61. Douglas, Trevor, IU Chemistry Professor; Dana Johnson, Author (41:08)

Date:
2016-05-29
Main contributors:
Douglas, Trevor, Johnson, Dana, Shanahan, James
Summary:
This week, Through the Gates host Jim Shanahan is joined by Trevor Douglas, the Earl Blough Professor of Chemistry in the IU Bloomington College of Arts and Sciences’ Department of Chemistry. Douglas is part of a research team working toward a material that may eventually fuel cheap, efficient cars that run on water — work being funded by the U.S. Department of Energy. The team has created an efficient biomaterial that catalyzes the formation of hydrogen — one half of the “holy grail” of splitting H2O. Also on this episode, we’ll hear from California-based author Dana Johnson, an associate professor of English at the University of Southern California, who talks about her writing process and reads an excerpt from one of her novels. Johnson will be in town next week as a faculty member at the annual IU Writers’ Conference (June 4-8).

62. Carter, Sue, Director, Kinsey Institute (41:22)

Date:
2016-05-15
Main contributors:
Carter, Sue, Allen, Colin, Shanahan, James
Summary:
This week, host Jim Shanahan is joined by Sue Carter, the director of The Kinsey Institute at Indiana University. Carter was appointed to her position at The Kinsey Institute in October, 2014, after a long career in the field of neuroendocrinology. Carter has spent much of her recent career studying the consequences of birth intervention, particularly how the hormone oxytocin affects the health of both mothers and their newborn children. In this interview, Carter will discuss her career, including research on the mating habits of the prairie vole, the present and historical challenges of sex research and the immediate future of The Kinsey Institute. Also on this episode, Colin Allen, a faculty member in the Department of History and Philosophy of Science and Medicine in the College of Arts and Sciences, talks about National Bike to Work Week, from May 16 to 20. May is National Bike Month.

63. Look at IU Swimming with Coach Ray Looze and Olympic hopefuls Lilly King and Blake Pieroni, A (28:42)

Date:
2016-06-12
Main contributors:
Looze, Ray, King, Lilly, Pieroni, Blake, Shanahan, James
Summary:
This week, we hear from IU swim coach Ray Looze, the 2016 Big Ten Coach of the Year for both men’s and women’s swimming, along with swimmers Lilly King, a rising sophomore from Evansville studying physical education in the School of Public Health, and Blake Pieroni, a rising junior from Chesterton, Ind., studying biology in the College of Arts and Sciences. King was named the 2016 Big Ten Women’s Swimmer of the Year. Both King and Pieroni hope to qualify for the 2016 Summer Olympic Games in Rio de Janeiro (Aug. 5 to 21) at the Olympic Trials for swimming June 26 to July 3 in Omaha, Neb. In this podcast, King and Blake talk about the discipline required for day-to-day life as student swimmers — and the numerous calories needed to fuel their training.

64. Williams, David C., and Samantha von Ende, IU Center for Constitutional Democracy (43:05)

Date:
2016-06-26
Main contributors:
Williams, David, von Ende, Samantha, Shanahan, James
Summary:
This week on Through the Gates, host Jim Shanahan is joined by David C. Williams, the executive director of the Center for Constitutional Democracy and the John S. Hastings Professor of Law in the Maurer School of Law. Williams has written widely on constitutional law and consults with constitutional reform movements around the world. Presently, he advises elements of the Burma democracy movement on the constitutional future of the country. In today's interview, he will share some of how that process works. Later in the episode, student Samantha von Ende will share some of her own work with the Center for Constitutional Democracy. As a Ph.D. student, von Ende has worked extensively on gender-related issues of democracy in the United States and around the world.

65. Hamilton, Lee, Former Indiana Congressman (44:47)

Date:
2016-05-08
Main contributors:
Hamilton, Lee, Shanahan, James
Summary:
Former Indiana Congressman Lee Hamilton joins host Jim Shanahan on this week's episode of Through the Gates. Hamilton represented Indiana's 9th Congressional District from 1965 to 1999 and served on several high profile committees both during and after his career in Congress. Hamilton went on to establish the Center on Congress at IU and still serves as a faculty member today. In this interview, Hamilton discusses his new book, his career in Washington and the state of American politics today.

