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Alisa Clapp-Itnyre, Jessica Raposo, Caryle Bailey, Chris Robinson
Summary:
Songs for school and play.
Victorian Song-Camp Singers:
(in order of age)
Mikayla Petersheim age 8
Anabella Triana age 8
Caleigh Collins age 9
Noa Cox age 9
Suri Onder age 9
Reagan Phillips age 9
Josie Roller age 9
Olivia Roller age 9
Ada Smoker age 9
Avery VanDervort age 9
Ayla Bales age 10
Anna Claire Ream age 10
Grace Stewart* age 10
Eden Judd* age 12
Kaitlyn Stoner age 12
Ashley Madill age 13
*Members of the 2015 Hymn Camp
Co-Directors: Alisa Clapp-Itnyre, Jessica Raposo
Pianist: Caryl Bailey
Sound Engineer: Chris Robinson
Quantitative and survey research depends heavily on large sample sizes, but there are a variety of reasons why larger sample sizes may not be possible. In this webinar, FSSE and NSSE staff will discuss common challenges associated with assessing the experiences of small populations and explore possible solutions for those working toward improving the experiences of small populations. Participants will also learn about methods for communicating the validity and data quality from small sample sizes. The approaches presented in this webinar are applicable to NSSE, FSSE, and BCSSE data, and we encourage participants to submit any specific questions or topics you have when you register.
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope.
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope.
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope.
Allison Quantz MSCH J; Jennifer Bass; Becca Costello
Summary:
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope.
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope. Robert and Tom talk about marriage and commitment.
Bill Bailey (Master), Jon Kay (Director), Geoff Davis and Bill Bailey (Music), The Hayloft Gang (Archival Photographs), Traditional Arts Indiana
Summary:
A fixture at the Indiana State Fair for many years, Bill Bailey coordinates the entertainment in the Pioneer Village, inviting musicians, storytellers, and other entertainers from around the state to perform on the village’s two rustic stages. His relationship with the fair began in 1991, when he played percussion with a band in the village—but Bill is no ordinary percussionist. A self-proclaimed “idiophonist,” he makes his rhythmic music with spoons, washboards, and a variety of other everyday items.
Bill played percussion throughout his school years, but sold his drums when he went to college, remaining “music-less” for a while. Then in 1976, a couple that played old-time music moved next door, and he was inspired to try his hand at the mandolin, guitar, and harmonica—yet percussion continued to call to him. He picked up playing the spoons, and eventually began tapping out his syncopated rhythms on a washboard and a variety of other resonate objects such as a wooden shoe, triangles, and horse shoes. Before long, Bill was playing multiple styles of music including old-time, blues, and jug band.
In 1991, Bill played with a couple of bands that were performing in the fair’s Pioneer Village. He was hooked. Each year he returned and played with a variety of musicians. In 2003, Gerry Gray, the original music coordinator for the village, chose Bill as her replacement. He continued to book the old-time and dulcimer music that had been featured at the fair since the 1970s, but he also expanded the program to include a greater variety of traditional music and other forms of entertainment. One successful program that he helped develop was a tribute to the WLS National Barn Dance, which featured the music and theatrical routines of the popular radio show in the early 20th Century. For six years, large audiences came to see this reenactment show.
Besides his work at the Indiana State Fair, Bill serves as a musical ambassador for the Columbus Washboard Company, the last manufacturer of hand-built washboards in North America. Bill paints and outfits their boards, transforming them into musical instruments. The company sells dozens of Bill’s musical boards, which they ship all over the world. Each year, Bill also travels to Ohio to perform at their Washboard Music Festival to promote this unique musical genre.
Today, in addition to his own musical pursuits, Bill continues to coordinate the entertainment at the Pioneer Village. From old-time country, bluegrass, gospel, and blues, to storytelling and fiddling contests, the stages at the village help create a nostalgic atmosphere where fairgoers can escape the pressures of contemporary life. And while he makes sure the Pioneer Village stage shows run smoothly, visitors can still find Bill Bailey tapping out his upbeat rhythms and entertaining audiences.
