science series Nova—about the show's climate change programming and learning how to educate their audiences on the facts.
We asked five questions (and a little more) to Indiana University professor and poet-in-residence Adrian Matejka. The award-winning poet is author of The Devil’s Garden, Mixology, and The Big Smoke—a finalist for the 2013 National Book Award and the 2014 Pulitzer Prize in Poetry. His upcoming collection of poems, Map to the Stars, will be released in March 2017.
In episode 95, Dean Shanahan and Sustaining Hoosier Communities Director Jane Rogan talk about how her team addresses community-identified needs and opportunities by connecting Indiana towns with IU courses, students, and faculty.
In Ep. 108, join the entire Through the Gates team has Dean Shanahan hosts our third annual holiday quiz show. Listen along and see if you can beat our high score!
Dr. Talbert will present an overview of the status of the opioid epidemic, review a range of state policy interventions and outcomes, and discuss lessons learned and future challenges.
In episode 86, Emily Miles speaks with Barbara Restle, environmental activist and press freedom advocate. A childhood in 1930s Austria, where Nazi occupation came to suppress independent reporting, led Restle to eventually study journalism at Indiana University. In 2017, Restle contributed funding to the Media School for the study of the Freedom of Information Act and confidential source protections. The music in this episode comes from Greta Keller, Bela Bartok, Jahzzar and Doctor Turtle.
The Sample: In this episode of The Sample, the team flips back fifty years to 1968. Through The Ballantonian, a weekly liberal arts review run from September 1967 to January 1969 by Indiana University students, we offer the year's poetry, criticism and politics. Special thanks to the director of University Archives, Dina Kellams.
Limited to a Bolex, a tripod, a light meter, and 100 feet of Kodak 16mm B&W reversal film, we captured the film digitization phase of the Media Digitization and Preservation Initiative (MDPI) at Indiana University in Bloomington, IN. The film was shot in chronological order of the MDPI film digitization process and all editing was done in camera.
In episode 94, Associate professor Terri Francis and Dean Shanahan discuss the Black Film Center/Archive’s Michael Shultz film series (including To Be Young, Gifted, and Black, Cooley High, Krush Groove and Car Wash), Francis’s upcoming book about the cinematic career of Josephine Baker, and the realities of Afrosurrealism.
This sound piece moves through several different neighborhoods of Kathmandu and Patan over the course of a fictive day, echoing the pleasures, frustrations, and humor of the dense and richly layered urban soundscape.
Higginbottom article: parody settings of operatic French overtures by Jean-Baptiste Lully (contemporaneous to the composer's lifetime). George Barth article: historical recordings dating chiefly from the early-twentieth century, with modern style-parody recordings deriving from late-nineteenth century style.
The Sample: In this episode of The Sample, we take a jog through the IU Lilly Library's Slocum Puzzle Collection. We work from Rubik's Cubes to Hot Miso Soup on a tour of the interdisciplinary fun of puzzles.
In episode 79, Dean Shanahan speaks to Joan Hawkins, associate professor at the IU Media School, about the Wounded Galaxies festival and symposium.
Wounded Galaxies: 1968 – Beneath the Paving Stones, the Beach is a festival and symposium produced by The Burroughs Century Ltd., welcoming scholars, writers, artists, archivists, filmmakers, performers, and others interested in exploring the intellectual and aesthetic legacy of 1968, during its 50th Anniversary year.
The festival subtitle is a translation of the French slogan “Sous les pavés, la plage!,” a popular resistance graffiti in France Mai ’68 that refers to both the sand beneath cobblestones lifted by students to hurl at police as well as the ‘Situationist’ conviction that the streets–the expression of capital and consumption–could be rediscovered by abandoning a regimented life.
In episode 82, Dean Shanahan speaks to Aman Sethi about demonetization, digitization, and control as part of IU's India Remixed arts and humanities festival. Sethi is associate editor at the Hindustan Times.
For both theoretical and logistical reasons, many social scientists turn to media texts—archival newspapers, radio and television broadcasts, podcasts, Twitter feeds, etc.—to understand the society that produced them. It may seem easy, because as a regular consumer and producer of media, you are already constantly analyzing the mediated discourse around you: parsing sentences, assessing the veracity of a claim, and making judgments as to the authority, intelligence, and background of a writer or speaker. But how might you denaturalize your “native” media literacy and go about this in a more systematic and rigorous way? In this hands-on workshop, we will sample some of the key methods for analyzing mediated discourse: transcription, critical discourse analysis, building and working with a corpus, capturing digital circulation, and multimodal analysis. Some examples will come from Russian media, but this workshop is open to all IU graduate students.