66. McGibbon, Murray, IU Theatre Professor (31:32)

Date:
2016-05-01
Main contributors:
McGibbon, Murray, Shanahan, James
Summary:
This week on Through the Gates, IU associate professor Murray McGibbon joins host Jim Shanahan to discuss his upcoming "original pronunciation" production of Shakespeare's "King Lear". McGibbon utilized a grant from IU's New Frontiers in the Arts and Humanities Program to develop the new version of the play. The New Frontiers program encourages scholars to produce innovative works of scholarship and creative activities. McGibbon took that directive and used it to create a version of the play that utilizes a version of English pronunciation that most closely resembles what Shakespeare's actors would have used in the first run of the production in 1606. In this interview, Shanahan will ask McGibbon about the development of the play, how original pronunciation works and the challenges for both the actors involved and McGibbon as a director

67. Benson, Robby, Actor and IU Professor (56:28)

Date:
2016-04-24
Main contributors:
Benson, Robby, Matejka, Adrian, Kwong, Lisa, Shanahan, James
Summary:
Accomplished actor, writer, singer and director Robby Benson joins host Jim Shanahan for this week's episode of Through the Gates. A professor of practice at Indiana University, Benson brings experience gained through a career that stretches to nearly five decades, including his most famous role in Disney's "Beauty and the Beast." Now, Benson guides film students at IU, including some who will showcase their work at two screenings this week. In this episode, Benson will discuss his long career, how television and film are changing, and what challenges his student filmmakers have had to overcome in their creative process. Also, in recognition of National Poetry Month, poets Adrian Matejka and Lisa Kwong will join the podcast to read some of their works.

68. Using Text Mining to Expose Spies and Detectives in a Digital-History Exploration of the Spanish-... (47:03)

Date:
2016-10-05
Main contributors:
Craig, Kalani, Diaz, Arlene
Summary:
In 1897-1898 secret agents from the Pinkerton National Detective Agency were following American war correspondents in Havana, Cuba. These agents were all Americans yet they all seemingly had a common employer: the Spanish diplomatic minister in the United States. The mission of the operatives that were sent to Cuba was to inform, as well as to sabotage, the journalist work of these correspondents who kept feeding the animosity of American public opinion against Spain. They also sought to identify other spies who were helping the Cubans as well as the Americans. In this mÌ©lange of (private) espionage and (public) published stories, who were the ‰Û÷real' spies and for whom did they really work for? According to the detective reports, what was going on and what stories were being told about the war in Cuba by these American journalists? This brown bag presentation will discuss what we have learned so far from this research as well as how the tools provided by digital humanities were used to uncover spies, the crafting of narratives, and the relationships among them through time.

69. Hypershelf: A Multidimensional Browser for Exploring Content Across the Library (1:00:18)

Date:
2016-08-31
Main contributors:
Allen, Colin, Murdock, Jaimie
Summary:
Research libraries continue to reinvent themselves in the face of increasing demand from users for digitized texts. As physical books move from stacks to deep storage, many researchers lament the reduction in the serendipitous discovery that was provided by browsing the stacks. We believe, however, that digitization offers even greater opportunities for guided serendipity. Developments in machine learning and computing at scale allow content-based models of library collections to be made accessible to patrons. In this talk, we will present a vision for the future of library browsing using the Topic Explorer ‰ÛÏHypershelf‰Û that we have developed for digital collections. It allows users to jump into the collection and browse nearby volumes, rearranging them at will according to topics extracted computationally from the full texts. We will demonstrate the Hypershelf in action, and discuss how it might be integrated with physically-shelved books. This vision enhances rather than supplants the traditional librarians' function of guiding patrons to the best starting points for their research needs.

70. Decoding Digital Preservation (46:25)

Date:
2016-01-27
Main contributors:
Dowding, Heidi
Summary:
Digital preservation is one of those phrases that means a lot to a few people and a little to a lot of people. It is often confused with digitization (preservation by digital), digital curation (of which preservation is a piece), digital asset management (another variant of digital curation), and so on. This talk will lay out the unique characteristics of digital preservation, as well as the practical applications. Expect to learn about recent developments in both the field and within the IU Libraries.

71. Making connections: Turning the Charles W. Cushman Photograph Collection into a Linked Open Data set (44:40)

Date:
2016-09-28
Main contributors:
Hardesty, Juliet
Summary:
What does it mean to turn data into Linked Data? That is the question we are attempting to answer with this project. The IU Libraries released the metadata for the Cushman Photograph Collection under a CC-BY license as a CSV file and it is also available as an OAI-PMH harvestable feed in XML. But what would it take to make this metadata part of the Semantic Web and what does that mean for our digital collections moving forward? How might a collection like this available through the Semantic Web help researchers? This talk does not have all of the answers but we do have a story to share involving Cushman, OpenRefine, and RDF. Join us to learn what's happened and how the IU Libraries will use this learning experience to shape our digital collections into the future.