Bowen Potter, Angela, Beckman, Emily, Hartsock, Jane A.
Summary:
Lecture delivered by Angela Bowen Potter, PhD (Medical Humanities Program Coordinator, Purdue University); Emily S. Beckman, DMH (Assistant Professor for Medical Humanities and Health Studies, IUPUI); and Jane A. Hartsock, JD, MA (Visiting Assistant Professor of Medical Humanities and Health Studies, IUPUI) on October 2, 2017.
Eduard Pernkopf’s Atlas of Topographical and Applied Human Anatomy is a four-volume anatomical atlas published between 1937 and 1963, and it is generally believed to be the most comprehensive, detailed, and accurate anatomy textbook ever created. However, a 1997 investigation into “Pernkopf’s Atlas,” raised troubling questions regarding the author’s connection to the Nazi regime and the still unresolved issue of whether its illustrations relied on Jewish or other political prisoners, including those executed in Nazi concentration camps. Following this investigation, the book was removed from both anatomy classrooms and library bookshelves. A debate has ensued over the book’s continued use, and justification for its use has focused on two issues: (1) there is no definitive proof the book includes illustrations of concentration camp prisoners or Jewish individuals in particular, and (2) there is no contemporary equivalent to this text. However, both points fail to address the central importance of the book, not simply as part of anatomy instruction, but also as a comprehensive historical narrative with important ethical implications.
Student comments can provide rich insight and add texture to statistical trends highlighted in Institutional Reports, but can be overlooked as it is difficult to efficiently analyze textual data. This webinar will discuss NSSE student comments, changes made to the end-of-survey comment prompts, a variety of methods for analyzing textual data, and how NSSE researchers have made use of comments data.
Recently the Association for Psychological Science revised its publication guidelines to reward Open Science practices and to encourage the use of the “New Statistics” as a better alternative to null hypothesis significance testing (NHST). Other journals and professional societies seem to be moving in the same direction, often in collaboration with funding agencies.
This workshop will provide a practical introduction to the New Statistics and some emerging Open Science practices. We will worth through examples from several common research designs. We will also explore resources that can help you adopt these approaches in your own research.
The Troubadour Melodies Database is a Drupal-platform site that includes basic information about and transcriptions of the extant troubadour melodies as they are found in the 13th-14th century manuscripts preserving the tradition. The melodies are encoded using alpha-numeric strings designed for the font Volpiano, developed by David Hiley and Fabian Weber. The site gives basic information on the manuscripts and troubadours themselves as well as tables showing concordances and totals of melodies by troubadour, manuscript, genre, and catalog number. In addition to gathering the melodies and information about the corpus in one place, the database also provides the ability to search the melodies using a search tool based on Jan KolÌÀÂek's original Melody Search Tool, designed for his own chant database, which allows for three searches (beginning, anywhere, and end) of the melodies in the database. Further, having the melodies encoded has allowed for analysis and comparison of the melodies in terms of their characteristics using tools like AntConc to generate concordances, find collocates, etc. Modification of the Melody Search Tool's PHP script has also allowed the generation of intervallic profiles of the melodies, creating further opportunities for analysis for any melodies encoded in Volpiano.
Cindy Stone, Jennifer Bass; Betsy Jose; Stephanie Sanders
Summary:
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope.
In episode 49, New York Times columnist and IU Poynter Center Chair Roger Cohen joins us to discuss post-election politics and the importance of investigative journalism.
An exciting development for audio and video repositories is the emerging IIIF standard for time-based media. Join us to understand what IIIF is and why the Avalon project is collaborating with the IIIF-AV community. We will also discuss how we see the future of these two important open source projects and their contribution to a rich media viewing experience.
The IU Libraries have a long history of delivering access to digital musical scores beginning with the Variations project in 1997. In 2014, the IU and IUPUI Libraries began work on a collaborative project to develop a new page turning application built upon the Hydra/Fedora open source software. In 2017, a new musical scores service is being launched to replace the retired Variations software.