Python has become the lead instrument for data scientists to collect, clean, and analyze data. As a general purpose programming language, Python is flexible and well-suited to handle large datasets. This workshop is designed for social scientists, who are interested in using Python, but have no idea where to start. Our goal is to "de-mystify" Python and to teach social scientists how to manipulate and examine data that deviate from the clean, rectangular survey format. Computers with Python pre-loaded are available in the SSRC on a first-come, first-served basis. This workshop is intended for social scientists who are new to programming. No experience required.
Bruce Jackson speaks about The B-Side: Negro Folklore from Texas State Prisons. A Record Album Interpretation, a production by the The Wooster Group, New York’s most celebrated experimental theater company. The B-Side is based on the classic LP, Negro Folklore from Texas State Prisons, based on Jackson’s 1964 field recordings. Peter Marks of the Washington Post called the production “ravishing,” and “a richly resonant auditory experience,” concluding that “the experience is history in melody, an a cappella song cycle that reveals how men sentenced to hard labor endured, forging bonds through music.” New York Times theater reviewer Ben Brantley named it one of the 10 best plays of the year. Jackson talks about the process of transforming his LP into theater with The Wooster Group, illustrating his presentation with photographs and audio and video clips.
Saylor, Dana L.; Delmonte, Andrew; Heffernan, Kevin
Summary:
This workshop will inspire and motivate you to pursue your independent career or, for those already established, share new ideas. Creative entrepreneur Dana Saylor, Buffalo-based architectural historian, artist, preservation advocate and event planner, leads the session, with presentations by other talented and dynamic professionals. Topics include: small business types and basic finances; social media strategies, including how taking a stand can garner engagement with your desired audience; and why emotional vulnerability can be good business. With rotating breakout sessions, you’ll get face-time with each of the presenters and plenty of opportunity for lively discussion.
P. Sainath, the former Rural Affairs Editor at The Hindu, where he forced public attention to India’s epidemic of farmer suicides, will discusses relationship between journalism, cultural documentation, and social justice. His current project, the People’s Archive of Rural India (ruralindiaonline.org) is a volunteer-sustained multimedia website documenting everyday life, cultural traditions, and socioeconomic and environmental challenges across India, with special attention to women’s labor. Among his many career awards are the 2007 Ramon Magsaysay Award (the “Asian Nobel”) and the first Amnesty International’s Global Human Rights Journalism Prize in 2000. His 1996 book, Everybody Loves a Good Drought: Stories from India’s Poorest Districts, was reissued as a Penguin Classic in 2012.
In episode 89, Through the Gates producer Emily Miles speaks to the SoCal genre-blurring act Chicano Batman. The group visited Bloomington to headline the annual Culture Shock festival, which took place at Rhino's Youth Center on April 14, 2018.
In Ep. 106, Dean Shanahan talks with Jacobs School of Music Senior Lecturer Andy Hollinden. Known as the "Professor of Rock & Roll," Hollinden talks about his love affair with music, his admiration of Frank Zappa, and teaching the next generation about music legends.
The Sample: In this episode of The Sample, Terick talks with Mike Sellers of the Media School about the way game design can extend beyond entertainment. Photo by Samuel Zeller on Unsplash.
This introductory workshop will walk through IBM SPSS and SAS JMP software while giving an overview of how to identify what types of data analysis tools to use for a project, along with basic “DIY” instructions. We will discuss the most common analysis tools for describing your data and performing significance tests (Correlation, T-test, ANOVA, Cross-tabs, etc), and how they should be selected based on the type of data and the type of research question you have. This is geared towards students or faculty beginning their foray into quantitative analysis of research data, would like an introduction to SPSS or JMP, or would just like to step back and get a framework for how to navigate “what analysis to use when.”
Network analysis provides a data-driven analysis and visualization exploration of relationships in digital arts & humanities, but within that umbrella is a variety of approaches to understanding interaction between elements of a system. We'll use your research question to help you think through how these relationships might work in a network analysis of your own and demonstrate how an in-classroom network-analysis activity can also help your students see relationships unfold in your discipline.