72. Avalon's Role in the Digital Collections Ecosystem (43:33)

Date:
2016-11-02
Main contributors:
Cameron, Jon
Summary:
As the need to manage and provide access to collections of digital content grows, the ecosystem of software solutions designed to meet these needs has greatly expanded. Into this pool of software comes Avalon, but what exactly does it do, and do differently, from applications like Sufia or Islandora? Developed in partnership with Northwestern University, the Avalon Media System is an open source system for managing and providing access to large collections of digital audio and video. Used for library services such as Media Collections Online and projects such as IU's Media Digitization and Preservation Initiative, Avalon is an application that provides a robust set of features related to media access and streaming. Come learn how Avalon's focus on web-based access to audio and video materials is developed to meet the needs of both consumers and stewards of digital collections, as well as the unique role it plays in the world of digital repository software.

73. One, Two (09:38)

Date:
2016
Main contributors:
Lasater, Michael (artist)
Summary:
One, Two is a self-portrait. The image of me as a boy is split left and right, one side the echo of the other. In the audio, a single claves strike, doubled at the octave, mirrors the visual motif. The video, developing in multiple planes, and the audio, mirroring that development in multiple voices, express a time object – a moment continuously redefined – unified by its genesis in a single image, a single sound. One, Two is composed in Bogen (arch) form, a musical architecture. The piece begins in unity, develops to maximum complexity at mid-point, then resolves again to unity at the end. –Michael Lasater

74. French, Tom, Professor and Journalist (52:29)

Date:
2016-02-07
Main contributors:
French, Tom, Shanahan, James
Summary:
This week's Through the Gates podcast looks at long-form narrative journalism with IU Media School professor of practice Tom French, a Pulitzer Prize-winner and IU alumnus.

75. [Untitled]: How to lose your metadata and keep your search results (56:00)

Date:
2016-03-30
Main contributors:
Hardesty, Juliet
Summary:
It is an interesting time in the libraries for metadata. We have a lot of things described and described well, but is it feasible to keep all of that description in a useful way moving forward? And how do we offer up a ton of items all at once for online access? Whether it's cataloging records or other descriptive metadata, we seem to now be in transition in the libraries. New systems require that we move metadata into new formats. New massive digital collections require description at a scale previously not encountered. We know the metadata we're going to have after these moves and massive description efforts take place will not be complete or perfect and will probably not be the exact metadata we had before. We have to strategize about what information is going to be the most important for search and discovery and aim to have that information available as accurately as possible, regardless of the transition or the scale. Join us for a look at the systems and approaches we are taking to manage these messy metadata scenarios. We'll discuss the Libraries' move from Fedora 3 to Fedora 4 and the metadata transition happening there, the Media Digitization and Preservation Initiative's influx of items requiring mass description and the ramifications and methods being employed, and the future of cataloging records as all libraries look to transition to systems using BIBFRAME. The strategies we employ this time around will inform future metadata moves and mass description efforts.

76. Trends in Digital Scholarship: Stories from Indiana University Bloomington (54:32)

Date:
2016-04-20
Main contributors:
Dalmau, Michelle, Homenda, Nick
Summary:
The Indiana University Bloomington Libraries' Digital Collections Services department has offered Digital Project Planning consultation services twice a week since the opening of the Scholars' Commons in September 2014. Data collected from these consultation sessions provides insight into the individuals engaged in digital scholarship projects and initiatives at Indiana University. Building upon analysis performed by Meridith Beck Sayre, Council on Library and Information Resources Data Curation Postdoctoral Fellow for Data Curation in the Humanities, Dalmau and Homenda will provide an overview of emerging digital project planning and data curation trends and needs demonstrated by Indiana University Bloomington faculty, students and staff as well as recommendations for ongoing support of digital scholarship projects and initiatives on the Bloomington campus and beyond.