The IU Libraries adapted the Plum software, developed by the Princeton University Libraries, into Pumpkin, a Hydra Head to support digitization workflows for various paged media projects. In Bloomington, our first project will be Musical Scores. In Indianapolis, their first project will be newspapers. This software features tools to assist with importing digitized page images, ordering and numbering pages, adding bibliographic metadata, setting access controls, and making the digital object viewable within a customizable module called the Universal Viewer. The Universal Viewer is a front end for an International Image Interoperability Framework or IIIF or more commonly called ‰ÛÃtriple I F‰ÛÂ.
This presentation will detail the software's functionality, the history of the development process, and the migration of Variations musical scores into this new system.
The 2016 election cycle showed us how digital methods like image manipulation, social network analysis and data mining can change our perceptions of the world around us. This presentation will take these digital methods and demonstrate how applications to the arts & humanities can help us craft new research questions and answer those questions. We will discuss how to (or not to) apply mapping, data mining, network analysis, data visualization, 3D rendering, computationally aided vision and other digital methods to a variety of disciplines. We’ll also provide a clear list of IU resources that can support these efforts. Finally, we’ll engage in a practical white-board-based activity that doesn’t require digital tools to demonstrate how analog methods can enhance understanding of some of these digital-methods applications in a variety of environments (including the classroom).
This presentation kicks off a series of workshops offered by the Institute for Digital Arts and Humanities called Choosing a Digital Method.
Aurelian Craiutu is a champion of moderation in an era of extreme politics. The political scientist argues that moderation is a virtue for all seasons, but that it's urgently needed in times of polarization. In episode 44, Craiutu discusses his new book, "Faces of Moderation: The Art of Balance in an Age of Extremes," which pushes back against the idea that moderation is a weak virtue or a philosophy for people who lack conviction.
In episode 60, we discuss the current cycle of political and social polarization on university campuses and throughout the United States with Aurelian Craiutu, professor, IU Department of Political Science.
A previously unknown collection of over 25,000 black and white architectural photographs were discovered in a dilapidated house owned by the Indiana Limestone Company in Bedford, Indiana. These images of residences, churches, universities, museums, businesses, and public and municipal buildings, many of which were designed by prominent architects, document the use of Indiana limestone throughout the United States from the late 1800s to mid-1900s. Remarkably holistic in scope, these photographs and their accompanying metadata can be studied across major disciplines such as American history, architectural history, history of technology, urban studies, history of photography, historic preservation, labor history, and the history of geology. The Indiana Geological Survey in partnership with the Indiana University Libraries has been cataloging, digitizing, archiving, and publishing online a growing subset of the photographs through the Libraries' Image Collection Online portal. Thanks to a grant from the U.S. Institute of Museum and Library Services, administered by the Indiana State Library, we will be able to process an additional 4,500 photographs, and add approximately 3,000 images to the existing online collection, Building a Nation: Indiana Limestone Photograph Collection. Join us as we unravel the story behind the collection's discovery and our plans for ongoing curation and digitization.
In episode 72, Janae Cummings speaks to Sarah Wroth, associate chair of the ballet department at the Jacobs School of Music, and Georgia Dalton, graduating junior and the Sugar Plum Fairy in IU’s upcoming production of The Nutcracker. Tickets are still available for the performance, which runs from November 30 to December 3 at the Musical Arts Center on the IU Bloomington campus.
Harold de Bock’s developments in audience and customer loyalty research influenced multiple industries, media platforms and world regions — from media to customer contact, from broadcast to print, from the United States to Europe.
De Bock came to the United States from The Netherlands in 1971 to earn his Ph.D. in mass communications from Indiana University. During the 1972 presidential campaign, for his dissertation, he conducted one of the first field experiments that showed the impact of election poll results on electoral turnout and voter preference.
Upon returning to The Netherlands in 1974 after graduation, de Bock started work as an audience researcher at The Netherlands Broadcasting System. He later became its research director, responsible for all qualitative and quantitative radio and television research for the country’s many public broadcasters. He initiated the transition from paper diaries to people meters for television audience measurement.
