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Alisa Clapp-Itnyre, Jessica Raposo, Caryle Bailey, Chris Robinson
Summary:
Songs for school and play.
Victorian Song-Camp Singers:
(in order of age)
Mikayla Petersheim age 8
Anabella Triana age 8
Caleigh Collins age 9
Noa Cox age 9
Suri Onder age 9
Reagan Phillips age 9
Josie Roller age 9
Olivia Roller age 9
Ada Smoker age 9
Avery VanDervort age 9
Ayla Bales age 10
Anna Claire Ream age 10
Grace Stewart* age 10
Eden Judd* age 12
Kaitlyn Stoner age 12
Ashley Madill age 13
*Members of the 2015 Hymn Camp
Co-Directors: Alisa Clapp-Itnyre, Jessica Raposo
Pianist: Caryl Bailey
Sound Engineer: Chris Robinson
Bryan Moss’ photojournalism career took him to 13 newspapers in nine states and led to two staff Pulitzer Prizes during four decades.
Raised in Corydon, Indiana, Moss studied journalism and science writing at Indiana University and was a member of the Indiana Daily Student newspaper. He met his wife, Mary Jo (Davis), BA’73, in the darkroom at Ernie Pyle Hall.
Moss graduated from IU in 1966. He and Mary Jo both became photojournalists, which made it difficult for the couple to stay in one place for long. Most newspapers at the time had rules prohibiting married couples from working together. Throughout their careers, they took turns freelancing and working full-time at newspapers.
After college, Moss worked as staff photographer at The Paper in Oshkosh, Wisconsin, the Sunday Courier & Press in Evansville, The Herald-Telephone in Bloomington and the Evening News in Buffalo, New York.
He became staff photographer and later night picture editor at the Courier-Journal and Times in Louisville. There, he was one of eight staff photographers, including Melissa Farlow, BA’74, who contributed to the paper’s Pulitzer Prize-winning photographic coverage of a controversial court-mandated public school busing program intended to achieve integration.
Farlow, a 2012 IU School of Journalism Distinguished Alumni Award honoree, said of Moss, “When I came to the Louisville newspapers, Bryan was already on the staff — a fabulous staff, as good as you can get, and I would say Bryan Moss was a lot of the reason. He had the highest ethical standards and a good work ethic. He’s a soft-spoken, gentle person, but determined, a force in creating a creative climate.”
Moss worked next as director of photography for the Tallahassee Democrat before a brief career move into computer programming.
He returned to photojournalism as director of photography at the Rocky Mountain News, then moved to the Los Angeles Times, the San Francisco Chronicle and the San Jose Mercury News. At The Mercury News, Moss oversaw the remodeling of the darkroom to allow for color printing and set up the paper’s first electronic picture desk operation.
Moss contributed to his second Pulitzer Prize at The Mercury News as director of photography. The paper won for its coverage of the 1989 Loma Prieta earthquake that struck California’s Bay area.
He returned to the San Francisco Chronicle as photography coach for a year before moving back to Indiana. He and Mary Jo founded the White Cloud Workshop, the first one-on-one, non-shooting workshop for photojournalists.
When the Evansville Courier & Press approached Moss about becoming director of photography, he proposed that he and Mary Jo share the job. The paper’s management agreed. Finally, their shared passion for photojournalism helped their careers, rather than creating roadblocks.
Moss went on to work at the St. Louis Post Dispatch and The Cincinnati Post before creating The Kentucky Post online, a new concept for newspaper websites that focused on rich storytelling of prep sports.
Moss has been named Indiana Photographer of the year twice. He is author of the book PHOTOSYNTHESIS — A Simple Guide to the Magic of Photography.
He now runs a website called Life in Corydon, a site that tells the story of the community of his hometown of Corydon through photography. It highlights photographs of ordinary people doing ordinary things, a philosophy of photojournalism he has espoused over his 50-year career.
Cindy Stone, Jennifer Bass; Betsy Jose; Stephanie Sanders
Summary:
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope.
As a senior in high school in 1963, Diane Shah told her guidance counselor she dreamed of becoming a writer for Time or Newsweek.
He discouraged her, saying that Time and Newsweek hired only men as writers. Her second choice was to become a sportswriter. He advised her to “go home and start thinking sensibly” about her future.
Nevertheless, Shah studied journalism in college, working at the Indiana Daily Student and graduating from Indiana University in three and a half years, in 1967.
After graduation, Shah began to look for a writing job. The editors she spoke with continually told her they couldn’t hire her because she was a woman.
Ignoring her guidance counselor’s advice, she arranged an interview with the Washington bureau chief at Newsweek. She struck out, being told she not only didn’t have the experience to be a writer, but she also wasn’t qualified to be a reporter, researcher or part-time librarian.
Her persistence led her to her first break, a job at Roll Call, covering Capitol Hill. After six weeks, she received a call from the National Observer, a weekly publication owned by Dow Jones. The publication hired Shah to be the sole writer for a weekly National Observer current events publication written for junior high students. She found the work dull, but she took the job in hopes that it might someday lead to a position with the National Observer itself.