77. The Center for Biological Research Collections and the Path To Digitization for IU's Natural Hist... (57:35)

Date:
2016-01-20
Main contributors:
Motz, Gary
Summary:
The Center for Biological Research Collections is a consortium of research-based scientific collections at Indiana University that works in close collaboration with the IU Libraries, the Advanced Visualization Laboratory, University Information Technology Services, and a number of other campus wide organizations to promote the preservation, digitization, and discoverability of IU's natural history collections. The CBRC enhances collection-based research, education, and outreach in biodiversity science, botany, paleontology, zooarchaeology, and related disciplines by providing shared infrastructural and data management support. The Center focuses on collections of biological specimens, including fossils and archaeological remains, that have shared taxonomic, geographic, and temporal metadata requirements. The CBRC provides institution-wide support for a collections management information system, Specifyåü and is working to facilitate the interoperability of this bio-collections data platform with the new Fedora 4 digital content management system being developed by the IU Libraries. This presentation will provide an overview of the university-wide resources committed to the digitization of biological research collections, prospects for future research, education, and outreach opportunities, as well as a mention of some of the challenges that may arise in the digitization of the several million collections objects for which the CBRC is tasked. This grand challenge of specimen preservation, metadata maintenance, and data discoverability is a service and responsibility of the entire university community to enhance and augment the commitment of nearly 200 years of biological research in many scientific sub-disciplines focused on Indiana and beyond.

78. Themester 2016, Bodies of Sound presentations and panel discussion (3:00:45)

Date:
2016-10-24
Main contributors:
Burnim, Mellonee V. (Mellonee Victoria), 1950-, Pollard, Deborah Smith, Jones, Alisha Lola, Cooper, Tyron
Summary:
As part of the 2016 Themester Beauty, the Archives of African American Music and Culture (AAAMC) hosted a presentation and panel discussion event in the Grand Hall of the Neal Marshall Black Culture Center. Comprised of IUB faculty members from the departments of Folklore and Ethnomusicology and African American and African Diaspora Studies, as well as a distinguished scholar and guest speaker Deborah Smith Pollard from Michigan State University, the panel explored concepts of beauty in music from two distinct, though related perspectives. Representations of gendered body images, male and female, served as one area of focus, while the second topic explored the body of aesthetic values which distinguish African American performance in ways which not only contrast, but often contradict those preferred by the larger American public.

79. Bob Shanks, BS'54 (03:04)

Date:
2016
Main contributors:
Shanks, Bob
Summary:
Bob Shanks worked in television as a creator, writer and producer for more than four decades, ultimately serving as vice president of programming and vice president of news at ABC. Originally from Lebanon, Indiana, he graduated from IU with a bachelor of science degree in radio and television in 1954. He was one of only four students to graduate with a degree in radio and television that year. In his time at IU, Shanks often was a guest on WFIU, broadcasting play-by-play commentary of Big Ten basketball games. After graduation, Shanks served in the Army from 1954 until 1956, where he gained experience by writing speeches for the base general at Fort Lee, and producing plays, training films and a weekly TV program. Shanks started in television on The Tonight Show with Jack Paar on CBS, where he began as a talent coordinator and worked his way up to producing the show. He later produced The Morning Program and Candid Camera for CBS, and The Merv Griffin Show for both CBS and NBC. He served as vice president of programming at ABC, where he created and developed programs including Good Morning America, The Barbara Walters Special and The Wide World of Entertainment. As vice president of news at ABC, he developed 20/20 and produced the first three years of The Jerry Lewis Telethon. Shanks produced PBS’ The Great American Dream Machine, which earned two Emmy awards in 1970 and 1971. He also earned an Emmy for his work on 20/20 in 1978. Later in his career, Shanks produced TV movies, including Drop Out Father starring Dick Van Dyke and He’s Fired, She’s Hired. Shanks and his wife, Ann, co-produced the Emmy-nominated documentary A Day in the Country: Impressionism and the French Landscape, for PBS. Their film, The Avant-Garde in Russia, 1910 to 1930: New Perspectives, won the 1982 ACE Award for Cable Excellence. Together, the Shankses won five CINE Golden Eagle awards and numerous film festival awards. In 1989, the Shankses moved to Australia, where Bob Shanks was CEO and managing director of Northern Star Holding and 10 TV-Australia, and also served as a consultant to broadcast and cable companies. In 1990, he and Ann cofounded a TV production company, COMCO. Shanks has authored several books, including The Cool Fire: How to Make It In Television, and The Primal Screen: How to Write, Sell and Produce Movies for Television. His play, S.J. Perelman in Person, premiered at the IU Theater in 1988 and became an off-Broadway production in 1989, directed by Ann Shanks. Shanks donated his personal collection of papers to the Lilly Library at IU in 2005. The almost 30,000 papers include scripts, proposals, correspondence and materials from his coursework at IU.