In 1985, de Bock joined the Dutch commercial market research firm Inter/View as its director of media research and consultancy. He directed readership, circulation and advertising research for individual newspapers and magazines, as well as the country’s annual joint-industry print media research survey.
For Time magazine, de Bock developed the pan-European Media and Marketing Survey targeting Europe’s top 15 percent affluent audiences for international print and broadcast media. Thirty years, later, the survey is still the global standard.
Later in his career, de Bock specialized in customer loyalty research. He made Inter/View a major partner in the Indianapolis-based Walker Information Worldwide research network, on behalf of which he conducted large-scale, international customer loyalty research projects for multinational corporations around the world.
De Bock took his expertise to Hepworth Consultancy in 1997, working as research and consultancy director and establishing a research unit on customer loyalty and employee motivation. He pioneered techniques we now refer to as “data mining” and “big data” analysis.
The new unit was so successful that in 2000 it was acquired by MarketResponse, one of the largest market research companies in The Netherlands. MarketResponse made de Bock its research and consultancy director. His unit became the company’s largest and most profitable research entity.
De Bock was a leader in an industry-wide effort to improve communication quality of customer contact centers as key to customer loyalty in The Netherlands. He was a founder of the annual National Contact Center Benchmark Survey, which developed into the country’s Top 30 Contact Center program that exists today. He was the first and longest-serving chairman of the jury for the country’s National Contact Center Awards competition, known as the “Oscars” of customer contact. Upon retirement, he received the highest personal performance award at this ceremony. He also developed the Dutch quality standards for customer contact center certification.
For the last 10 years, de Bock has made trips to the U.S. to take long-distance “anthropological” solo rides across the country on his semi-antique Yamaha motorcycle. He also edits and writes for the Dutch Motorcycle Riders Action Group’s full-color magazine. He has covered more than 20,000 miles through more than 25 states, following the original itineraries of America’s first historical continental highways, including Route 66, the Dixie Highway, the Lincoln Highway, the Yellowstone Trail and the Great River Road. He blogs about his environmental observations and personal encounters while on the road.
E.J. Dionne, columnist for The Washington Post, helps us ring in the 50th episode with a discussion on the polarization of politics and the importance of empathy.
Gary Donatelli is an Emmy award-winning television and film producer/director, best known for the 18 years he spent directing network dramas.
Donatelli attended Indiana University on a combined football and wrestling scholarship. He graduated in 1974 with a degree in radio and television and turned his experiences in the classroom and on the field into a career as a camera operator for ABC’s Wide World of Sports. Donatelli filmed events ranging from the Olympics, to the Kentucky Derby and the Indianapolis 500, to the World Series and Monday Night Football, winning four Emmys for his camerawork. He also authored The ABC Monday Night Football Cookbook & Restaurant Guide.
While working for ABC, he started his own company, Hav Cam Inc. The company produced corporate and music videos, working with artists such as James Brown, Miles Davis and Neil Young along with bands including Boston, Spyro Gyra, and KC and the Sunshine Band.
Donatelli’s tenure at ABC also led him to major news events. He recorded presidential inaugurations and NASA space shuttle launches, and he filmed for ABC Eyewitness News. Over the years, Donatelli climbed the ranks at ABC, moving from cameraman to technical director and then, in 1993, director.
That year, he entered the world of daytime dramas, directing the series Loving. He moved to NBC to direct Another World for four years before returning to ABC to direct One Life to Live from 1998-2011. During those 13 years, the directing team won four Emmys and garnered seven nominations for “Best Directing Team in Daytime Drama.” Combined with guest slots at The Bold and The Beautiful and General Hospital, his career totals more than 1,000 episodes of daytime drama.
For more than a decade, Donatelli also directed the annual Variety Children’s Telethon, a five-hour live entertainment broadcast with “Cousin Brucie” Morrow that raised more than $20 million a year for children’s charities.