It took only two and a half months. She became the youngest staff writer and one of Dow Jones’s first female journalists.
At the Observer, she covered national stories: trials, profiles of celebrities (including Washington Post Publisher Katharine Graham, First Lady Rosalynn Carter, baseball player Mickey Mantle and football player Joe Namath) and the 1972 Republican Convention.
The Observer folded in 1977. Her next job, of all places, was as a writer at Newsweek magazine. In 1979, she became the magazine’s No. 2 sportswriter and one of the first women to enter a locker room.
At Newsweek, she covered the 1980 Olympic Summer Games in Moscow — which the U.S. boycotted — and the 1980 Olympic Winter Games in Lake Placid, New York. She once wrote a cover story on Indiana native Larry Bird, and he reacted by telling other sportswriters, “If I ever see that girl again, I’ll spit in her face.”
In 1981, Shah became the first female sports columnist for a daily paper in the U.S., at the Los Angeles Herald-Examiner. She covered Olympics, Super Bowls, World Series, NBA championships, Final Fours (including IU’s 1981 national championship), golf and tennis championships and boxing. When the Lakers beat the Celtics for the NBA championship in 1985, President Ronald Reagan invited the Lakers for a ceremony in the Rose Garden. Shah broke into the White House to get the story. She was the only reporter there.
In 1987, Shah left her columnist job to pursue magazine and book writing. She published stories in The New York Times Magazine, the Los Angeles Times Magazine, GQ, ESPN The Magazine, Playboy, Sport, the Columbia Journalism Review and Esquire.
Shah now writes books and has published four mystery novels, and she co-wrote the book Chief: My Life in the LAPD, which made the New York Times bestseller list. She published her most recent book, Relentless, about famed sports photographer Neil Leifer, in 2016.
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope.
Doug Bauder, Marty Siegel, Jennifer Bass; Betsy Jose; Stephanie Sanders
Summary:
Marriage Equality Collection includes audio and video files, photographs, historical documents and ephemera representing experiences of same-sex couples married in the decade of legal marriage in the U.S. Particular focus is on the experience of couples in Indiana. This archive is growing in both content and scope.
Gary Donatelli is an Emmy award-winning television and film producer/director, best known for the 18 years he spent directing network dramas.
Donatelli attended Indiana University on a combined football and wrestling scholarship. He graduated in 1974 with a degree in radio and television and turned his experiences in the classroom and on the field into a career as a camera operator for ABC’s Wide World of Sports. Donatelli filmed events ranging from the Olympics, to the Kentucky Derby and the Indianapolis 500, to the World Series and Monday Night Football, winning four Emmys for his camerawork. He also authored The ABC Monday Night Football Cookbook & Restaurant Guide.
While working for ABC, he started his own company, Hav Cam Inc. The company produced corporate and music videos, working with artists such as James Brown, Miles Davis and Neil Young along with bands including Boston, Spyro Gyra, and KC and the Sunshine Band.
Donatelli’s tenure at ABC also led him to major news events. He recorded presidential inaugurations and NASA space shuttle launches, and he filmed for ABC Eyewitness News. Over the years, Donatelli climbed the ranks at ABC, moving from cameraman to technical director and then, in 1993, director.
That year, he entered the world of daytime dramas, directing the series Loving. He moved to NBC to direct Another World for four years before returning to ABC to direct One Life to Live from 1998-2011. During those 13 years, the directing team won four Emmys and garnered seven nominations for “Best Directing Team in Daytime Drama.” Combined with guest slots at The Bold and The Beautiful and General Hospital, his career totals more than 1,000 episodes of daytime drama.
For more than a decade, Donatelli also directed the annual Variety Children’s Telethon, a five-hour live entertainment broadcast with “Cousin Brucie” Morrow that raised more than $20 million a year for children’s charities.
He began documentary work in 2001, producing and directing the series Lean on Me, a post-9/11 documentary series for the Fire Department of New York’s Counseling Services Unit. Now, he’s producing and directing Clearing Larry Floyd, a documentary about a Mississippi man who was brutally beaten by corrections officers during an escape attempt after having served time for what he maintains was a racially charged wrongful murder conviction.
Most recently, Donatelli returned to his football roots and produced the film 23 Blast, the true story of a blind high school football player. The film is available on Netflix and won the Audience Choice Award at Indiana’s Heartland Film Festival.
As a member of the Fort Lee Film Commission in New Jersey, he lobbied for years to encourage the Directors Guild of America to honor Alice Guy-Blaché, the world’s first female director. In 2011, the guild posthumously awarded Blaché its Special Directorial Achievement Award. The Fort Lee Film Commission presented Donatelli with its Barrymore Award for his efforts and success in this cause.
Donatelli has taught as an adjunct professor at New York University’s Tisch School of the Arts and has served as second vice president of the Directors Guild of America.