He began documentary work in 2001, producing and directing the series Lean on Me, a post-9/11 documentary series for the Fire Department of New York’s Counseling Services Unit. Now, he’s producing and directing Clearing Larry Floyd, a documentary about a Mississippi man who was brutally beaten by corrections officers during an escape attempt after having served time for what he maintains was a racially charged wrongful murder conviction.
Most recently, Donatelli returned to his football roots and produced the film 23 Blast, the true story of a blind high school football player. The film is available on Netflix and won the Audience Choice Award at Indiana’s Heartland Film Festival.
As a member of the Fort Lee Film Commission in New Jersey, he lobbied for years to encourage the Directors Guild of America to honor Alice Guy-Blaché, the world’s first female director. In 2011, the guild posthumously awarded Blaché its Special Directorial Achievement Award. The Fort Lee Film Commission presented Donatelli with its Barrymore Award for his efforts and success in this cause.
Donatelli has taught as an adjunct professor at New York University’s Tisch School of the Arts and has served as second vice president of the Directors Guild of America.
Donna Jo Copeland (Master), Jon Kay(Director), Ben Schreiner (Videographer), Paul Schreiner & Rick Watson (Music), Traditional Arts Indiana
Summary:
Donna Jo Copeland has exhibited textiles for forty years at the Indiana State Fair, winning numerous awards and gaining recognition for the distinct style of her creations. At the knee of her great grandmother, she learned the skills of knitting, tatting, flat pattern work, and sewing. After purchasing a loom, she taught herself to spin and weave. Taking inspiration from the materials she produces on her farm, she creates between 20 and 25 entries every year for the fair. With her daughter and granddaughter, she is now part of three generations who continue the traditions of needlework at the State Fair.
Doug Bauder, Marty Siegel, Jennifer Bass; Betsy Jose; Stephanie Sanders
Summary:
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope.
Through the Gates opens season 2 with guest Elizabeth Cullen Dunn, an associate professor in IU's School of Global and International Studies. Professor Dunn discusses the experiences and lessons learned during the development of her upcoming book, "Permanently Temporary: Humanitarianism and displacement in the Republic of Georgia." She also discusses the plight of refugees in other parts of the world, as well as the current state of efforts to resettle refugees in Bloomington, Indiana.
Immediately after graduating from Indiana University, Sandra Eisert began making history.
Eisert earned her degree in journalism in 1973 and took a job at the nationally ranked Courier-Journal and Louisville Times, becoming the first woman newspaper picture editor.
In 1974 she became the first-ever White House picture editor during the Gerald Ford administration. As Ford’s picture editor, Eisert sought to create a strong visual documentation and to restore a sense of trust in the presidency lost during the Richard Nixon administration. She helped facilitate unprecedented press access to Ford, making possible a fully balanced view of the unelected president. Eisert would later return to the White House and is the only editor to have served on staff as picture editor for three U.S. presidents: Ford, George W. Bush and Barack Obama.
After the Ford presidency, Eisert became the first female picture editor of The Washington Post, where she pushed the paper to send photographers to cover national stories for the first time. Her team covered stories like a devastating drought in the Midwest, the Jonestown massacre and the rise of the U.S. Hispanic population.
She moved West to work at the San Jose Mercury News as the newspaper’s first senior graphics editor. After a few years, she became its first design editor and established the paper’s first design desk. She helped build a strong picture editing team, which won the National Press Photographers Association Angus McDougall Overall Excellence in Editing Award for photography. She also contributed to six Mercury News NPPA Overall Best Use of Pictures team awards.
Eisert played a key role in the Mercury News’ 1990 staff Pulitzer Prize for coverage of the Loma Prieta earthquake and its aftermath, designing and directing on deadline a special section about the earthquake. The section also won six other international design and editing awards.
She also served as art director of the newspaper’s award-winning Sunday magazine, WEST. While in Silicon Valley, she became interested in finding new ways to serve the reader using digital opportunities.
She left WEST to work for Microsoft as the first journalist and one of the original four senior editors who created MSNBC.com, the first real site for news on the Internet. As senior editor and director of graphics for the mainstream news site, she also created the site’s revolutionary design. The design made possible use of a content management system, allowing editors to respond to news instantly and create diverse special projects on the fly.
Eisert served on the Accrediting Council on Education in Journalism and Mass Communication for 20 years, visiting universities to evaluate quality in education. She was the first woman on the accreditation council and co-authored its diversity standard, which has become one of the critical components of accreditation.
Eisert is a recipient of the Joseph Costa Award, an award named for the NPPA founder that goes to a person who exhibits outstanding initiative, leadership and service in advancing the goals of the NPPA. She was the first woman to win the award, 39 years after its inception.
Now, as an entrepreneur, Eisert serves as a startup CEO. She has taught at three universities, and she has served as a media consultant in roles including establishing the Department of Defense’s Public Web Program and contributing to the editing, design or strategy of 90 books, with more than 9 million copies in circulation.
Evan Wolfson, Cheng He, Jennifer Bass; Betsy Jose; Stephanie Sanders
Summary:
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope.
In episode 68, we speak to Patrick Feaster, media preservation specialist and scholar of sound recording at Indiana University, and Erika Dowell, associate director of IU's Lilly Library about the collection of Orson Welles' materials being preserved and archived at the university. The duo also talk about the university's Media Digitization and Preservation Initiative.
In episode 66, we talk to Lee A. Feinstein, dean of IU's School of Global & International Studies and former US ambassador to Poland. Topics include Feinstein's career in foreign policy, hot spots such as North Korea and Iran, and his work in academia.
In episode 70, James Shanahan speaks to Alvin Felzenberg, author of "A Man and His Presidents: The Political Odyssey of William F. Buckley Jr." The book examines how Buckley brought together anti-Communists, small-government advocates, free-market supporters, libertarians, and others to create a conservative movement. It also explores Buckley's relationship with US presidents, especially Ronald Reagan. Felzenberg recently visited the IU Bloomington campus as part of the Tocqueville Lecture Series.
Digitization has completely changed the literary archive. Historians of the novel used to work on a few hundred nineteenth-century novels; today, we work on thousands of them; tomorrow, hundreds of thousands. This new size has had a major effect on literary history, obviously enough, but also on critical methodology; because, when we work on 200,000 novels instead of 200, we are not doing the same thing, 1,000 times bigger; we are doing a different thing. The new scale changes our relationship to the object of study, and in fact it changes the object itself, by making it entirely abstract. And the question arises: what does it mean to study literature as an abstraction and by means of abstractions? We clearly lose some important aspects of the literary experience. Do we gain anything?
Aby Warburg’s last and most ambitious project, the Atlas Mnemosyne – conceived in 1926 and truncated three years later by Warburg’s sudden death – consists of a series of large black panels, on which are attached black-and-white photographs of paintings, sculptures, tarot cards, stamps, coins, and other types of images. Its thousand images are unified by Warburg’s greatest conceptual creation: the idea of the Pathosformel, or formula for the expression of extreme passion. In this talk, the reflection on the Pathosformel will take the unusual form of an attempt at “operationalizing” the concept, transforming it into a series of quantitative operations. The resulting model is then used to analyze the evidence assembled by Warburg in Mnemosyne, and to gain a new understanding of how extreme emotional states are represented in painting.
Friesner, Brittany, Pasternak, Jesse, Shanahan, James
Summary:
In episode 46, we're joined by Brittany Friesner, associate director of the IU Cinema, and Jesse Pasternak, a junior at IU and the co-president of the Indiana Student Cinema Guild, to discuss the Oscars, why they're important, and their impact on our culture.
In episode 62, we speak to Luis Fuentes-Rohwer, Professor of Law and Harry T. Ice Faculty Fellow at the IU Maurer School of Law, about the Deferred Action for Childhood Arrivals program, its history and impact on higher education, and the current status of immigration law.
In episode 45, we speak to Dr. Justin Garcia, associate director for research & education at the Kinsey Institute and Ruth N. Halls Assistant Professor of Gender Studies at Indiana University. Dr. Garcia talks about a new era of modern love and dating and technology's role in it, as well as Match.com's Singles in America survey.
